Tag Archives: the dark knight

Cinelicious Pics Acquires Dark Night

Cinelicious Pics has acquired all North American rights to Tim Sutton‘s critically acclaimed Dark Night for an early 2017 theatrical and VOD release. An artfully understated critique of American gun culture, as the title suggests, Sutton’s third feature is loosely based around the 2012 massacre in Aurora, Colorado that took place during a multiplex screening of “The Dark Knight.”

Sutton’s film premiered to strong notices at the 2016 Sundance Film Festival and was later selected as Closing Night Film at this past BAM CinemaFest. Most recently, the film played out of competition at the Venice Film Festival where it took home the Lanterna Magica Award.

The film employs a pseudo-documentary technique and a cast of non-professional actors, Dark Night follows the activities of six strangers over the course of one day, from sunrise to midnight, the shooter among them.

dark-night

Medicom Toy Introduces Figures of Three Iconic DC Comics Characters

PREVIEWS and Medicom Toy come together to introduce exclusive edition figures featuring popular DC Comics characters, available to preorder in the March PREVIEWS catalog. Fans can now pre-order the limited edition exclusives of The Joker from 2008’s The Dark Knight, Armored” variation of Batman from the upcoming film Batman v. Superman: Dawn of Justice, and Wonder Woman as she appears in her live-action film debut.

This variation of The Joker pays homage to the reign of terror he created during his memorable bank heist in The Dark Knight. Standing at 6 ¼” with a meticulously detailed costume, the PREVIEWS exclusive figure comes with a duffle bag, pistol, and removable clown mask.     

Batman is prepared for his face-off against Superman in this detailed armored suit. The PREVIEWS exclusive figure stands at 6 ¼“ and features a poseable fabric cape, interchangeable hands and a poseable display stand. This is the perfect collector item to purchase in preparation for the film, Batman v. Superman: Dawn of Justice!

At 6” tall, Wonder Woman is packing her shield, sword, and golden lasso.  The PREVIEWS exclusive figure of the legendary DC Comics heroine is sculpted with exceptional precision and articulation in order to appropriately represent the character in her upcoming debut film.

  • Dark Knight The Joker Bank Robber Figure (Item Code: MAR162546, SRP $48.99)
  • BVS Batman Armored Figure (Item Code: MAR162548, SRP $51.99)
  • BVS Wonder Woman Figure (Item Code: MAR162551, SRP $51.99)

The figures are available to preorder and are scheduled to ship in October.

The One:12 Collective – Mutant Leader from the Dark Knight

After leveling the gang called the Mutants from within the armored tank-like Batmobile, Batman is challenged to a one on one fight by the gang’s leader; it’s a fight the aged Batman is not sure he can win. The vicious battle takes place in the Gotham City Dump and leaves Batman defeated and broken in one of comicdoms most epic conflicts, and introduces a new villain to the Dark Knight’s Rogues Gallery. With an army of anarchistic punks at his command, overwhelming speed and strength the Mutant Leader is a whole new breed of criminal.

Digitally modeled to craft an uncanny comic likeness and assembled on a One:12 Collective body with over 28 points of articulation, this figure features a leather like outfit to create an amazingly accurate collectable.

The One:12 Collective Mutant Leader features:

  • Real leather-like pants
  • Incredible sculpted details capturing the brutal rage of the character
  • 80’s style sunglasses from the comic book
  • Studded punk rock belt
  • Sub-dermal body spikes

Included with this figure:

  • Alternate head with broken nose
  • Alternate head with gritted teeth and glasses
  • One set of fists
  • One holding hand
  • One posing hand
  • Torch
  • Crowbar
  • Display base and posing stand

Each figure is packaged in a deluxe, fifth panel window box featuring character specific artwork and a translucent acetate slipcover. Designed for collector convenience, the packaging has been especially engineered to allow for both maximum protection without sacrificing ease of removal for display.

The Mutant Leader is available for pre-order now for shipment is December-January.

Batman ‘The Dark Knight’ Premium Format Figure from Sideshow Collectibles

“You either die a hero or you live long enough to see yourself become the villain…”

Sideshow Collectibles have announced a Batman ‘The Dark Knight’ Premium Format Figure.

Meticulously sculpted The Dark Knight rises in an intense cinematic presentation, capturing Christian Bale as the silent guardian of Gotham City. The Batsuit features intricate plating and utilities, velvety black cape, and newly redesigned cowl.

