Tag Archives: darby pop publishing

Wondercon 2014: IDW Rolls Out a Ton of Announcements

At this year’s WonderCon in Anaheim, IDW unleashed an impressive array of announcements, bolstering its lineup through the fall of 2014 and beyond. Brand-new titles, miniseries featuring fan-favorite characters, new Artist’s Editions, new television deals, and a first-of-its-kind exclusive creator deal rounded out the action-packed weekend. We’ll be covering each of these announcements in a bit more depth over the next few days, but for those who want to know all the goings on now, here’s a handy breakdown of every announced!

IDW has secured the amazing talents of Locke & Key co-creator Gabriel Rodriguez by signing him to an exclusive deal. His work has appeared in IDW comics since the very beginning, and will continue to do so exclusively, with his next project being the hotly anticipated Little Nemo: Return to Slumberland with Eisner Award-winning writer, Eric Shanower.

IDW Entertainment, along with George Lopez and his Travieso Production Company, announced they are developing Wormwood as an animated television series based on the acclaimed IDW title created by Ben Templesmith. David M. Stern (Ugly Americans, The Simpsons) has been tapped to write the pilot episode and serve as an executive producer on the series. Circle of Confusion (Walking Dead) will also executive produce the show. IDW Entertainment will fund development of the series, which will soon be marketed to the networks.

At the Artist’s Edition panel, Special Projects Editor Scott Dunbier showed off some of the amazing art included in the Marvel Cover’s Artist’s Edition and announced that John Buscema’s Silver Surfer (in cooperation with Marvel Comics), and two more projects with Walter Simonson, Walter Simonson’s Manhunter & Other Stories (in cooperation with DC Entertainment), and Walter Simonson’s Lawnmower Man Artist’s Edition portfolio, collecting the entire Stephen King-penned story into a deluxe portfolio, will soon join the IDW Artist’s Edition catalog!

The acclaimed videogame franchise Borderlands is returning to IDW with a brand new miniseries “The Fall Of Fyrestone.” Written by the original game writer Mikey Neumann, the new series promises the dark humor and high-end action that fans love about the videogames.

IDW’s Star Trek comics continue to break new ground and delight fans with two stories that are Star Trek “firsts.” Star Trek #35 starts “The Q Gambit,” which crosses the paths of the omnipotent (and beloved) Q and the crew of the recent 2009 film franchise for the first time. In July, fans will get the chance to see all six Star Trek medical officers ban together for the first time as they fight a mysterious virus in the one-shot Star Trek Special: Flesh and Stone.

Traveling back to the ‘40s, the new miniseries The X-Files: Year Zero by writer Karl Kesel and artists Vic Malhotra and Greg Scott explores the mysterious origins of the department and the strange connections Mulder and Scully now find themselves up against.

A new five-part miniseries set in the world of Judge Dredd focusing on Judge Anderson will debut this August: Judge Dredd: Anderson, Psi-Division, by writer Matt Smith and artist Carl Critchlow, will continue to explore Dredd’s early years in this follow-up to Smith’s Judge Dredd: Year One series.

IDW returns to Konami’s horror masterpiece with Silent Hill Downpour: Anne’s Story. Written by Tom Waltz (Silent Hill: Sinner’s Reward, Silent Hill: Past Life and the Silent Hill Downpour video game), with artwork by Tristan Jones (Ghostbusters, Hoax Hunters). Waltz, further acclaimed for his writing on IDW’s ongoing TMNT revival, will also launch a sci-fi action-adventure epic with artist Casey Maloney, The Last Fall.

The partnership between IDW and 44FLOOD was announced at New York Comic-Con 2013, and this weekend it was made public that the second release from this collaboration is Ben Templesmith’s The Squidder, a new four-issue series coming this August.

Also on the creator-owned front, Angel: After the Fall fan-favorite writer Brian Lynch will launch Monster Motors in July. Announced at “The Greatest Panel in the Known Universe,” the action-comedy features art and cover by Transformers artist Nick Roche.

