Tag Archives: john timms

Review: Harley Quinn #6

harleyHarley Quinn #6 is serving up FIRE! Harley and her band are undercover and on the hunt for Purple Satin and their malevolent puppet master. While Red Tool tries to keep Harley on task, Eggy worries about her safety as she embarks on a mayhem fueled night out with Purple Satin.

Harley’s carving her way through the rock underground of New York City, looking for the brutal criminals who hurt someone she cared about…unfortunately for Harley, one of the crooks in question has fallen in mad love with her.

The punk rock persona is a perfect fit for Harley and she seems in her element, the anarchy of the scene works in tandem with the ball of chaos that Harley is. Amanda Conner and Jimmy Palmiotti give us some rock and roll moments like Harley beating up a person on stage and the antics ramp us as the crowd clamors for more. Harley is in her element and going all out and has found a way to stay true to herself and get the job done.

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Conner and Palmiotti serve up some serious realness in issue #6 of Harley Quinn. They manage to keep the story moving and stay true to the parts of Harley that we all love. She’s all about agency, being in control of herself and doing what Harley wants with whom Harley wants. There is no shame in her bisexual encounter nor complacency to let Purple Satin’s male lead singer have his way with her. Harley makes it very clear throughout this issue that she’s in control and no one male or female will put her in her place. I loved every bit of the story, there was never a dull moment and it fit in with arc we are currently in.

John Timms‘ artwork is on point and puts detail in places that I didn’t even know that detail could be in!  From the bright 80’s pop inspired Warhol panels, to the dark, mysterious, and ominous hiding in shadow mystery folks and sidebars, to the old school comic throwback flashbacks to Arkham, his art was on point and flawless! Timm’s art felt like another piece of the story and helped to tie everything together nicely.

Overall this issue will give you life and suck you back into the world of Harley Quinn. It serves to take the bitter taste out of readers mouth for the uncertain direction that it felt like Harley’s character was taking, especially in the new 52s. This new path  stays in line with the Harley as her own woman and an entity in love with but, separate from the Joker. The issue expands on the Rebirth of the Harley brand and although fleeting we get a glimpse at her and Red Tool and how their relationship is evolving. We also get to see a story line progress and make sense. Issue #6 continues to do right by Harley and it deserves attention.

Story: Amanda Conner and Jimmy Palmiotti Art: John Timms
Story: 9.8 Art: 9.5 Overall: 9.6 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Preview: Harley Quinn #5

Harley Quinn #5

Written by: Jimmy Palmiotti, Amanda Conner
Art by: John Timms
Covers Amanda Conner

“EAT TO THIS BEAT” part one! There’s been a string of brutal robberies and slayings up and down the East Coast, and the assailants are…knights on horseback?! Harley’s got a lead on the men behind the iron masks, but to find them she’s going to have to go undercover in the strangest place of all…New York’s punk scene!

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Review: Harley Quinn #5

harley-cv5_dsI’m torn on Harley Quinn. She’s very much like Will Ferrell from the early 2000’s; in a leading roll almost unbearable, but taken in small doses quite a bit of fun. Needless to say, when I started reading the comics DC were putting out post-Rebirth for Graphic Policy’s Rebirth Review, Harley Quinn was the one I looked forward to the least.

The first issue was only slightly better than I expected and were it not for the previously mentioned feature I probably would have stopped reading there and then. By the end of the first arc, I no longer wanted to have my nose hairs waxed instead of reading the series – indeed, it is fair to say that over the course of the first four issue Harley an her gang of reprobates grew on me in much the same way a mushroom grows in the woods. It’s a fungus, yeah, but not an unpleasant one.

Which brings us to Harley Quin #5.

This is going to be a comic that you either like or don’t, and you’re going to know pretty early on whether that’s going to be the case. The story centers around Harley’s desire to form a punk band for some reason or another (I won’t tell you, because of spoilers, but it’s a comically stupid reason). The motivation for this is both completely stupid, and yet entirely within keeping of the style of the comic – and here’s my problem with the issue.

