Tag Archives: the thing

Review: Marvel Two-in-One #1

In Marvel Two-in-One #1, writer Chip Zdarsky, penciler Jim Cheung, inkers John Dell and Walden Wong, and colorist Frank Martin break every emotional bone in your Fantastic Four loving body. A comic co-starring the Human Torch was the last place that I expected to see an homage to the opening scene of The Dark Knight Returns where an aging, alcoholic Bruce Wayne tries to find a “good death” by crashing a very expensive stock car. However, Zdarsky, Cheung, and company pull it off complete with a nine panel grid, downcast eyes, and red and blacks from Martin that look like a funeral pyre. And Marvel Two-in-One has a quite wistful tone throughout the issue as Johnny Storm and Ben Grimm come to terms with their grief for the missing Richards family as well as the adventures they once had.

From his work on Jughead , Howard the Duck, and of course, Sex Criminals, Chip Zdarsky does funny very well, and that shows in Marvel Two-in-One with the Thing’s deadpan one-liners (Apparently, he was just the Fantastic Four’s “bus driver”.) and a hilarious meta-joke featuring all the actors who have played the Human Torch. But he mainly goes for pathos in this comic, which is helped by the range of expression in Jim Cheung’s pencils and the detailed added in by veteran inkers John Dell and Walden Wong. For example, there is a two page almost silent sequence where the Thing visits a warehouse with all the FF’s stuff, including the Fantasticar, and remembers his family and their last adventure in blue tinged flashbacks. The first half of the comic is almost overwhelming for him with reminders of Reed and Sue everywhere and call from beyond the grave for him to watch after Johnny, who is suffering from both grief and the possible loss of his powers.

Also, the Thing and Human Torch don’t really team up in Marvel Two-in-One #1, which is perfectly fine. We do get a nice nod to the original Two-in-One series when the Thing lays out a villain in one panel that would probably have taken Spider-Man an entire issue or two to defeat depending on decompression. Zdarsky and Cheung have the two emotionally charged brothers physically and verbally butt heads before finally confiding in each other and finding a shared goal in exploring the multiverse using a very cool Reed Richards doodad. Martin turns on the flames before cooling down and going for simple muted colors as they start to talk and trust in each other again. Since the original Jack Kirby and Stan Lee Fantastic Four run, Johnny and Ben have butted heads with the Thing being jealous of Human Torch’s good looks and popularity while he is treated like a monster. However, they are family even if Zdarsky sneaks in a dark end-of-comic twist to get them to team up. It’s so dark that it makes presumably reformed supervillain Dr. Doom shudder.

In Marvel Two-in-One #1, Chip Zdarsky, Jim Cheung, John Dell, Walden Wong, and Frank Martin craft a comic that is true to the legacy of Marvel’s First Family and deals with the emotional fallout of their disappearance at the end of Secret Wars. They also set up a rocky course for the Thing and Human Torch to begin their own adventures with Dr. Doom watching from the shadows as he is still a little salty that he is not the one responsible for Reed Richards’ demise. Marvel Two-in-One is the first step of a road story featuring two brothers that butt heads, yet still love each other with plenty of nostalgia and a sliver of hope to boot.

Story: Chip Zdarsky Pencils: Jim Cheung Inks: John Dell with Walden Wong Colors: Frank Martin
Story: 9 Art: 8 Overall: 8.5 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review

The Marvel Universe Miniature Game Adds the Dark Avengers, Dr. Doom, and the Thing!

It’s been around a little over two months since Knight Model‘s last release for the Marvel Universe Miniature Game. The game publisher has announced three new releases today and two are pretty shocking! The game gets some more much-needed villains and one of the members of the Fantastic Four, a whole lot of support for the Avengers faction!

It should be no surprise that Dr. Doom is coming to the game, and at level 11 he will likely have entire teams built around him. With abilities to prevent ranged attacks, teleport, and more, he’s every bit the powerful villain he should be.

Marvel Universe Miniature Game Dr. Doom

What’s Dr. Doom without the Fantastic Four to stop him? The Thing is now available to bring to your team. He’s as tough as you’d expect. Can the rest of the FF be far behind?