Transformers: Primacy is coming this August! Writers Chris Metzen and Flint Dille with artist Livio Ramondelli guide us through the war for Cybertron that will shake the world of the TRANSFORMERS to the core, in this, the final chapter of the Cybertron War trilogy.

And finally (for now), IDW’s partnership with Darby Pop Publishing grows with the upcoming July release of Doberman. From the minds of Rob Rosell and Scott Marder, known from It’s Always Sunny in Philadelphia and Unsupervised, with writer Jack Lambert and artist Brandon McKinney (Army of Two) the story of Frank Doberman comes to life and he wants a six-pack and vengeance!

IDW Publishing Previews: 2/12/14

City: Mind in the Machine #1 (of 4)

Eric Garcia (w) • Javier Fernandez (a) • Tommy Lee Edwards (c)

New from Darby Pop! Ben Fischer helped build the world’s greatest surveillance system, Golden Shield, which utilizes every camera, cell phone, and computer in San Francisco to battle crime. There is only one problem: Golden Shield can’t work without a human mind to operate it, resulting in a controversial melding of man and machine. Writer Eric Garcia (Anonymous Rex, Matchstick Men) delivers an action-packed story that questions the roles of security and technology in our modern society.

FC • 32 pages • $3.99

Dungeons & Dragons: Fell’s Five

John Rogers (w) • Andrea Di Vito, Denis Medri, Horacio Domingues, Juanan, Guido Guidi, Vicente Alcazar, Nacho Arranz, Andres Ponce (a) • Di Vito (c)

Join Adric Fell, the halfling Bree Three-Hands, the dwarf Khal Khalundurrin, the tiefling Tisha Swornheart, and the elf Varis in a tale of high adventure and deep secrets. Collects all 15 issues of the Dungeons & Dragons series and also includes extras like comic and game adventures, character sheets, glossaries, and an art gallery.

HC • FC • $49.99 • 424 pages • 7” x 11” • ISBN: 978-1-61377-846-3

G.I. JOE, Vol. 2: Threat Matrix

Fred Van Lente (w) • Steve Kurth, Jamal Igle (a) • Jamal Igle (c)

The Mad Monk returns and his personal vendetta against DUKE will turn all of New York City into an island of terror. COBRA COMMANDER also sets his sights on the city but BARONESS and DESTRO have schemes of their own… but which side will they choose?

TPB • FC • $19.99 • 152 pages • ISBN: 978-1-61377-866-1

Mars Attacks Judge Dredd

Al Ewing (w) • John McCrea (a) • Greg Staples (c)

The Martian mayhem overtakes Mega-City One! During the annual meeting of the Mega-City Mafia, a new boss makes a play for power thanks to a mysterious benefactor. Meanwhile, Judge Dredd conducts a routine bust that turns out to be anything but when he makes a shocking (and disgusting) discovery!  

TPB • FC • $17.99 • 104 pages • ISBN: 978-1-61377-870-8

The Maxx: Maxximized #4

Sam Kieth, William Messner-Loebs (w) • Kieth (a & c)

Sara and Maxx retreat under an overpass and reflect on their own personal demons. The black Isz keep spilling into the real world as omens of Mr. Gone’s plans grow more evident. Meanwhile, Julie tries to help Sara sort out high school nightmares and encounters with bullies that send Sara to the breaking point. Digitally re-mastered and re-colored!

FC • 32 pages • $3.99

The Memory Collectors #3 (of 3)

menton3, Jason Mote (w) • menton3, Christopher Mitten (a) • menton3 (c)

Series finale! Despite a tragic loss, the girls hone in on the source of their ills and make their final, fateful decision. Includes a six-page supplemental story by writer Jason Mote and artist Christopher Mitten (30 Days of Night/Criminal Macabre)!

FC • 32 pages • $3.99

My Little Pony: Friendship is Magic #1 Hundred Penny Press Edition

Katie Cook (w) • Andy Price (a & c)

The story that started Pony comic book-mania returns for an affordable price! The perfect place to jump on to the My Little Pony bandwagon!

