Seven Swords banner ad

Review: Quantum and Woody #3

Quantum and Woody #3

Quantum and Woody are back in high school – this time to solve a murder!
But are their combined powers a match for the haunts that await them? Find out in Quantum and Woody #3!

When I read this comic the first time verses the second time, a lot had changed. And it changed my appreciation of the comic, too. It went from being a fun diversion to a life raft.

Y’see, because my wife has lung issues, we’re effectively in quarantine already, and so I was in desperate need of a distraction. Even having read this book once, the second time through still allowed me to escape for just long enough to reset myself. So judging this book critically will be tough but then sometimes you just have to judge a book in the moment. And in this moment Quantum & Woody #3 was perfect.

Written by Christopher Hastings, with art by Ryan Browne and colors by Ruth Redmond, this book was everything I didn’t know I needed. Don’t get me wrong, I really enjoyed it the first time I read it; this isn’t a comic that went from average to amazing simply because I read it after a tumultuous weekend.

Hastings has once again packed a full story, start middle and end, into a single comic. He has so far given us three complete stories in three issues that have all tied together with elements that are bound to come together in the finale next month whenever the fourth issue comes out. It isn’t often you get as much story in a comic as you have with Quantum & Woody #3 these days, which is a refreshing change of pace and it feels like you’re getting far more than you’re paying for in comparison to other books.

Browne’s art is absolutely perfect for this comic; there’s an energy to his line work that jumps from the page. Whether it’s Quantum punching somebody or Woody running out of a panel this comic has a lot to look at at, and Browne is able to make the art tell a complete story despite how much is happening between the covers. His art flows and makes sense. There’s no need to make a logic jump from panel to panel (you know how when you’re reading a comic and all of a sudden it feels like you missed a panel or two? That’s not here), which is a testament to Browne’s ability to tell a story visually.

Ruth Redmond has the unenviable job of coloring the insanity taking place in this comic, and does so in a way that nothing is lost on the page. Quantum & Woody #3 is a bright book because of Redmond’s vibrant colors as much as the story itself.

I also want to highlight Hassan Otsmane-Elhaou‘s lettering in this book. Hastings has a lot of words in this comic, and Otsmane-Elhaou’s work is so spot on to be almost unnoticeable. I say almost, because once I noticed his lettering because of the sound effects. I realized just how impressive the work is in this comic. Read the book, then read it again paying attention to the lettering and you’ll see what I mean; the font choices, the sizing and the sound effects are perfect for this book.

I don’t know when we’ll get to read the fourth issue at this point, and just typing that sucks. We’re all living in a time that few of us ever expected. Things have changed on us overnight. If you need a moment of brightness, a distraction from the news, then the third issue of this series is ideal for that.

It’s absolutely a perfect way to distract yourself. It’s a pretty stand alone book you can enjoy this without reading the first two issues. I’m going to be reading those three comics a lot over the coming months. Join me, won’t you?

Story: Christopher Hastings Art: Ryan Browne
Colors: Ruth Redmond Letters: Hassan Otsmane-Elhaou

Story: 9.2 Art: 9.3 Overall: 9.5 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review

Fish Kill side ad