Tag Archives: batwoman

Around the Tubes

Yesterday was new comic book day. What’d folks get? What’d you like? What’d you dislike? Sound off in the comments below!

While you decide on that, here’s some comic news and reviews from around the web in our morning roundup.

Around the Tubes

The Beat – A Year of Free Comics: Henchgirl by Kristen Gudsnuk is leaving the web so go buy the print version – This is a must read. Go do it!

 

Around the Tubes Reviews

Newsarama – American Gods: Shadows #1

Newsarama – Batman #19

Comics Alliance – Batwoman #1

The Mary Sue – Mirror #6

Talking Comics – Red Dog #3

Review: Batwoman #1

At last – Batwoman is back in her own ongoing series! On the island nation of Coryana, anything goes for members of the criminal underworld… and during her lost years after being drummed out of the military, Kate Kane found a kind of refuge there. But now, a deadly new bioweapon is available in the markets of Coryana, and Batwoman will have to face up to the things she did in those days… and the people she left behind, some of whom would be happier to see her dead than alive!

Batwoman #1 is an interesting one for me in that I thought the Batwoman: Rebirth issue was a bit of a letdown, but this “first issue” written by Marguerite Bennett and James Tynion IV somehow redeems it with callbacks that aren’t vital to know to enjoy the read. This issue takes place post “Night of the Monster Men” storyline with Kate Kane running around initially trying to find out who’s dealing Monster Venom which is exactly what it sounds like, it turns people into monsters. Think suicide bombers… but monsters.

But, Kate is really trying to figure out who’s dealing the drugs and gets a clue from the action that kicks off the issue. Overall, there’s not a lot in the issue beyond set up. Basically, the whole issue revolves around finding a clue and exploring that. But that’s the point of the issue. It’s goal is to get the story arc going. We don’t hit the ground running here instead it lets readers know a bit about the various players and what they should expect going forward. It’s all building and as I said, it makes me rethink the Rebirth issue due to the inclusion of Coryana which takes up a few pages of that prologue issue. It had me going back to it and you’ll notice some visual things presented there that didn’t quite make sense but make a bit more now.

What really stands out is the art by Steve Epting. There’s been some amazing artists on previous Batwoman comics, so Epting has some big shoes to fill, but he puts his own spin on it all. What I like about Epting’s style is that it reminds me of his work on the female-led spy thriller Velvet. You can see a lot of parallels between the two and thinking of what he brought to that series, I’m really looking forward to seeing more of his art after this first issue.

The first issue as I said is a decent read. It has a goal of getting things moving and introducing us to what makes Batwoman stands out. It does that all and then some. I think the issue was missing a bit of meat, because as I got to the end it felt like a quick read. This is one that might have been helped with an expanded first issue or this specific issue will read better as a trade. It’s a good start though. We get a good sense of the key characters and mixed with the art it has more of a spy/action film vibe standing out from current takes on Batman. A good start that has me looking forward to the second issue.

Story: Marguerite Bennett, James Tynion IV Art: Steve Epting
Story: 7.75 Art: 8.0 Overall: 7.85 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Preview: Batwoman #1

Batwoman #1

(W) Marguerite Bennett, James Tynion IV (A/CA) Steve Epting
In Shops: Mar 15, 2017
SRP: $2.99

“The Many Arms Of Death” part one! At last – Batwoman is back in her own ongoing series! On the island nation of Coryana, anything goes for members of the criminal underworld… and during her lost years after being drummed out of the military, Kate Kane found a kind of refuge there. But now, a deadly new bioweapon is available in the markets of Coryana, and Batwoman will have to face up to the things she did in those days… and the people she left behind, some of whom would be happier to see her dead than alive! Writer Marguerite Bennett (DC BOMBSHELLS) is joined by James Tynion IV (DETECTIVE COMICS) and superstar artist Steve Epting (Captain America, Velvet) to present an epic Batwoman story that will alter the course of her life forever! This one’s unmissable!

Graphic Policy’s Top Comic Picks this Week!

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Alex

Top Pick: God Country #3 (Image) – A man suffering from Alzheimer’s disease is cured when he’s holding a giant frigging sword. This is another series where the elevator pitch is enough to draw me in, but the humanity and depth within the story is keeping me coming back – although the fact that a mere human is flipping the bird to a pantheon of space gods is also pretty fantastic. There’s a reason this series is hitting multiple printings, and that’s because it’s really really good.

Neil Gamian’s American Gods: Shadows #1 (Dark Horse) – I’ve always wanted to read the book, but I never quite got around to it (I read prose books much slower than comics), so this series is something that really intrigues me – even though I know next to nothing about it other than Neil Gaiman wrote the book it’s based off. Does he write the series? I honestly don’t know (you may be wondering how I write for a comic website at this point…).

