Tag Archives: marvel

Review: Elektra #1

elektra__1Matt Owens starts off this reboot, or continuation, of the Elektra story by giving us an escapist vibe. Elektra is trying to sort herself out and figure out her next move, she chooses Las Vegas as the jump off point for her adventure/awakening. While there she goes after a woman beating rapist and sets herself up to possibly be used in a very dangerous game.

Owens provides a bit of girl power and sisterhood by having another woman, Elektra, come to the aid of a woman whose attack she catches on the tail end of her assault. Outside of a short bar scene, a bathroom scene and, her retaliation against the misogynistic scum bags running the casino, there isn’t much Elektra in this issue. I get that the first issue is supposed to set up the story but, the story seems to be more about the foul-mouthed bad guys than Elektra.

Juann Cabal serves up some pretty sleek artwork. It’s halfway between manga and old school Marvel. It’s sleek,y et dark and Archer-esque while being well linked and detailed. The fight scenes and the Elektra reveal are drawn extremely modern giving the readers a visual upgrade to add tone to the action.

Overall I found this issue interesting as a story but, not as an Elektra comic. The title character appears on less than half of the pages which I haven’t seen happen in any other comic book. Getting past the lack of Elektra, I can say that the story was realistic to a degree and gave us a nice little cameo in the end. Elektra’s retreat is ruined by having to be the bad ass ninja assassin that she provides a nice parallel to the abused bartender part of the story.

There’s a lot of trapped women going on and, not only does Elektra use the male abusers communication method of violence against them but, she turns it up a notch. We get a woman as an avenging angel with her own goals and agenda. I’m curious how it will turn out when she’s put in the inevitable situation of being used by men as an object of violence. I’m hoping that they keep up with the girl power vibe that Elektra embodies and don’t cop out, create a type of comic book torture porn or, remove her agency like she was removed from most of the pages.

As a stand alone issue this is a good kick off point for a story and worth having a look at. Unfortunately, I would have liked to have seen more Elektra.

Story: Matt Owens Art: Juann Cabal
Story: 7.8 Art: 8.5 Overall: 8.0 Recommendation: Read

Marvel provided Graphic Policy with a free copy for review


Eddie Brock is Back This May In The Oversized Venom #150!

Reunited, and it feels so good! Or, is it bad? Either way you swing it, Eddie Brock is back, and he’s bonding with the symbiote once more ahead of the can’t-miss Venom #150 – the oversized anniversary spectacular coming this May! Series writer Mike Costa is joined by superstar guest artist Tradd Moore for an oversized main story featuring Eddie’s return to the pages of Venom. Bonded together again, Eddie and the symbiote are web-slinging their way across New York City. But, is their relationship as harmonious as it once was? Or is their bond more sinister than ever?

But that’s not all! In addition to a brutal main feature from Costa and Moore, Venom #150 features the return of iconic past Venom creators! First up, secrets will be revealed! How did Flash Thompson come to lose the symbiote before it found its way to former Army Ranger Lee Price? The Venom: Space Knight creative team of Robbie Thompson and Gerardo Sandoval have the answers! Then, it’s back to the mean streets of San Francisco as fan-favorite creators David Michelinie and Ron Lim present a tale set between the pages of their iconic Venom: Lethal Protector series!

It’s all happening this May featuring a cover by Gerardo Sandoval.

venom_150_cover venom_150_preview_not_final

Watch Captain Marvel: Alien Nation

The Greatest. That’s what they call her. Carol Danvers has been to the depths of outer space and back, but that still hasn’t prepared her for her newfound status of biggest super hero ever.

For someone like Carol Danvers, being super famous isn’t exactly enjoyable — she’d rather be focused on her job as commander of Alpha Flight Space Station than worried about who’s playing her on the new Captain Marvel TV show. So when her crew discovers that a shady character is hunting for alien refugee children, Carol jumps on the case.

Punisher Logo with “Blue Lives Matter” Gets Removed from Police Cars

The Punisher is a vigilante who uses murder, extortion, torture, kidnapping, and threats of violence in his war on crime. He’s also apparently what some police officers look up to. The Catlettsburg Police Department in Eastern Kentucky added the Punisher skull logo to eight police cars with the words “Blue Lives Matter.”