The figure stands 20″ tall, on a base reminiscent of Wayne Tech aesthetics and the broken streets.

On to of the normal figure, there’s also an exclusive figure with interchangeable Bat-Sonar portrait.

The figure will retail for $469.99 and you can purchase it with with a payment plan for as little as $52.87/month. The edition size is to be determined.

 

 

 

 

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What’s In A Title: Dark Knight III: The Master Race

DK3_CUSTOM_CVRWhen it comes to great Batman stories, inevitably the conversation will turn to Frank Miller‘s The Dark Knight Returns. This is a graphic novel that is held up as one of the three truly great stories to come from the comic medium (the other being the Pulitzer Prize winning Maus, and the other being Watchmen – if you read only one, read Maus), and I’ve said before how fantastic it that I think this story is. That’s not in question.

What is in question, however, is the name of it’s new sequel.  Dark Knight III: The Master Race.

As a title, The Master Race made me a bit uncomfortable when I first heard it, and whether there’s going to be an explanation or not within the context of the story, the title of the third entry into Frank Miller‘s Dark Knight series brings an association in my mind to another man who used the phrase “master race.”

It was, arguably, one of the darkest and most horrific periods in modern history, perpetrated by a man who believed that certain people were superior to others.

If this was an intentional choice on behalf of Miller and co-writer Brian Azzarello to establish the belief system of whomever the title refers too, using the meaning behind the term in Nazi ideology that states (bear in mind this is a condensed interpretation) that the Nordic, or Aryan, race represented the purest example of the peoples who originally inhabited the Germanic Plain. Based on their belief of superiority over other races the Nazi’s believed they were entitled to expand their territory, removing other, non-Aryan, races in the process. Whether the writers are using the spirit of this horrific idea in their story to show the expanse of followers of a certain person within the story, or simply an unfortunate coincidence, then in that regard only time will tell.

To be abundantly clear: I am not in no way accusing Frank Miller, or anybody at DC of being a supporter, or sympathizer, of the Nazi regime. I just think that maybe, just maybe, there could have been a better title out there to name the third entry into the franchise.

If the title is framing a story in which the followers of Batman have become fanatical in their mission, unintentionally falling into a similar mindset as the other group mentioned in this article, before an older Caped Crusader swoops in to save the day, then I can understand the reason behind the title choice. That doesn’t mean I don’t think that there could have been a better, less controversial choice that wouldn’t have brought uncomfortable thoughts and images to mind.

Unless that was the entire point.

Frank Miller is certainly no stranger to controversy, and in all honesty I wouldn’t be surprised if the title was chosen simply to anger some people. You may remember the controversy surrounding his 2011 graphic novel Holy Terror! during the six years of it’s development. Originally entitled Holy Terror, Batman! it was a tale that would have had the Dark Knight facing off against Al Qaeda, much the same way Superman and Captain America had done sixty odd years before. However, when Miller moved the story from DC to another publisher, he lost the official Batman association in the process. When released, however, Holy Terror featured some barely altered characters that were clearly from the Dark Knights’ world, led by The Fixer (or, as one reviewer wrote Batman without the horns). As it turned out, the graphic novel was more than anti-Al Qaeda, it was anti-Islamic. Indeed, Miller himself has gone on record as claiming that the story was always intended as propaganda – whether had he originally conceived it as an homage to the comics of the 40’s where Captain America was punching Hitler, or a self aware story that would have the subtle undertones of which Miller had mention in interviews, is something beyond my cope of knowledge, but Holy Terror was always intended as a piece of propaganda; however it was probably never intended to be so terrible.

If the title of The Dark Knight III: The Master Race was chosen both to highlight the motivations of a group of characters within the pages of the comic, and at the same time drawing on our own associations of the term, and it’s history then personally I don’t know how exited I’ll be to give DC my hard earned cash, regardless of how good the story actually is. At one time, it was common for superheroes to punch Nazi’s on comic book covers, or within their pages (and, let’s be honest, we all enjoy that), but by using the phrase “master race” in the title of the comic, the inference is there that this may be a bit more than just a story choice, especially given how vocal one of the creators has been about his anti-Islamic views with Holy Terror.

Hopefully, the influence of Brian Azzarello on the writing of The Dark Knight III: The Master Race will prevent the highly anticipated story from descending into a troglodytic mess. It is obviously impossible to judge the context of the title within the story until the six issues in the series are released, this is equally true with the quality of the story. To do that we have to until November 25th when the first issue hits the racks.

