Tag Archives: LGBTQ

The State of LGBTQ Comics: A Roundtable LIVE Tonight on GP Radio

June is Pride Month so we’re talking with some of our favorite LGBTQ comics critics about the current state of LGBTQ people in comics: on and off the page.

The latest episode of Graphic Policy Radio airs LIVE tonight at 10pm ET.

Our guests:

Desiree Rodriguez is a columnist and Editorial Assistant for Lion Forge Comics’ Catalyst Prime. Desiree also writes for The Nerds of Color and Women Write About Comics @boricuadesiree)

Logan Dalton writes about comics and TV shows for sites like Graphic Policy and Nerds on the Rocks. Once he interviewed a vampire. He lives in the south. @MidnighterBae

Véronique Emma Houxbois is a fiercely queer trans woman from the wilds of Canada, most recently spotted in the Pacific Northwest. Contributor at Comicosity, Women Write About Comics, and London Graphic Novel Network. Consultant on Bitch Planet. Published by DC/IDW in Love is Love with Alejandra Gutierrez. @EmmaHouxbois

Listen in when the show airs live tonight.

Review: Nothing Lasts Forever

NothingLastsForever-1Reading Nothing Lasts Forever is like sitting across writer/artist Sina Grace at a table at one of the coffee shops in L.A. that he frequents and watching him slowly pull his still-beating heart out of his chest and show it to you with Jenny Lewis playing in the background. On that creepy, visceral note, this is Grace’s third graphic memoir after the very relatable ode to retail hell Not My Bag and the relationship/pop culture-driven Self-Obsessed. Nothing Lasts Forever is written and drawn like it’s a literal page in Grace’s sketch journal. It’s rough (The lettering is sometimes hard to make out in a digital copy.) , but it’s an unfiltered look at his relationship to Sina’s comics work, love life, the death of his grandmother, his battle with achalasia, global politics, and much more. (For the purpose of this review Sina is the character in the story, and Grace is the creator behind it.)

Just like Just My Bag and Self-Obsessed , Nothing Lasts Forever is relatable to me as a queer man, who is adjacent to the comics industry even though I don’t write, draw, color or letter them. Writing and drawing is therapeutic for Sina, but he doesn’t know what he should write and draw about. Throughout the comic, Sina has conversations with friends, fellow creators, and editors about projects, or whether he should do monthly comics or standalone works like Self-Obsessed. He likes doing autobiographical work, but also is a fan of doing genre stuff. This push and pull is one of the secondary sources of conflict throughout the graphic novel. Nothing Lasts Forever also features the first time I’ve seen a comic journalist interview a creator in a comic book. It’s kind of reassuring to know that the writers and artists I interview might be just as nervous as me about their answers…

One of the most powerful and amusing images in Nothing Lasts Forever was Grace making his exes into doo-dads (It’s a Southern thing, I swear.) , or “baubles” as he calls them. It’s start out about a funny line about boys being toys that Sina tells Amber and then turns into a profound, vulnerable page about Sina having feelings for all the men that have come into his life romantically and sexually. They each brought him NLFInteriorsome happiness for a time and then became someone else’s toy. I feel similarly about the men and women that have come into my life. Sometimes, I’ll have vibes about someone I dated or kissed years ago, feel kind of wistful about it but then cherish the time we spent together. Sina Grace nails that exact emotion throughout Nothing Lasts Forever when he discusses and describes relationships.

Structurally, Nothing Lasts Forever skips through time and place in a way that makes a Timelord look like a tortoise. It’ll go from a story about Sina having a crush on his 9th grade teacher to a pitch meeting with Image or a musing about his grandmother. Grace’s art style shifts and swerves too. On an artistic level, one thing that I loved about Nothing Lasts Forever was how the look of Grace’s art and the type of his color palette matched his feelings about each vignette that makes up his comic.

Grace can do fantasy/horror style art, caricatures, or rich, representational work like when Grace depicts Sina’s pitch for He and Him, an unrealized romance graphic novel not-so-subtly based on his relationship with his ex, Cash. One of his good friends, writer Amber Benson, makes several appearances, and Grace colors her with gorgeous pinks and blue that makes her memorable in a book full of faces. (And dicks depending on the story.) Grace uses wispier linework in a flashback about having a crush on his teacher and switches to stark black and white when he really starts to open up about his depression. There’s a touch of primal horror to these pages as Grace fits his feelings and thoughts into narrative form.

