Tag Archives: Comics

Ice Cream Man #2 Sells Out and Heads Back for a New Printing

Image Comics has announced that the second issue of Ice Cream Man, from W. Maxwell Prince and Martín Morazzo, has been fast-tracked for a second printing in order to keep up with overwhelming customer demand.

Each issue of Ice Cream Man serves up its own flavor of misery, and through them all runs the ribbon of fudge that is the Ice Cream Man: a friend, a foe, and a purveyor of sweet treats.

Ice Cream Man #2, 2nd printing (Diamond code: JAN188318), as well as Ice Cream Man #3, Cover A by series artists Morazzo and O’Halloran (Diamond code: JAN180752) and Cover B by Mike Shea (Diamond code: JAN180753), will be available Wednesday, March 21st. The final order cutoff deadline for comics retailers is Monday, February 26th.

Hit-Girl Heads Back to Print

The highly anticipated new story arc of Mark Millar and Ricardo Lopez Ortiz’s Hit-Girl #1 is being rushed back to print in order to keep up with overwhelming customer demand.

In Hit-Girl #1, the pint-sized Punisher-meets-Polly-Pocket has left America behind and set off to serve justice around the world. First stop: Colombia. A mother seeking vengeance for the murder of her child enlists Hit-Girl to destroy his killer, but Mindy has bigger plans for Colombia’s most feared hitman.

Hit-Girl #1, 2nd printing (Diamond Code JAN188317) will be available on Wednesday, March 21st. The final order cutoff deadline for comics retailers is Monday, February 26th.

Hit-Girl #2 Cover A Reeder (Diamond Code JAN180750), HIT-GIRL #2 Cover B B&W Reeder (Diamond Code JAN180751), and HIT-GIRL #2 Cover C (Diamond Code DEC178232) hit stores on Wednesday, March 28th. The final order cutoff is Monday, March 5th.

Graphic Policy’s Top Comic Picks this Week!

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

Each week our contributors are choosing up to five books and why they’re choosing the books. In other words, this is what we’re looking forward to and think you should be taking a look!

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Black Panther Annual #1 (Marvel) – Some of Black Panther’s greatest creators return for this annual.

Deathbed #1 (Vertigo) – We’ve read it, it’s amazing and entertaining. A writer is hired to tell the life of a mysterious person… then the twist happens.

Fence #4 (BOOM! Studios) – A wonderful series that takes the best of sports focused manga and gives it a Western twist. Every issues is fantastic.

Hit-Girl #1 (Image Comics) – The Kick-Ass reboot was a mixed bag but we’re hoping this one will be better.

Infinity Countdown: Prime #1 (Marvel) – Marvel’s next event is gearing up and we’re excited to see where it goes.

James Bond: The Body #2 (Dynamite Entertainment) – Have you read the first issue!? Bond recounts tales as to how he received the scars he has. A fantastic way to frame the story.

Mata Hari #1 (Dark Horse/Berger Books) – A new release from Berger Books is on our radar and a series we’re automatically looking forward to checking out.

Punks Not Dead #1 (IDW Publishing/Black Crown) – A new release from Black Crown is on our radar and a series we’re automatically looking forward to checking out.

Quantum and Woody #3 (Valiant) – One of the most entertaining superhero comics on the market. The team up will keep you entertained from the action and the laughter.

Rust Vol. 4 (BOOM! Studios/Archaia) – If you’ve read the first three volumes of this series, you know why it’s on this list. From the beautiful art to the amazing storytelling, this volume wraps up the series about a mechanical boy trying to live his life post war. We’re expecting a tearjerker.

Kick-Ass #1 Goes Back to Print Plus Two Variants Revealed

The highly anticipated new story arc of Mark Millar and John Romita Jr.’s Kick-Ass #1 is being rushed back to print in order to keep up with the overwhelming demand. Image Comics is pleased to reveal that Kick-Ass #2 and #3 will feature variant covers with art by Francesco Francavilla and Daniel Warren Johnson respectively.

Kick-Ass is back—ready to wipe out the city’s criminal lowlives, destroy its gangs, and save its communities from decay. But there’s a new face beneath the old mask, a new figure wearing that famous green and yellow spandex. Who is this new vigilante superhero? Who can fill Dave Lizewski’s shoes? Find out in Kick-Ass #1.