Marvel Universe Miniature Game The Thing

The Dark Avengers are ready to take on all comers! Composing of Iron Patriot (Norman Osborn), Ares, Sentry, and Ms. Marvel, this is a superhero team made up of villains. Not one I expected to see in the game, and definitely not this early.

Marvel Universe Miniature Game Dark Avengers

All of the models are available for order now!

What Could Be Expected in Phase 4 of the Marvel Cinematic Universe

After its initial success with Iron Man, the Hulk, Captain America and Thor, Marvel Studios quickly realized that it had a formula for success on its hands and seemed ready to take advantage of it.  To do so though required a plan, and studio head Kevin Feige soon had broken down the movies into various phases, with the most recent Ant-Man signaling the end of phase 2.  Aside from the developments inside the movies, there have been some developments outside the movies which have affected the universe as well, chief among those the partial reversion of the rights to Spider-Man back to Marvel, or at least the use of Spider-Man inside the shared universe in a collaboration with Sony.

At the moment, we kn ow the entire lineup for phase 3, starting with Captain America: Civil War and continuing through two new Avengers movies and the Inhumans.  What might be expected in the next phase of the Marvel Cinematic Universe?  The release of the newest Fantastic Four might signal some of the changes which we can anticipate ahead (there are some spoilers below).

Ant-Man and Wasp

waspMany expected Ant-Man to be one of the bigger disappointments thus far in the MCU, due to its ongoing problems with the direction, after it passed from Edgar Wright to Peyton Reed.  It seemed as though the studio was not going to take any risks with the character as they could not even confirm his role in any future movies.  This presumably will all change now that the movie has been released.  Although it can’t compare to the financial success of the year’s other Marvel movie, Avengers: Age of Ultron, it also is noteworthy as being a better critical success, with a better rating at Rotten Tomatoes than Avengers.  With both financial and critical success it seems as though there will be more to come from these characters.  As was hinted at the end of the movie, there is still a lot of story left to tell as well, as the end hinted that Janet van Dyne might not be truly lost.  Furthermore Hope van Dyne was presented with a Wasp suit by her father.  There could be a lot of places to take the story of the two heroes, though one in particular might make the most sense …

Micronauts

micronautsThe Micronauts are a bit of an oddity in comics.  They started out as a line of toys, who were written into comics after in the 1970s after Marvel writer Bill Mantlo saw his son open a box of the toys.  The series started as somewhat of a standalone, but slowly was incorporated into the Marvel Universe, with appearances by some other mainstream characters.  While the rights for the characters do not presently rest with Marvel, there is a long publication history with the characters and as the rights rest with other smaller comic companies, it would likely not be too difficult to reacquire the rights.  Furthermore for the film studio that might try to replicate the runaway success of Guardians of the Galaxy, they might look smaller instead of bigger and find their next surprise hit there.  There would be some hurdles, but also there might be a few benefits, as Janet van Dyne disappeared into the smallest dimension, the Microverse.  This small universe is not in itself small, but the pathways to enter it are, and could give an explanation as to where the character disappeared.  They might find Janet in the Microverse, but they might also be able to find some other heroes there as well…

Fantastic Four

fantastic fourThe Fantastic Four is one of the best known Marvel properties that does not lie within the company’s grasp at the moment, instead being controlled by Fox.  While Fox has managed to control the X-Men franchise strongly enough with some decent movies, the Fantastic Four has mostly been a sequence of failures.  The first of the series was good enough to warrant a sequel, but this was before the wake of Marvel movies changed how fans expected superhero movies to turn out.  Marvel Studios was looking to be innovative, not just rehash generic action/sci-fi plots with superheroes thrown in.  The most recent attempt by Fox to revamp the Fantastic Four might have been an attempt to do the same, to get some new excitement into the mix, but it evidently did not turn out that way.  Critical response (and probably financial) will mean that the characters will have to be shelved for a while before the public has forgotten enough about them.  Using the Sony/Spider-Man approach, lending the characters back to Marvel Studios might be a wiser choice, one that would probably make more money for both, and one which would keep the fans happy.  By this point though, with two origin movies behind them, it might make sense to jump straight into the Fantastic Four with them already established as heroes.  They could exist in a similar sense to Hank Pym in the Marvel Cinematic Universe, unknown but still present.  More so, one of the places that is visited by the Fantastic Four is the Microverse, and if they were stuck there then it would be an easy bridge between Ant-Man and the return of Marvel’s first family.

