Tag Archives: kick-ass

Friday Five: Best Marvel Movies


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Okay, I’m going to rank what I think are the top 5 movies featuring Marvel comics characters.  I won’t include anything from before 1998, because, well, Marvel movies from before that year are things I’ve tried to block out from my memory.  I also won’t be including Marvel-owned imprints like Icon (so no Kick-Ass, sadly), I’ll just be going with the main Marvel universe comics.  One other thing, for the sake of avoiding repetition, I’ll leave out Blade, since I already specified that last week as my favorite Marvel movie.  So, with no further ado, here are my Top 5 Marvel Movies (Excluding Blade):

Honorable mentions: X-Men (2000), X-Men: The Last Stand (2006), Blade: Trinity (2004), X-Men Origins: Wolverine (2009)

5. X2 (2002): The first X-Men movie suffered a little from having to tell the backstory of so much of the X-Universe and because some of the actors didn’t really fit their roles particularly well, but the second one got all of that out of the way and combined several of the greatest X-Men storylines into one awesomely fun movie.  The movie has a lot of great actors in it, it has a great director in Brian Singer and the special effects couldn’t be better.  It also spends more time with some of the characters that got the short shrift in the first movie.

4. Spider-Man (2002): This is the first of the Marvel movies to really get it right as a comic book adaptation.  It isn’t just a good movie, it’s a good comic book movie.  It’s true to the source material, while at the same time being a really great movie.  The cast, which was suspect going in, all performed better than could’ve been expected and it was a huge success, guaranteeing that there would be many more Marvel movies to follow.

3. Spider-Man 2 (2004): The sequel did everything the original did right, except it had better special effects and a tighter script and story.  There was no way for Spider-Man 3 to live up to the first two.

2. Blade II (2002): Blade II is just a damned good horror movie.  It isn’t so much a comic book adaptation, since Blade really is a minor character at Marvel, so they had to come up with original material that wasn’t taken from the comics.  They did an awesome job.  The enemy-of-my-enemy team-up, the scary super-vampires, the family subplot, the betrayal, the amazing special effects, and, my favorite, the venture of Ron Perlman’s Bloodpack into the clausterphobic sewers to battle an evil you couldn’t have imagined for yourself.  All that along with the always-awesome Wesley Snipes and direction by Guillermo del Toro and this is an awesome flick.

1. Iron Man (2008): Building on the success of the Spider-Man films, this one really perfects the superhero movie.  It is true to the source comics and, in fact, influenced them to go in a new direction that improved them.  The acting is superb and it’s hard to imagine anyone being better at being Tony Stark than Robert Downey Jr.  The rest of the cast is great, notably Jeff Bridges as the villain.  The movie looks better than any superhero movie that I could’ve imagined when I was growing up reading this stuff.  And, most importantly, this is a really good movie.  If you’ve never read the comics, or any comics, you can watch this and have a great experience.  At the same time, longtime fans have things that appeal to them, too, and thus we get a film that appeals to multiple audiences on multiple levels, which is an amazing feat.

Your First Look At The Kick-Ass/Nemesis/Superior Crossover!

Official Press Release

Your First Look At The KICK-ASS/NEMESIS/SUPERIOR Crossover!

Get your first look at three awe-inspiring variant covers from superstar artist Leinil Francis Yu, uniting the characters of Kick-Ass, Nemesis, and Superior in one climactic battle scene! When placed together, the Kick Ass 2 #2 Yu Variant, Superior #4 Yu Variant, and Nemesis #4 Yu Variant covers form a showdown between three of Millar’s most celebrated series!

“People kept suggesting I do a crossover with the Millarworld characters and I kind of loved the idea,” said Mark Millar. “It wouldn’t make sense as a story as they all exist in their own distinct universes. But I was talking to Leinil in New York about this a few weeks back and we came up with this idea of spreading the image across three variants, each character touching the front cover of another book and it seemed very exciting. These are my wee babies so to see them all playing together gives me a warm glow. I’m collecting them to form one big image and to have it framed over my desk.”