Even though it’s a collection of tenuously connected autobiographical shorts instead of a straight (*chuckles*) narrative like Craig Thompson’s Blankets or Alison Bechdel’s Fun Home, Nothing Lasts Forever is an enjoyable and emotionally resonant read. There are many genres in Sina Grace’s approach to graphic memoir , including gag strips, portrait pieces, some metafiction (Li’l Depressed Boy makes several, key cameos, and Erik Larsen appears as his creation, Savage Dragon.), and a fun queer take on the fantasy/Magical Girl genre that gets very personal very quickly.

In Nothing Lasts Forever, Sina Grace goes into depth about his depression, his painful struggle with a disease that made it virtually impossible for him to keep down food, and his true feelings about the men he’s dated and slept with. And he does it all in a varied visual style and with his sense of humor intact. I won’t stop smiling and laughing at the all the forms that Sina takes in the comic like some kind of cartoonist Mystique going from a bad mushroom trip to being sad in the shower to even becoming Sailor Moon herself.

Story: Sina Grace Art: Sina Grace
Story: 8.9  Art: 8.5 Overall: 8.7  Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Review: Iceman #1

The adult version of Iceman gets a solo series thanks to the talented team of writer Sina Grace (Self-Obsessed), artist Alessandro Vitti (Secret Warriors), and colorist Rachelle Rosenberg. It’s also the first Marvel comic to feature a queer male superhero as the protagonist in quite some time as the House of Bi Erasure decides to throw us a bone for Pride Month. For the most part, Iceman #1 is a breezy read with banter and creative action, but there is a real sadness to its core as Bobby’s parents still haven’t come to terms with him being both gay and a mutant. Grace makes his relationship with them complicated because they aren’t complete bigots like the one-dimensional bad guy that he fights this issue. These kind of nuanced conversations are one of the benefits of having an actual gay man write this title.

Iceman #1 reads like a companion to the memorable and authentic (Thanks to the coaching of Ian McKellen and directing of Bryan Singer.) “coming out” scene between Bobby and his parents in the 2003 film X2.  For the most part, the LGBTQ subtext of X2 is text in Iceman even though Grace and Vitti stop short of Bobby and his parents having a conversation about his sexuality with a battle against the anti-mutant, football helmet wearing terrorist, Purifier interrupting their chat. It’s nice to see Bobby banter with his parents about his ice slides and his mom’s copyright friendly version of a Bed, Bath, and Beyond addiction, but then find out that they didn’t tell him they were moving. Also, they kind of sweep his sexuality under the rug, and Vitti zooms in on the downcast expression on Bobby’s face when his mom asks about his “girlfriends”.

Their interactions are a little emotional because of his dad’s pericarditis, friendly, and a little bit awkward. When their child comes out, parents sometimes aren’t completely bigoted (Kicking you out of the house) or accepting. (Hugs all around). A lot of times they are somewhere in between. This has been my own personal experience, and it’s nice to see Sina Grace and Alessandro Vitti reflect it in a superhero comic. To go with the uncomfortable nature of Iceman discussing his sexuality and mutant status, there is the fact that his high adventure lifestyle as a superhero has caused him to drift apart from his parents. Iceman is busy saving the day and traveling the globe and multiple dimensions so he doesn’t really have time for weekend visits. He’s growing up and coming into his own as a superhero and man, but that means leaving his childhood behind. But Grace still writes him being goofy as hell, and the comic ends on an emoji.

Alessandro Vitti throws away the notion that superhero art has to be cleanly inked and penciled in his work on Iceman #1. In keeping with the improvisational nature of Iceman’s powers, it looks like subzero jazz with plenty of speed lines during fight scenes before slowing down and being more expressive during serious scenes, like when Bobby sees his parents in the hospital. To go with his art, Rachelle Rosenberg uses a palette that Andre 3000 would describe as “cooler than being cool”, and you can feel the temperature drop when Iceman uses abilities. But there are subtle differences in how the ice looks like a more playful snowball/slushie feel when the Icemen are sparring in the Danger Room versus a harder/freeze you in carbonite color for when he surrounds the Purifier in a pointy ice cave.