Namor

namorIt is not entirely clear where the rights to Namor presently rest.  Kevin Feige has indicated that Marvel, if they desired, could make a Namor movie, but that there would be some “entanglements”.  Rights to the movie have rested with Universal, but seem to have at least partially lapsed.  What remains is speculated to be the same arrangement with 2008’s The Incredible Hulk, that Marvel creates but Universal distributes.  While it was not a problem when the Marvel Cinematic Universe was still nascent, it seems moving forward that Marvel likes to create and distribute, and to get rewarded financially at 100% for its efforts.  It might make exceptions for Spider-Man and the Fantastic Four but maybe less so for Namor.  Another factor to consider is what DC Comics will manage to do with its own movies.  The other of the big two comic companies is playing catchup, but also has the benefit of controlling the movie rights to nearly all of its characters.  They have already greenlit an Aquaman movie, but it remains to be seen just how well it will do.  Aquaman is after all a hero that is taken not so seriously in pop culture, but if DC can make it work, maybe it will give Marvel second thoughts about its own underwater hero.

Thunderbolts

thunderboltsThe fact that DC Comics is playing catchup in the movie game can also be to the advantage of Marvel.  Marvel has already taken its gambles and seen those pay off, as with Guardians of the Galaxy.  DC Comics, who are eager to catch up, are also taking their own gambles, and chief among those is the Suicide Squad.  Featuring a group of villains forced into a heroic role, it might catch on, or it might flop.  Fans certainly will not be very familiar with the concept, and the concept in itself is strange enough that it might not work.  On the other hand, it might work, and if yes then it could serve as a gamble that Marvel gets to witness the results of without gambling anything itself.  If popular it could use its own villain-turned-heroes team the Thunderbolts and catch the wave of people wanting more Suicide Squad before a sequel to the DC movie comes out.  If played right as well it could help quieten those that think that the MCU’s villains are the weakest part of the movies.

Defenders

defendersMarvel is already a long way along in its development of the Doctor Strange movie, and holds the exclusive rights to the Hulk as long as he is not the featured character in a movie.  A Namor movie could be forthcoming depending on the success of Aquaman, and if Fox sees the benefits of doing so, a collaboration might be in the works to return the Fantastic Four and associated characters to the MCU, which would include the Silver Surfer.  Those four make up the original four members of the Defenders.  For those that are getting a bit tired of seeing the Avengers over and over again on the big screen, it might be an excuse to feature this other Marvel team (although Marvel is working on a street level Defenders television show as well.)  One interesting aspect about this team is that as opposed to the Avengers that the original team is made up of all non-street level characters, meaning that the stakes could be higher and that bigger things might happen as a result, such as …

World War Hulk

wwhThis has been a long rumored development in the MCU, but also not one that has not yet come to fruition.  Marvel has been careful to include in story arcs from the comics, and it has made for some great connections for fans of both mediums.  Although World War Hulk is not necessarily the best all time Hulk story, it is up there, and would be a better vehicle for putting a new spin on the Hulk stories, more so than what we are seeing at the movies, with both Hulk movies fitting the same general pattern of the Hulk being hunted by the government after smashing up a bunch of stuff.  It would also allow the character to move beyond the Avengers, which is a connection that is not as strong in the comics.  Also if all the pieces fell into place, it would mean that a lot of the major players from the crossover might be able to make it into the movie, save for the X-Men.

Hawkeye

kateRumors abound that another major character will die in the upcoming Captain America: Civil War (especially that there are pictures from the set of a funeral sequence), and without any other way to verify this other than by seeing a movie that will not be released until 2016, it still seems likely that one of the characters that might be easiest to kill off would be Hawkeye.  He is among the less popular of the main characters in the MCU, and has been almost a footnote to the movies series, appearing to provide fans with another superhero, but also one that doesn’t really do much.  Even if he does not die in the movie, it is also worth noting that the character is one which is on the verge of retirement, being somewhat older than the other heroes and with responsibilities to his family.  This could leave open the possibility for a Hawkeye movie except not as we might expect.  As the movies expand in popularity it makes sense to be closer to four quadrant movies, and one way to do this is to introduce more female characters.  If Clint Barton were to retire on screen, it could open the door for Kate Bishop to step up, providing the MCU with another superheroine, and one with a lot more of an edge than Clint.