FC • 32 pages • $1.00

Popeye Classics, Vol. 3

Bud Sagendorf (w & a & c)

Re-presenting the classic Popeye comic book series that debuted in 1948 by Bud Sagendorf, the long-time assistant to creator E.C. Segar! Carefully reproduced from the original comic books and lovingly restored. Also includes more of Sagendorf’s gloriously funny one-pagers, rare photos, and extra artwork!

HC • FC • $29.99 • 252 pages • 8.5” x 11” • ISBN: 978-1-61377-779-4

Red Panda: Mask of the Red Panda

Gregg Taylor (w) • Dean Kotz (a) • Dean Kotz (c)

Racketeers, gangsters, the occasional power-mad super villain–all have fallen before the iron resolve of the city’s masked protectors. But when forces with powers from beyond this world threaten to bring their war to the streets of Depression-era Toronto, can even the Red Panda prevent disaster? Bringing to life characters from The Red Panda Adventures, Decoder Ring Theatre’s award-winning radio drama series, Mask of the Red Panda is pulse-pounding pulp perfection for all those who love the classic two-fisted adventures of the golden age of radio, classic movie serials, and the hero pulps.   

TPB • FC • $17.99 • 104 pages • ISBN: 978-1-61377-871-5

Transformers: Robots in Disguise #26: Dark Cybertron Part 9 (of 12)

John Barber & James Roberts (w) • Andrew Griffith, Livio Ramondelli (a) • Casey W. Coller (c)

THE BIG ONE! This is it—the battle every TRANSFORMERS reader has dreamed of! Titans clash on CYBERTRON! The fate of the LOST LIGHT! And ORION PAX fights fist-to-face against his ultimate nemesis! And from here on? Things only get bigger!

FC • 32 pages • $3.99

Teenage Mutant Ninja Turtles, Vol. 7: City Fall, Part 2

Tom Waltz, Kevin Eastman (w) • Mateus Santolouco, Kevin Eastman (a) • Mateus Santolouco (c)

“City Fall” concludes as Shredder reveals his new second-in-command and launches a full-scale war on New York City! Forced to make strange alliances, the Turtles fight back against their most deadly enemy.

TPB • FC • $17.99 • 104 pages • ISBN: 978-1-61377-876-0

True Blood, Vol. 3: The French Quarter

Mariah Huehner, David Tischman (w) • David Messina, Claudia Balboni, Bruno Letizia (a) • Giovanna Niro (c)

Mind reading waitress Sookie Stackhouse is in New Orleans helping Vampire Sheriff Eric Northman track down an insane killer named Guerra. Bill Compton’s in town, too, making sure Eric doesn’t get fresh with Sookie, and investigating a local Hep-D outbreak that may be connected to Guerra’s latest victims. Meanwhile, back in Bon Temps, why is Pam hanging out at Merlotte’s–and what does she want with Lafayette?

TPB • FC • $14.99 • 160 pages • 6” x 9” • ISBN: 978-1-61377-877-7

X-Files Classics, Vol. 3  

Kevin J. Anderson, John Rozum (w) • Gordon Purcell, Charles Allard, Josef Rubinstein (a) • Sam Shearon (c)

Mulder and Scully continue to chase down leads of the most bizarre and unexplained cases the FBI has ever seen! X-Files Classics, Vol. 2 features the two-part “Family Portrait,” “Donor,” “Silver Lining,” the three-part “Remote Control,” and more!

HC • FC • $29.99 • 236 pages • ISBN: 978-1-61377-859-3

The X-Files: Season 10 #9

Joe Harris (w) • Greg Scott (a) • Carlos Valenzuela (c)

“Chitter” A missing persons investigation leads Agents Mulder and Scully into a disgusting mess of human sacrifice, enough bugs to keep your skin crawling long after the issue is over, and The X-Files’ newest “Monster of the Month.” But what is “The Chittering God,” and why does it hunger for Dana Scully?