Kick-Ass #1, 2nd printing (Diamond Code JAN188194) will be available on Wednesday, March 14th. The final order cutoff deadline for comics retailers is Monday, February 19th.

Kick-Ass #2 Cover A Romita Jr. (Diamond Code JAN180790), Kick-Ass #2 Cover B B&W Romita Jr. (Diamond Code JAN180791), and KICK-ASS #2 Cover C Francesco Francavilla (Diamond Code DEC178230) will be available on Wednesday, March 21st. The final order cutoff deadline for comics retailers is Monday, February 26th.

Kick-Ass #3 Cover A Romita Jr. (Diamond Code FEB180643), Kick-Ass #3 Cover B B&W Romita Jr. (Diamond Code FEB180644), and KICK-ASS #3 Cover C Daniel Warren Johnson (Diamond Code DEC178231) will be available on Wednesday, April 18th. The final order cutoff for retailers is Monday, March 26th.

Mini Reviews For The Week Ending 2/17

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.



KillOrBeKilled_16-1Kill or Be Killed #16 (Image)– A copycat vigilante is on the loose and causing all kinds of havoc plus there’s a real mind screw of an ending, but what Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser do best in Kill or Be Killed #16 is show the haze of being on medication. Dylan has come clean about the demon telling him to kill people so he gets put on meds to block out the voices in his head. Most of the issue is him stumbling about with Phillips tightening up his art when Dylan’s sense of justice returns. Even though he’s a murderer, Dylan thinks he’s better than the guy haphazardly running around shooting low level drug dealers and cops. The moral compass of the series continues to be shattered and adding the psych hospital elements is a nice wrinkle. Overall 8.6 Verdict: Buy

Archie #28 (Archie)– Full disclosure: I’m only still reading this title for Audrey Mok’s beautiful art as she and colorist Kelly Fitzpatrick lends some energy Mark Waid and Ian Flynn’s repetitive slapstick gags and give Betty and Veronica sizzleworthy chemistry. It’s like Waid and Flynn don’t know what to write with the Betty/Veronica/Archie on ice for the time being. Some fun is coaxed out of Reggie’s pure villainy including being on his cellphone for an entire movie based on Archie’s Dark Circle comics and then spoiling the post credits scene. Overall: 6.7 Verdict: Read

Kick-Ass #1 (Image)– There’s a new Kick-Ass in town, and it’s not some annoying, immature nerdy kid. Patience is an Army vet whose husband ran off on her and left her in debt to the gangs who run her neighborhood. She wants to get the money back while also playing Robin Hood and giving some of it to the people who need it. Patience’s motivation might be practical, but John Romita Jr’s art is stylized as hell with action scenes that pack a punch. Mark Millar’s writing is a little more mature than the earlier Kick-Asses even if he paints things like poverty, racism, and terrorism with a very broad brush for an excuse to show a now-single mom kick bad guys in the balls. Overall: 7.5 Recommendation: Read

Ryan C

Deadman #4 (DC)** – The brain-melting insanity from Neal Adams continues unabated, with the added bonus of the plot making as little sense as the dialogue at this point. To deadman 4his credit, Adams is still capable of the occasional dynamic composition, but by and large his artistic prowess seems to be skewing toward finding a level with whatever writing ability he may possess (which, admittedly, isn’t much). All of which means this is about the most fun you’re gonna have reading a comic book this week. The absurdity is all right out in the open, not pretending to be anything else, and the idea of grown-ass adults putting on costumes to fight crime? It’s as absurd as it gets.Neal Adams cuts right through the layers of bullshit and denial super-hero fans have constructed around themselves and is creating work that explodes conventions by laying them bare. He may be doing it all by accident while actually trying his level best to create a “good” comic here, but some things leave the entire critical spectrum behind by dint of their sheer indifference to it. Adams is making comics for an audience of one — himself. You know who else they say that about? Genuine iconoclasts as varied as Gerald Jablonski, S. Clay Wilson, Chester Brown, and the late Jess Johnson — pretty good company to be in. Overall: 0. Recommendation: Buy. You did not read that wrong.