She-Hulk and Spider-Woman

shehulkOn that same note, if Marvel is looking to keep its female fans happy it might look to develop these characters as well.  Most of the main Marvel superheroines would be tied up elsewhere, with most of the major heroines being members of the X-Men, and other such as Sue Storm or Medusa mostly only operating as parts of teams.  Others such as Elektra and even Hellcat are tied to the television series, which mean that only a few major female characters would be left to get the big screen treatment.  She-Hulk and Spider-Woman could both be strong contenders to hold down their own movie, especially if Marvel did something unexpected and went off the script with the Spider-Gwen version of Spider-Woman.  It would also help to fill the ranks of the Avengers, a team which needs to be mixed up a bit from time to time to keep the roster fresh and the fans intrigued.

Ka-Zar

tigraKa-Zar is one of the longest running Marvel characters, but also one that has not had a very solid fanbase in modern years, although unquestionably popular among many.  Although Marvel is keen on taking risks, could it make the Savage Land work the same as it made Guardians of the Galaxy work?  The Savage Land is the source of many stories within the Marvel Universe, though most of them with the X-Men.  Why might the MCU be interested in the Savage Land?  It is a fantasy setting, and while it does not match up with other heroes, could still serve as an explanation for the re-appearance of some characters who also happen to be Avengers – Hercules, Tigra or even the Black Knight.  It might be a stretch, but Marvel will be looking for new blood for its Avengers as it moves forward, as is evident from the new roster after Age of Ultron.  Tigra especially might be interesting, as she not only is her own character, but is also indirectly responsible for the development of Hellcat, whose non-superpowered version is already set to be introduced in the Marvel television show Jessica Jones.

Iron Man 4

iron manThis is perhaps the biggest question to solve in phase 4.  A big part of what made the MCU so popular is that it based its hopes on the initial movie, Iron Man.  If this movie had failed so too would the plans for the shared universe.  Success would probably have still come the way of the studio, but it would have been a longer road.  Part of the runaway success of the original Iron Man was that Robert Downey Jr. was perfectly cast as Tony Stark, what some might say is not even really acting as he seems to be mostly playing himself.  That having been said, superheroes never really age but actors and actresses do.  While the studio can get a few more years out of Chris Hemsworth, Chris Evans and Scarlett Johansson (all in their early to mid 30s), and even a lot more out of Paul Bettany (whose character the Vision wears so much makeup as to be ageless) and Elizabeth Olsen (who is in her mid 20s), it can probably expect less out of Robert Downey Jr, who is now 50.  They might push him for a couple more movies, but eventually he will need to be replaced, and the biggest question would then be by who, as the character is one that is of highest importance to the MCU.  There might be no bigger question heading forward in the MCU than who will fill this role.

The Denny’s Thing Burger, Not Exactly Kosher (Updated)

thing-burger_thumb-m

With Fantastic Four out in the theaters this weekend, and big question I had answered below, I decided to run this post again.

Denny‘s is running a tie-in with the upcoming Fantastic Four film and features various dishes with a “theme” pertaining to the character it ties in to. As a whole I’d shrug my shoulders, but the one for The Thing is actually interesting. I’ll ignore the 1920 calories, 1180 of them from fat, the high amount of fat, cholesterol, and sodium. You might be a superhero to survive eating it.

For those that might not know, Benjamin Grimm aka The Thing, is one of the more high-profile Jewish characters in the Marvel universe. While he’s not regularly at synagogue in the comics, he has said Jewish prayers in comics and mentioned his religion every so often.

Back to the hamburger. It includes the burger, cheddar cheese, bacon, and a cheddar bun, among other things (special “thing” sauce). Pick up on the issue here? Not only does the hamburger include bacon (some Jews don’t eat pork, I do), but it also mixes milk and meat (unless Denny’s is admitting their cheese is anything but). This violate Kosher law which prevents the mixing of the two. In other words, this is a meal a lot of Jews probably wouldn’t eat.