It dances between being utterly eye bleachingly absurd, to just absurd enough to be enjoyable, such as the surprisingly normal Deadpool parody Red Tool infiltrating a yacht. The scene is just the right blend of entertainingly ridiculousness that the series is good at only to have a conclusion that belongs in a Looney Toons cartoon. It’s one of those scenes that perfectly illustrates the style of the comic; if you like it, then you’re going to be in luck, but if you don’t…

Look, it’s pretty clear that Harley Quinn #5 isn’t my cup of tea, but if you’ve enjoyed the series so far then you’ll probably like this one quite a bit. Me? Not so much.

Story: Amanda Connor & Jimmy Palmiotti Artist: John Timms
Story: 6 Art: 7.25 Overall: 6.25 Recommendation: Pass

DC Comics provided Graphic Policy with a FREE copy for review.

Writer Tom King, Artists Clay Mann and John Timms Go Exclusive with DC

DC Entertainment announced today the signing of writer Tom King and fan favorite artists Clay Mann and John Timms to exclusive deals to produce their comic book work solely for the DC Comics and Vertigo imprints.

Tom King has quickly become a fan favorite writer, making a mark with his edgy, dramatic work on Omega Men, Grayson (with co-writer Tim Seeley), Robin War and Vertigo’s Sheriff of Babylon. The former CIA intelligence operative now calls DC his exclusive home, and will play a major role in the new REBIRTH initiative scheduled for June.

In addition to signing King, DC also brought two rising star artists – Clay Mann and John Timms – into their ranks of top talent.  After producing spectacular covers on such titles as Batgirl and Batman Eternal, artist Clay Mann made his blockbuster interior art debut on Poison Ivy: Cycle of Life and Death written by Amy Chu, propelling issue #1 into its second printing. Breakout artist John Timms now also calls DC his new home after creating incredible cover and interior art for Harley Quinn, Harley Quinn Valentine’s Day Special and Harley Quinn’s Little Black Book.

King, Mann and Timms will be joining an already impressive roster of DC-exclusive talent, including writer/artist Bryan Hitch, writer Peter Tomasi and artist Tony Daniel.

Review: Harley Quinn #20

Harley Quinn #20Like Los Angeles didn’t have enough problems with DC Comics moving in, now Harley Quinn is determined to take over Tinseltown! She’s an overnight entertainment sensation, but will the industry survive Harley’s fifteen minutes of fame?

For those who have seen my reviews of past issues of Harley Quinn, or comics that feature her in a main role, will know I’m not really into the character a whole lot. I tend to not find the comics funny, it’s just not my type of humor. So, that should mean a lot when I saw, I was seriously entertained by the comic.

Written by Jimmy Palmiotti and Amanda Conner, the comic takes Harley cross-country with scenes playing off of her recent road trip special. That starts it all off, and had me smirking, as it’s a self-reference in a way I find funny. The whole story has her tracking down a kidnap victim in Hollywood, and of course things go off the rails. The jokes at times come out of nowhere and feel random and absurd. It’s the humor I enjoy. The difference to me is much less reliance on gutter humor and jokes that aim for the lowest common denominator. Humor I don’t enjoy as much as I’ve gotten older.

The art by John Timms is fantastic. He captures that zany events really well and add in the coloring, it all comes together in a visual feast. I really like Timms’ style which I’m not quite sure how to describe it really. It almost feels like a blending of traditional superhero styles and more of a cartoon style too. Whatever, it works really well.

I haven’t been a fan of the issue I’ve previously read, but I really enjoy this one. Here’s hoping this is more of what I should expect so I can keep on digging it. A solid issue that dials some over the top things down, but leaves just enough to keep us on our toes.

Story: Jimmy Palmiotti, Amanda Conner Art: John Timms
Story: 8 Art: 8.5 Overall: 8 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Battleworld’s Rebellion Begins! Your New Look at Inhumans: Attilan Rising #1!

There’s a revolution brewing. The fires of rebellion burn brightly on Battleworld if you know where to look. Stretching far and wide into every domain of this new patchwork realm, revolutionaries prepare for war in Inhumans: Attilan Rising #1 – from New York Times Bestselling writer Charles Soule and artist John Timms! Medusa, ruler of Attilan and Queen of the Inhumans has been tasked with rooting out the rebels, and crushing the resistance once and for all! The man at the center of the resistance? Her husband Black Bolt. Uh-oh. Things are about to get complicated. Huge drama, spies, action, betrayal and sabotage await True Believer. When the dust settles, who will rise? Find out as the drums of war beat in the Inhuman nation this May!

