Tag Archives: comic books

Preview: Black [AF}: Widows & Orphans #2

Black [AF}: Widows & Orphans #2

Created by: Kwanza Osajyefo & Tim Smith 3
Written by: Kwanza Osajyefo
Illustrated by: Tim Smith 3
Colors by: Derwin Roberson
Lettered by: David Sharpe
Edited by: Sarah Litt
$3.99 | full color | mature

After surviving an attack from empowered black ninjas in Tokyo, Anansi receives clue which takes his human trafficking investigation to Russia. There, he infiltrates a grandiose mafia party which turns out to be an auction of empowered black children. The soiree is interrupted by another ninja attack! Are these ninja friend, foe, or something else altogether?

Preview: Teenage Mutant Ninja Turtles Universe #24

Teenage Mutant Ninja Turtles Universe #24

Ryan Ferrier (w) • Pablo Tunica (a) • Freddie Williams II (c)

Michelangelo and Mondo must make a difficult decision to save a friend’s life… and their own!

FC • 32 pages • $4.99

Preview: Aphrodite V #1


Writer: Bryan Hill
Artist / Cover: Jeff Spokes
Published: July 18, 2018
Diamond ID: MAY180030
Age Rating: M

In the near future, Los Angeles is a city on the brink of evolution, struggling with a new wave of terror fueled by black-market technology. Enter Aphrodite V: a fugitive from her masters, seeking individuality and purpose. She is the bleeding edge of biomechanics, and L.A.’s best hope against a new enemy—one that seeks to become a god among machines. One machine wants to destroy the city. Another has come to save it. Only one will survive.

Preview: Archie Meets Batman ’66 #1


Script: Jeff Parker, Michael Moreci
Art: Dan Parent, J. Bone, Kelly Fitzpatrick, Jack Morelli
Cover: Michael Allred with Laura Allred
Variant Covers: Derek Charm (B), Francesco Francavilla (C), Sandy Jarrell with Kelly Fitzpatrick (D), Dan Parent with J. Bone and Rosario “Tito” Peña (E), Ty Templeton (F)
On Sale Date: 7/18
32-page, full color comic
$3.99 U.S.

Two iconic comic book characters meet up for the FIRST TIME in this historic crossover mini-series! A battle in Gotham City extends its reach into Riverdale—with Mr. Lodge becoming enemy #1 of the dynamic duo! Now it’s up to Veronica to recruit some help and place a call… to the Batcave!

Preview: Green Lanterns #51

Green Lanterns #51

(W) Dan Jurgens (A/CA) Mike Perkins
In Shops: Jul 18, 2018
SRP: $3.99

A murderer stands within the GLC’s ranks as tension rises between Simon and Jessica. Their rings seem to say the other committed the crime…

Preview: Oh S#!t It’s Kim & Kim #1

Oh S#!t It’s Kim & Kim #1

Written by: Magdalene Visaggio
Illustrated by: Eva Cabrera
Colored by: Claudia Aguirre
Lettered by: Zack Saam
$3.99 | full color | mature

The Fighting Kims are back! Kim & Kim trade their denim vests and spiked chokers for tuxes and gowns as they infiltrate the glitzy space colony of Santa Palma to try and con a master thief. But, as usual, everything goes to hell… and it’s definitely Kim Q’s fault. Come on, Kim. Get your life together. A brand new ongoing series from writer Magdalene Visaggio, artist Eva Cabrera, colorist Claudia Aguirre, letterer Zakk Saam, and editor Katy Rex, the original creative team behind the GLAAD & Eisner nominated Kim & Kim!

AfterShock Comics and Universal Television Partner to Develop the Lost City Explorers

AfterShock Comics has inked another TV deal, bringing The Lost City Explorers to the small screen. In partnership with creator Zack Kaplan, AfterShock has signed a deal with Universal Television to produce the title.

The Lost City Explorers is a sci-fi series focused on a group of teens who become underground urban explorers after a mysterious expedition leads to the disappearance of one of their fathers. Following his tracks on a coming-of-age journey through subterranean tunnels, they ultimately find the holy grail of lost cities, Atlantis, buried right under New York City. The book is written by Zack Kaplan with art from Alvaro Sarraseca and colors from Dee Cunniffe.

Zack has emerged as a breakout, new voice in comics. In only two short years he’s launched three on-going sci-fi series with his debut hits Eclipse and Port of Earth for Image/Top Cow and most recently with The Lost City Explorers.

Zack Kaplan will serve as an Executive Producer and writer. Lee Kramer and Jon Kramer from AfterShock Media will also serve as Executive Producers.

Review: The Life of Captain Marvel #1

This week’s new comic book day sees a new beginning for Carol Danvers, aka Captain Marvel!

The Life of Captain Marvel #1 is by Margaret Stohl, Carlos Pacheco, Rafael Fonteriz, Marcio Menyz, Marguerite Sauvage, Clayton Cowles, Julian Totino Tedesco, Joe Quesada, Richard Isanove, Sana Takeda, Fiona Staples, Artgerm, Jay Bowen, Nick Russell, Sarah Brunstad, and Sana Amanat.