The Thing might not keep kosher, stats vary as to how many Jews do (anywhere from 15% to 40%), it definitely is a bit insensitive to his history and background. Definitely a hand. head. slap. moment.

Update: So went to see Fantastic Four last night, and in the beginning of the film there’s a Menorah on Ben Grimm’s shelf, so there’s at least one nod he’s Jewish.

And check out the genius ad below for this fantasticly offensive meal.

The Denny’s Thing Burger, Not Exactly Kosher

thing-burger_thumb-mDenny‘s is running a tie-in with the upcoming Fantastic Four film and features various dishes with a “theme” pertaining to the character it ties in to. As a whole I’d shrug my shoulders, but the one for The Thing is actually interesting. I’ll ignore the 1920 calories, 1180 of them from fat, the high amount of fat, cholesterol, and sodium. You might be a superhero to survive eating it.

For those that might not know, Benjamin Grimm aka The Thing, is one of the more prominent Jewish characters in the Marvel universe. While he’s not regularly at synagogue in the comics, he has said Jewish prayers in comics and mentioned his religion every so often.

Back to the hamburger. It includes the burger, cheddar cheese, bacon, and a cheddar bun, among other things (special “thing” sauce). Pick up on the issue here? Not only does the hamburger include bacon (some Jews don’t eat pork, I do), but it also mixes milk and meat (unless Denny’s is admitting their cheese is anything but). This violate Kosher law which prevents the mixing of the two. In other words, this is a meal a lot of Jews probably wouldn’t eat.

The Thing might not keep kosher, stats vary as to how many Jews do (anywhere from 15% to 40%), it definitely is a bit insensitive to his history and background. Definitely a hand. head. slap. moment.

A First Look at Jamie Bell as The Thing in the Fantastic Four

There’s been some teases in a trailer, or a look on a poster, but Empire Online posted an exclusive first look at actor Jamie Bell as The Thing in this summer’s Fantastic Four.

The look is rather different from what we’ve seen before in previous live action versions. Check it out directly below.

Fantastic Four The ThingThe design for some reason reminds me of a mix between the horrible version in Roger Corman’s The Thing and Michael Chickliss’ version in two films. Mix those in with some rocks you’d buy at Home Depot to make your walkway look really nice.

What do you think of the design above? How does it compare to the below?

roger corman's fantastic four thing_chiklis1

Review: Burning Fields #1

burningfields001covOne of the most interesting developments of literature in the 20th century was that of the war narrative.  Previous to the First World War, stories about war were told from the commanders, the generals, colonels and majors (maybe sometimes a captain) and mixed in equal parts of grand strategy with personal recollections of leading men into battle.  After the First World War, aided in part with the easy access to printing technology, the random grunts were for the first time allowed to write and print the stories about what life was like on the front lines.  The most famous was Erich Maria Remarque’s All Quiet on the Western Front, but there were others as well.  The common theme among them was that war was not as glorious as it was made out to be, and that it scars those that it doesn’t leave behind.  It is with this backdrop that the new series Burning Fields starts off with, though with a modern twist, as its heroine is forced back to the fields of the Iraq war which she wanted to leave behind and forget.  There lies hidden some insinuation of atrocities that were committed, which complicates things for her.

All of this takes place in a setting which is not even necessarily related to this part of the story, but which adds depth to its characters.  This series was described as Zero Dark Thirty meets The Thing (John Carpenter, not Ben Grimm), and by the end of this first issue it is channeling a lot of the former and a little bit of the latter.  With this as a backdrop it makes the horror setting all the more real, as supposedly a serial killer is on the loose in a highly protected oilfield in Iraq, one protected by a mercenary black ops group that is Blackwater in everything but name.  She has issues with their leader, but she goes anyway to find out the truth, in a place where she might need more than a few answers.

This series is a little bit under the radar but it shouldn’t be.  Once again proving that a lot of the smaller publishers have the mettle to play with the bigger companies, the story here is engaging and immersive.  Its main character is never really at ease being back in the war torn country, but then so too the reader shouldn’t be easy reading it.  At this stage it is hard to see exactly where this story is headed, whether that be towards a techno-thriller or supernatural gore, but with the strong introduction to the characters and the setting, there is little more to ask for here.  In what is an otherwise slower week across the medium, comic fans might want to give this one a look as it looks to be a cut above the usual.