INHUMANS: ATTILAN RISING #1 (MAR150627)
Written by CHARLES SOULE
Art by JOHN TIMMS
Cover by DAVE JOHNSON
Variant Cover by W. SCOTT FORBES (MAR150629)
Young Variant by SKOTTIE YOUNG (MAR150630)
Design Variant by DAVE JOHNSON (MAR150628)
Blank Variant Also Available (MAR150631)
FOC – 05/04/15, On-Sale – 05/27/15

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Battleworld Ignites in Inhumans: Attilan Rising #1

There’s a rebellion brewing on Battleworld. Stretching far and wide into every dominion across the strange, patchwork realm, underground revolutionaries prepare for the uprising. Marvel has announced Inhumans: Attilan Rising #1, a new Secret Wars series from New York Times Bestselling writer Charles Soule and artist John Timms!

Medusa, ruler of Attilan and Queen of the Inhumans, has been tasked with rooting out the rebels, and crushing their resistance beneath her steely tendrils of hair. Yet a chance encounter with the head of the insurgency will change everything. A man named – BLACK BOLT! And things are about to get complicated.

In an interview with Marvel.com, Charles Soule said:

One of the ideas behind Inhumans: Attilan Rising from the start was to put Medusa, Black Bolt, Reader, Iso and other characters from Inhuman into a new context. That’s part of the fun of an event like Secret Wars. Things don’t have to be the way we’re used to seeing them.

My initial concept was ‘life during wartime’. The relationships we’re used to seeing will be different in this story. Huge drama, spies, glamour, action, betrayal, sabotage. My hope is that it won’t feel like anything else out there.

The drums of war beat for the Inhuman nation. But when the dust clears, who will rise?

INHUMANS: ATTILAN RISING #1
Written by CHARLES SOULE
Art by JOHN TIMMS
Cover by DAVE JOHNSON
Variant Cover by W. SCOTT FORBES
Coming in May!

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Preview: Deadpool’s Getting Hitched – A First Look at Deadpool #27!

Save the date! The Merc With a Mouth is about to become the Merc in Matrimony this April in the pages of the super-sized Deadpool #27 – from current Deadpool writers Gerry Duggan and Brian Posehn along with an epic assortment of past Deadpool writers!

A day you never dreamed would come has finally arrived – and it’s going to be anything but traditional. For starters, his bride Shiklah is an ancient and royal succubus. Believe us, the ceremony is going to be one for the ages!

But the main story is just the beginning! This super-sized issue is packed to the gills with new stories from all-star Deadpool writers of yesteryear – including Fabian Nicieza, Mark Waid, Joe Kelly, Christopher Priest, Jimmy Palmiotti, Frank Tieri, Gail Simone, Daniel Way & Victor Gischler!

You will not want to miss this monumental issue as Wade Wilson ties the knot in front of friends and family alike when the oversized Deadpool #27 hits comic shops this April!

DEADPOOL #27 (FEB140735)
Written by GERRY DUGGAN, BRIAN POSEHN, FABIAN NICIEZA, MARK WAID, JOE KELLY, CHRISTOPHER PRIEST, JIMMY PALMIOTTI, FRANK TIERI, GAIL SIMONE, DANIEL WAY & VICTOR GISCHLER
Art by MIKE HAWTHORNE, SCOTT KOBLISH, SCOTT HEPBURN, JOHN MCCREA, PACO MEDINA, NIKO HENRICHON, JOHN TIMMS, DEXTER SOY, ALVIN LEE, CARLO BARBERI, & BONG DAZO
Cover by SCOTT KOBLISH
Variant Cover by MARK BROOKS (FEB140736)
Taco Time Variant by MATTHEW WAITE (FEB140737)
Issue #27 Anniversary Variant by ART ADAMS (FEB140738)
FOC – 03/17/14 On-Sale – 04/09/14

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