SDCC 2015: DC Reveals New Details for Dark Knight III

DC Entertainment kicked off San Diego Comic-Con 2015 with a blockbuster announcement, revealing that artists Andy Kubert and Klaus Janson will be joining living-legend Batman writer and artist Frank Miller and acclaimed writer Brian Azzarello in bringing the final chapter of the celebrated The Dark Knight Returns saga to life.

The Dark Knight III: The Master Race is the epic conclusion to Miller’s 1986 classic The Dark Knight Returns trilogy.

The Dark Knight III: The Master Race will be an eight-issue, comic book periodical, to be published monthly under the DC Comics imprint.  Within each 32 page periodical there will be a special 16 page “Dark Knight Universe” comic affixed in the center. Each “Dark Knight Universe” comic will feature a rotating cast of special guest artists and characters.

Marking the 30th anniversary of The Dark Knight Returns original series, it is slated for publication beginning in late Fall 2015.

Around the Tubes

New comic book day is tomorrow, what’s everyone excited for?

Around the Blogs:

IGN – Jim Carrey May Join Kick-Ass 2 -Um, k.

Comicvine – Millar Confirms Joe Carnahan On ‘NEMESIS’ -It’ll be an interesting movie for sure.

IGN – Dark Knight Rises Passes Dark Knight Overseas -Still not sure what the end number will be.

ICv2 – Record-breaking Gen Con -One of my favorite shows of the year.

 

Around the Tubes Reviews:

CBR – Hulk: Season One

Read Comic Books – Revival #2

CBR – The Shade #11

Movie Review: The Dark Knight Rises

Dark Knight Rises Teaser PosterI originally went to write the review for The Dark Knight Rises early Friday, but it’s difficult to focus on a review without reflecting a bit on the tragedy that’s occurred. That being said, I’m confident what follows is my opinion regardless of events. Also, I’ll do my best to not reveal any spoilers, but when I can’t avoid it, you’ll see [Spoiler] [End Spoiler] with text that needs to be highlight in between.

I went into The Dark Knight Rises expecting a masterpiece, and hoping it’d live up to my expectations, or at least come close. While half of the movie knocked it out of the park, the other half struggled in an incoherent mess that lacked a narrative. This was two movies. An epilogue to The Dark Knight and then The Dark Knight Rises which harkens back to Batman Begins. It’s a fitting end cap to the trilogy, but struggles when examined on it’s own.

I should back up on my thoughts on the first two movies. Batman Begins was a realistic take on the character, a reboot and jolt to comic book movies similar to what the comic book market experienced during the early part of the “gritty” 80’s. It was a voice and vision not really seen at that point and showed “comic movies” can appeal to mass audiences, while not losing their self and also update material for a modern age. The Dark Knight had brilliant acting and action that was amazing. However, while there was improvements on the original, what I could tell was originally two movies was rushed and compacted into one film. It was compressed and felt that way, giving short shrift to some plot points, like Dent’s turn into Two-Face.

The Dark Knight Rises attempts to fix that compressed feel experienced in the second film. It opens as a prologue to it. Giving us the events following Dent’s death and the subsequent cover-up. Gotham is now “safe” and Batman is retired. This is a choppy experience without a narrative, instead being told through scenes and events. We’re introduced to the villain Bane, a terrorist who is doing…. something. The voice we worried about in the teaser video shown is redubbed over and at times is out of place. There’s still issues understanding what Bane (and others in fairness) are saying, but that might have been the audio in my theater.

Now we come back to Gotham, Christian Bale is back as Bruce Wayne is a hermit hobbling around and locked in one wing of his manor. He walks with a cane, and we have to come to our conclusions as to why, though a specific reason isn’t given. We assume it’s from wear and tear from his time being Batman. Since he has no purpose, he has no direction and has locked himself away. He was order and law, so what does he do in a city where there is order and law.

Enter Anne Hathaway‘s Selina Kyle/Catwoman who decides to rob Wayne. This gets Wayne to start looking around again. The law and order is broken, he must return it.

Through a very complicated plot, Bane, actor Tom Hardy, comes into play which drags in Garry Oldman‘s Commissioner Gordon and Joseph Gordon-Levitt‘s John Blake, a rookie cop into the mix as well. Bane is chaos, pure and simple. He wants to take from the rich, but what he really is after is revenge. [Spoiler] Bane it turns out is part of the League of Shadows, which you might remember from the first film and he’s come to Gotham to achieve what the League couldn’t. [End Spoiler]

Wayne finds out his company is in shambles and enter Marion Cotillard‘s Miranda Tate to the rescue and save the corporation. She’s interested in the clean energy project it’s been working on.