Story: Michael Moreci & Tim Daniel Art: Colin Lorimer
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

BOOM! Studios provided Graphic Policy with a free copy for review.  

The Thing Returns to Dark Horse Comics! Download today FREE!

Official Press Release

THE THING RETURNS TO DARK HORSE COMICS

 WITH A FREE DIGITAL COMIC THAT SERVES AS A PREQUELTO THE NEW THRILLER IN THEATERS OCTOBER 14! 

September 21, MILWAUKIE, OR – Dark Horse Comics is pleased to announce that it has created an exclusive digital comic to serve as a prequel to the thriller “The Thing,” in theaters October 14.  Starting today, the comic will be released in three parts on September 21, September 28 and October 5 and is available FREE online at www.digital.darkhorse.com and via the free Dark Horse Comics mobile app (http://itunes.apple.com/us/app/id415378623).  The Thing: The Northman Nightmare tells the origin story of pioneering Norsemen who discover a shape-shifting creature that is hiding in a desolate village with few human survivors.

In December 1991, Dark Horse Comics first published The Thing From Another World #1.  In the style of Aliens, Predator and Terminator, Dark Horse Comics picked up where John Carpenter’s classic 1982 film left off.  Now, 20 years later, Dark Horse shares a much earlier story about this creature from beneath the ice.

Taking us into frigid Greenland, the comic introduces us to a group of Norsemen who find themselves caught in a game of survival when they discover a terrifying creature.  The shape-shifting monster has the ability to turn itself into a perfect replica of any living being.  It can look just like you or me, but inside, it remains inhuman.  And it hides somewhere in a desolate village with few human survivors, among them a strange group of women…

Said editor Scott Allie: “This property consistently generates much excitement from fans, which made it easy to round up an incredible team for this prequel comic.  This is a sincere horror story by guys who know how to knock it out of the park.”

The Thing: The Northman Nightmare is written by Steve Niles (Criminal Macabre), with art by Patric Reynolds (Serenity), colors by Dave Stewart (Hellboy) and a cover by Menton3 (Silent Hill).  The Thing: The Northman Nightmare comes to readers as a prequel to Universal Pictures’ upcoming prelude to John Carpenter’s classic 1982 film of the same name.

“Steve Niles and Dark Horse have done it again, truly an amazing book,” said Menton3.  “I am extremely proud to be a small part of it.”

The first eight-page installment of The Thing: The Northman Nightmare can be downloaded digitally from the Dark Horse Digital Comics App or at www.digital.darkhorse.com today FOR FREE!

About “The Thing” film: Antarctica: an extraordinary continent of awesome beauty.  It is also home to an isolated outpost known as Thule Station.  There, a crew of international scientists has unearthed a remarkable discovery.  But elation quickly turns to terrifying paranoia in the thriller “The Thing,” as the group of researchers encounters something inhuman that has the ability to turn itself into an exact replica of any living being.

“The Thing” serves as a prelude to John Carpenter’s classic 1982 film of the same name.  Directed by Matthijs van Heijningen, the thriller is produced by Strike Entertainment’s Marc Abraham and Eric Newman (“Dawn of the Dead”). www.thethingmovie.net

About Dark Horse Digital Comics

 

Founded in 1986 by Mike Richardson, Dark Horse Comics has grown to become the third-largest comics publisher in the United States and is acclaimed internationally for the quality and diversity of its line. Now, in 2011, the company that revolutionized the comic industry proudly presents its groundbreaking digital-publishing program, Dark Horse Digital.

Having launched with hundreds of titles, Dark Horse Digital offers its most popular titles at an unprecedented value, while providing the highest-quality reading experience possible. Single-issue comics are priced as low as just $0.99, and there is also an extensive list of free introductory #1 issues. Additionally, DH Digital’s “bundles” group together story arcs spanning multiple issues into affordable packages, allowing readers to get the three or four issues that comprise a complete narrative, starting at just $3.99 and up. And through cloud-based technology, Digital Store purchases can be read and enjoyed on your laptop, desktop, mobile browser, and Dark Horse Bookshelf app, available now on iTunes.

