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Review: The Despicable Deadpool #299

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**POSSIBLE SPOILERS BELOW**

We have one more issue of Gerry Duggan on Deadpool, and it is bittersweet for me. I love what he has done with the character, even at times making him a full on hero with the other book he wrote for awhile, The Uncanny Avengers. He has been a part of The Unity Squad, worked for Hydra-Cap or as Wade refers to him, Stevil Rogers during Secret Empire, and even had another classic battle with his friend and foe, Cable. Duggan has brilliantly kept Wade a hilarious character, but wasn’t afraid to show the darkness in him too.

Deadpool is similar to Spider-Man in that he jokes, even when he may feel uncomfortable. The difference is, Wade is a far darker and more tragic character. Peter Parker is hiding his identity, so he wears a mask. Wade is hiding his horribly scarred face, so that’s why he wears one. He was a lab experiment, and has massive amounts of PTSD, but he just jokes about everything, because life has become a joke to him. However, in this run, he finally had some people that he cared about. He had people he trusted. Now don’t get me wrong, Deadpool didn’t all of a sudden become a saint. He still ran the Mercs For Money, and ripped all of his fellow conmen off, leading them to want to join in on the fun of killing him that many other villains, and now SHIELD agents share.

In The Despicable Deadpool #299, we continue to see Wade double down on his ridiculous plan. He has put out a hit on himself, and many villains, and his former mercs, and some others who he wronged, are out to collect the reward. Again, this is a great joke, but it is also very tragic. Wade wants to die. There’s a part of him who has become a joke because his life has fallen apart. Again, and again, and this time he really seemed to try hard to be as good as he could, and for awhile he was an actual hero. Now he has returned to the why bother anti-hero mentality, but with a bigger disregard for his life than he’s had in recent years. I am not saying Deadpool is Shakespeare, but there is an element to it that reflects those kind of tragedies. There’s just more vulgar jokes mixed in.

The artwork consists of Mike Hawthorne on pencils, Terry Pallot on inks, and Jordie Bellaire on colors, and they give a style you can expect from a Deadpool book. It’s cartoonish, which fits the ridiculous nature of the comic, but also has a hint of a realistic look to it. Sure, all comic books may apply to these styles in some way shape or form, but Deadpool is the perfect comic to walk that line between the over the top style of cartoon violence in something like Looney Tunes and an R-rated action film like John Wick. It’s always been the way the Deadpool books have been drawn, and this title stays to that consistency, and that is a good thing.

I recommend this title for anyone who wants not only a light, fun read that is adult in nature, but also anyone who wants to see how this great run by Duggan and company will come to a close. The next issue is super sized, and this one mostly dealt with a lot of set up. There’s a bunch of pieces in play from throughout Duggan’s plots that are all going to come to what I imagine will be a ridiculous, and awesome head in Deadpool #300. This is going to be a blast, especially with Deadpool 2 hitting theaters soon.

Story: Gerry Duggan Pencils: Mike Hawthorne
Inks: Terry Pallot Colors: Jordie Bellaire Letterer: Joe Sabino
Cover: Mike Hawthorne & Nathan Fairbairn
Story: 7.5 Art: 7.5 Overall: 8.0 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review

Review: The Despicable Deadpool #298

F6B941B0-6E78-4459-9135-97409830283DReading Deadpool can feel like a darker, more adult version of Looney Tunes. If you took Wile Coyote, Bugs Bunny, and made them swear more, you’d basically have the Merc with the Mouth. The Despicable Deadpool #298 continues those over the top cartoon moments in a big way, and this title is going to miss Gerry Dugan writing it. The next run of the book is bringing on Skottie Young, who while he may be more known for his art, is no stranger to wacky over the top tales with his own I Hate Fairyland. That being said, I am still sad that Duggan is done in a few issues.

As a series, Deadpool usually doesn’t pretend to portray a kind, caring, or compassionate hero like we usually get with our heroes in Marvel Comics. Sure, he had a moment in this run and when he was on The Uncanny Avengers and aspiring to be better, since he looked up to Steve Rogers so much, but that was short lived. After the events of Secret Empire, and Hydra-Cap tricking Wade to do horrible things, Deadpool has given up the hero idea. Not only has he lost people, and killed people that he regrets killing, Deadpool now also has a bounty on him. This issue brings some great villains like The Juggernaut, Taskmaster, and Bullseye, who are all out to get the $20 million reward on Deadpool’s head.