Grass Kings #12 (Boom! Studios)** – It feels like things are moving faster in Matt Kindt and Tyler Jenkins’ quiet-but-tense opus, and with the Feds about to rain down holy Hell on the so-called “Grass Kingdom,” the stakes are considerably raised. This series could use a stronger editor — Kindt’s scripting repeats words and phrases in short order and with poor rhythm, and points already made are frequently re-iterated — but that’s about the only gripe I’ve got, and Jenkins’ watercolor-infused art is more than enough to make up for any slack in the narrative act. Overall: 8 Recommendation: Buy

Slots #5 (Image/Skybound)** – Dan Panosian’s story of a down-on-his-luck prizefighter attempting an ill-advised comeback for dubious reasons had been flagging a bit over the last couple of issues, but with only one left to go, he rights the ship quickly and lines up all the pieces on his board for what promises to be a humdinger of a conclusion. I was getting a little nervous about this one, now I’m not. Overall: 8. Recommendation: Buy

Shade, The Changing Girl/Wonder Woman Special #1 (DC/Young Animal)** – The first few pages of this comic, which feature Wonder Woman laying around naked in a milk bath wearing a blindfold, should appeal to any number of fetishists out there, but beyond that the appeal of the issue quickly fades — the allegories about women fragmenting themselves into different roles that others “need” them to be, while certainly true, are here entirely too obvious and frankly not even clever, which sets the tone for an uncharacteristically predictable yarn from the usually-surprising Cecil Castellucci. I liked Mirka Andolofo’s art — hell, I liked it a lot — but, as with last week’s dept h 23“Mother Panic/Batman Special,” it’s asked to stretch itself pretty think in order to pad what should be a standard-length story out by an extra 10 or 12 pages. I dunno, the whole “Milk Wars” thing was kinda fun at first, but my interest level is fading quickly. Overall: 4. Recommendation: Pass.


Dept H #23 (Dark Horse) With humanity’s hope riding on Mia, she puts things into perspective to put her mind off her limited air supply. Revealing what may be the cause of her father murder. Along with hinting at what may have caused the plot to murder her father began. Being subtle at who she believes is responsible both directly and indirectly. With only one issue remaining, will the full truth be revealed? Overall: 8.5 Recommendation: Buy 


I Hate Fairyland #16 (Image)** – Gertie has gone to hell and is not having any of the devil’s muffin fluffing nonsense. So he sends her back home – in a sequence that, as a parent of a somewhat fussy eater, is terrifying and hilarious. I would actually have liked to see more of Gert and the devil squaring off – seeing Gert vulnerable and emotional is kind of off-putting. But as usual, Skottie Young’s art is stellar and well worth any story quibbles. Overall: 8 Recommendation: Buy.

Kill or be Killed #16 (Image)** – With a copycat vigilante on the loose in New York, Dylan’s claims to be the original while in Bellevue are met with heavy medication. I don’t know if anyone else has thought of “One Flew Over the Cuckoo’s Nest” meets “Death Wish” before but I am down with this. Ed Brubaker could go darker for my money (even though he is setting up some pretty dark stuff), but artists Sean Phillips and Elizabeth IHateFairyland_16-1Breitweiser continue to do brilliant work. Breitweiser’s colors here – muted grays and browns and institution green – are perfect. Overall: 8 Recommendation: Buy

Koshchei the Deathless #2 (Dark Horse)** – Mike Mignola continues the story of Baba Yaga’s hired man and his mission to rid the world of the last dragon. The folk tale style of the story really pleases me – even though we are on a definite quest, there are any number of interesting side tracks and they don’t all feed into the plot as such. But Mignola is such a good writer that as soon as we do get back to the main plot, things get intense very fast. Ben Stenbeck’s drawing perfectly straddles the line where realistic adventure and great monsters meet, and Dave Stewart’s colors capture the banality of a long walk through the woods and the brutality of dragon-fighting. Very entertaining. Overall: 8.5 Recommendation: Buy 

Stray Bullets #32 (Image)** – Orson, Beth, and Nina have taken the money and run. But as Orson quickly points out, “We did all this robbing and stealing to be free, but we aren’t free at all, are we?” So Beth sends Orson back home to Baltimore. After checking on the motley crew we’d left behind, we settle in with Chandra from the strip club that started this whole ordeal. Predictably, there are drugs and fires. But in the end, Orson pulls one of his signature moves – what I now think of as Laphamian – a great idea that is also at the same time a terrible idea. Stray Bullets is all about terrible people trying to convince themselves otherwise by occasionally doing the right thing, and that’s just the way I like it. Overall: 8.5 Recommendation: Buy