To get started, simply log on to Digital.DarkHorse.com or download the app to create an account, and begin building your collection today.

Catching Up on Reviews, Part 11 — Hulk and Skaar

Hulk #30.1 (Marvel) – Sometimes the simple stories are the best. This is a simple story that works very well. It’s a straight-ahead contest of the wills between Red Hulk and his former protege (from his life as Thunderbolt Ross). It starts out as a battle of strength and ends as a battle of intellect, something the best Hulk stories often do. The trio of Jeff Parker, Gabriel Hardman and Tom Palmer do a great job.

Story: 9 Art: 8.5 Overall: 8.75

Hulk #31 (Marvel) – Parker’s battle-of-wits storyline continues and is still interesting, but Palmer drops off this issue and Hardman’s solo art isn’t as good as the duo was together. The back-up tale seems pointless.

Story: 8 Art: 7.5 Overall: 7.75

Hulk #32 (Marvel) – The Nightmare On Elm Street nature of this ongoing storyline is interesting (Hulk can’t fall asleep or he dies), but I wonder if it’s being drug out too long. The Zero/One sidestory isn’t holding my attention at all.

Story: 7.5 Art: 7.5 Overall: 7.5

Hulk #33 (Marvel) – Black Fog is a potentially awesome new villain, but I wonder if Hulk is his best potential opponent. And I will say that it seems like they’ve been teasing this Omegex character’s “imminent” arrival for three issues.

Story: 7.75 Art: 7.25 Overall: 7.5

Hulk #34 (Marvel) – Planet Red Hulk? Really? It seems like the writers who do the Hulk comics these days use too many retread plots and don’t try to come up with enough different ideas. I mean, Red Hulk is repeating a Green Hulk story that is only a few years old and he’s meeting some cast-offs from Avatar along the way. Not impressive. Carlo Pagulayan’s art is an improvement, though.

Story: 6.5 Art: 8 Overall: 7.25

Hulk #35 (Marvel) – So, let me get this straight, the Planet Red Hulk/Avatar story was so wrong that a Watcher came in and removed it from continuity? And Omegex arrives and is so strong and powerful that the same Watcher just removed Red Hulk from reality so Omegex would just go away. And Watchers can’t interfere? And this isn’t a deux ex machina how?

Story: 2 Art: 8 Overall: 5

Hulk #36 (Marvel) – Okay, the Planet Red Hulk nonsense is over. Good. MODOK is here. Bad. Patch Zircher is doing the art. Bad. Zzzax is here. Good.

Story: 7 Art: 6.5 Overall: 6.75

Hulk #37 (Marvel) – Red Hulk belongs in the Fear Itself story. He belongs in a match-up with the Thing. He belongs in a comic with better art than this.

Story: 8 Art: 7 Overall: 7.5

Incredible Hulks #622 (Marvel) – This is a series that is solid and entertaining, good writing and good art, without ever really being spectacular. This issue concludes the match-up with Hulk and the Greek gods. This one features the following awesome sound effects: “GDDAAANNG!” and “ZOOUNDDS!” It also features Hulk-vomit and vultures eating Hulk’s guts. Not exactly high art, but lots of fun.

Story: 8 Art: 8 Overall: 8

Incredible Hulks #623 (Marvel) – This series has to have more sound effects-per-panel than any comic going, what with all the Hulks. This one takes the Hulks to the Savage Land, so it’s filled with giant monsters and bugs, too. I don’t like Dale Eaglesham’s art as much as Paul Pelletier’s, but it’s still good enough for this comic.

Story: 7 Art: 7 Overall: 7

Incredible Hulks #624 (Marvel) – I’m not a huge fan of most Savage Land tales but this one has Miek and lots of action, so it’s about as good as it gets outside of the X-Men’s travels to the South Pole.

Story: 7.5 Art: 7 Overall: 7.25

Incredible Hulks #625 (Marvel) – The Savage Land story ends with Hulk going bad before coming back to his senses to save the day. Not particularly original.

