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Preview: Redcoat #13

Redcoat #13

(W) Geoff Johns (A) Andrew Currie, Brad Anderson, Bryan Hitch
In Shops: Jul 16, 2025
SRP: $3.99

A mysterious force threatens to turn the tide of the Civil War by handing the Confederacy an unthinkable victory! The only ones standing in its way? The immortal, amoral Simon Pure and the enigmatic new American Myth known as the Northerner. But can these two unlikely soldiers put aside their differences long enough to stop a catastrophe? And how does this battle in the past connect to Geiger’s wasteland of the future? History is about to be rewritten-but by whom?

Redcoat #13


(W) Geoff Johns (A) Andrew Currie, Brad Anderson, Bryan Hitch
In Shops: Jul 16, 2025
SRP: $3.99

A mysterious force threatens to turn the tide of the Civil War by handing the Confederacy an unthinkable victory! The only ones standing in its way? The immortal, amoral Simon Pure and the enigmatic new American Myth known as the Northerner. But can these two unlikely soldiers put aside their differences long enough to stop a catastrophe? And how does this battle in the past connect to Geiger's wasteland of the future? History is about to be rewritten-but by whom?

Fantastic Four: Solve Everything has great ideas but overall fizzles

Superstar writer Jonathan Hickman revamps and redefines Marvel’s First Family in a sweeping and epic saga that crosses time, space and reality — but still finds its themes in family. And it all begins when Mister Fantastic decides to solve everything!

A series of amazing revelations come together in quick succession: The Old Kingdom of Atlantis is discovered under thick Antarctic ice. Alien “Inhumans” from throughout the galaxy converge on Earth. A race of super-intelligent underground dwellers takes possession of a high-tech laboratory. And a religious cult in Manhattan threatens to cause an interdimensional invasion.

Fate will play an awful hand in tying these disparate events together in a gripping drama that tests the fortitude of Marvel’s First Family like never before.

COLLECTING: Material from Fantastic Four (1998) 570-588

Story: Jonathan Hickman
Art: Dale Eaglesham, Neil Edwards, Steve Epting, Nick Dragotta, Mark Brooks
Finishers: Steve Epting, Rick Magyar, Mike Perkins
Ink: Andrew Currie, Paul Neary, Scott Hanna
Color: Paul Mounts
Letterer: Rus Wooton

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Zeus Comics
Amazon


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Don’t miss Redcoat #14, the prelude to First Ghost

The upcoming Redcoat #14 by Geoff Johns, Bryan Hitch, Andrew Currie, Brad Anderson, and Rob Leigh will serve as a prelude to the forthcoming First Ghost by Johns, Brad Meltzer, and Gene Ha. Set during the infamous burning of the White House, the powder keg issue will ignite the Ghost Machine fandom with excitement this August 20 and be published by Image Comics.

In the year 1814, where Washington D.C. is under siege by the British army, and the White House is engulfed in flames, Immortal British soldier Simon Pure witnesses history burning before his eyes—and comes face to face with the man responsible for lighting the match. But when Simon is blamed for the attack, his mission takes a shocking turn…

The upcoming First Ghost series will follow a newly elected United States President who moves into the White House with a young son. The two quickly discover the residence is more terrifying than cutthroat politicians and red tape.

  • Cover A by Hitch & Anderson
  • Cover B by Kyle Hotz & Dan Brown
  • Cover C by Hitch & Anderson

Ghost Machine’s Redcoat #2 sneak peek introduces… Albert Einstein?

The Ghost Machine universe is heating up and Image Comics presents a first look at Ghost Machine’s next issue of the critically acclaimed, Redcoat, by Geoff Johns, Bryan Hitch, Andrew Currie, Brad Anderson, and Rob Leigh.

Following the red-hot, sold out success of Redcoat #1, issue #2 picks up with Simon Pure hunted by a bloodthirsty cult. The immortal mercenary discovers his powers may have its limits and the former British soldier must accept help from a 12-year-old genius named Albert Einstein.

Redcoat #2 Final Order Cutoff deadline for retailers is Monday, April 22:

  • Cover A by Bryan Hitch & Brad Anderson – Lunar Code 0324IM267
  • Cover B by Ivan Reis & Danny Miki – Lunar Code 0324IM268
  • Cover C 1:50 copy incentive by Ivan Reis & Danny Miki foil variant – Lunar Code 0324IM269

Ultimate Invasion #4 is a rushed clunker of a finale

Ultimate Invasion #4

War breaks out as timelines and universes collide! Iron Man must choose between the lesser of two evils – the Maker or Kang. But what secret does Iron Man know about the men behind the masks? And at the end of it all, the world outside your window will be forever changed! Ultimate Invasion #4 wraps up this miniseries delivering the end to this chapter and the beginning of so much more.