The design was spearheaded by Police Chief Cameron Logan who worked with a vinyl decal shop on Louisiana to print the decals (was there no decal shops in Kentucky!?). A similar decal is being sold by David Klotz Enterprises out of New Jersey. There it’s listed as the “Thin Blue Line Punisher Skull Window Decal.”

The design was approved by the city council and Mayor Randall Peterman. One member objected, but he was elected after the approval. His criticism is over the cost, not the message. The idea was to “give back to the police officers.” Which begs the question what is this “giving back?”

The Punisher is a vigilante who breaks the law by killing criminals, making himself judge, jury, and executioner. A veteran, he’s exactly what the police are being accused of, abusing the rights of individuals. The police chief sees it as a “warrior logo.” Which makes one wonder if he endorses what that skull logo represents.

This is the latest example of the mainstreaming of the Punisher who debuted in 1974 and has starred in numerous films and appeared in the second season of Marvel and Netflix’s Daredevil with his own solo television series soon debuting.

The character is the antithesis of the law and order police are supposed to represent. He has in fact murdered police officers in his “one man war.” Not to mention the irony of appropriating intellectual property without permission. You know, theft.

This isn’t the first time controversy over police using the logo has arisen. A Georgia SWAT team used the logo in a video showing off their militarization. The military has often used the symbol in units. If the Punisher is someone that police look up to, it’s no wonder so many citizens are being murdered by police.

(via Lexington Herald Leader)

Retro Review: Wolverine: Doombringer

wolverine_doombringer_vol_1_1In November of 1997, Wolverine: Doombringer was released. A one shot graphic novel written by Doug Moench with Michel Dutkiewicz providing the pencils, and Jimmy Palmiotti on inks. The team are joined by colourists Mark McNabb, Dennis Calero and Atomic Paintbrush. 

Clocking in at 48 pages, the comic is set during the period of time after Mariko Yashida canceled her wedding to Logan in order to atone for the sins of her father and her final appearance in Wolverine #57, a comic published five years before the publication date of Doombringer. The story itself starts a millennium ago with one group of mystics trying to end the world by summoning the Doombringer, and another group trying to prevent them by freezing time using an intricately detailed piece of magic.

Fast forward a thousand years and the conflict between the two opposing mystic groups has been relegated to myth when one of those impacted by the spell is awoken and goes to seek aid from the modern descendants of his clan. Events transpire, and eventually, Wolverine gets involved.

Once that happens we get a pretty standard late 90’s Wolverine tale that won’t set your world on fire, but is the equivalent to a PG-13 popcorn action movie; an enjoyable, if unspectacular, comic that has all the action you’d expect with very little damage to Wolverine beyond his torn costume.

While I still enjoyed the comic, at the end of the day it wasn’t as good as I remembered – and that’s a bigger disappointment for me than anything else.

Story: Doug Moench Pencils: Michael Dutkiewicz Inks: Jimmy Palmiotti
Colours: Mark McNabb, Dennis Calero and Atomic Paintbrush
Story: 6.75 Art: 7 Overall: 7.0 Recommendation: Read 

Unboxing: Marvel Collector Corps February 2017 “Superhero Showdown”

We open up to show off Funko and Marvel‘s latest Marvel Collector Corps box. The bimonthly premium box service features a theme of “Superhero Showdown,” celebrating Marvel’s popular rivalries!

We go over the contents including a variant comic, and some figures! Valued at over a $50 the box is perfect for fans of Marvel Comics.

You can sign up for the next one here!

Review: Scarlet Witch #15

5712144-15Witchcraft has been saved. Now Wanda has an even harder thing ahead of her – planning her life now her task is done.  But first she must face a witch-demon who possesses a young boy with a bloodline connection to witches of yore.  Join us as Wanda must battle evil both in present-day New York…and Havana, Cuba in 1954!!

Scarlet Witch was a title I was very excited about when I heard of it’s debut, and Wanda has always been one of my favorite Marvel characters.  Over the years, writers have taken liberties with her powers; some focusing on her mutant ‘hex’ power, others delving into her ‘chaos magic’.  This series took Wanda’s abilities more in a supernatural direction, really showing this character as a witch.  It was an intriguing endeavor, Wanda out on her own to fix witchcraft and find the person or persons who were destroying it.  The series definitely had its high points and low points, but I think any fan of Scarlet Witch would say they enjoyed the ride.

