Tag Archives: creed

11 Things to Check Out Before Black Panther

The hype is strong out of the Marvel Cinematic Universe‘s newest addition — and not without reason. While I am prohibited from revealing major plot points or spoilers from Black Pantherwhat I would like to provide is a sort of guide to what you’re getting into. Think of it like a wine and cheese pairing list to prepare your appetite before you go into see this next film.

1. Avengers: Age of Ultron / Captain America: Civil War.

The second one may seem obvious — it was the first time we saw Chadwick Boseman as T’Challa on screen, and it tells us at least a little bit about his home country of Wakanda. But we’re also introduced for the first time to Martin Freeman as Everett Ross, who shows up a lot in Black Panther. 

But many of us will have forgotten (or tried to forget?) that Andy Serkis showed up for about 10 minutes in Age of Ultron as Ullyses Klaue, a South African arms dealer who stole vibranium from Wakanda, which Ultron then took from Klaue, along with a sizeable portion of his arm. This becomes important, so it’s worth revisiting at least that scene from Age of Ultron, and then watching Civil War, because Civil War is just so. dang. good.

It’s also worth noting T’Challa’s character arc in the film, especially as it relates to him being on Team Iron Man. In Black Panther, we’re treated to seeing just how much he respects international law and being subject to the Sokovia Accords. . . which is not at all, as we first see him in the film running an operation outside of Wakanda’s borders to rescue a colleague.

Also, note the final scenes he’s in with Zemo, and with Cap and Bucky in Wakanda. Boseman’s character work and scripting is excellent here, and this carries over into our film here.

Oh, and anyone who felt teased by this scene where a Dora Milaje is about to throw down with Black Widow?

“As entertaining as that would be. . .” Well, we get that entertainment in Black Panther. And the wait is worth it.

2. An Encomium To The Black Experience: Why I Am Excited To See Black Panther

This article by our own Troy Powell is a must-read. This is an incredibly thoughtful take on why Black Panther’s vision of afro-futurism is refreshing and exciting. Just go read it. I’ll wait.

3. Fruitvale Station and Creed

Director Ryan Coogler‘s career so far has been pretty well entangled with that of actor Michael B. Jordan and it’s great to see Jordan stretch his wings as the villain of Black Panther, Eric Killmonger. The MCU has often been faulted for relatively weak on-screen villains, but Killmonger is a rare exception.

To see their first collaboration, go back to Coogler’s first film, Fruitvale Station, which he both wrote and directed. It tells the true story of Oscar Grant who was shot by a San Francisco Transit Officer on New Year’s Day in 2009. It’s a heartbreaking story of hope and tragedy, and a film which I first reviewed as being “the best and most important film of 2013 that everyone who truly needs to see it never will.”

Coogler followed this up with the most unlikely of films– the Rocky franchise reboot/sequel Creed, also starring Jordan as the son of Apollo Creed who seeks out the aging champ Balboa to train him. The single shot of the young Creed’s first fight is such a masterwork of filmmaking it’s worth the price of admission alone.

You add onto that really brilliant character work and an intense understanding of the franchise, and you can understand why Coogler was a great choice to take on the MCU. Coogler grows as a visual director, and it’s great to see his growth from a low budget film to a medium budget studio film to using Disney/Marvel money.

4. That Kendrick Lamar soundtrack

black panther soundtrackAnother common complaint about the MCU is lack of memorable music. And especially where the films have tried to pair up with popular music, results have been. . .  mixed. Yes, I love hearing Foo Fighters play Walk in the bar in Thor (and over the credits), but it doesn’t quite mesh with the film overall. And then you have Soundgarden playing some nonsense over the credits to The Avengers — in my mind, the only problem with that film at all. They should’ve just licensed a good Soundgarden song and called it good. (How much better — and more fitting — would “Rusty Cage” have been there?)

But from the moment we heard a hip hop sample of “The Revolution Will Not Be Televised” in the first trailer for Black Panther, we knew we were getting something different.

You can listen to the album streaming on Spotify here and now.