Even though its bad guy is one note, and an ongoing threat isn’t built up, Iceman #1 is a successful start to the adult Bobby Drake’s solo debut. Sina Grace’s dialogue has a silly sense of humor just like Iceman has had since the Jack Kirby and Stan Lee days, and it’s nice to have an X-book with more of a slice of life-meets-cool superpowers vibe instead of being steeped in continuity, nostalgia, and/or edginess. Plus Alessandro Vitti and Rachelle Rosenberg realize that Iceman can pretty much shape matter to his will and use this as a license to let their creativity to run wild.

It’s super fun to see Bobby Drake kick ass and crack dad jokes while struggling with dating and his relationships with friends and family as a newly out adult gay man in Iceman #1.

Story: Sina Grace Art: Alessandro Vitti Colors: Rachelle Rosenberg
Story: 7.0 Art: 9.0 Overall: 8.0 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review

Awesome Con and Geeks Out Announce Pride Alley

Awesome Con and Geeks Out have partnered up for the first ever Pride Alley at Awesome Con 2017.

The section of the convention puts a spotlight on queer creators and fans and unites the LGBTQ activities at Awesome Con. On top of a dedicated section of Artist Alley, it will include three days of panels and special events as well.

If you’re interested in taking part, Pride Alley’s table and panel submissions are open now!

The Woods Wins this Year’s GLAAD Media Awards for Comics

The 28th annual GLAAD Media Awards were announced this past Saturday in Los Angeles, and The Woods won in the comic book category. Receiving credit were James Tynion IV, Michael Dialynas, Josan Gonzalez, Ed Dukeshire. The series is published by BOOM! Studios (with the latest issue out this week).

The GLAAD Media Awards recognize and honor media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual, transgender and queer community and the issues that affect their lives.

There’s two events, one held in Los Angeles on April 1 and another in New York City on May 6.

This year’s nominees included:

  • All-New X-Men (Marvel) – by Dennis Hopeless, Mark Bagley, Andrew Hennessy, Paco Diaz, Nolan Woodard, Rachelle Rosenberg, Cory Petit
  • Black Panther (Marvel) – Ta-Nehisi Coates, Brian Stelfreeze, Chris Sprouse, Walden Wong, Karl C. Story, Laura Martin, Matt Milla, Joe Sabino, Clayton Cowles
  • DC Comics Bombshells (DC Comics) – Marguerite Bennett, Laura Braga, Sandy Jarrell, Maria Laura Sanapo, Mirka Andolfo, Pasquale Qualano, Marguerite Sauvage, Juan Albarran, Kelly Diane Fitzpatrick, J. Nanjan, Jeremy Lawson, Wendy Broome, Wes Abbott
  • Kim & Kim (Black Mask Studios) – Magdalene Visaggio, Eva Cabrera, Claudia Aguirre, Zakk Saam, Taylor Esposito
  • Love is Love (IDW Publishing/DC Comics) – anthology originated by Marc Andreyko
  • Lumberjanes (BOOM! Studios) – Shannon Watters, Kat Leyh, Carey Pietsch, Ayme Sotuyo, Carolyn Nowak, Maarta Laiho, Aubrey Aiese
  • Midnighter / Midnighter and Apollo (DC Comics) – Steve Orlando, David Messina, Aco, Hugo Petrus, Fernando Blanco, Gaetano Carlucci, Romulo Fajardo, Jr., Jeremy Cox, Tom Napolitano, Josh Reed
  • Patsy Walker, A.K.A Hellcat! (Marvel) – Kate Leth, Brittney L. Williams, Natasha Allegri, Megan Wilson, Rachelle Rosenberg, Clayton Cowles
  • Saga (Image Comics) – Brian K. Vaughan, Fiona Staples, Fonografiks
  • The Woods (BOOM! Studios) – James Tynion IV, Michael Dialynas, Josan Gonzalez, Ed Dukeshire

Congrats to everyone!

(via The Hollywood Reporter)

Prism Comics Announces the 2017 Queer Press Grant Winner

The recipient of the 2017 Prism Comics Queer Press Grant was announced at the Queers, Comics & Social Justice panel by Prism Comics Queer Press Grant chair Elizabeth Beier, at Wondercon.

This year’s winner is Tee Franklin for Bingo Love. Tee hopes her story will let Black youth know it’s okay to be queer, and strongly represent seniors.