KICK ASS 2 #2 (AUG100660)

KICK ASS 2 #2 YU VARIANT (OCT108129)

Written by MARK MILLAR

Pencils & Cover by JOHN ROMITA JR.

Variant cover by LEINIL FRANCIS YU

Mature…$2.99

FOC – 12/3/10, On-Sale – 12/29/10

SUPERIOR #4 (of 6) (NOV100628)

SUPERIOR #4 (of 6) YU VARIANT (OCT108130)

Written by MARK MILLAR

Pencils & Cover by LEINIL FRANCIS YU

Variant cover by LEINIL FRANCIS YU

Mature…$2.99

FOC – 12/10/10, On-Sale – 1/5/11

NEMESIS #4 (of 6) (JUN100644)

NEMESIS #4 (of 6) YU VARIANT (OCT108131)

Written by MARK MILLAR

Pencils & Cover by STEVE McNIVEN

Variant cover by LEINIL FRANCIS YU

Mature…$2.99

FOC – 12/3/10, On-Sale – 12/29/10

Millar World Triple Cover

Kick Ass 2 #1 Sells Out, Returns With Back-to-Back Second and Third Printings!

Official Press Release

Kick Ass 2 #1 Sells Out, Returns With Back-to-Back Second and Third Printings!

After a blockbuster debut, Kick Ass 2 #1 has sold out at Diamond (though copies may still be available at the retail level) and will be going back to press — twice — with the Kick Ass 2 #1 Second and Kick Ass 2 #1 Third Printing Variants!  The megastar creative team of Mark Millar and John Romita Jr. continue the underground comic sensation of the decade! As teenage high schooler Dave Lizewski, aka Kick-Ass, gets a crash-course in super-heroics from Hit-Girl, has his dreams of a world of superheroes come true or will it all turn to nightmares?

Fan’s and critics agree, they can’t get enough Kick Ass 2!

“Kick Ass 2 positively reeks of exploitation and action. Most of the guys that read comics…wish there was cologne that they could buy so they could reek the same way.” – Chris Smits, Mania.com

“Kick Ass 2 #1 looks gorgeous…” – Chris Murphy, ComicsAlliance.com

“As is typically the case with a Millar-penned comic…the writer’s enthusiasm definitely bleeds through and becomes contagious.” – Dan Phillips, IGN.com

“If you liked the last series, then there’s no doubt about it: get in line for this one too.” – James Hunt, ComicBookResources.com

Will Kick Ass finally get the girl…or any girl?  What’s the secret of his mysterious new partner?  And just what has become of Red Mist?  Pick up where the acclaimed comic and blockbuster movie adaptation left off with the Kick Ass 2 #1 Second and Kick Ass 2 #1 Third Printing Variants!

KICK ASS 2 #1 SECOND PRINTING VARIANT (SEP108125)

Written by MARK MILLAR

Pencils & Cover by JOHN ROMITA JR.

Mature…$2.99

FOC – 11/11/10, On-Sale – 11/24/10

KICK ASS 2 #1 THIRD PRINTING VARIANT (SEP108126)

Written by MARK MILLAR

Pencils & Cover by JOHN ROMITA JR.

Mature…$2.99

FOC – 11/11/10, On-Sale – 11/24/10

Kick-Ass #1 Second PrintingKick-Ass #1 Third Printing

New Yorker Condemns Kick-Ass


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The New Yorker has decided to take up arms against Kick-Ass (you can find our review here).  In the review the writer clearly thinks less of comic books and pop culture as a whole than normal high literary fair you’d find in books.  What’s fascinating is the reviewer clearly aware the movie is based off of a comic book writes as if director Matthew Vaughn and co-writer Jane Goldman are responsible for the entire plot and story, but I digress.