Mage: the Hero Denied #6 (Image)** – As is by now usual, Kevin Matchstick does nothing but wait for signs and trails to follow. As a main character who is supposed to be the Pendragon, he is merely passive and reactive – which makes his wife Magda far and away the most dramatically interesting character in this series. Her quest for the Perfect Home is simple and clear, and the stakes – the lives and happiness of her children – are very high. More of this and less of Questing Beasts and the Fisher King until Kevin can actually figure out why he’s in this story. Overall: 7 Recommendation: Read

Lazarus X+66 #6 (Image)** – In the final issue of this spinoff series, the Hunter goes to kill the Dragon aka The Zmey. As usual in the world of Lazarus, things are much more horrible than they initially appear to be – which is really saying something. Making this origin story a kind of Russian folktale is perfect for the utter brutality and fatalism involved, and Greg Rucka pulls it off nicely. I wasn’t thrilled Tristan Jones’ artwork here, something in the sketchiness of his lines muddied the storytelling for me, with all details given the same weight. But that Michael Lark cover! Very much looking forward to the return of the main series. Overall: 7.5 Recommendation: Read


ThrawnCoverStar Wars Thrawn#1 (Marvel) In probably one of the better origin stories to come out of Marvel, we get one about Timothy Zahn’s most elusive villains. We meet Thrawn as squadron of Storm troopers, but unfortunate for him, he gets captured and has a proposal for the Emperor, one that is easily accepted. We soon see how manipulates everyone around him to gets what he wants. By issue’s end, he undertakes his 1st mission , one that will change his fortune. Overall: 9.8 Recommendation: Buy

X-Men : Grand Design #1 and #2 (Marvel) I will keep this one short and not because this book is bad, in fact this book is pretty spectacular, but this book covers the whole history of the X-men and in probably the most enjoyable digestible version, asthese first 2 issues exemplifies the benefits of this type of compression combined with Pistons art knocks this out of the park. Overall: 10 Recommendation: Buy

Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Publisher Eric Stephenson added to Image Comics Board of Directors

Image Comics Publisher Eric Stephenson—credited by many for ushering in the Image Comics Renaissance—is joining Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri, and Jim Valentino as a member of the company’s Board of Directors.

During the 10 years since Stephenson was named Publisher, Image Comics has risen from fifth to third-ranked publisher in the industry—maintaining that rank for seven years running. Over that period, Image has received Diamond’s Gem Award for Best Publisher three years in a row from 2014 to 2016. Stephenson individually has been honored with ComicsPRO’s Industry Appreciation Award and was named The Beat’s Industry Person of the Year in 2014, as well as being ranked in the Top 10 on Bleeding Cool’s Power List every year since its inception in 2012. Under Stephenson’s watch, Image has onboarded an unprecedented number of game-changing new series, with Image titles winning nearly three dozen Eisner Awards, across a variety of categories, as well as dominating bestseller lists.

Preview: Postal: Mark #1

Postal: Mark #1

Story: Matt Hawkins
Art / Cover: Raffaele Ienco
Letter Art: Troy Peteri

After the stunning series conclusion to the regular POSTAL series, this one-shot story shows Mark’s fate in the town one year later.

A Relative Newbie Review: Kick-Ass #1

Kick-Ass #1 is the relaunch of Mark Millar and John Romita Jr.‘s mega franchise. For most people Kick-Ass either makes people extremely happy or divides them in about five seconds. That’s the nature of Mark Millar, it seems, as people either love or hate his writing with little in-between. Here’s the thing, I actually have had more good experiences with Millar than bad ones. The Kick-Ass franchise is one that I’ve not delved into as much as other aspects of Millar’s world. I know a lot of the basic concepts of Kick-Ass but not much more. If you ever wanted a new reader perspective on Kick-Ass, this review is it. Strap yourselves in my friends for a blazing fast vigilante spectacular of a review with Kick-Ass #1. Time to find out if this relaunch is worth your time and mine as well.

