Review: Maestro #1

Maestro #1

I remember many years ago when Maestro debuted and getting those issues. It was an interesting take on the Hulk. At the time he was a character I didn’t really care for. The Incredible Hulk: Future Imperfect gave us a “possible future” story when those felt rare and special. All these years later we get Maestro #1, the origin of the brutal future version of the Hulk. When it was announced I immediately wondered if this was a story we really needed. After reading the first issue, I want more. There’s so much there and I and fully expect spin-offs in the “Old Man” sort of way.

Created by ‎Peter David‎ and ‎George Pérez and debuting in 1992, Maestro was a future version of the Hulk coming from a world where the heroes have been wiped out. It’s been almost 30 years so the original story is a fading memory but the debut was huge as this was a brutal version of the Hulk unlike anything seen at that time. Mixed with the popular trope of “alternative futures” the character was a hit. Over the years, the Hulk and Bruce Banner have evolved as characters adding depth to a level that didn’t exist back in the early 90s.

David returns to write one of the characters and runs he’s known for with Maestro #1. He delivers an emotional opening of shock and loss. While it falls into a bit of a trope-ish space and the plot is one we’ve seen before, the result when layered on to the Hulk works and works really well.

It’s hard to really dive into the first issue and why it works without really spoiling it. It’s a rabbit hole of a story that gets more and more intriguing as the layers are lifted and we learn more of what is happening and what happened. Where the issue gets interesting is in the current run of the Hulk and his outlook on life and death. He’s currently a destroyer of worlds and that evolution to the Maestro and where that begins gets complicated with that. But, at its heart, the story is about loss and family and where a person goes when they lose everything. We’re left with the question as to how the Maestro is born but we get to see the first steps.

The issue has some layers in a Matrix-like way. Dale Keown handles the art in the opening with Jason Keith on color. Germán Peralta handles the art from there with Jesus Aburtov on color. The transition from one artist to the other works and works really well. It’s used in a way as the story shifts and the two styles are close enough it’s not jarring going from one to the other. While a lot of the history is explained, there’s still a lot left for readers to pick up on visually. The characters, the background, everything tells a bit of the mystery. It fantastic to see Keown back on the Hulk and the art pops taking us into the opening spiral.

Maestro #1 is a comic where I cringed at first. I didn’t think it was a story we needed to know, the mystery worked. But, after reading the issue, it’s a solid opening that has a lot of potential as to where it takes us and goes. While much of it is familiar it’s a perfect start and base to see the further evolution of the Hulk as a character.

Story: Peter David Art: Germán Peralta, Dale Keown
Color: Jesus Aburtov, Jason Keith Letterer: Ariana Maher
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


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