In a rant that condemns everyone from the adapters of the comic to the MPAA, the reviewer attempts to sound intelligent about his subject with lines such as:

“Kick-Ass” is violence’s answer to kiddie porn.

I wonder if the reviewer “gets” the movie at all?  The sophistication that the Anthony Lane mocks in the beginning of the article is lost on him.  I wasn’t a fan of the movie, but understood it’s point by showing such violence depicted by such young individuals a point clearly lost on Lane.

The review focuses on the children committing violent acts as if the age of the transgressor matters.  Is it any better if a 30 year old woman says the “c” word?  Or was Pulp Fiction’s violence brilliant only because it was acted out by adults?  That’s part of the point of Kick-Ass, a fact Lane in his clear snobbishness chooses to overlook.

Kick-Ass More of a Light Slap


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Kick-Ass couldn’t live up to it’s name at the box office this weekend.  Estimates peg that the movie raked in $19.8 million over the weekend, coming in second place to How to Train Your Dragon which brought in about $20 million.

Over 4,300 screens in 3,065 locations Kick-Ass saw a primarily male audience (60%) where half was under the age of 25.

BoxOfficeMojo has a great article breaking out more about the debut of Kick-Ass and how it compares to other similar movies.

Review – Kick-Ass


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Kick-AssThere’s a few comic book movies I’ve been looking forward to this year, Iron Man 2, the Losers, Scott Pilgrim vs. the World and Kick-Ass.  From numerous test screenings and teasers the buzz was consistent that the movie rose to the level of the subversive underground comic book it was based upon.  On Rottentomatoes (a movie website I tend to agree with the community) the movie has an overall overage rating of 75% (71% among critics and 89% among movie goers).  Hell, reading Roger Ebert’s review you’d think this was the comic book version of Pulp Fiction:

This movie regards human beings like video-game targets. Kill one, and you score. They’re dead, you win. When kids in the age range of this movie’s home video audience are shooting one another every day in America, that kind of stops being funny.

But as I walked out of the movie, I could only help feeling deflated and bewildered as to what the hype was about (in full disclosure I was about 5 beers in when I got there, but doubt that mattered).

The plot of the movie is pretty simple, “What if super heroes were real and why hasn’t anyone tried it before?”  The cast mainly consists of teenagers dressed in costumes that for the most part sticks to their comic book counterpart and translates well to the big screen.  The violence isn’t quite as brutal as the comic book series but still on par with the before mentioned Pulp Fiction.  It’s very much the comic book version of that movie, minus the wit and storytelling kung-fu that is a Tarantino movie.  This is the violence of A Clockwork Orange, without the statement.

The movie is from the point of view of Dave Lizewski (played by Aaron Johnson).  The everyman role that’s been filled by the likes of Peter Parker in past comic book movies.  At first Dave thinks he can control his fate and turn his world around but events spirals his life out of control and shows that maybe he’s not quite up for the role he’s forged for himself.

The highlight of the movie is Chloe Moretz who plays Hit Girl, the 11 year old scene stealing, action master, who gets the best lines and dishes the most violence.  In the end it’s Hit Girl that saves the day, making this movie contain a subtle “girl power” subtext.

The plot deviates from the comic book series it’s based off of with the last third unrecognizable from what it’s source material.  These changes aren’t for the better and baffling as the creator of the comic Mark Millar and John Romita Jr. seemed to have such a hand in it’s making.

In the end, it’s not the entertainment that will keep audiences buzzing, it’ll be Moretz and the ultraviolence she dishes.  And that’s sad, since the source material is so good.  But something clearly got lost in translation from page to screen.

Direction:  Matthew Vaughn has directed some new classics (Layer Cake, Stardust) so we know the guy can direct.  But there seems to lack the amazing visuals of some of his previous works and there’s some downright questionable choices.  In a scene a character is seen hunting bad guys with a camera angle reminiscent of the atrocious movie Doom.  The action scenes are ok, but it’s clear that’s not Vaughn’s strength.  The action scenes are lackluster and some of the best moments of the movie are the downtime and verbal jousting between Lizewski and his friends.  Again Moretz is the true highlight in dialogue and action and it’s clear Vaughn knows this.  It’s almost as if there was a clear focus on that character while ignoring the rest of the cast.