The pencils by Mike Hawthorne are great throughout the book. He keeps everything moving at a fast and funny pace with non-stop action as Deadpool tries to fight off the villains who are trying to collect the bounty. Juggernaut, Taskmaster, and Bullseye all look fantastic, and so does Wade. The style by Hawthorne walks the line between realism and cartoonish. It balances the ridiculousness of a cartoon style story perfectly with the real world setting, and it works perfectly for a Deadpool book. Jordie Bellaire on colors and Terry Pallot on inks bring the pencils to life. The combination of the three of them really make the artwork standout on the book, and give even more humor to an already funny book. A Deadpool comic has to have funny moments in the artwork, and not just the words alone, and this issue is no different.

If you like Deadpool comics, you will be right at home with this issue. It’s silly comfort food, much like cartoons. Sometimes this book makes me laugh, sometimes it makes me surprised, but it always makes me smile. I don’t need to think of multiverses, or timelines, or anything deep, and while those things are wonderful in other titles, I love that Deadpool is simply unapologetic. You know what you’re getting most of the time in this series, and that’s okay.

Story: Gerry Duggan Pencils: Mike Hawthorne
Inks: Terry Pallot Colors: Jordie Bellaire Letterer: Joe Sabino
Cover: Mike Hawthorne & Nathan Fairbairn

Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review

Preview: Despicable Deadpool #297

Despicable Deadpool #297

Story: Gerry Duggan Art: Mike Hawthorne
Ink: Terry Pallot Color: Jordie Bellaire Letterer: VC’s Joe Sabino
Cover: Mike Hawthorne, Nathan Fairbarn
Editor: Jordan D. White Assistant Editor: Annalise Bissa
Parental Advisory
In Shops: Mar 28, 2018
SRP: $3.99

THE MARVEL UNIVERSE KILLS DEADPOOL!
• Wade is no stranger to gambling with his life…but this time the odds are longer than the bathroom line at a burrito joint with a broken freezer.
• What do you do when half the world wants you dead?
• Start pissing off the OTHER half!

Review: Black Panther Vol. 4: Avengers of the New World Book 1

Black Panther is coming to theaters and we’re reviewing each trade paperback volume of the current ongoing series from Marvel! We continue with the first part of “Avengers of the New World.”

Black Panther Vol. 4: Avengers of the New World Book 1 collects issues #13-18 by Ta-Nehisi Coates, Chris Sprouse, Wilfredo Torres, Adam Gorham, Jacen Burrows, Terry Pallot, Walden Wong, Karl Story, Dexter Vines, Laura Martin, and Andrew Crossley.

Get your copy. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

 

This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.

Review: Doctor Strange Vol. 5 Secret Empire

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got Doctor Strange.

Doctor Strange Vol. 5 Secret Empire collects issues #21-26 by Dennis Hopeless, John Barber, Niko Henrichon, Kevin Nowlan, Juan Frigeri, Scott Hanna, Dexter Vines, Mark Morales, Terry Pallot, Tom Palmer, Dan Brown, and Javier Tartaglia.

Get your copy in comic shops today and bookstores on January 23. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology

 

 

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.

Preview: Independence Day Classic Collection

INDEPENDENCE DAY CLASSIC COLLECTION

Writers: PHIL CRAIN, RALPH MACCHIO (BASED ON IDEAS & CONCEPTS BY DEAN DEVLIN & ROLAND EMMERICH
Artists: TERRY PALLOT, STEVE ERWIN, ROD WIGHAM, GABRIEL GECKO, LEONARD KIRK, SCOTT REED, STEVE MONCUSE, PHIL MOY, LARRY WELCH
FC – 112pp – $12.99 – On Sale: May 18

Collecting the original comics adaptation by Marvel, this essential compendium perfectly captures the high-octane approach of Devlin/Emmerich’s 1996 blockbuster and comes bursting with brand new content, artwork and much more!

ID_Classic_Comic_Cover

Review: Superior Spider-Man #31

SSMCOV31“I was wrong. For me to even be here–someone had to die.
– Peter Parker (the real one)

Superior Spider-Man has finally come to an end. The thirty-one issue superhero story is one of the best of I have ever read and will definitely be remembered as a very important moment in the timeline of our favorite web-slinger. I was surprised to learn that quite a few people I spoke to about the series were a little confused by what transpired in issue #30 and how Peter took back his body from Doc Ock. Before I summarize and review #31 let’s go back and I’ll explain what exactly happened in the last issue real quick. Dan Slott did a fantastic job with this thirty-one issue Spider-Man story and it would be a shame to not understand the little nuances that made it so…well…superior.

