Review: Uncanny X-Men #21
Uncanny X-Men #21 continues to bring things together as the finale of writer Matthew Rosenberg‘s run looms closer. That impending end, and the relaunch to follow, is both good and bad.
It’s clear whatever is to come has allowed Rosenberg to do whatever he wants with his time on the franchise. Not only is he closing up recent plot threads but he’s also killing characters left and right. At this point it feels like most of the issues have featured the death of at least one character. There’s good in that no one feels safe. That’s also bad in that it gets a little “been there done that.” Still, there’s a frenetic pace to it all which makes the comic entertaining.
And that’s the bad thing.
Uncanny X-Men #21 feels rushed as far as pacing. Scenes which should play out longer feel a bit shortened and stunted in some ways. It feels like shortened scenes instead of a more flowing narrative. There’s a “time limit” that’s working against Rosenberg’s storytelling.
The issue though features the shocks and twists we’ve come to expect in this run. Though it’s not 100% clear what O.N.E. is up to and why what is clear is that it’s a horror show and needs to be stopped. Add in major characters being changed even more and it’s another issue where anything can and does happen.
The art by Salvador Larroca is fantastic. Along with color from Guru-eFX and lettering from Joe Caramagna, the comic’s art matches the pacing of the writing. There’s an energy about it all and you can “hear” the X-Men yelling to each other to hold the line. There’s something about the art that just matches the intensity of the story.
While not perfect, the comic is a fun addition to the current run. It continues to really shake things up and throw in a lot while dealing with lingering stories.
Story: Matthew Rosenberg Art: Salvador Larroca
Color: Guru-eFX Letters: Joe Caramagna
Story: 7.5 Art: 8.15 Overall: 7.65 Recommendation: Read
Marvel provided Graphic Policy with a FREE copy for review