The Queer Press Grant is awarded to assist comics creators in self-publishing comics with LGBT characters or themes. Entries are judged first and foremost by artistic merit, followed by concerns such as financial need, proposal presentation, and the project’s contribution to the LGBT community. They are reviewed by the Prism Board, past recipients of the Grant, and Prism’s Advisory Board.

Love Is Love Raises Over $165,000 for Victims of the Pulse Nightclub Massacre

Last December, IDW Publishing, with support from DC Entertainment, created Love is Love, an anthology graphic novel that united the comic book community in support of the victims and families affected by the tragedy at Pulse nightclub. It has been announced that the graphic novel has raised more than $165,000 from digital and print sales. Through Equality Florida, the proceeds have been donated to the OneOrlando Fund to assist the victims and families impacted.

Love is Love was conceived and curated by comic book writer Marc Andreyko, under the editorial guidance of IDW Publishing’s Sarah Gaydos and DC Entertainment’s Jamie S. Rich, who called upon his industry colleagues to lend their talents to a benefit comic book. The overwhelming response he received in support of the project resulted in contributions from comic and entertainment luminaries including Grant Morrison, Gail Simone, Jim Lee, Paul Dini, Amanda Conner, Scott Snyder, Tom King, Brian Michael Bendis, Steve Orlando, Cat Staggs, Kieron Gillen, Mark Millar, Marguerite Bennett, Phil Jimenez, David Mack, Brad Meltzer, Taran Killam, Patton Oswalt, Damon Lindelof, Morgan Spurlock and Matt Bomer, among many others.

The graphic novel is currently in its fourth printing, and the remaining copies will be donated to Equality Florida and sold as fundraising items.

A fifth printing is forthcoming, with all proceeds from this and future editions of Love is Love being donated to LGBTQA charities.

GLAAD Announces their Media Awards Nominees. Check out the 10 Comics Nominated

GLAAD has announced the nominees for the 28th Annual GLAAD Media Awards. Comics were well represented with ten nominations that vary quite a lot in their content, creators, and publishers.

The GLAAD Media Awards recognize and honor media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual, transgender and queer community and the issues that affect their lives.

There’s two events, one held in Los Angeles on April 1 and another in New York City on May 6.

This year’s nominees include:

  • All-New X-Men (Marvel) – by Dennis Hopeless, Mark Bagley, Andrew Hennessy, Paco Diaz, Nolan Woodard, Rachelle Rosenberg, Cory Petit
  • Black Panther (Marvel) – Ta-Nehisi Coates, Brian Stelfreeze, Chris Sprouse, Walden Wong, Karl C. Story, Laura Martin, Matt Milla, Joe Sabino, Clayton Cowles
  • DC Comics Bombshells (DC Comics) – Marguerite Bennett, Laura Braga, Sandy Jarrell, Maria Laura Sanapo, Mirka Andolfo, Pasquale Qualano, Marguerite Sauvage, Juan Albarran, Kelly Diane Fitzpatrick, J. Nanjan, Jeremy Lawson, Wendy Broome, Wes Abbott
  • Kim & Kim (Black Mask Studios) – Magdalene Visaggio, Eva Cabrera, Claudia Aguirre, Zakk Saam, Taylor Esposito
  • Love is Love (IDW Publishing/DC Comics) – anthology originated by Marc Andreyko
  • Lumberjanes (BOOM! Studios) – Shannon Watters, Kat Leyh, Carey Pietsch, Ayme Sotuyo, Carolyn Nowak, Maarta Laiho, Aubrey Aiese
  • Midnighter / Midnighter and Apollo (DC Comics) – Steve Orlando, David Messina, Aco, Hugo Petrus, Fernando Blanco, Gaetano Carlucci, Romulo Fajardo, Jr., Jeremy Cox, Tom Napolitano, Josh Reed
  • Patsy Walker, A.K.A Hellcat! (Marvel) – Kate Leth, Brittney L. Williams, Natasha Allegri, Megan Wilson, Rachelle Rosenberg, Clayton Cowles
  • Saga (Image Comics) – Brian K. Vaughan, Fiona Staples, Fonografiks
  • The Woods (BOOM! Studios) – James Tynion IV, Michael Dialynas, Josan Gonzalez, Ed Dukeshire

Congrats to all of the nominees and you can watch the full announcement below.