The “Ultimate Universe” has been hinted at and danced around for quite some time since its teased destruction. In Ultimate Invasion, writer Jonathan Hickman has been building the foundation for its official return and a clear relaunch of that line. Unfortunately, at only four issues, Ultimate Invasion has felt rushed giving us a surface level introduction to the world.

The finale has Howard Stark deciding what to do about the Maker and getting to know the mysterious masked man next to him. There’s a lot teased, hinted at, and danced around, with decisions made to get things rolling and wrap up this chapter of the story. And, as a big event, it sort of works. But, like a summer popcorn movie, this is one to not really think too much about. It relies on visuals and blockbuster moments instead of the more interesting nuanced themes that make you think that Hickman is known for and excels at. It teases so much and so many interesting things but relies heavily on its visuals to distract from its thin delivery.

Unfortunately, the art by Bryan Hitch is just distracting. With ink by Andrew Currie, color by Alex Sinclair, and lettering by Joe Caramagna, the visuals are bombastic and blockbuster but without much that’s interesting. The use of the same characters over and over feels like the goal is to just fill up spreads as opposed to deliver an interesting narrative through visuals. I didn’t find myself drawn to anything in particular but enjoyed the art from a high level view. Hitch’s art in general is hit and miss for me and in this case it’s a general miss.

The draw of Ultimate Invasion #4 is its setup of a new Ultimate Universe. It does that and does that pretty well. But, the issue, and series as a whole, rushes through explanation and background of key characters and moments delivering a reading experience that feels like the Cliff’s Notes version of a series rather than laying a strong foundation and groundwork. Add in a cover price of $8.99 and it’s hard to really recommend the single issue. This is an event as a whole that might be better as a collection.

Story: Jonathan Hickman Art: Bryan Hitch
Ink: Andrew Currie Color: Alex Sinclair Letterer: Joe Caramagna
Story: 6.75 Art: 7.0 Overall: 6.85 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: TFAWZeus ComicsKindle

Ultimate Invasion #1 is a flashy sequel to Hickman’s previous Marvel work

Ultimate Invasion #1

After teasing in various comics penned by Donny Cates and/or featuring Miles Morales, the Ultimate Universe returns in some shape or form in Ultimate Invasion #1. However, despite the Maker (The villainous Reed Richards from the Ultimate Marvel Universe) acting as basically the protagonist of the first issue in the Jonathan Hickman/Bryan Hitch miniseries, Earth-1610 doesn’t make an actual appearance, and this comic is more of a continuation of Hickman’s Marvel epic than let’s just say, The Ultimates 6 despite its cover. The Maker is on the loose playing god, and the Illuminati must attempt to stop him, but are hamstrung by their own moral greyness as Hickman continues on some of the themes of his excellent New Avengers run that culminated in Secret Wars. And one of the results of Secret Wars was the end of the Ultimate Universe except for Miles Morales, his family, and the Maker. (Other survivors have been glimpsed at in stories in like Spider-Men 2.)

But, despite all its connections to previous Hickman Marvel books, at its core, Ultimate Invasion #1 is a blockbuster of a comic (Fittingly released on the summer solstice) beginning with an action sequence reminiscent of The Dark Knight‘s IMAX-shot prologue, but with force fields and black hole generators. Hitch and his Ultimates inker Andrew Currie are in widescreen mode as the Maker frees himself and performs a series of heists to remain true to his name. During the scenes, Alex Sinclair’s colors come in handy in differentiating between a variety of generic military types that are only stepping stones on the Maker’s path to godhood and universe-shaping.

However, he, Bryan Hitch, and Currie stumble in a splash page of the Illuminati facing the Maker that reads as either parody of typical superhero fisticuffs or a reminder that this art team can still pull off big multi-figure spreads like they did back in Ultimates 2 and The Authority. However, this page comes across less like the iconic spreads of the Asgardians arriving in Ultimates 2 and more like Jim Lee’s deadline-saving pin-ups in his run on the New 52’s Justice League. The scene falls flat, especially for a team focused on intellect versus brawn and basically just shows that the conventional Earth-616 heavy hitters are no match for The Maker and his both literal and metaphorical deconstruction abilities. It’s like there’s a reel missing between Iron Man and Mr. Fantastic figuring out what the Maker has done to construct his machine and then just leaping into a full-frontal assault. But it’s not like the Illuminati had a chance any way.