Get your copy in comic shops starting July 18. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology – https://amzn.to/2LptMut https://amzn.to/2NmNGqE https://amzn.to/2Jwyk0p
TFAW – http://shrsl.com/127f2


Marvel provided Graphic Policy with FREE copies for review
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Review: Batman #51

After last month’s polarizing (not really a) wedding issue, writer Tom King reunites with his Batman/Elmer Fudd collaborator Lee Weeks and atmospheric colorist Elizabeth Breitweiser for a courtroom drama with a bit of twist ending in Batman #51. Bruce Wayne chooses to make a mockery of the legal system over awkwardly revealing his secret identity and sits on a jury where Mr. Freeze is being tried for the murder of three women, and, of course, was apprehended by Batman. It’s a fairly thought provoking look at how Batman fits into the larger legal system of Gotham, and at times, may do more harm than good. And far from being a mere procedural, King and Weeks use the contradiction of Bruce Wayne sitting on a jury in a trial connected to the actions of his alter ego (Or real personality.) to probe into the anger and guilt buried in Bruce/Batman. Never has a quick restroom visit been so chilling in Weeks’ violent pencil and ink strokes as he blurs the boundaries between billionaire playboy and creature of the night, who definitely isn’t an impartial juror.

King and Weeks juxtapose the relatively restrained setting of the courtroom and jurors’ quarters with dynamic, brutal beatdowns and classic chiarascuro lighting from Breitweiser in Batman #51. It starts with the relatively mild mannered Bruce Wayne arriving at the courthouse for jury duty and the Frank Miller-channeling fists on face beatdown that Batman gives Mr. Freeze, one of the more sympathetic members of his rogue’s gallery. The flashback sequence crescendoes into a close-up of Freeze’s face in anguish, his goggles flying that takes up the whole middle of the page. Lee Weeks is truly a master of pain and gives him a furrowed brain and slobbering mouth. All the while, Bruce Wayne is calmly lying about his connection and thoughts about the Batman to the district attorney in measured, almost sterile dialogue from Tom King. However, this calmness turns into guilt beginning with a darkly framed silent scene in Bruce’s hotel room where it seems like he might slip into his costume and play Dark Knight until court in the morning. It hits a breaking point when Bruce breaks a sink off in the bathroom as he is wracked by the fear that his actions as Batman might have doomed an innocent man.

Until the end of the comic, King and Weeks portray Batman as a hypocrite and even insert little asides like Jim Gordon’s testimony and the jury deliberations that show the city of Gotham gives his violent vigilantism too much of a pass. Mr. Freeze’s defense attorney makes the point that the women were considered to have died of natural causes until Batman did his own autopsy and connected them to Freeze because their brain stems were “cold” in a true leap of logic setting up a darkly humorous nine panel grid of Gordon squirming and finally stating that Batman doesn’t have the authority to conduct autopsies in whatever state Gotham is in. Batman basically framed Mr. Freeze and coerced him into making a confession, but the jury is already convinced that Freeze is an evil villain and Batman is a perfect hero so who cares about the laws of the land. There isn’t really time to do a 12 Angry Men and develop all of the personalities of the jurors in Batman #51, but King does the next best thing and has them share quick personal stories about how Batman helped them instead of evidence to decide a verdict.

Many arguments for vigilantes, Batman included, state that they can execute justice in a more effective way than the legal and judicial system. However, Batman #51 shows that this isn’t all the case as the deaths of three women from natural causes has turned into a full blown murder investigation and has probably taken the place of more pressing matters. Tom King, Lee Weeks, and Elizabeth Breitweiser venture into the real world a little bit in this issue and go into the actual court systems while still having stylized moments like Batman dangling Freeze off the roof top.

In Batman #51, King, Weeks, and Breitweiser go beyond inserting Batman into the court room drama genre and use the trial of Mr. Freeze to probe into his anger and pain and the roots of Bruce/Batman’s sense of justice. Lee Weeks’ naturalistic approach to figures and faces really helps as most of the denizens of this book are ordinary citizens and not superheroes or villains.

Story: Tom King Art: Lee Weeks
Colors: Elizabeth Breitweiser Letters: Clayton Cowles

Story: 8.0 Art: 9.0 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: Transformers: Optimus Prime #21

With Transformers: Unicron underway the big question is how the various IDW Publishing Transformer comics will fold in to that event. Optimus is back, and so is Bumblebee, but how? Those questions aren’t answered in that event but in Transformers: Optimus Prime #21 we get a better idea of it all as well as how Shockwave is stopped and what about the Maximals.

Written by John Barber, Transformers: Optimus Prime #21 feels like it wraps some of these up a bit too quickly and the story would have been served better by adding an issue or two more to tell it. The fact the next event has already launched doesn’t help matters and it’s an issue other major comic publishers have run in to.

But, with the issue, Barber packs a lot in to it focusing on the various factions and what Shockwave’s machinations really means. There’s not just his impact on the history, but the belief system of so many. There’s a lot of dots that have been set up for years and this issue, and the arc as a whole, and things feel like they’ve come together.

The art by Kei Zama, Sara Pitre-Durocher, and Livio Ramondelli, color by Josh Burcham, and lettering by Tom B. Long is fantastic as always. The various Transformer comics always look great and this is no exception. There’s some switching in styles for Optimus and Bumblebee and the rest of the comic but it all looks fantastic.

The comic wraps things up but does feel a bit condensed and rushed in some ways. If you’ve been reading the series you’ll be happy, this is not a spot to start for new readers though. Still, for those who have read this series for a long time, it really does feel like a good pay off. The end game is coming and this is a transition for that. Here’s hoping the next big arc goes out with the bang I was expecting for this one.

 Story: John Barber Art: Kei Zama, Sara Pitre-Durocher, Livio Ramondelli
Color: Josh Burcham Letters: Tom B. Long
Story: 7.25 Art: 8.5 Overall: 7.45 Recommendation: Read

IDW Publishing provided Graphic Policy with a FREE copy for review

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