Issue #30 confused a lot of folks and left people wondering if it was Doc Ock who did the valiant thing and gave up his seat of power as the Superior Spider-Man or if it was Peter Parker’s doing and he duped the brilliant scientist Dr. Octopus? Well, in my opinion, it was a harmony of both of those. If you remember back in Amazing Spider-Man #700, Peter/Ock died and Peter’s fans and followers let out a unanimous “gasp” that one of their favorite Avengers finally succumbed to Doc’s evil plan. However, We learn later on that a part of Peter still lived on the brain of Doc/Spidey. Then in the infamous issue #9, it appeared as though the tiny remnant of Peter that we desperately wanted to cling to for hope vanished as Doc went into his brain and defeated Peter for good. I know, this is going to get a little confusing, but it will be worth it.

We all thought Peter was gone for good (most of us, anyway) until he showed up back in Doc/Spidey’s brain, during The Darkest Hours arc, to help take care of Venom because things were getting a little too crazy for Doc as Superior. And the world rejoiced. Which brings us to issue #30 and the part that confused a lot of people. If you look closely Peter’s plan all along was to hold onto the key moments in his life as Spider-Man, the parts that really defined him. Their are actually 31 of those moments, which, is why Slott made Superior 31 issues long. So, what Peter planned to do was go through Doc’s timeline, but, not lose himself by remembering the key moments he held onto as ASM; he’s fighting all the memories that are not his – we can clearly see that. Note that Doc is fighting this from happening, also. When Peter gets to the point on Doc’s timeline where we reach ASM #700 Peter doesn’t fight anymore and lets it all in realizing that those are his memories. This is why I say the FINAL switch was a harmonious result of both Doc and Peter. Doc finally decides that he is not the hero Peter is and Peter does what he planned to get his memories back. It was a perfect resolution by Slott. If this is still a little confusing, please comment below and I would love to clarify any questions you might have

This brings us to the heroic tale of Issue #31 and Peter back in his original body. The final issue of Superior Spider-Man is basically a cleaning up and restart for the much anticipated ASM #1 that will be released in a few weeks. Peter’s first task is to find out how the Goblin became so powerful so quickly. Carlie tells him that he hacked Doc Ock’s Spider-bots to not recognize anything with a Goblin mask or logo on. Peter immediately gets to work to get his city back and save the people he loves and the people that love him. In brilliant fashion, Peter goes to save Miguel O’Hara from the Spider Slayers, so he can have someone like himself fighting with him to take down the Goblin. They take down Menace and Peter injects her with the serum that Doc created to reverse the effects of what makes her a Goblin. Peter attempts the same with the Goblin, who is in fact Norman Osborn, but he admits to changing his face to become unrecognizable. The spider-bots were reprogrammed and fitted with Goblin-serum and attacked Osborn. Just like that there is no more Goblin.

The issue does a great job at setting up the next arc in the franchise and resetting things for Peter to take the reigns once again. It will be nice to have him back, but I will admit that Doc Ock as Spidey will be missed. We will definitely keep an eye out for him in the future as well as Stone, Liz Allan and Norman. I really enjoyed Doc’s time as Spider-Man and I had hoped that there would room enough in this city for both of them. That would have been really neat to see and, who know, maybe Doc Ock will make another superior outfit and challenge Peter once again. One thing is for sure, however, the next time these two meet will be one superior…amazing…awesome issue.

It goes without saying that fine lines and perfect colors are a perfect match for Slott’s unique writing skills. Giuseppe Camuncoli draws the most incredible Spider-Man issues and every issue is a treat to look at. John Dell and Terry Pallot are amazing on ink and, well, everything about this team is awesome. When I find myself staring at each page in awe I tell myself that this has to be one of the best teams in comics today. All of that would be nothing colors by Antonio Fabela and letters by Chir Eliopolous.

And lastly, Anna Maria Marconi does get saved by Peter and her confession of love for Doc/Spider really touches him. He realizes that Doc did a good job even if he couldn’t complete it. Maybe people can change? He understands the sacrifice Doc had to make to save the people he loved and Peter contemplate that someone had to die in order for him to become the Amazing Spider-Man again. That someone was the Superior Spider-Man, but in the end, it’s Peter who was Superior all along. Welcome back Peter. Welcome home.

Thoughts and Discussion

– Where is Doc Ock? Will he be a villain fighting Peter again? Will he be a good guy for now?

– What will happen with the Goblin now? Will he turn back the effects of the serum that Parker injected him with?

– What are J. Jonah Jameson’s plans? Will he hold a grudge against Spidey and be a new antagonist?

– Will Peter put a fail-safe in place so the brain-swap won’t happen again?

Thanks for checking out my Review! Please comment below so we can discuss the issue further!

Story: Dan Slott – Script: Christos Gage – Art/Cover: Giuseppe Camuncoli – Ink: John Dell & Terry Pallot – Color: Antonio Fabela – Letters: Chris Eliopoulos
Story: 9.5 Art: 9.5 Overall: 9.5 Recommendation: Buy

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