However, this splash is just a blip on the radar of Ultimate Invasion #1, which in addition to the wide panels, has a little bit of the edgy quality of the Ultimate Universe, especially in regards to the fate of the folks who break the Maker out of prison. It succeeds where Fant4stic Four fails in showing the body horror potential of Reed Richards’ powers, and you can see the revulsion in Mr. Fantastic’s face as he sees his doppelganger melt and squirm into nothingness while the Maker taunts him from parts unknown. Also, Jonathan Hickman writes Mr. Fantastic as a monologuer with his long speeches breaking the action thriller flow of the comic whereas the Maker has mastery of both action and words crafting multiverse-traveling tech while evading some of the best and brightest of the Marvel Universe and also manipulating his Earth-616 counterpart.

Also, in his brief, yet haunting interaction with Miles Morales and in this issue’s game-changing epilogue, the Maker has a bit of what Grant Morrison would call fifth-dimensional awareness. He understands what makes a shared universe tick and is there to upend it and shape it in his own image. The epilogue is brief, yet tantalizing commentary on how the Ultimate Universe both deconstructed (The Mark Millar stuff.) and stayed faithful (Brian Michael Bendis and Mark Bagley’s Ultimate Spider-Man) to superhero/Marvel tropes. Even though it took six issues to get there, Uncle Ben had a ponytail, and Peter Parker was the Daily Bugle’s webmaster and not a freelance photography, there’s still great power and responsibility in Ultimate Spider-Man just like Amazing Fantasy #15. This isn’t the case in Ultimate Invasion #1, and Hickman/the Maker’s twisted vision of iconic Marvel moments is what has me anticipating the next issue.

Ultimate Invasion #1 is a flashy sequel to Jonathan Hickman’s previous Marvel work that explores nostalgia, deconstruction, and features one dastardly villain. It’s not just a trip down memory lane, and with the exception of one poorly paced splash page, is an additive experience with Bryan Hitch showing off his storytelling chops in both quiet conversations as well as big explosions. Ultimate Invasion is definitely a must read for fans of the Hickman epic and Ultimate Universe as well as anyone who loves a bombastic superhero yarn as the days get longer and the weather gets hotter.

Story: Jonathan Hickman Pencils: Bryan Hitch 
Inks: Andrew Currie Colors: Alex Sinclair Letters: Joe Caramagna
Story: 8.8 Art: 8.0 Overall: 8.4 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Fall of X, G.O.D.S., Ultimate Invasion, and more in Marvel’s Free Comic Book Day titles

This year’s Free Comic Book Day will be packed with new beginnings including a prelude to the X-Men’s next era, Fall ofF X; an introduction to Jonathan Hickman’s bold upcoming projects, G.O.D.S. with Valerio Schiti and Ultimate Invasion with Bryan Hitch; the debut of a new Venom villain, and so much more. In addition to these exciting lead-in stories for fans and newcomers alike, Marvel Comics will also spotlight creators and characters from different cultures and communities in a special installment of the Marvel’s Voices program, Free Comic Book Day: Marvel’s Voices, and deliver all-ages Spider-Man adventures in Free Comic Book Day 2023: Spidey & His Amazing Friends #1 so that even the youngest readers won’t go home empty handed!

It’s one of the biggest days for the comic book industry, and this year promises to be the greatest one yet! Here’s what fans can looking forward to:

FREE COMIC BOOK DAY 2023: AVENGERS/X-MEN #1

Be the first to arrive at this year’s game-changing Hellfire Gala in a story by the current X-Men creative team: writer Gerry Duggan and artist Joshua Cassara. This year’s HELLFIRE GALA will be more dramatic than ever, and the tragic events of the night will lead mutantkind directly into FALL OF X.

Then join Duggan and superstar artist Javier Garrón as they reassemble the Avengers Unity Squad to navigate the dangers of FALL OF X and solve the mystery of the new Captain Krakoa in a prelude story to their upcoming run of UNCANNY AVENGERS. This action-packed story will also feature the debut of the STARK SENTINELS, a new line of mutant hunters who cause major havoc on the night of the Gala and in the pages of Duggan’s INVINCIBLE IRON MAN.