Review: Love is Love

loveislovefiOn June 12, 2016, a hateful man killed 49 people and wounded 53 at The Pulse, a gay club in Orlando, Florida. This was a terrible day for the LGBTQ community, and I was just plain sad. A couple weeks ago, I had celebrated getting a job and moving to a new city with a few friends at a couple gay clubs in my old home of Richmond, Virginia so a thought went through my head, “It could have been me.” Even though I am relatively privileged as a white cisgendered, relatively straight passing bisexual male, I had no queer friends in my new home to turn to and confide in after the events in Orlando. But what got me through was the queer comics and comics journalism community, and my Facebook inboxes and Twitter DM’s were filled with messages of hope and understanding. I may have felt alone in my current situation, but these beautiful people, many of whom I have never met in the flesh, got me through the tough days after the Pulse shooting.

The Love is Love comics anthology project from IDW Publishing with assistance from DC Comics, Archie Comics, Aftershock, and the Will Eisner estate gave me a similar feeling of the comics community coming together to mourn after The Pulse shooting. While reading the graphic novel, I simultaneously felt sadness and hope and remembered that despite the scandals that the comics industry has some great folks, whose excellent work appears in this comic. I enjoyed how well-represented all genders, races, sexualities, and religions were in Love is Love along with the different art styles and color palette. On a pure aesthetic level, most of the stories in Love is Love hit two of my favorite genre sweet spots: superhero and autobio, which made it a great read on both an emotional and intellectual level.

Honestly, I could write a book about the brilliant one to three page stories, poems, and pinups in Love is Love, and maybe I will one day. For the purpose of this review, I will hit on a few that affected me personally; those stories that through words, art, colors, and letters gave me comfort as I thought back to Orlando.

batwomanPaul Dini‘s Harley and Ivy story is insanely adorable and nails their romantic relationship in a nutshell with each one making compromises for the each other. For example, Harley goes vegetarian while Ivy is subjected to a Three Stooges marathon. Bill Morrison‘s art is very similar to the style of Batman: Animated Series and peppered with all kinds of background details to add to the humor. Another funny story (Albeit darker than Harley and Ivy shenanigans.) that provided some great comic relief in the midst of the emotionally headier material of Love is Love was a Deathstroke one by Taran Killam where he switches out his arsenal of guns for karate after the Pulse shooting. Gallows humor is a great way to stave off pain.

As someone whose sexuality is still not accepted by those close to me and was afraid to come out until I was 19, Love is Love‘s portrayal of homophobia is harrowing, yet all too relatable. Early, in the book, Daniel Beals and David Lafuente do a splitscreen story where two young boys see the same news coverage of The Pulse, but react in vastly different ways because of their parent’s homophobia and empathy respectively. Then, there is a nuanced story from Jeff King and Steve Pugh where a girl is sad about the shooting and wants to go to the memorial service, but her dad is uneasy about men kissing men. Later, he realizes how thoughtless he was and apologizes. I know Pugh from his superhero work on Fantastic Four and Detective Comics, and this appeal for forgiveness was just as fictional as Batman or Reed Richards in my own life.

The stories that bypassed my head and went straight to my heart strings were ones that focused on queer clubs as sanctuaries. In six pulsing panels and two pages, comics legends Grant Morrison and Jesus Merino capture the beat with alternating colors and skeletons in the background. Without a word, an image engulfed my mind and reminded me of fog lights, cute boys, and too many Long Island ice teas. In a similar vein, Emma Houxbois and Alejandra Gutierrez looked at the escapism of a queer club experience complete with cuties and the sad realities of the morning after. (Full disclosure: I worked closely with Emma on the Fantheon podcast and at the websites The Rainbow Hub and Pop Optiq and she has contributed to this site.) The comic had a soft color palette and intelligent narration while still connecting to my personal experiences and of other LGBTQ people. And it was followed by a silent comic by Brian Michael Bendis, his daughter Olivia Bendis, Michael Oeming, and Taki Soma that captured the joy and energy of a queer night club with people dancing with they wanted to and bright colors everywhere courtesy of Soma.