5. A Nation Under Our Feet by Ta-Nehisi Coates

a nation under our feet 1

While this current run on Black Panther may not have a lot to do with the movie from a narrative or character standpoint, it shares something incredibly important which is a social commentary. Coates’ opening run on Black Panther may have been set in Wakanda and been about the politics of Wakanda, but it wasn’t hard to see parallels to our current political situation in the US.

This is completely true of the film as well. It’s also clear that Coogler and Coates are of similar minds about presenting a critique of colonialism (and our current neo-colonialist attitudes towards Africa). Our film also hits hard on the oppression faced by black Americans, a struggle Coates has written on extensively and which finds itself woven into the philosophical discussions of A Nation Under Our Feet.

Beyond that, the basic premise of this run is whether T’Challa and Wakanda have some duty to the larger world or only to their country and their throne. That resonates thematically with T’Challa’s growth in the film. It’s also paced similarly– with lots of dialogue and character and less action.

Please also check out our video review of this on Facebook.

On a side note, a quick shout out to one of my favorite podcasts, Funnybooks and Firewater, which covers comics and offers drinking games and custom cocktails to go with your reading. They covered this a few weeks ago, and if you ever wanted to hear four white guys from Utah and California struggle with their privilege and talk about why they love this book so much, this is worth a listen. Also, they’re currently halfway through Watchmen and inching up on their 100th episode, so check them out.

6. Black Panther by Christopher Priest

h/t to my colleague Jon Carroll, who recommended this to me. Starting in his 1998 run on Black Panther, Christopher Priest introduced the Dora Milaje and the character of Everett Ross, whom we see a lot of in this film.

7. Static Shock

Speaking of Christopher Priest, it’s worth mentioning and recommending Static Shock, which he co-created with Dwayne McDuffie (Rest in Power– we miss you still), Denys Cowan, Derek Dingle, and Michael Davis.

For kids of a certain age who will remember this fondly from the Kids WB lineup of cartoons, this was simply the height of early 00’s superhero awesomeness. It was also important to remember how groundbreaking this was at the time to have a superhero show led by a young black hero. Sure, Storm had been on the X-Men cartoon, but only as a part of a team that also included a fuzzy purple demon.

But this was the impetus for creating the character in the first place– greater representation and diversity in the world of comics and tv. Here’s hoping we also see more of him with the upcoming Young Justice continuation on Netflix as his inclusion was a highlight of Season 2.

8. Blade II 

Yes, for all the hype about this being the first time we’ve had a black comic book superhero in a big budget Hollywood movie, we’ve forgotten that Blade was a Marvel comics character before Wesley Snipes took on the role. However, in my opinion, the first film was good, not great. But Blade II is the far superior film.

Directed by Guillermo del Toro, contender for Best Director this year for The Shape of Water, we get Blade teaming up with a vampire clan to take out the Reapers, new creatures that feed on vampires. This also reunites Del Toro with Ron Perlman from their previous work on Cronos, but perhaps more importantly, set up Del Toro and Perlman to make Hellboy. 

The major difference between the Blade movies and Black Panther? It’s missing a broader social conscience. This is something the Blade franchise always seemed to approach but never quite executed on, using vampires as stand-ins for parasitic and oppressive capitalism and the resulting income inequality. You can read that into the first two Blade movies (we dare not speak about the third one), but it isn’t quite there in the same way Black Panther wears its social commentary on its sleeve.

Some have suggested along with Blade, I should also recommend Spawn, which also starred a black superhero. But then I would be recommending Spawn. And I just can’t bring myself to do that. The Summer of 1997 was very cruel to comic books at the movies. I’m still not sure what is the bigger ignominy– nipples on the batsuit or the entirety of Spawn. 

9. Ultimates II

A Marvel animated film based off the second arc of The Ultimates, or the comics themselves, in which the Ultimate Universe versions of Earth’s Mightiest Heroes (which became a sort of meta-blueprint for a lot of the MCU) enter Wakanda and meet Black Panther.

10. Avengers: Earth’s Mightiest Heroes

Because one good cartoon deserves another, this cartoon series for some reason met an early death after only two seasons despite some amazing work. Klaue shows up fairly early, and T’Challa shows himself the equal or superior of all of our Avengers.