And score a sneak peek at one of the most talked about launches of the year, Jonathan Hickman and Valerio Schiti’s G.O.D.S., an extraordinary epic at the crossroads of magic and science where Marvel’s cosmic pantheon will be boldly reimagined.

Written by GERRY DUGGAN & JONATHAN HICKMAN
Art by JOSHUA CASSARA, JAVIER GARRÓN & VALERIO SCHITI
Colors by MARTE GRACIA & MORRY HOLLOWELL
Cover by JAVIER GARRÓN & MORRY HOLLOWELL

FREE COMIC BOOK DAY 2023: AVENGERS/X-MEN #1

FREE COMIC BOOK DAY 2023: SPIDER-MAN/VENOM #1

Dive into the next story arc of Zeb Wells’ run of AMAZING SPIDER-MAN with a story that sees the return of two classic Spidey villains! Featuring incredible art by Patrick Gleason, this thrilling story also unleashes the full potential Spider-Man’s new suit!

Then, web-swing over to the symbiote side of things with current VENOM masterminds, Al Ewing and Cafu! The pair will pull back the curtain on a secret chapter in symbiote history where an experiment went horribly wrong…. Say hello to new Venom villain, FLEXO!

And get a glimpse into Jonathan Hickman and Bryan Hitch’s ULTIMATE INVASION, a saga that begins with a daring mission to revive the Ultimate Universe but ends with the promise of something all-new and vastly different than anything that’s come before…

Written by ZEB WELLS, AL EWING & JONATHAN HICKMAN
Art by PATRICK GLEASON, CAFU, BRYAN HITCH & ANDREW CURRIE
Colors by MARCIO MENYZ, FRANK D’ARMATA & ALEX SINCLAIR
Cover by PATRICK GLEASON & BRYAN VALENZA

FREE COMIC BOOK DAY 2023: SPIDER-MAN/VENOM #1

FREE COMIC BOOK DAY 2023: MARVEL’S VOICES #1

Spotlighting creators and characters across Marvel’s diverse and ever-evolving universe, this book will include a range of stories from previous Marvel’s Voices issues that star Ms. Marvel, Luke Cage, Wave, and more! Plus a brand-new Ironheart adventure by writer John Jennings and Paris Alleyne that debuts her deadly new nemesis, KHEM!

Written by JOHN JENNINGS, NYLA INNUKSUK, SABIR PIRZADA, ALYSSA WONG & CODY ZIGLAR
Art by PARIS ALLEYNE, NATASHA DONOVAN, ERIC KODA, STEPHEN BYRNE, DIÓGENES NEVES & EDER MESSIAS
Colors by ERICK ARCINIEGA, RACHELLE ROSENBERG, BRIAN REBER, FRANK WILLIAM & DIJJO LIMA
Cover by CHRIS ALLEN & PARIS ALLEYNE

FREE COMIC BOOK DAY 2023: MARVEL’S VOICES #1

FREE COMIC BOOK DAY 2023: SPIDEY & HIS AMAZING FRIENDS #1

Swing into adventure with Spidey, Ghost-Spider, and Miles as they face off against Green Goblin, Doc Ock and more in this spectacular special. Filled with easy-to-read comic stories based on the hit Disney Junior show, this book is perfect for the youngest readers aged 5-7. Young fans will even be able to test their wall-crawling skills with thrilling interactive activity pages! Kids will love this not-to-be-missed comic: the perfect primer for the newest generation of Spider-Fans!

FREE COMIC BOOK DAY 2023: SPIDEY & HIS AMAZING FRIENDS #1

Exclusive Preview: Venom #13

Venom #13

(W) Al Ewing (A/CA) Bryan Hitch
(I) Andrew Currie (L) Alex Sinclair
RATED T+
In Shops: Nov 09, 2022
SRP: $3.99

“DARK WEB” PRELUDE!
Forced to watch his son die from across the timestream, Eddie Brock finds himself surrounded by enemies. Alone, and with no one to trust, an unexpected ally lends a hand, and she’s setting the stage for the MOST EPIC CROSSOVER OF THE YEAR!

Venom #13

Who is Bedlam?

Check out Paulo Siqueira and Rachelle Rosenberg’s Venom #10 variant cover and be there when Bedlam, the chaotic force behind Eddie and Dylan Brock’s recent troubles, reveals his identity in Venom #9 on July 27! Venom #9 and #10 are written by Al Ewing with art by Bryan Hitch, ink by Andrew Currie, and color by Alex Sinclair.

