Tag Archives: hassan otsmane-elhaou

Artificial Intelligence will Help Commit the Perfect Crime in The Smart Division from Zack Kaplan, John Pearson, Hassan Otsmane-Elhaou, and Tom Muller

Continuing the hit-filled 2026 lineup for Zack Kaplan and Dark Horse ComicsThe Smart Division reunites Kaplan with Eisner-winning superstar artist John Pearson. This is their first series together since their fan favorite Vault Comics series Mindset, which was optioned by Boatrocker Studios and Don Cheadle’s Radicle Act for TV development. Now, Pearson and Kaplan build a world straight out of a modern-day detective’s crime files, as an artificial intelligence app offers to serve our worst instincts and assist us in evading law enforcement. How will our criminal justice system possibly stand up to the power of A.I.? And can two disparate detectives with vastly different relationships with technology come together to track down this mysterious new threat? Eisner-winning letterer Hassan Otsmane-Elhaou and Eisner-nominated designer Tom Muller joins the duo for this story that’s perfect for fans of The X-Files, True Detective, and Minority Report!

Main cover art for this series by Pearson with variant covers for issue #1 from Jesse Lonergan, Jacob Phillips, and illustrator Matt Taylor.

When a mysterious new predictive artificial intelligence program appears responsible for assisting someone in the perfect murder, a pair of unlikely investigators, a chaotic Gen-Z savant and a veteran FBI agent, must hunt down the killer by starting the FBI’s first AI crimes division.

Get ready for the new age of crime comics when The Smart Division #1 (of 5) arrives in comic shops on August 5, 2026, for $4.99.

Christian Ward and John J. Pearson Make Art to Die for in The Patron

All the great artists have one thing in common…they’re dead. But why wait for a natural death when you can profit faster from murder? Writer Christian Ward and artist John J. Pearson put their own life’s work on the page in a highbrow thriller at the bloody intersection of art and commerce in The Patron. Ignition Press will begin publishing the new series on July 29th, 2026.

A true patron of the fine arts, Mr. Cherish has dedicated his life to scouting and supporting emerging artists, launching countless unknowns from obscurity into industry superstardom.

Unfortunately for these young artists, the secret to Cherish’s success is their untimely demise. Nothing makes a work of art more desirable and valuable to collectors than the passing of its creator, and Cherish has refined his ability to orchestrate spectacular tragedies without leaving a trace…before selling his dead protégés’ oeuvres for massive profits. Painter Matty Barnes is primed to become Cherish’s next ‘hit,’ but when the script is flipped on this latest murder, a shocking twist puts his empire in the crosshairs.

The Patron #1 is available in comic shops July 29th from writer Christian Ward and artist John J. Pearson, with letters by Hassan Otsmane-Elhaou. This issue features two open-to-order covers from Christian Ward and John J. Pearson, along with a 1-in-10 retailer incentive cover by Eisner Award-winning artist Anand RK and an Ignition Exclusive cover by Tula Lotay.

Batwoman #2 delivers a brutal ending

Batwoman #2

Batwoman engages the enemy, drawing Master Slay and his acolytes onto the field. But can her father, Jacob Kane, reach her before the streets of Petalon become a kill zone? Batwoman #2 is an interesting issue picking up from the debut but feeling like you’ve been dropped into a story going on for years.

Written by Greg Rucka, this new series focuses a lot on Kate Kane/Batwoman’s past, especially her sister and a cult she was involved in. I read that run, and I’m still not 100% sure exactly what’s going on. Kate is sort of in therapy for everything that’s happened, but can still sneak out and do her Batwoman thing?

That’s what this issue focuses on, as Batwoman draws out the cult obsessed with her and drags her father back into the action. The comic visually looks great with an interesting flow to the action and a somewhat brutal delivery of it. But, the delivery so far feels rather choppy. It never feels quite established Kate knows about this cult, but suddenly is confronting them.

But, that’s not really the point of the comic, it’s the ending of it which attempts to be shocking. It’s a pretty crazy moment that points to where Kate’s head is at and also potentially sets something interesting up.

The art by Dani is good and absolutely nails the tone of what Rucka is going for. Matt Hollingsworth colors deliver a darker tone to it all but still makes the comic easy to follow. It’s dark but not to a point that it negatively impacts the issue. Hassan Otsmane-Elhaou‘s lettering too mixes cold emotion with shock.

Batwoman #2 feels like the first two issues really were to get us to the end of this issue. It will drive what comes next in the near term, and possibly the long term, for the character. There’s a lot of small details that show off the potential and how big a moment this might be. The issue overall feels like we’re well into the story, that last few pages make it feel like things are just beginning.

Story: Greg Rucka Art: Dani
Color: Matt Hollingsworth Letterer: Hassan Otsmane-Elhaou
Story: 7.75 Art: 8.0 Overall: 7.75 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Bleeding Hearts #3 adds some really interesting aspects to the zombie genre

Poke returns to his horde after meeting Mama and Rabbit profoundly changed and a bit confused. He’s experiencing things he cannot explain…things like compassion and sadness. He’s tried his best to convince Mama that he means them no harm and that they should stay hidden, but for Mama, trust is something hard-earned. So how much of a risk is she willing to take? And can Poke keep the latest hunting party from descending upon their hiding spot?