11. Luke Cage and Black Lightning

Last but certainly not least, these are great tv shows, and certainly Luke Cage is set in the same universe. But I didn’t want to just fall into a trap of just listing every superhero adaptation with a black protagonist. What sets these apart is a clear connection with a strong social commentary on what it is to be black in America right now. It should go without saying that if you aren’t watching Black Lightning every week on the CW, you should be. And if you somehow skipped Luke Cage on Netflix, it’s a good time to catch up, especially before the next season of Jessica Jones comes out in a few weeks.

 

Well, there we go. While certainly not an exhaustive list, this should help you as you wait patiently to see this film later this week.

Did I miss anything? Have a favorite Black Panther tie-in? Leave it in the comments section. Wakanda Forever.

Star Wars Dominates the Box Office, Chipmunks Squeak With Dud

star-wars-force-awakens-official-posterIf you watched the new you might not know there were multiple movies opening this weekend. Star Wars: The Force Awakens dominated the box office shattering records, as was expected. The film earned an estimated $238 million domestically and $279 million internationally to give it a total of $517 million after less than a week.

I won’t rehash all of the records crushed by the film, you can read those here. The big questions now, 1) How quickly will the film reach $1 billion; 2) Will it top Avatar as the top grossing domestic film; 3) Will it top Avatar as the top grossing film of all time not adjusted for inflation?

There were other films that opened this weekend!

Alvin and the Chipmunks: The Road Chip came in second place and earned an estimated $14.4 million. That’s far less than the previous film’s debut of $23.2 million and continues a decline for the film series.

Sisters opened in third and brought in $13.4 million, about the same as This is 40 which also opened against a big film and both had similar reviews.

Two Bollywood films opened too. Diwale came in ninth earning $1.875 million and Bajirao Mastani came in tenth earning $1.66 million.

For films already playing, The Hunger Games: Mockingjay – Part 2 was fourth with an estimated $5.7 million, and Creed was fifth adding $5.1 million to its total.

Here’s this year’s top earners so far:

Domestic

  1. Jurassic World – $652.27 million
  2. Avengers: Age of Ultron – $459.01 million
  3. Inside Out – $356.46 million
  4. Furious 7 – $353.01 million
  5. Minions – $336.05 million

Worldwide

  1. Jurassic World – $1.6690 billion
  2. Furious 7 – $1.5150 billion
  3. Avengers: Age of Ultron – $1.4050 billion
  4. Minions – $1.1573 billion
  5. Inside Out – $851.6 million

Comic Adaptations Domestic

  1. Avengers: Age of Ultron – $459.01 million
  2. Ant-Man – $180.20 million
  3. Kingsman: The Secret Service – $128.26 million
  4. The Peanuts Movie – $126.32 million
  5. Fantastic Four – $56.12 million
  6. Diary of a Teenage Girl – $1.48 million

Comic Adaptations Worldwide

  1. Avengers: Age of Ultron – $1.4050 billion
  2. Ant-Man – $518.63 million
  3. Kingsman: The Secret Service – $414.35 million
  4. Fantastic Four – $167.98 million
  5. The Peanuts Movie – $145.27 million
  6. Diary of a Teenage Girl – $1.48 million

Mockingjay Part 2 Remains Number 1, In the Heart of the Sea S(t)inks

mockingjaypostersmallFour weeks in the box office, and for weeks number one at the box office. The Hunger Games: Mockingjay – Part 2 remained in first place adding an estimated $11.3 million to its domestic total. The film has earned $244.49 million domestically and $564.59 million globally in its run so far. It will likely be bumped from first place this coming week as Star Wars: The Force Awakens debuts in theaters.

New film In the Heart of the Sea hit a stormy patch as the film earned an estimated $11 million, a disappointment. The film is rumored to have a budget around $100 million and needed to open around $30 million to be considered healthy.

The Big Short also debuted earning an estimated $720,000. The film opened in only 8 theaters which gives it a very health $90,000 per theater average.

For the rest of the top five for the weekend. The Good Dinosaur was in third with $10.5 million earning, Creed was fourth adding $10.12 million, and Krampus was fifth with $8.01 million.