Hard to believe I’m one of the few people who hasn’t experienced Kick-Ass in full but here we are. We are in for a ride.

The story of Kick-Ass was initially a guy named Dave Lizewski deciding to make a superhero costume and fight crime. There aren’t superheroes in this world and the inspiration for the Dave and other heroes to follow is from comic books. Do you need to know any of this going into this #1? You can walk into this blind and be fine. The story focuses on Patience Lee coming back after 8 years in the military with her tour being up and she’s coming home. Her plans are to take care of her kids, go to college, and let her husband take up the slack for awhile. Only to see that her plan falling apart as her husband leaves her. Then that is when she has to figure out just what to do from there while being a single Mom. From there is for us to learn what leads her to get into the Kick-Ass suit.

Now what Millar does is let us get to know Patience as a person before she adopts the suit. By the time she’s in that suit you know everything you need to know. For you as a new reader this is a fresh new character and a new story. This is all from the perspective of Patience and how she plans to operate as a vigilante. Since she has military training this is actually a good fit for her and Millar makes a point to show us this. We learn too that outside of her military training that she is a good Mom and wants to do what is best for her kids. That’s one part of this that really works, Patience is a likable character and someone who knows how to take care of herself. For what Millar is going for it works.

Okay, so in the case of Patience Lee we’re in good shape. Good new reader friendly character and direction. Everything is ship shape here right? Well, yes and no.

I mean you would think that by liking the character and her motivations, I would dig Kick-Ass #1 right? Well it is a simple enough motivation but not much to hook into. I can imagine people wondering how she got the suit for one. It becomes the game of we learn why she wants to become a vigilante but the suit magically appears. Yeah I can see Millar revealing more later but I’m left wondering where the darned thing came from. It has a lot of action but outside of Patience and her family there isn’t much more sink into. Now I will add an extra note here, there is potential for this comic. Then we can go back and say that the story got better later on. For now though, it’s a little weak yet I will say I didn’t hate what I saw. There is a lot to build on and it could easily improve.

Kick-Ass #1 Opening Page

I do applaud Millar for making this first issue as new reader friendly as possible. There are references to other things in this world but it’s so loose that it doesn’t matter. Yes the way Patience gets into this game is a little cliche and goofy at points, maybe a tad over blown, but I will admit I was entertained. It’s Mark Millar and I knew what I was getting into for the most part. For the potential I see in this though and in such a strong black female character in Patience Lee, I’m willing to hang in there. I want to see where this story goes and what Millar does with it. Yet I haven’t gotten into the art yet and there is a lot to praise in that aspect of the book.

My goodness, Kick-Ass #1 has a strong art team. That cannot be denied here at all. Not one single bit.

Now John Romita Jr. is the co-creator of Kick-Ass and an oddly polarizing artist in his own right. He is in the same category of Millar in the love or hate scale of things. When I was first getting back into comics Romita’s work on Dan Jurgens Thor run hooked me like no other. You can put me squarely in the category of digging Romita’s art. In all honesty, this is some of my favorite work of Romita’s. It’s briliant at capturing the energy of the action sequences in Millar’s script. There’s even something to how he captures even the quieter sequences in and around the action when Millar is detailing Patience’s family. It’s good at capturing fast movement in battle as well as quiet emotional moments too, a perfect balance for this story.

What also helps Romita’s art here is the digital inks and colors from Peter Steigerwald. One of the opening shots replicating how it would look if our hero was caught on camera somewhere, really cool grayscale effect. Then add in the smooth lines Steigerwald adds to Romita’s art and some brilliant lighting effects alongside, this book just looks good. John Workman‘s letters in particular are always classic as they are big, bold, and exciting in the already powerhouse battle scenes. With added ink assistance from Megan Madrigal, this is one killer art team. No matter how hit and miss I am on the story so far, the art here is spectacular.

Overall it’s New Reader Friendly but with some flaws, but gorgeous art. It may not be perfect but Kick-Ass #1 is a solid read.

I will be curious to see how many other new to newer readers check out Kick-Ass #1. I have some issues but overall I enjoyed my time with it. A solid B ratings wise as it passes my tests but with some room to improve. Give this a shot yourself and I really do want to know what you think if you try it. In my own case, I now have a bunch of Kick-Ass trades to dive into and learn more about this universe. Thanks for reading and enjoying my newbie adventure into the world of Kick-Ass.