James Robinson gives a nice ending story to close out this series.  It really shows how the character has changed as a result of her journey, and how she’s ready to face her future.  We see a more confident Wanda, not second guessing herself or apologizing anymore for past mistakes.  On the road to fix witchcraft, Wanda has also managed to heal herself and Robinson ends this series showing us that Wanda knows what she wants for herself and she is going after it, promising that we definitely have not seen the last of the Scarlet Witch.

Vanessa Del Rey’s art definitely adds to the supernatural feel of this issue.  Most panels are very dark and muted, except for Wanda and her signature color, which conveys her power and presence thanks to color artist Jordie Bellaire.  The art has a very “sketch” feel to it, but really lends itself to the mood of the issue, even though some of the faces look awkward in some panels.

Overall, this was a good story to send Wanda off onto the next chapter of her adventures.  It shows us Wanda is more confident in her powers and how she has come into her own, no longer relying on her brother Quicksilver to be her protector and no longer being weighed down by the guilt of things that happened in her past (her mental breakdown in Avengers Disassembled; her uttering ‘no more mutants’ in House of M).  Wanda’s story that begins this issue, the ending of her tale and who she is with at the end of the story shows us that Wanda knows exactly what she wants her life to be and she is no longer going to hide away but embrace who she is.  I am very excited to see where Wanda turns up next, and I look forward to seeing her in action again.

Story: James Robinson Art: Vanessa Del Rey Colors: Jordie Bellaire
Story: 7.0 Art: 7.5 Overall: 7.25 Recommendation: Read

Marvel Comics provided Graphic Policy with a FREE copy for review

Preview: Hulk #3

Hulk #3

(W) Mariko Tamaki (A) Nico Leon (CA) Jeff Dekal
Rated T+
In Shops: Feb 22, 2017
SRP: $3.99

Jen’s life is finally settling into a rhythm: She wakes up, goes to work, helps her new clients, goes home, watches a cooking video, and goes to sleep. But when a murder rocks the life of one of her newest clients, how will Jen react? Is there more to the situation than just Jen Walters, lawyer, can handle? Will she need the HULK to get herself out of this jam?


TV Review: Legion S1E3 Chapter 3

legionLegion, based on the Marvel character created by Chris Claremont and Bill Sienkiewicz, continues its exploration of the main character David Haller (played by Dan Stevens) in an episode that dives further into the mystery of David’s powers while a greater threat looms.

Like the previous episode this one is focused on the method of looking into David’s past to figure out the moment his powers manifested in hopes of better understanding them. That focus is interesting as we saw in last episode and this one his new friends don’t even know his true strength and power.

We the viewers are left in the dark and discover exactly what’s going on as David and his friends discover it as well. The show has moved past the concept that David is schizophrenic, instead chalking up his issues as a side affect of his mutant powers. It’s an interesting decision as it makes this version of David/Legion similar to the comic book version and in ways downplays the schizophrenia.

Dan Stevens stars as David Haller in Legion

A lot of the episode bounces around his head and it’s very similar to the previous one. While we learn a bit more about what’s going on with the opposing force, but not much, and given more hints that David is more powerful than anyone imagined, I can’t say there’s much as far else in the series. It’s David getting to know his new friends and himself.

The visuals of the series continue to be stunning and the best thing about it. This is a show you need to watch and watch intently as many of the hints and plot points are driven not by the dialogue, but by the visual clues that are thrown on the screen in quick flashes. We see that here with some of what is triggering David and the visuals are giving the best hint as to what’s really going on in his head. The series begs to be watched multiple times to catalog all of the quick flashes and coloring to decipher what it all means.

Legion builds and shows the “X” world can be presented with a more adult focus without all of the spandex. The end of the episode in particular had me take notice wondering what it all means and if what we’re shown on screen reflects what comic fans may already know. This is a new depiction of Legion, but it’s one that’s building off of an obscure, but classic character. It’s also becoming one of the best “comic” shows on television.

Overall Rating: 9.15

New York Toy Fair 2017: QMx Shows Off Q Figs, Star Trek, Princess Bride, and Star Wars

At New York Toy Fair, QMx was showing off lots of new figures for their stylized Q-Fig line. There’s also some impressive Star Trek figures, one based on The Princess Bride, and Millennium Falcon.

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