Domestic

  1. Jurassic World – $652.27 million
  2. Avengers: Age of Ultron – $459.01 million
  3. Inside Out – $356.46 million
  4. Furious 7 – $353.01 million
  5. Minions – $335.97 million

Worldwide

  1. Jurassic World – $1.6690 billion
  2. Furious 7 – $1.5150 billion
  3. Avengers: Age of Ultron – $1.4050 billion
  4. Minions – $1.1572 billion
  5. Inside Out – $851.6 million

Comic Adaptations Domestic

  1. Avengers: Age of Ultron – $459.01 million
  2. Ant-Man – $180.16 million
  3. Kingsman: The Secret Service – $128.26 million
  4. The Peanuts Movie – $124.96 million
  5. Fantastic Four – $56.12 million
  6. Diary of a Teenage Girl – $1.48 million

Comic Adaptations Worldwide

  1. Avengers: Age of Ultron – $1.4050 billion
  2. Ant-Man – $518.59 million
  3. Kingsman: The Secret Service – $414.35 million
  4. Fantastic Four – $167.98 million
  5. The Peanuts Movie – $141.57 million
  6. Diary of a Teenage Girl – $1.48 million

Mockingjay Part 2 Stays in First for Third Week

mockingjaypostersmallThe Hunger Games: Mockingjay – Part 2 was in first place this past weekend for the third week in a row. The film earned $18.6 million to bring its domestic total to $227.1 million.

The film fought off some competition that came close to toppling it. Krampus debuted and brought in an estimated $16 million. With a budget of $15 million, that’s a solid debut.

Other new films Chi-Raq and The Letters didn’t do as well. Chi-Raq was in 13th place earning an estimated $1.25 million and The Letters earned $802,000.

For the rest of the top five, Creed was in third earning an estimated $15.54 million, The Good Dinosaur was fourth at $15.51 million, and Spectre was fifth with $5.4 million.

Here’s this year’s top five films domestically and worldwide so far as well as how “comic book movies” have done:

Domestic

  1. Jurassic World – $652.2 million
  2. Avengers: Age of Ultron – $459.01 million
  3. Inside Out – $356.43 million
  4. Furious 7 – $352.79 million
  5. Minions – $335.87 million

Worldwide

  1. Jurassic World – $1.6689 billion
  2. Furious 7 – $1.5148 billion
  3. Avengers: Age of Ultron – $1.4050 billion
  4. Minions – $1.1571 billion
  5. Inside Out – $851.6 million

Comic Adaptations Domestic

  1. Avengers: Age of Ultron – $459.01 million
  2. Ant-Man – $180.09 million
  3. Kingsman: The Secret Service – $128.26 million
  4. The Peanuts Movie – $121.44 million
  5. Fantastic Four – $56.12 million
  6. Diary of a Teenage Girl – $1.48 million

Comic Adaptations Worldwide

 

  1. Avengers: Age of Ultron – $1.4050 billion
  2. Ant-Man – $518.52 million
  3. Kingsman: The Secret Service – $414.35 million
  4. Fantastic Four – $167.98 million
  5. The Peanuts Movie – $134.67 million
  6. Diary of a Teenage Girl – $1.48 million

 

Mockingjay Holds on to First with The Good Dinosaur and Creed Performing Well

mockingjaypostersmallThe Hunger Games: Mockingjay – Part 2 held on to first place in its second week at the box office. The film added an estimated $51.6 million to its domestic total. The film has earned $198.3 million in two weeks and $440.7 million worldwide. The film dropped 49.7% from its first week, making it the only Hunger Games film to drop less than 50%.

Two movies debuted this past week coming in second and third, and a third debuted coming in at number 12 for the weekend. The Good Dinosaur came in second and earned $39.2 million, while Creed debuted in third with $30.1 million. Victor Frankenstein was dead on arrival, earning $2.35 million. The Good Dinosaur did well for the time period it opened, but compared to other Pixar films, it didn’t do so well.

The Good Dinosaur and Creed bumped Spectre to fourth with $12.8 million and The Peanuts Movie to fifth with $9.7 million.