Story: Deniz Camp
Art: Stipan Morian
Color: Matt Hollingsworth
Letterer: Hassan Otsmane-Elhaou

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


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If Destruction Be Our Lot gets a Cinematic Trailer to Close Out the Preorder Window

Celebrated comic book writer Matthew Rosenberg and his brother Mark Elijah Rosenberg previously announced a team up with artist Andy Macdonald, colorist Francesco Segala, and letterer Hassan Otsmane-Elhaou for If Destruction Be Our Lot, the anticipated new speculative science fiction series painting an all too possible picture of humanity’s end.

Image Comics and the team behind this timely new ongoing premier a beautiful new cinematic trailer in time for orders to be placed with your local comic shop!

In If Destruction Be Our Lot, humanity is extinct and all that remains are the robots who once helped us. They are happier now, doing their work without human interference. But not Abe, a robotic replicant of Abraham Lincoln in search of meaning beyond the daily grind. Abe believes there must be something more out there beyond the edge of the city. After nearly getting killed, he’s determined to wander the Earth until he finds it… or gets recycled trying.

The full lineup of covers for issues number 1 and 2 have been revealed, and include series artist Andy MacDonald, Jerome Opeña,  James Harren, Tradd Moore, Tula Lotay, and Cliff Chiang. Each issue will also feature a special ‘Where’s Abe?’ homage cover where the book’s protagonist wanders onto the cover of another beloved Image Comics title, as drawn by that book’s artist. Issue one’s Ice Cream Man homage is drawn by Martín Morazzo and issue two will have a Sex Criminals homage by Chip Zdarsky, with plenty more to come!

If Destruction Be Our Lot #1 will be available at comic book shops on Wednesday, May 6:

  • Cover A by MacDonald – Lunar Code 0326IM0233
  • Cover B by Opeña – Lunar Code 0326IM0234
  • Cover C by “Where’s Abe” by Morazzo 1:10 – Lunar Code 0326IM0235
  • Cover D by Harren 1:25 – Lunar Code 0326IM0236
  • Cover E by Moore 1:50 – Lunar Code 0326IM0237
  • Cover F by Opeña 1:75 Foil – Lunar Code 0326IM0238

If Destruction Be Our Lot #1 is due for orders to be placed TODAY, so reserve your copy with your favorite store NOW, if you haven’t already!

Preview: The Witcher: Blood Stone #3

The Witcher: Blood Stone #3

Writer: Daniel Freedman
Artist: Pius Bak
Colorist: Roman Titov
Letterer: Hassan Otsmane-Elhaou
Cover artist: Pius Bak

With a mere touch, the town descends into madness! The dwarven treasure is an illusion, but consumed by greed and obsession, the townsfolk turn on Geralt in a murderous rampage. Can the curse be broken or have they reaped what they have sowed?

The Witcher: Blood Stone #3

Preview: Kill All Immortals II #4

Kill All Immortals II #4

Writer: Zack Kaplan
Artist: Fico Ossio · Elisabetta D’Amico
Colorist: Thiago Rocha
Letterer: Hassan Otsmane-Elhaou
Cover artist: Oliver Barrett

A Viking does not run from greatness, but towards it. Facing a crushing and chaotic escape, Frey finds her family torn asunder, her enemies chasing her down and her future in peril. But with nowhere safe to hide, can Frey hold true to her ideals and rise above the bloodshed, or will she become the one thing she hates—a heartless, barbaric killer?

Kill All Immortals II #4

Assorted Crisis Events is Getting a Full-Series Reprint!

Seven issues of the wildly popular Assorted Crisis Events series out so far—by writer Deniz Camp, artist Eric Zawadzki, colorist Jordie Bellaire, and letterer Hassan Otsmane-Elhaou—have been wiped out completely at the distributor level yet again. Image Comics will rush Assorted Crisis Events #1-7 back to print this week in order to keep up with surging demand.

In Assorted Crisis Events, Time has no bounds in this world, and readers will follow in the footsteps of normal people who are just trying to get through a normal day, but instead have to deal with time loops and space portals, confused time travelers from different eras, and alternate dimensional versions of themselves…all while just taking a stroll down the street. Meanwhile, the overarching story dives into what caused the rules of time to suddenly shift, and if it’s possible to reverse the damage. Fans of Crisis on Infinite EarthsBlack Mirror, and Doctor Who will enjoy this time-bending, clock-shattering new series.

Available at comic book shops on Wednesday, May 6.