Many of the creators, who were from Florida, had very personal stories to share about the LGBTQ community of Orlando, which were sad and enjoyable, like Scott Snyder, who wrote a prose piece with a spot illustration by Jock about working at Disney World, and how some of the queer employees, who played various Disney characters, would invite him to a gay bar every Thursday and accept him.

Love is Love gave me an opportunity to listen to the stories of some queer comics creators that I have admired for quite some time, like James Tynion and Phil Jimenez. Tynion’s story was drawn in black and white by artist Molly Ostertag except for splotches of rainbow in the bracelet that he got as a youngster. It skips time frantically in a two page story as he comes to terms with his sexuality cutting from him spending time with his friends at Pride to facing the fact that he is a bisexual boy at an all-boy’s Catholic school. Jimenez did his comic with his writer friend David Kim and talked about how they had grown up from using codenames to show that they are dating men to being out and proud DC Comics creators. The comic is filled with snatches of conversations they had about relationships and even superhero oddities as they reflect on their friendship after the events in Orlando. Jimenez also excels at wispy, life drawing as well as superheroes, Amazons, and the Invisible College.

The queer DC Comics character that means the most to me is definitely Midnighter, and I was happy to see him featured in a couple of the Love is Love stories. The first one is by Dan DiDio and Carlos D’Anda and acts as a crash course in DC’s LGBTQ characters. It’s pretty amusing and features Midnighter and Apollo doing shots of tequila and getting on the dance floor with Batwoman as Renee Montoya snarks from the sides. The other one was my favorite story of the entire Love is Love collection from Tom Taylor, Emily Smith, and Michael Garland. Midnighter was angry after The Pulse shooting just like I was angry, and Garland punctuates his anger with a red background. He’s just punching aimlessly when Apollo shows up and says that he is not alone and will be safe with him. This kind of solidarity between queer people in the face of death and tragedy truly empowered me as Taylor makes good use of Midnighter’s vulnerable side that is the emotional center of Steve Orlando’s current work on his title.

Other highlights of Love is Love included Tom King and Mitch Gerads doing a rainbow-tinted Batman tale, Sterling Gates returning to Supergirl and writing about how she failed to save the day, married couple Amanda Seibert and Cat Staggs showing Batwoman comforting a child, whose mother died at The Pulse, and much more. There’s even a wonderful, yet vulnerable riff on Beauty and the Beast from Marguerite Bennett and Aneke where Bennett, and an LGBT-inclusive riff on DC’s old romance comics from project creator Marc Andreyko with art from George Perez, Karl Kesel, and Laura Allred.  A full list of collaborators on Love is Love can be found here, and I definitely plan on delving into their other work.

Love is Love is personal, beautiful, and tragic collection of comics that really affected me despite their being more “ally” creators than LGBTQ ones. I hope it will make the world a more loving and inclusive place even in the shadow of the election of two homophobes to the office of president and vice president.

As Batman says in King and Gerads’ story, “Today, I will get up. Today, I will face their hate… And I will again fight for my love.” Visual and verbal moments like that are why I love comics.

Story: Various Art: Various
Story: 9.5 Art: 10 Overall: 9.8 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Archie Gets Involved with the Love is Love Anthology

Archie Comics is teaming up with IDW Publishing and DC Entertainment and will be contributing to the Love is Love anthology benefiting victims of Orlando’s Pulse Nightclub tragedy.

The company will include two stories featuring Archie Comics characters designed to show support for the LGBTQ community.

Archie Comics Chief Creative Officer Roberto Aguirre-Sacasa, artist Stephen Byrne, and Archie legend Dan Parent have crafted two heartfelt and moving pieces featuring Kevin Keller, Archie, and other Archie Comics characters as they stand with the victims of this national tragedy and the entire LGBTQ community.

The Love is Love collection, curated by writer Marc Andreyko, features artwork from dozens of collaborators in the comic book industry designed to send a powerful message of support to the victims, survivors, and their families. All materials for the project have been donated and all proceeds will go directly to the families and victims via Equality Florida.

Kevin Keller, the first gay character in Archie Comics history, was introduced in 2010 by longtime Archie writer/artist Dan Parent, whose contribution to Love is Love features a one-page pinup featuring a message from Kevin Keller to the LGBTQ community about how to cope and respond to the tragic events that struck Orlando.

The Love is Love anthology graphic novel goes on sale December 21st at comic book shops.

kevinkellerstory_01

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