FC • 32 pages • $3.99

Review: City: The Mind in the Machine #1

city coverA TLEBen Fischer helped build the world’s greatest surveillance system, Golden Shield, which utilizes every camera, cell phone, and computer in San Francisco to battle crime. There is only one problem: Golden Shield can’t properly function without a human mind to operate it, resulting in a controversial melding of man and machine.

Written by Eric Garcia, with art by Javier Fernandez, City: The Mind in the Machine delivers an action-packed story that questions the roles of security and technology in our modern society. Almost ripped from the headlines, the comic does what comics do best, reflect modern society and makes us question the world around us. The series comes courtesy of Darby Pop Publishing and IDW Publishing.

The series is an intriguing one with the potential to reflect and act as a parable to stories ripped from today’s headlines. For as long as it takes to put together a comic series, that’s impressive to be so timely. There’s really two roads the series looks to explore, that of technology and its role in our lives as well as the use of technology to spy on our activities. Garcia has deftly packaged both of those hot button issues into an entertaining first issue.

Garcia’s writing is backed up up by Fernandez’s art which grounds the story. The visuals are ones we can relate to. Instead of over the top sci-fi like technology what we see are things that might be around our office now. That choice of visuals helps make the story easier to relate to and frighteningly more realistic.

Pop entertainment is strongest when it entertains as well as makes you think, and it looks like City: The Mind in the Machine will succeed in doing exactly that.

Story: Eric Garcia Art: Javier Fernandez
Story: 8 Art: 8 Overall: 8 Recommendation: Buy

Darby Pop Publishing provided Graphic Policy with a FREE copy for review

The 7th Sword, Darby Pop’s Third New Series

From the minds of writer John Raffo and artist Nelson Blake II, Darby Pop Publishing’s The 7th Sword will make its debut this April!

On a planet where explosive weaponry is unusable, Daniel Cray — a Samurai mercenary — stumbles upon the legendary city of ZenZion, a mysterious desert outpost currently under siege from a vicious warlord. The peace-loving citizenry beg Cray to help defend them… forcing Cray to reluctantly draw his deadly “Malathane” sword one last time to battle a relentless army of robots and their savage masters.

Science fiction meets samurai in this epic seven-issue adventure with covers by Andrew C. Robinson and interior art by Nelson Blake II.

John Raffo is a screenwriter who over the last twenty years has worked on a variety of credited and uncredited projects including Dragon, The Bruce Lee Story, The Relic, and The Interpreter. His original screenplay Renko Vega and the Jennifer Nine appeared on the 2011 Black List.

Eric Garcia Talks his Upcoming City: The Mind in the Machine & a Preview!

city coverA TLEBen Fischer helped build the world’s greatest surveillance system, Golden Shield, which utilizes every camera, cell phone, and computer in San Francisco to battle crime. There is only one problem: Golden Shield can’t work without a human mind to operate it, resulting in a controversial melding of man and machine.

Written by Eric Garcia, with art by Javier Fernandez, City: The Mind in the Machine delivers an action-packed story that questions the roles of security and technology in our modern society. Almost ripped from the headlines, the comic does what comics do best, reflect modern society and makes us question the world around us. The series comes courtesy of Darby Pop Publishing and IDW Publishing and debuts in February.

Writer Eric Garcia took some time off from plotting his all too real surveillance state nightmare to chat with us about his new series and we’ve got an early look!

Graphic Policy: How did you come to work with Darby Pop and artist Javier Fernandez?

Eric Garcia: City: The Mind in the Machine is a story that I’ve had on my mind for quite a few years, percolating in my brain as I tried to determine what medium it would be best suited for. Sometimes I’ll think of something that feels as if it needs to be a novel, or a film, or TV, but I was having a conversation with Jeff Kline (founder of Darby Pop) and we were discussing some of the themes involved with City, and together we realized that comics were a way that could get out both the very internalized aspects of the story (a man interfacing with a network, “becoming” a city, is somewhat heady and certainly internal) and yet also provide the external, visual framework that the action elements required. Jeff and Darby Pop were the ones who suggested bringing in Javier, and that has been a dream come true, as he’s really brought a life to characters who previously only existed in my mind, or as words on page. It’s been thrilling to see Ben and Owen and the others come to life through his exceptional talent.