Here’s this year’s top five films domestically and worldwide so far:

Domestic

  1. Jurassic World – $652.2 million
  2. Avengers: Age of Ultron – $459.01 million
  3. Inside Out – $356.29 million
  4. Furious 7 – $352.79 million
  5. Minions – $335.84 million

Worldwide

  1. Jurassic World – $1.6689 billion
  2. Furious 7 – $1.5148 billion
  3. Avengers: Age of Ultron – $1.4050 billion
  4. Minions – $1.1571 billion
  5. Inside Out – $851.5 million

Movie Review: Creed

CreedThe former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.

When I saw the first trailer for Creed there were two thoughts that crossed my mind, 1) how am I just hearing about this?; 2) oh come on!

I’m a fan of the Rocky series, and other than the atrocious Rocky V, I can watch the movies over and over again, and curled up on the couch catching a marathon on television is a great way to spend the day for me. Though the films generally decreased in quality over time (with Rocky Balboa being the outlier) the franchise is one of the most enjoyable out there.

Walking out of Creed, not only have I watched the best “Rocky” film since the first (and in many ways it challenges the first), but also one of the best films of the year.

Directed by Ryan Coogler (who also has a writing credit), the film is a modern take on the Rocky myth, with Michael B. Jordan standing in for Sylvester Stallone, and Stallone taking on the mentor role. With Coogler behind the camera and Jordan in front, we also have one of the freshest films this year. It should be no surprise these two put out such an excellent film as they both shot to stardom with their first collaboration Fruitville Station.

Coogler’s choices are fantastic when it comes to direction, as well as story, with shots that modernize much of what we’ve seen. Subtle moves of the camera, especially during the boxing scenes, amp up a genre where we see mainly the same framing and use of the camera. Here a camera may start facing one boxer and in a single tracking shot back up and pivot to bring another in. We follow a knocked out boxer down, as if we’re knocked out. A face is placed low on the screen showing off the surroundings. Training is presented in a way that I feel it’s something I’ve never seen on the screen. The mitt training in particular feel like a choreographed dance with a flurry of arm movements, just beautiful and mesmerizing to watch fly through the air. It’s all masterful, as Coogler realizes the surroundings are as important as those who occupy them.

The story is almost a complete remake of the first Rocky film with some twists and turns. Jordan plays Adonis Johnson, a troubled youth who gets in to fighting then boxing. He seeks out Balboa as a mentor, and eventually fights for the championship. We’ve seen this plot, but how it’s presented and with such fantastic acting, are two ways this very much differs.

Coogler as a director clearly has the ability to bring out the best in his actors. Jordan is not shockingly fantastic. I’ve yet to see him in a role where he didn’t shine. He plays the role fantastically well with an air of privilege and trouble mixed together. He also gives an emotional performance, one which I have no problem admitting got me to choke up a few times. What’s truly surprising is Stallone’s performance, who lets face it, isn’t known for his acting ability. Here though, he plays the aged mentor well. The vulnerability he shows is amazing, especially when his life is on the line. You truly feel that this is a man who is struggling to decide if he should give up and see his wife and friend again, or keep on fighting. This film is as about Johnson’s fight for the title as it is Rocky’s fight to go on with life.

Of note are two other actors. Tessa Thompson plays Jordan’s love interest Johnson. She’s excellent for the subtlety of her performance. Her character Bianca also has an aspect not mentioned in much of what I’ve seen, a character who is losing her hearing and thus struggling with a disability. It’s an aspect of the movie I didn’t expect, and the way she talks and deals with it, you can feel her struggling to cope and having to cope. It’s wonderful to see on screen. For those also familiar with the boxing/MMA world Jacob ‘Stitch’ Duran is a fixture in the second half of the film bringing an air of authenticity. Duran is a real world cutman working in boxing/MMA/kickboxing, and though he doesn’t have much as far as lines, it was great to see him on screen.

Like a championship passing from the champ to challenger, we may be witnessing the passing of a franchise. If what’s to come is as good as this first film, I’m quite ok with that. One of my favorite films of the year, and possibly one of the bests, it’s also one of my favorite films in a while.

Overall Rating: 9.6

Director – Ryan Coogler
Starring – Michael B. Jordan, Sylvester Stallone
Rated – PG13
Run Time – 133 minutes

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