Venom #10 variant cover

Incendium Launches Opus Comics into the Direct Market. Get an Exclusive look at Frank Frazetta’s Death Dealer covers

Opus Comics

There’s a new comic line to keep an eye on. Incendium has announced its publishing arm, Opus Comics, will be releasing comic books in the direct market, distributed by Diamond Comic Distributors.

Opus and Diamond also announced that the publisher will implement a new Final Order Cut-Off (FOC) program, effective with products scheduled to go on sale on May 4 and now carrying an FOC Date of Monday, April 11.

Frank Frazetta’s Death Dealer #1 and Disturbed: Dark Messiah #1 are the first titles from the new publisher, making its retail debut in May. With a scheduled on sale date of Wednesday, May 4, Death Dealer #1 will carry an FOC Date of Monday, April 11. With a scheduled on sale date of Wednesday, May 18, Disturbed: Dark Messiah #1 will carry an FOC Date of Monday, April 25.

The first titles in the lineup, hitting shelves in May and June 2022, include the new Frank Frazetta’s Death Dealer comic series and the Bill & Ted Roll the Dice miniseries, plus the music-based titles Disturbed: Dark Messiah and Joe Satriani’s Crystal Planet.

This marks a new stage for the production company, which has been selling comics, toys, games, and collectibles for 15 years, with an emphasis on creating merchandise for the heavy metal music scene. Driven by the company motto of “Myths, Monsters, and Metal,” the brand embraces ’80s and ’90s counterculture with a contemporary twist.

Incendium was founded in 2006 and initially established as a creative service business for the music industry, with clients including Iron Maiden, for which it produced comics, music videos, toys, and more. Incendium grew into a multifaceted production company, remaining independently owned. The company moved into comics with Eternal Descent in 2010, an original series that explores a radical take on the heavy metal music genre with axe-wielding metal masters in a dark fantasy world.

Over the years, the company has been involved in many unique productions, creating video games, animation, comics, music, and more. Incendium also moved into physical manufacturing of toys and collectibles for a number of clients and developed a pipeline for a line of 5” fully articulated “Figbiz” action figures, an homage to the ’90s toys Leon collected as a child.

During the pandemic, Opus Comics started working more with bands as tours and releases were delayed and musicians had more time and opportunity to explore narratives based on their music IP. This led to collaborations with popular metal and rock bands like Evanescence, Exodus, Cradle of Filth, Disturbed, and many more making their comic medium debut with Incendium. In this vein, the team behind Opus Comics always looks to push boundaries with stories exploring genre fiction, especially fantasy, horror, and sci-fi, be it with existing legendary properties or original ideas.

CEO Llexi Leon is joined at Opus Comics by Executive Editor Denton J. Tipton, who spent the past decade rising through the editorial ranks at IDW Publishing, most recently in the position of Managing Editor. R.G. Llarena has also come aboard as International Editor for Opus Publishing. He spent several years working as a freelance writer for both the American and Mexican comic book markets.

Opus Comics will be debuting Bill & Ted Roll the Dice #1 on June 14th, 2022, a four-issue miniseries set after the events of Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. The series is written by James Asmus with art by Wayne Nichols, and will also have a backup story featuring the origin of villain Chuck De Nomolos, written by John Barber with art by Andrew Currie. In addition to putting new Bill & Ted comics on the racks every month from June, Incendium also makes official Excellent Adventure and Bogus Journey merchandise, including FIGBIZ toys and playsets, art prints, apparel, and accessories.

The first issue of Frank Frazetta’s Death Dealer debuts May 4, embarking on a brand-new adventure through the worlds of Frazetta, introducing readers to extraordinary characters and places envisioned by the “Godfather” of fantasy art. This first title, authored by animation writer Mitch Iverson and illustrated by celebrated artist Stefano Martino, begins a major launch of comic books building towards an entire multiverse of stories inspired by Frazetta’s most famous creations. This is the start of a decade-long partnership between Frazetta Girls and Incendium, spanning comics, toys, games, and more across physical and digital collectibles.

Other high-profile titles in Opus Comics’ lineup include direct market releases of the Disturbed: Dark Messiah comic book series, written by Tim Seeley, and Joe Satriani’s Crystal Planet series. Incendium is also releasing collectible FIGBIZ action figures for every project related to the bands and their comic book storylines.

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