GP: The series clearly takes on the information and surveillance state that we currently live in. How long have you been working on the series? Did revelations like Snowden’s affect the series?

EG: It’s been quite a number of years since the original stories I wrote for City – I tend to write short stories, even if only for my own use, when I’ve got a concept that intrigues me, as it helps me to get into the world and characters. From there, I start to figure out how best to tell the story, and in this case it took a couple of years before we hit on the idea of doing it in comic form. It’s amazing how much has changed since then in the public eye, in terms of all the public revelations about government reach and surveillance, while I don’t think anything has really changed, substantively. Even Snowden’s whistleblowing, and all the ugly Streisand-Effect government responses to it, hasn’t changed a thing in terms of what’s actually going on day-to-day. They’ve pretty much just said, “Um, yeah, we do all that stuff. Were you not aware of that before?” That said, what it has done is wake up a percentage of the population that had not been aware of it before, and that’s at least a step in the right direction. In terms of the series itself, I don’t think anything in particular has been changed because of the revelations, mainly because I’d assumed they were happening all the time, anyway. So perhaps it’s more of a question of how it will be perceived – rather than a “this kind of thing couldn’t legally happen” approach, maybe it will be seen more of a true cautionary tale.

GP: What type of research did you do looking into how far governments are going as far as using surveillance and information?

EG: I am by no means a conspiracy theorist – yes, I believe we landed on the moon; no, I don’t think 9/11 was an inside job; yes, I’m pretty sure Mikey never went near Pop Rocks and Coke – but I’m also aware that every ten years or so documents are unclassified and stories are told in which previously “top-secret” events from decades prior are revealed, and unerringly these are events which were kept secret from the public in the name of safety. Now, that’s not to say that they shouldn’t have been kept secret – that’s not for me to judge in-the-now, and barely for me to judge in hindsight – but it only makes it obvious that the same things are happening now, and will be revealed at some point in the future. Snowden just jumped the gun by a couple decades, that’s all.

That’s all a long-winded way of saying that I generally read a fair amount about government surveillance (hand-in-hand with corporate info-gathering) and the information society in general – and the ways governments use it both publicly and in secret, as part of their wars against <Terror/Drugs/Insert Name Of War Here>. A while back, I’d become quite interested in how China would handle it, given their rapid infusion of capitalist values but a solid, probably frightened, party leadership – and they did not disappoint. The “Golden Shield” project in City is a direct reference to China’s “Golden Shield” project from the early 2000s, in which they laid out the framework to control the internet within China’s borders. Information is power, and China wasn’t about to let that get out of hand.

Around the same time, maybe 2005 or so, there was an article I read – Slate, perhaps? – about the proliferation of cameras in New York City, and that it wasn’t just the street/government cameras that had been multiplying, but the “private” ones as well – which included cameras that the government could, in theory, have access to — presumably with a warrant. Presumably.

Recently, I read a fantastic book on the subject – Heidi Boghosian’s Spying On Democracy – which sets up the situation not just as one that’s been foisted upon us, but one that we’ve been conditioned to accept and even, in some cases, crave.

GP: The technology presented seems like it’s far off and advanced but some of it exists and much is being worked on. How far off do you think we are from computer intelligence like you presented or human direction connections are we?

EG: All you need to do to see how close we are to so much of this is google “Oakland Domain Awareness Center.” First off, the name. Domain Awareness Center? I should have just held off on Golden Shield and used that instead – it’s the perfect dystopian moniker, ripe for a little Skynet action. When does it become self-aware? 2018 or so, I’m guessing.

But it’s a real-life thing, being completed just across the bay from where City takes place in San Francisco. Ostensibly, it’s being built to fight crime, but it’s funded by a grant from Homeland Security and utilizes surveillance cameras, mapping systems, gunshot detectors, twitter-feed scourers, license-plate readers, and lord knows what else. Will it fight terror? Maybe. Will it pry into absolutely every aspect of the citizens’ lives there? Pretty damn sure.