Story: 7 Art: 6.5 Overall: 6.75

Incredible Hulks #626 (Marvel) – Tom Grummett’s art is a step up, but I’m not sure I buy the “Hulks as secret agents” concept here and I definitely don’t like Tyrannus as a character, even though he seems out of his usual mode here. I’m not sure I buy the use of Betty Ross here, either.

Story: 7 Art: 8 Overall: 7.5

Incredible Hulks #627 (Marvel) – This issue effectively continues in the exact same vein as the previous issue, with the same strengths and weaknesses. Not a bad story, but not one I’ll remember a month from now.

Story: 7 Art: 8 Overall: 7.5

Incredible Hulks #628 (Marvel) – The action in this issue ramps up a bit, but I still don’t like the Pandora’s Box stuff.

Story: 7.25 Art: 7.75 Overall: 7.5

Incredible Hulks #629 (Marvel) – As a lifelong fan of monthly comic issues, I’m starting to see the value of trade paperbacks. Too many issues seem like the are explicitly written to be part of a trade these days, which means that they are slow-paced and don’t stand on their own. A story that seems like it should be no more than two issues long is going on for at least twice that here.

Story: 7 Art: 8 Overall: 7.5

Incredible Hulks #630 (Marvel) – Pelletier is back, but this isn’t his best art. The story spins off in an interesting direction from the Pandora’s Box tale, going into the old “be careful what you wish for” trope. I like the idea of bringing back some of Hulk’s most powerful enemies at the end.

Story: 7.5 Art: 8 Overall: 7.75

Incredible Hulks #631 (Marvel) – What’s the deal with Fin Fang Foom being everywhere these days? I’m not sure I get the point of the character. Wendigo, on the other hand, is a creature I’ve always liked, so his presence is welcome.

Story: 8 Art: 8.5 Overall: 8.25

Incredible Hulks #632 (Marvel) – Pelletier’s art isn’t quite as good here as it was in the last few issues, although it has its moments. Greg Pak’s writing continues to be interesting and entertaining without getting too deep, which I guess is why people read Hulk comics, right?

Story: 7.75 Art: 7.75 Overall: 7.75

Incredible Hulks #633 (Marvel) – Pelletier does really good with the big action shots, but some of the facial close-ups rub me the wrong way. This issue has more Fin Fang Foom and more Tyrannus and, of course, more massive action and sound effects.

Story: 7.5 Art: 8 Overall: 7.75

Incredible Hulks Annual #1 (Marvel) – The conclusion of the Identity Wars trilogy isn’t quite as good as the beginning, with the art being subpar and the story not being as interesting, although I will give the issue kudos for the “Ghost Spider” pun and character.

Story: 7 Art: 6.5 Overall: 6.75

Skaar – King of the Savage Land #1 (Marvel) – Just what I was demanding more of — the Savage Land. I don’t buy the idea of a creature powerful enough to create the Savage Land, but somehow weak enough to be limited to possessing one of the Land’s inhabitants to come back in an attempt to take over the world, or something. Brian Ching’s art looks great in the outdoor and action sequences, less so in the close-ups and indoor scenes.

Story: 6 Art: 7 Overall: 6.5

Skaar – King of the Savage Land #2 (Marvel) – This issue offers more of the same — more inconsistent art (some of which is great, such as the massive shot of Devil Dinosaur), more of a story I could care less about and more of a pointless team-up of characters that don’t really belong together.

Story: 6.25 Art: 7.25 Overall: 6.75

Skaar – King of the Savage Land #3 (Marvel) – So the next logical step in a story about the Savage Land and Ka-Zar and Shanna the She-Devil and Skaar and Devil Dinosaur and Moonboy is…of course…Kid Colt Outlaw as an adult. Yep, that makes sense.

Story: 6 Art: 7.5 Overall: 6.75

Skaar – King of the Savage Land #4 (Marvel) – This issue has a couple of epic action shots but there really isn’t that much else in this series to make it compelling.

Story: 5.5 Art: 7.5 Overall: 6.5

Skaar – King of the Savage Land #5 (Marvel) – A couple more random, rarely-used Marvel z-listers show up in this issue and the story, which seems to have had no real point up till now, ends in a completely random and unbelievable way. Oh, and that random ending makes Skaar the king of the Savage Land. Huh.

Story: 4 Art: 7 Overall: 5.5

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