Amazon Isn’t Indie and Small Press’ Enemy, It’s Another Platform to Sell
If you read The Comics Journal, it might seem like one of the Four Horsemen of the Apocalypse was descending on Small Press Expo which takes place in Bethesda, Maryland this weekend. In an article entitled “A Plague Comes to SPX” RJ Casey makes the case that Amazon and comiXology‘s involvement in the show is an “affront” to those who attend and exhibit at the show.
comiXology is a digital platform that acts as a storefront for digital comics and was purchased by Amazon some years ago. Since then, the company has expanded allowing individual creators to upload their comics to sell through comiXology Submit and more recently launched a line of original comics called comiXology Originals.
Amazon and comiXology are bringing one of those originals, Hit Reblog, to SPX along with some of the creative team behind it and giving away printed copies to attendees. They’re also sponsoring portions of the convention.
Some feared when comiXology was acquired Amazon they would flex their market dominance putting pressure on publishers and brick and mortar stores. In the years since the focus has been more on experimentation and slowly integrating the service into the Amazon family such as Amazon Prime and Kindle. Even before Amazon, comiXology was the 800lb gorilla in the digital comics market and at any time could have easily become a tyrant with their exclusive contracts and market dominance. Though there were alternatives earlier and after, they remain the gold standard service by which all others will be measured. None have come close to matching what comiXology delivers.
While it is understandable to be nervous about Amazon’s entrance into the comics market and apprehensive due to their questionable treatment of employees, reality is their store had already been in the comic market for years selling individual comics and graphic novels and accounting for an unknown, but vital, amount of sales. Well before comiXology, Amazon had a section dedicated to comics with regular promotion and since the acquisition, those promotions have become better focused and better curated running appropriate sales during events such as San Diego Comic-Con and Small Press Expo raising awareness. ComiXology Originals are free to read for Amazon Prime a service millions are already paying for.
While the TCJ article spends a decent amount of time advocating for the rights of Amazon employees, its actual focus on the comics aspect seems to fall short in both facts and conclusions.
The fear seems to be, Amazon sponsorship of Small Press Expo is a trojan horse to take over independent comics as if there is one publisher by which that can be accomplished. The article and those concerned supporting it make indie and small press comics out to be both on the edge of collapse, easily broken, and also so lucrative that Amazon of course would want to snatch it up. It’s Schroedinger’s business. Both fragile and also immensely successful as is.
What the article fails to mention is that Amazon is already in the small press comic game and has been for years as both a platform and a publisher. Not only can creators self publish through their many services but the company also has Jet City Comics launched in 2013. They were already in the original comics publishing game well before the comiXology acquisition and that included distribution through comic stores. For a behemoth that is portrayed as so focused on closing brick and mortar stores, it’s strange that in their business model of their own comic line would include brick and mortar stores.
The article claims that Amazon wants to be “your printer, distributor, and most likely, publisher and editor.” As stated by Bedside Press‘ founder Hope Nicholson, Hit Reblog is published and owned by Bedside Press, not comiXology and not Amazon. An attack on the comic is an attack on a small press comic company. Similarly, Savage Game, the first comiXology Original comic to be printed, is owned by Cryptozoic.
Amazon and comiXology are the distributor and printer at most, very different than other comic publishers and more akin to a combination of Diamond Comic Distributors, the monopoly that currently is the major comic distribution service, and a possible printing company. Honestly in a way they’re like Image, a brand that comes with some benefits but in the end are creator owned. comiXology Originals sound more like paid for exclusives, a value added for comiXology and Amazon Prime customers and subscribers. They’re also willing to sink money into promoting comic projects featuring varied subjects and different creative voices that we don’t normally hear from other publishers.
The article also mentions a hit on “artistic freedom and intent” with a focus on the paper on which the comics are printed. While different printings can create a different reading experience, the focus on this, much as the article as a whole, screams of elitist gatekeeping as if there is one way to print a comic. ComiXology is providing these creators, and all of those that participate in comiXology Submit, a creator owned platform and the ability to do as they please with a possible visibility that can’t be replicated by any current comic publisher or distribution system. Amazon for years has provided print on demand services and it’s only natural that this be incorporated into this latest experiment of theirs.
As C. Spike Trotman emphasized in the comiXology Originals San Diego Comic-Con announcement panel, the ability to work with comiXology and Amazon is a value added and provides an opportunity to open doors. These are opportunities that might not exist to her as an already successful independent comic publisher (one who has been a regular at SPX for years). This is a comic creator who has raised over $1 million on Kickstarter. Trotman pointed out despite that success some doors are still closed to her. Amazon and comiXology are partners to possibly help open some and explore others neither have ever imagined.
With those incorrect conclusions and facts, the TCJ article warns of dire times when Amazon will force indie creators to print through them and undercuts creators through their platform. As if there’s not other on demand printing options and also downplays the do-it-youself nature of indie comics.
The reality is, a sale on Amazon because an individual saw the comic at a convention is still a sale. Yes, the creator will make less, but they’re still making money that most likely will have never been made otherwise. Conventions like SPX are as much about visibility and advertising as they’re about direct sales to the consumer. Conventions are about raising awareness and getting on attendees’ radars. That fee for the table, that’s the advertising fee. What you make there is some of which you make back immediately from that advertising. And Amazon’s cut of the sales through their platform? That’s no different than selling through Diamond or to comic shops directly or through Kickstarter or Etsy or Indiegogo which all take their piece of the pie. Amazon and comiXology are the technology platform through which these individuals can sell their wares globally and if done right get their creations before an audience that might not otherwise see them. That’s something TCJ’s parent Fantagraphics should be well aware as they use both Amazon and comiXology as two of their sales channels. It’s not an either or, it’s an all of the above to sell comics.
But where the article absolutely fails is its advocacy for attendees to throw copies of Hit Reblog in the trash. As if that comic is less worthy to be at the show than any other. TCJ seems to forget that the beauty of small press and indie comics is that anyone can make them. The paper it’s printed on, the format it comes in, and the ability of the creators are varied. Indie comics and small press are all an experiment. None of it is right, none of it is wrong. No one can “own” small press and indie comics because anyone can create them. Walk up and down the aisles at Small Press Expo and you can see that from the high quality books published by the likes of Fantagraphics, Drawn & Quarterly, and Top Shelf, to the comics xeroxed, stapled, and folded by the attendees themselves. RJ Casey, TCJ, and Fantagraphics has seem to have forgotten this and are becoming the gatekeepers they themselves would have decried years ago.