So that takes care of the computer-intelligence angle – because if what we know about it is that far advanced, imagine the things coming out of, say, DARPA, or government-funded private enterprises that we’re not privy to.

In terms of human/computer interaction, those technologies are growing by leaps and bounds every day as well. We can use brain-computer interfaces to wirelessly and, without moving a muscle, type or manipulate robotic arms or adjust characters on a screen – why is it that much of a stretch to assume we could also, with proper permissions, access cameras and the electrical grid and the water supply?

I think all the base technologies presented in City are not only possible or probable – but inevitable. And soon.

GP: It’s clear some of the characters have some apprehensions about the use of technology in the role of security, which is a debate the real world is having now. How much of this story is a look at the balance between liberty and security?

EG: It’s not a full driving force of the story, but it’s there with everything that Ben does. Thematically, we’re definitely looking at that balance, and when it’s worth it to swing the pendulum one way or the other. It’s the kind of thing that keeps popping up as Ben gets deeper into the project, and as he begins to lose himself in the CITY persona – so it’s something that we’re planning on bringing out in the series even more as we progress.

GP: It’s a very complicated debate, what are your personal thoughts on the subject?

Like with all topics, we bring our own personalities and experiences to our positions, and while I’m a relatively anxious person in my daily life, I tend to be a little less so on a macroscopic level – which means that I don’t worry about the things I feel I can’t control. Global and domestic terror are awful, and yes, they clearly happen, but I do feel that our responses to them are misplaced and mishandled and often cause a lot more grief and pain than the events they’re trying to forestall. We’re simply overloaded with information about all the terrible things in the world, so of course we’re more likely to believe it’s going to happen to us at any second, oh my god, they’re coming for us!!! and as a result we either turn a blind eye to overreaching governments or, in some cases, actively support their efforts because we want to be safe. I get it, though – because, like I said, I’m relatively anxious as a person and a dad and a husband and I want to protect my family – but I worry greatly about the overall cost on our liberties. We just keep nudging the debate a bit every time, and suddenly we look up and we’re miles from where we started, without ever having actually had a real conversation about it.

GP: One thing that’s struck me about the debate about the US government’s use of data and surveillance is that it’s not much different than what corporations do and they do it at the individual level without any checks and balances, unlike government. How much, if at all, do you explore that aspect?

Again, this is something that we bring up but don’t harp on – quite yet. There are private corporations in City that are funded by the government, and private sources of intelligence that are accessed by the government, and these are things that Ben finds he has access to as well – and yes, that’s troubling for him on some level, and exhilarating on another.

The corporations do it because we allow them to do it and, often, beg them to do it. Facebook was built on this notion, and they’ve done pretty well for themselves so far, from what I hear. We want the deals and the “freebies” and to be kept up on the latest trends, and all they want is to know what we’re watching, hearing, eating, writing, loving, hating, and thinking. And we’re thrilled to tell them. Can’t stop telling them, in many cases.

GP: Do you think the ability for governments, or corporations to track us or use data like they do is just a trade off for our comfort level we have due to technology?

EG: I don’t know that the two things couldn’t be mutually exclusive – but we’ve crossed the Rubicon on that one. So much of it is so ingrained in what we do that the only time anything makes waves any more is when it goes so far outside the lines as to provoke laughter or outright shock. I was looking to rent a vacation home in Florida with some friends over this past winter holiday – a Google search, mind you – and now, on my *wife’s* Facebook feed (I don’t have a Facebook account – for multiple reasons, though it’s primarily because I know it would take up too much of my time) she’s been inundated with ads for timeshare rentals in Florida. Now, I know how that works, and it’s not like I think there are Google or FB employees reading my searches and saying, “Aha! Eric wants to vacation in Florida – we’ll just send him this little tidbit!” It’s automated and not so much of an info-grab as it is an info-shuffle, but still – it’s the tip of the iceberg, and beneath it is a giant continent of potential malfeasance. Do we care? No. Should we? Yeah, probably – but like I said, I think it’s too late. I think we’ve just accepted a certain amount of it, and there’s every reason in the world to keep the status quo, and only long-term (read: never-going-to-happen) reasons to buck the system.