Acting:  This is a big shrug of the shoulders.  None of the acting is good, it’s quite cheesy in fact, an issue that’s plagued comic book movies in the past (Watchmen being a prime example).  I wish I could highlight some of the bright spots but there’s so few to do.  The standout when it comes to acting is Clark Duke, who has mastered the friend role.

Plot:  Why deviate from the comic series?  The last third of the film tangents off of what worked fine on paper and took out some of the most shocking parts of the plot.  The storyline was dumb downed and focuses on the violence shock factor instead of straight up good story telling.  The change is baffling and uncalled for.

Overall:  The movie is a watered down version of the comic book series it was based off of.  It misses the subversive statement and destroys an excellent plot.  Is it a bad movie?  No.  But I can’t say it’s good either.  If you’re looking for a movie full of violence and the idea of an 11 year old girl whipping ass appeals to you, then by all means see it.  There are worse ways to spend 2 hours.

Grade: C+

FOX News Attempts to Drop Kick Kick-Ass


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We figured it was just a matter of time before FOX News turned it’s focus on decrying the soon to be released movie Kick-Ass.  For those who don’t know about the comic book turned movie, it focuses on the idea of what if super heroes were real, and why hadn’t anyone tried to be one.  The main protagonists of the series tend to be male teenagers and FOX’s focus, Chloe Moretz, the 13 year old girl playing the character Hit Girl (who was 11 at the time of the filming).  Fans of the comic series already know this girl lives up to her name, wielding guns, swords and swearing like a sailor (expect her to steal the show).

FOX thinks an a movie rated R shouldn’t include such a young heroine as it’s star (we’ll skip over the violent movies FOX’s parent company has released).  Never mind there’s been numerous R movies in the past that included children and included children either as victims of violence or perpetrators.

From their story Joanne Cantor, Professor of Communication Arts at University of Wisconsin-Madison had this to say:

Seeing an attractive young girl playing such a violent role gives the message that this type of behavior (and language) is not outrageous. It makes it harder for parents to declare such behavior out-of-bounds when popular movies glorify it or make it humorous.  People may be able to understand that the movie is tongue-in-cheek, but that doesn’t necessarily undo the desensitizing effect of the movie.  Younger children may not be able to see it in theaters, but when it comes out on DVD, children of all ages will have access to it — and young children have less capacity to discount what they see.

Let’s dissect that nugget of wisdom:

  1. “Seeing an attractive young girl playing such a violent role” – Why can’t women play violent roles?  Why can’t they be attractive and do it?  Uma Thurman was pretty violent in Kill Bill, was that ok because she was an adult?  Is it ok because she’s attractive?
  2. “Younger children may not be able to see it in theaters, but when it comes out on DVD, children of all ages will have access to it..” – So, movie theaters card for kids for R movies but movie rentals or sales don’t?  What proof is the access greater?  Isn’t this an issue of parenting and controlling what you want your kid to see?  But lets move on….
  3. “and young children have less capacity to discount what they see” – Cause adults are so good at this.  No adult has ever taken what they’ve learned from lets say FOX News and then threatened violence.  Oh wait.

When it comes to the swearing, I’d suggest FOX do some of that field reporting and see how kids actually talk these days.  Spend some time on the DC metro with a few teens, and I’m sure you’d hear a few “F” bombs if not worse.  Matthew Vaughn, the film’s director had this to say about the swearing including the use of the “C” word:

“The script didn’t say the C-word, but it was in the comic,” said director Matthew Vaughn. “There had been some fanboy speculation and advance complaints that the film would shy away from reproducing that memorable line. Yet I still thought, ‘You know what? This is too far. I can’t do it.’ But we did all these takes and it just wasn’t having any impact.”