Black Hammer #7 (Dark Horse) – Jeff Lemire has become one of my favourite writers over the last year, and this slow moving series about a group of superheroes stuck in sleepy tow in the mid west. For some, the town is Limbo, for others Hell, and for one… it’s close to Heaven. What it actually is, hasn’t quite been revealed yet, but I’m loving the slow build up.

Conan The Slayer #7 (Dark Horse) – I’ve always had a soft spot for Conan, and when the stories look this good? I won’t say no.

Divinity III: Escape From Gulag 396 #1 (Valiant) – Archer and Armstrong meet the Stalinverse. Can’t wait.

 

Joe

Top Pick: Neil Gamian’s American Gods: Shadows #1 (Dark Horse) – Gaiman has returned to comics, and with one of his best novels ever coming with him. I have been awaiting this for awhile, and my anticipation is through the roof to see how he adapts such a great book to my favorite medium.

Head Lopper #5 (Image) – It returns! What an awesome surprise that we are getting more of this awesome book. The art grabs your attention and the countless lopping of heads of beasts and witches helps keep it.

God Country #3 (Image) – The first two issues have been awesome, and I expect it to get even better. Cates is crafting an excellent tall tale of his own with this book.

Batman #19 (DC Comics) – Bane is crazy, and these two foes are leaving nothing on the table. I expect tons of violence, more villains coming into play, and more twists and turns from Tom King.

Superman #19 (DC Comics) – Wow. What a reveal in Action that I won’t spoil here. What does this mean to the greater Rebirth story, and what is Mr. Oz want with Supes. Great comic and a great arc!

 

Patrick

Top Pick: I Hate Fairyland #11 (Image Comics) – Aww yeah muffin fluffers!

Casanova Acedia #8 (Image Comics) – If this really is a flashback issue, it’ll hopefully focus on the real most interesting character of Acedia, Emil Boutique.

Island #15 (Image Comics) – Always curious to see what a new issue holds in store.

Kill or be Killed #7 (Image Comics) – In which sort-of-ex-girlfriend-but-not-really Kira gets drawn into Dylan’s demonic web. This looks bad – just the way I like it.

Sex Criminals #17 (Image Comics) – Like Casanova, this series has outgrown its main characters for me, and I look forward to it seeing other people.

 

Paul

Top Pick – Super Sons #2 (DC Comics) – A few of my fellow contributors had this on their watch list before issue #1 came out, and after that their reviews were highly favourable. So, I thought I’d check it out…and they were right! Damian is going to be a great partner to Superboy, being the “bad influence” that’s going to get these kids into so many adventures and yeah, probably a lot of trouble with their fathers, and I will definitely be along for the ride.

Avengers Initiative Complete Collection TP Vol. 1 (Marvel) – I just had to give this a nod. This was one of my favourite titles and I loved all the new characters that were introduced in this series; plus it paved the way to the fantastic Secret Invasion event. *sigh* remember when Marvel events were something to look forward to?

The Mighty Thor #17 (Marvel) – Thor is trapped in a ‘competition’ against the gods of the Shi’ar, and I can’t wait for her to knock them out.

Uncanny Avengers #21 (Marvel) – The Red Skull is still controlling the Avengers with his mind, and Deadpool is doing everything he can to free them. But he’s going to need a lot of help, and if cover can be trusted, it looks like Cable is about to step into the ring. This is going to be a knock down fight, and here’s hoping they all walk away. I’ve enjoyed this latest story arc and I’m looking forward to see how it all ends.

Uncanny X-Men #19 (Marvel) – Psylocke made a promise to Magneto when she joined his mission…and now she’s going to collect. I’m really just looking forward to seeing Psylocke, one of my favourite X-women in action.

 

Shay

This is the week of boss chicks and bad ass lady heroes and I’m so here for it that I can’t even breathe! Thank heavens for a good nor’easter because being snowed in with all this comic book goodness is a cure for the winter time blues.

Top Pick: Neil Gaian American Gods Shadows #1 (Dark Horse) – It’s one of my favorite books, in comic book form! I haven’t been this geeked out something like this since Fight Club 2 came out.

Top Pick: Black Panther World of Wakanda #5 (Marvel) – This arc is over and midnight angels are about to roll out , reign triumphant and show the villains of Wakanda that there’s some new sheriffs in town. So much lady power! So many strong , black, female character, so much awesomeness!

Batwoman #1 (DC Comics) – It’s a brand new arc in a solo comic book series and, it gives Batwoman a lot to do, some agency and, some asses to kick! So obviously, I’m here for it!

Harley Quinn #16 (DC Comics) – The red meat arc ( or as I like to call it diet soylent green with a twist) is still going on, aliens, a man with a secret plan, the evils of gentrification and the perils of men who underestimate three bad ass crime fighting ladies. Harley’s taking the fight straight to the top. Grab popcorn .

 

Brett

Top Pick: The Best We Could Do (Abrams Comicarts) – The debut graphic novel memoir from Thi Bui is an exploration of one family’s journey from their war-torn home in Vietnam to their new lives in America. An exploration of immigration that’s pertinent to today.