GP: What can we expect you to explore as the series continues?

EG: As discussed, I’m certainly interested in all the different aspects of the information society in general, in government/corporate partnerships and morality/responsibility. I’m also fascinated with the idea of a merged man and machine – not in a deep singularity way, but in a practical, around-the-corner way. Like I said, it’s either coming or already here – it’s just a matter of time and keeping our eyes open. And of course there’s the emotional component as well – as we become more and more part of our machines, our network, how does that impact our lives as people? And as people connected to other people, in real life? Ben’s slide into City, and the shifting nature of his relationship with Chloe (and Rajni, to an extent) are things I’d love to explore further as the series progresses.

city coversub mwaite

Darby Pop Publishing’s City: The Mind in the Machine in February

From the minds of writer Eric Garcia and artist Javier Fernandez, Darby Pop Publishing’s City: The Mind in the Machine will make its debut this February!

Surveillance is everywhere, like it or not, and Ben Fischer has helped to build the world’s most powerful surveillance system, Golden Shield.  By utilizing every camera, cell phone and computer in San Francisco, Golden Shield was designed to help battle the city’s crime.  But what Ben Fischer quickly finds out is that something that powerful never comes without a price and that his creation cannot properly function without a human brain to operate it.

This action-packed series takes a look at what it means to meld man and machine as well as explores the roles security and technology play in modern society.

Writer Eric Garcia expanded on the series:

Practically every day in the news there’s a story about a new interface between man and machine. We’ve gone from punch-cards to keyboards to touchscreens in a matter of decades, and direct brain-system connections are already being explored. Between that and the ubiquity of wireless networking, we’re living in uncharted territory — which is why I’ve been so excited to tell the story of City: The Mind in the Machine. It’s been a thrill working with Javier and Darby Pop to explore these concepts and bring this world to life.

Eric Garcia is a screenwriter and novelist, author of Anonymous Rex, Casual Rex, Hot & Sweaty Rex, Cassandra French’s Finishing School For Boys, The Repossession Mambo, and Matchstick Men, which was made into a film starring Nicolas Cage and Sam Rockwell and directed by Ridley Scott.  His novels have been published in 22 countries and translated into 14 languages.

Darby Pop Launches New Line of Comic Books With Jeff Kline’s Indestructible

Darby Pop Publishing in partnership with IDW launches the first in its new line of all-original comic books this December with the release of the satiric superhero tale, Indestructible.

Indestructible is the story of a not-so-heroic slacker, Greg Pincus who when he finds himself in the wrong place at the right time, thwarts a robbery with what the general public believes to be “superpowers.”

This ongoing series will explore the pitfalls of celebrity, and examine just how far an “average Joe” will go to maintain his (potentially lethal) fame and the perks that come with it.

Indestructible #1 is written by Jeff Kline, penciled by Javi Garron, inked by Salvi Garcia and colored by Alejandro Sanchez.  Jose Lopez is providing the main cover, with Bernard Chang providing a special subscription variant cover.

Jeff Kline has been responsible for more than 40 animated and live-action television series and pilots including Transformers Prime, and G.I. Joe: Renegades.  His passion for storytelling also led him to found Darby Pop Publishing in early 2013.

SDCC 2013: Darby Pop Publishing Partners with IDW

Darby Pop Publishing is pleased to announce it has entered into a publishing and distribution partnership with premier comic book publisher IDW.  The announcement was made during San Diego Comic-Con 2013.

Darby Pop Publishing was founded in 2012 by writer/ showrunner and genre geek Jeff Kline.  Editor-in-Chief is former Marvel and Top Cow Editor David Wohl.   The company’s impressive stable of talent includes both veterans of the comic book world, as well as creatives from other media (including novels, television, and feature film).

Darby Pop Publishing has three titles currently in production: Indestructible, City, and The Seventh Sword.  The first of these will become available in December ‘13; the others will roll-out in subsequent months, to be quickly followed by a second and third wave of original comic books.

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