Review – Constantine #1 and Action Comics #18

Constantine #1

Constantine #1The historic 300 issue run of Hellblazer is over, which has made way for a new series and it’s star John Constantine to join DC’s New 52 in a new series. This is his first proper solo outing though he’s been a part of Justice League Dark and been seen in Animal Man and Sword of Sorcery.

I haven’t known a lot about Constantine, other than the few issues of Dark I’ve read, some Hellblazer and the lackluster movie from years ago. But, it’s clear, DC is attempting to prop up the character to be up there in importance with the trinity of Superman, Batman and Wonder Woman. He’s played a pretty big role in some recent series to indicate this.

So, that brings us to this first issue. It needs to do two things, set up the bad guy big enough that it feels like a threat to the entire DCU and at the same time introduce Constantine to new readers. The first issue is entertaining, but it doesn’t quite reach the former, but does decent in the latter goal.

What Constantine learns in this first issue will shake the very foundations of the New 52…and only he knows how to deal with it!

That’s the tease for this issue, and I’m not quite sure the issue really made it feel like what Constantine learns will “shake the very foundations.” But, it’s all interesting and we’ll see how it pans out.

The issue is successful in introducing the character. We get a solid feel for what he’s like and how he acts, and that’s as a “liar, cheater and manipulator.” This is a hero we’re not supposed to like but want to cheer for.

The first issue doesn’t know it out of the park, but it’s definitely interesting enough to have me come back for the second issue.

Story: Jeff Lemire and Ray Fawkes Art: Renato Guedes

Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Buy

Action Comics #18

Action Comics #18 CoverWith this issue Grant Morrison’s epic run on Action Comics comes to an end. Morrison himself said in an interview that this issue is “like no Superman story before, there’s a lot of stuff going on in it. The readers themselves are implicated in the story.”

But to me, I just didn’t get and of that or it. I didn’t feel implicated in the story, I just felt confused. I had no idea what was going on, this isn’t a comic for a new reader. In fact, this might be a hard comic to figure out for anyone that hasn’t read this series from the beginning.

The villain is from the 5th Dimension, and this character, Lord Vyndktvx, is attacking Superman in a lot of different levels and ways, like a horrible acid trip (and maybe if I were on one, I’d of enjoyed the comic more). I got that much from a lot of the dialogue, but beyond that, for a new reader, the issue is a mess of ideas and disconnected scenes.

The issue seems epic, I’ll give everyone involved in that, but the resolution seems silly in how the bad guy is defeated, it feels like it’s been there, done that.

I read the first few issues of the series, but to me, Morrison is hit and miss as a writer, and his Superman, like his Batman, has been a miss for me. I just haven’t enjoyed it. Both seem to have grand ideas that aren’t clearly laid out coherently. If I need Cliff Notes to read a comic, there are serious issues with the storytelling. And this entire issue I felt like I needed notes if not a translator to help me decipher what was going on.

Those who have read this story arc and Morrison’s run might appreciate the issue, but as a new reader, I can’t recommend for those looking to try something new.

Story: Grant Morrison Art: Rags Morales, Brad Walker, Cam Smith and Andrew Hennessy

Story: 5 Art: 7 Overall: 5 Recommendation: Pass

DC Comics provided Graphic Policy with FREE copies for review


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4 comments

  • Apparently you have a) No idea what Morrison was shooting for with Action Comics b) A hilarious idea that you can read issue 18 of any Morrison story and get it while only the reading the first few issues.

  • Morrison’s run on Action Comics will read better as a trade. Waiting a month between issues creates problems with how stories flow as it is, but writing a story as fragmented as this is awful and alienates the reader. I have every intention of piling up the first 18 issues of Action and reading them all in a row some night to see if I can make sense of it, but right now I’m glad he’s leaving this book. Even with the news that Andy Diggle is off Action before his first issue made it to print, I’m looking forward to his brief run more than I have any previous issue of Action.

    Another famous Morrison once sang: “There’s a killer on the road, his brain is squirming like a toad…” I think this line fits with how Grant handles the titles he’s on. His F’d up brain kills titles.

  • I’ve read a lot of Morrison’s stuff and as a whole I think his concepts are better than the execution. They’re generally muddled, not clear and at times incoherent. I think he’s praised more than he deserves and reading his stuff as monthly books are painful at times.

  • Have to say, I read this from the #1, and cancelled my order after #18. It had it’s moments, but for me it just nosedived too much to keep my interest.