  • Assorted Crisis Events #1, fifth printing – Lunar Code 0126IM8427
  • Assorted Crisis Events #2, third printing – Lunar Code 0126IM8428
  • Assorted Crisis Events #3, second printing – Lunar Code 1225IM8233
  • Assorted Crisis Events #4, second printing – Lunar Code 0126IM8429
  • Assorted Crisis Events #5, second printing – Lunar Code 0126IM8430
  • Assorted Crisis Events #6, second printing – Lunar Code 1225IM8234
  • Assorted Crisis Events #7, second printing – Lunar Code 1225IM8235

Image reveals the lineup of Variant Covers for If Destruction Be Our Lot

Writer Matthew Rosenberg and his brother Mark Elijah Rosenberg team up with artist Andy Macdonald colorist Francesco Segala, and letterer Hassan Otsmane-Elhaou for If Destruction Be Our Lot, a smart new speculative science fiction series painting an all too possible picture of humanity’s end.

Image Comics and the team behind this timely new ongoing announce the full lineup of covers for issues number 1 and 2 from series artist Andy MacDonald with Francesco Segala, Jerome Opeña and Neeraj Menon, James HarrenTradd MooreTula Lotay, and Cliff Chiang.  Each issue will also feature a special ‘Where’s Abe?’ homage cover where the book’s protagonist wanders onto the cover of another beloved Image Comics title, as drawn by that book’s artist. Issue one’s Ice Cream Man homage is drawn by Martín Morazzo and issue two will have a Sex Criminals homage by Chip Zdarsky, with plenty more to come.

In If Destruction Be Our Lot, humanity is extinct and all that remains are the robots who once helped us. The robots are happier now, doing their work without human interference. But not Abe, a robotic replicant of Abraham Lincoln in search of meaning beyond the daily grind. Abe believes there must be something more out there beyond the edge of the city. After nearly getting killed, he’s determined to wander the Earth until he finds it… or gets recycled trying.

If Destruction Be Our Lot #1 will be available at comic book shops on Wednesday, May 6.

  • Cover A by MacDonald – Lunar Code 0326IM0233
  • Cover B by Opeña – Lunar Code 0326IM0234
  • Cover C by “Where’s Abe” by Morazzo 1:10 – Lunar Code 0326IM0235
  • Cover D by Harren 1:25 – Lunar Code 0326IM0236
  • Cover E by Moore 1:50 – Lunar Code 0326IM0237
  • Cover F by Opeña 1:75 Foil – Lunar Code 0326IM0238

Poison Ivy #43 Shows the Evil Choices to be Made to Rule

Poison Ivy #43

Mayor Pamela Isley investigates the state of her old stomping grounds, the Gotham City sewer system, and makes some unpleasant discoveries about what lies beneath. Meanwhile, a certain feline felon makes her long-awaited return to Ivy’s life. Poison Ivy #43 is a hell of an issue that focuses on the tough choices, the evil choices, that are made to rule.

Ivy is now Mayor of Gotham City… and she’s actually trying to do a good job at it!? The idea of villains taking over and leading a city or country, hell even a world, isn’t anything new. But, they usually have some malicious plan behind it. There’s been some exceptions, but generally, it’s not a good thing. Writer G. Willow Wilson seems to be taking things in a different direction with this arc as Madam Isely actually attempts to make Gotham better.

Poison Ivy #43 takes two tracks as far as the story. The first is the horrible decision Ivy made when it comes to her relationship with Harley as she has become Mayor. Politics can destroy relationships (having worked in politics for 25+ years, I can personally attest) and being an elected official can really test the best relationships (again, seen it). Ivy’s decision is tragic and heartbreaking, but also shows she might be taking her new role seriously. There might be some actual altruism driving all of this. Ivy has always been an interesting character straddling clear villain and eco-warrior with good intentions and bad actions. Here, we see a focus on actual issues impacting Gotham and Ivy attempting to resolve them, maybe not in the best ways.

That gets us to the second story. While there’s a bigger mystery going on that plays out, Madam Ivy has focused on the sewer/pipe system of Gotham. There’s a clear environmental impact but also massive corruption. Wilson does a fantastic job of showing both sides of the argument in that “it’s shit, but it works” and “we can do better but corruption prevents that.” She’s right in her beliefs. She’s right in there needs new leadership. She’s right that corruption has led to all of this and the corporate stooge is just full of excuses. She’s wrong in how she handles it… Wilson has done a fantastic job of making the reader sympathetic and then just pulling rug out from under.

The art by Jaime Infante is fantastic. With color by Arif Prianto and lettering by Hassan Otsmane-Elhaou, the comic does a great job of giving us the broken down Gotham we know but adding in a big of magic from Ivy’s natural world. There’s also a slight horror tinge to it all, delivered by the worn infrastructure. The team also does a fantastic job when it comes to the individual characters. Their body language and their facial expressions, the comic hits the emotional aspects perfectly. You can feel the frustration, the fear, the sadness, it’s just fantastic visually.

Poison Ivy #43 is a great issue that shows the difficulty in managing a city and the difficult choices Ivy has to make. There’s lots of drama, there’s lots of surprises, there’s more than enough to get you to cheer for Ivy to succeed (with less killing… maybe). I was intrigued to check out this new direction when it was announced and after two issues, I’m completely sucked in and excited to see what’s next.

Story: G. Willow Wilson Art: Jaime Infante
Color: Arif Prianto Letterer: Hassan Otsmane-Elhaou
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

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