Story: Mark Millar Pencils: John Romita Jr. Digital Inks and Colors: Peter Steigerwald
Letterer: John Workman Digital Ink Assistant: Megan Madrigal
Story: 8.0 Art: 9.0 Overall: 8.0 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for Review

Robert Kirkman and Lorenzo de Felici’s Oblivion Song #1 is Getting One Substantial Overprint and No Additional Printings

The highly-anticipated Oblivion Song #1 by Robert Kirkman and Lorenzo de Felici will launch in comic book stores on Wednesday, March 7th. There will be no additional printings for this launch issue, so fans are encouraged to add this sure-to-be-hit series to their pull lists and hit their local comic shops in time to snag their copy.

The comic will be overprinted with no second printing. The overprinting will be enough to “hopefully” meet or exceed the demand.

A decade ago, 300,000 citizens of Philadelphia were suddenly lost in Oblivion. The government made every attempt to recover them, but after many years, they gave up. Nathan Cole…won’t. He makes daily trips, risking his life to try and rescue those still living in the apocalyptic hellscape of Oblivion. But maybe…Nathan is looking for something else? Why can’t he resist the siren call of the Oblivion Song?

The collector’s edition of the debut issue of Oblivion Song features an exclusive limited edition variant cover by de Felici! It comes with a statue (11”) based on the cover to Oblivion Song #1, an exclusive print, and a collector’s pin. These items will only be available in this limited edition set (limited to 1,000).​

Oblivion Song #1 (Diamond Code JAN180587) and Oblivion Song by Kirkman & Ds Felici #1 Collectors Edition (Diamond Code JAN180599) will be available on Wednesday, March 7th.

Review: Death of Love # 1

Philo Harris is a man in love with the owner of a local coffee house. He buys her gifts, listens to her gripe about her boyfriend and occasionally pet-sits for her cat. Philo is a “nice guy” and not in a good way. After a night of hard drinking with some friends,  a mysterious stranger offers him some red pills to help his love life. Philo takes them and the next thing you know he’s in the bathroom staring down a very pissed off looking cherub with a bow and arrow.

Writer Justin Jordan is no stranger to gallows humor. It runs like a black thread through much of his catalog but Death of Love is the first time, to my knowledge, that he’s attempted a straight up satire and it works pretty well. While a lot of the laugh out loud moments are in-jokes for those who follow him on social media, Jordan has a fine grasp of the dark absurdity baked into his scenario and produces a piece of work that is more akin to the Coen brothers than it is to the Farrelly brothers. While it wears its point of view on its sleeve, the characters are fleshed out and compelling enough that it never feels like a polemic.

Artist Donal Delay is a relative newcomer to mainstream American comics but he’s the perfect collaborator for this project. His work here recalls Rob Guillory’s early issues of Chew with just a dash of Venture Brothers thrown into the mix. There’s a quiet confidence to his line and his layouts are interesting to look at in themselves without ever being distracting from the story. The first two page spread is also one of the most inspired pieces of mayhem I’ve seen for a long time: equal parts Quentin Tarentino and Chuck Jones. I predict we’ll see a lot of big things from him in the next few years as more people take notice of his obvious skills.

The colors (by Felipe Sobreiro and Omar Estévez) really help to set the scene. A different palette is used for every venue, and this is used to great effect to quickly ground the reader in the particular ambience of what is going on. Letterer Rachel Deering adds a touch of much needed subtlety with a few understated sound effects that actually force you to pay more attention to the edges of every panel lest you miss something. It’s a nifty trick and something I’ve never seen used by a letterer to help the artist.   

In a time when toxic masculinity has become a subject of regular discussion and female creators across all media come under regular attack for daring to even point it out, Death of Love is both a cogent and relevant critique of sexual relations wrapped up in what promises to be a brilliant (and bloody) farce. It is at once a great big middle finger in the face of Gamergaters, MRAs, “nice” guys and a valentine for everyone who despises them… or for anyone who just wants to see some angels cut down with a chainsaw.  

Story: Justin Jordan Art: Donal Delay
Color: Felipe Sobreiro and Omar Estévez Lettering: Rachel Deering
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review.

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