From there, the movie borrows from various Batman comic book stories including Knightfall and No Man’s Land. There’s absolute themes director/writer Christopher Nolan was going for. Balance in society is one. Whether it’s balance of wealth or balance between good and evil. It’s prevalent throughout the movie. Though he rips from the headlines and people might think of the Occupy Movement while seeing the movie, Bane and his terrorists as more in common with Al Qaeda and their battle against the West and their claim of it’s decadence.

Once Batman confronts Bane, the movie picks up with twists and turns you at times don’t see coming. The final reveals left the audience gasping. The ending of the film is beyond satisfying, really feeling like a proper ending and at the same time, leaving itself open to what comes next and absolutely ends on a high note. I left the theater smiling, and this is one of the few movies I’ve seen three separate applause sections, where the theater went nuts with approval.

Is the movie perfect? Absolutely not, there’s lots of flaws. But the focus not on Batman, but those around him mixed with themes relevant to today’s society and acting that’s beyond what you expect in a “comic movie” makes the movie a win and satisfying experience and conclusion.

Directing: Nolan does a great job, but there’s absolute flaws. The first half of the movie is choppy in scenes with very rough transitions. I felt like I was watching scenes play instead of a flowing narrative. Also, one of the big money shot scenes of the movie [Spoiler] Where Bane breaks Batman’s back [End Spoiler] is quick, instead of the dramatic lingering shot I’d of expected and wanted. The second half of the movie flows really well though, covering a lot in a little time and avoiding modern movie directing cliches like action scenes you can’t follow. Grade: 7

Acting: The focus on the movie is the supporting cast. Oldman, Gordon-Levitt, Morgan Freeman and Michael Caine especially. Oldman and Caine pour on the emotion in scenes where they lay out their motives and reasons for acting the way they do. This is as much the supporting cast as Bale’s. Hathaway and Hardy are great additions. Hathaway does great with what she’s got mixing in action and sexiness along with independence and vulnerability. Thought Catwoman’s motives and background is thin, she does a lot with what she’s given. Hardy’s Bane is supposed to be a brute and Hardy plays that role well. Event with a mask obscuring his face, he can tell what he’s thinking and his mood. In every way I believe he’s Batman’s equal if not his better. Grade: 9

Plot: I’ve discussed how the beginning has issues and the second half though satisfying and clearer is still pretty complicated and convoluted as far as the scheme Bane is attempting. Other issues… [Spoiler] What is it with comic movies having the hero reveal his identity!? Blake just guesses and Wayne doesn’t try to deflect it?! This rookie cop is that smart and no one else can figure it out. Also, the corporate take over schtick was a bit much to find the nuclear generator. Finally, the Bat seemed out of place. The new Batmobile and Batpod seems realistic, but that vehicle was out of place. I will say the use of the knife in Miranda/Talia’s attack on Batman was fantastic, especially since there was a discussion between Bruce and Fox about knives and the suit protecting against them in an earlier movie. Another example of organically tying them together in numerous ways. [End Spoiler] The movie ties into the first and second movies quite well though, capping off a trilogy and tying it all together in a way I wasn’t expecting. Grade: 7.5

Overall: It’s funny in that I’d rate the overall trilogy higher than any one of the movies. The Dark Knight Rises is a fitting ending and boy one hell of an ending. I got chills as it played out it’s conclusion. The movie is very flawed, but an experience that’s a must see. Relevant to today’s world, and a plot that doesn’t dumb it down for the audience, it’s a visual feast full of action and acting that we should expect from a summer blockbuster. It’s an absolute must see, I just wish I could rate it higher on it’s own. Overall Grade: 7.5

Side Note: Where was DC in promoting their comics at all!?

Around the Tubes

A pretty quiet day of news.  Maybe everyone was hungover from the Super Bowl?

Around the Blogs:

Good E-Reader – ComiXology is Starting to Cornerstone the Digital Comic IndustryYes it is…

Comicvine – Frank Miller’s THE DARK KNIGHT Original Art Heads To AuctionI think I might have change in my couch for this.

The ComiChron – January 2012 comics sales estimates online – 2012 will be an important year for the industry.

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