Vaughn said that Moretz and her mom then agreed to do one take with the controversial word included, and Moretz has since come forth and said she would never use such a term outside of the role or else she’ll be “grounded for the rest of (her) life.”

FOX does give a positive side of such a young girl playing hero and being the one who saves the day:

Interestingly, Dr. Susan Lipkins, Psychologist and CEO of Real Psychology, believes the film could actually have a positive impact on young ones.

“I thought that is was kind of cool that it looked like the person with the best abilities was really a girl—a young girl, and I think that it’s really a reflection on how our society’s changing and how youth are way more capable than the older people, especially in this digital age,” Lipkins explained. “If anything it can be empowering to kids, to girls, it’s not a boy again who’s saving the world, but a girl who has power.”

But quickly the article shifts it’s focus on the psychological affects on the starlet.  Never mind young children have played parts just as violent in the past and seem to be doing fine.  Uproars like this seem to focus on young female actresses and such material (the boys can handle this I guess).  A few years ago Dakota Fanning dealt with a similar issue for her movie Hounddog which included a scene in which she was raped.  I’m hard pressed to find a similar outcry for a young male actor.

Expect more “think of the children” from FOX in the week leading up to the film’s April 16th release.

I Will Kick Ass and Be a Hero


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To promote the upcoming movie Kick-Ass a great website has hit the web, http://www.iwillkickass.com/.  The site follows in the footsteps of Simpsonize Me and other promotions and allows you to upload your own photo and make yourself a hero as well as your car.

There’s also a social aspect as the site connects with Facebook and allows you to vote for your favorites.

It’s a great site and way to promote the movie.  We’ll play around and see what we can come up with.

Want To Watch Kick-Ass For Free In Your Town? Demand It!


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Eventful, a website that has proven itself a great tool to promote under the radar movies (Paranormal Activity anyone?) is running a promotion to bring a free advance screening of the upcoming movie Kick-Ass to your college.

The top college in the 15 cities listing will get a screening of the movie.  Social marketing like this is invaluable and social word of mouth is becoming vital in marketing many items, especially entertainment.  The hopes, I’m sure, is that early positive buzz from these advance screenings will catapult the movie to a kick ass opening (pun intended).

The site also encourages you to “spread the word” through Facebook, Twitter, MySpace, sharing a link and emailing your friends.  You just can’t buy viral marketing like this, no matter how much money you dump into it.

You can push for your local college to win at http://eventful.com/competitions/kickass2010.

Entertainment Weekly Giveth and Taketh


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Entertainment Weekly seems to have a love/hate relationship with comic books.  Every few issues they tease those that receive their print magazine with some coverage and a listing of the top selling issues at a random comic store.  This may take up a page or two, clearly filler for a slow week.  But when it comes to comic books turned into movies, those are usually worthy some expanded coverage.

This week Entertainment Weekly receives a Cheer and Jeer from us concerning their comic coverage.

Cheer – Ken Tucker says DMZ is a comic you need to read, a sentiment we agree with.  He says in his blog post he says:

DMZ takes what could have been a trite notion — the idea of “bringing the war home” literally, by turning America into a war zone similar to those in Iraq or Afghanistan– and on the strength of a complex imagination, turns it into a comic book that needs no superheroics, because the heroism is performed by ordinary people you come to care about quickly.

It’s short but highlights a great comic that deserves a huge audience.  Interestingly enough it was Entertainment Weekly’s review of DMZ that got me to return to comics many years ago.

Jeer – In the latest issue (#1091) the magazine gives us a first look as to some of the movies we’ll be seeing this spring.  In a decent placement Kick-Ass is highlighted with a small write up of what we can expect.  However, Entertainment Weekly does the idiotic thing of giving away one of the fun twists of the movie concerning Christopher Mintz-Plasse’s character.  Way to ruin a spoiler for those who haven’t read this fun and violent series.  The movie is to be released this April 16.

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