Neil Gamian’s American Gods: Shadows #1 (Dark Horse) – I’ve never read the book but have heard good things so looking forward to seeing what the fuss is about.

Dead Inside #4 (Dark Horse) – I love crime comics and noir, so super excited to read more of this series.

Super Sons #2 (DC Comics) – The first issue was tons of fun, exactly what I wanted and expected and this second issue will hopefully bring more of the same. Just a fun series that’s full of energy.

The Wild Storm #2 (DC Comics) – The first issue was intriguing with it’s changes to these classic characters and I’m interested in seeing where it all goes.

 

Review: Batwoman: Rebirth 

batwomanrebirthcoverBatwoman: Rebirth starts off sweetly enough, Kate Kane headed out for birthday waffles and chocolate with her mother and twin sister. That’s where the sweetness ends.

James T. Tynion IV and Marguerite Bennett serve up a story that brings the pain, the struggle, the strength and, the fire. We are treated to a back story for the ages complete with a rescue mission, a lesbian love affair, a fall from grace and, a triumphant return from the ashes to turn her into the hero that Batwoman becomes. There is passion in the pages that draws the reader into the fire behind Kane’s fight, telling the story of a woman who loses her family, finds herself, loses herself and, becomes reborn. We get to see first hand the struggles, the pain, the heartache and, the love that drives her.

Bennett and Tynion serve up Kane’s past on a silver platter, we watch the moment that made her want to fight, the love affair that sent her into exile, the year out of sight that showed her the demons that haunted her and, how Batman came into her life and trained her to be his equal in every way. This story focused on Kate Kane and nothing more, she retained her agency, her goals and, her dreams. Everything that made her an equal to the man in black and,  everything that made her unique is laid out in the pages of this issue. Because of the source material, this could have easily turned into the story of how Batwoman was lost and found by Batman and made her everything she was. The writers could have made this just another Batman spin-off but, luckily for us, they chose to go another way.

Bennett, known for being an out queer writer, handles Kane’s sexuality flawlessly carrying over her talented portrayal of the character from Bombshells. She showcases her sexuality with great care making it part of who she is without making it all that she is. There is never a feeling that she is only a lesbian for shock value which is refreshing and makes her a multifaceted character in her own story instead of a sideshow. The reveal of her sexuality so early on in issue one helps in the character development and informs the reader about the things that drive her, by the discrimination and slick side comments she’s faced.

Steve Epting and Ben Oliver‘s artwork is sleek and stylized without being overly sexual or adding a male gaze to the character. You can tell she is a woman and you can tell she has relationships with other women, without it feeling cheap or unnecessary. Each panel is detailed and well thought out drawing you into the story and there’s a genuine feeling of involvement in Batwoman’s life. The art makes you feel like a fly on the wall in a good way.

Overall between the storytelling and the art, this issue felt sincere, smart, well thought out, and engaging. There wasn’t a lot of action but, there didn’t need to be, it was about human connection, the things that drive us and, make us into what we become.

Story: James T. Tynion IV & Marguerite Bennett Art: Steve Epting & Ben Oliver
Story: 9.5 Art: 9.4 Overall: 9.4 Recommendation: Buy

DC Comics provided Graphic Policy with a free copy for review

Preview: Batwoman: Rebirth #1

Batwoman: Rebirth #1

(W) Marguerite Bennett, James Tynion IV (A) Ben Oliver (A/CA) Steve Epting
RATED T+
In Shops: Feb 15, 2017
SRP: $2.99

The newest chapter of Batwoman’s life begins here! Monster Venom is the hottest new bioweapon on the market…and to break up the syndicate spreading it around the world, Batwoman’s going to have to return to the place where she spent some of her darkest hours! Learn where Batwoman comes from, and where she’s going, in this one-shot prologue to the first big Batwoman epic, “The Many Arms Of Death”!

bwreb_cv1_ds

Review: Batwoman Rebirth #1

batwomanrebirthcoverMost of Batwoman Rebirth #1 is a rehash of the past ten years of major storylines featuring Kate Kane from the tragic murder of her mother when she was 12 to the most recent “Batwoman Begins” arc in Detective Comics. Writers Marguerite Bennett and James Tynion provide a decent primer for potential new fans of Batwoman while dropping some very intriguing teasers for her ongoing series that starts next month. It’s nice to have the whole of Kate Kane’s arc in a single issue of a comic, but most of it feels like a single issue of a comic-length “Previously on Batwoman Elegy” that costs $2.99.

However, Steve Epting‘s art and Jeromy Cox‘s colors present a possibly compelling reason to at the very least flip through some gorgeous, red tinged full page spreads. Epting’s skill with espionage action from his work on Captain America and especially Velvet with Ed Brubaker serves him well in a scene set in Kate Lane’s lost year where she was living with her girlfriend Safiyah on a Mediterranean Island. The interaction between shadows, shifting angles, and a focus on the background instead of the foreground during certain panels definitely whetted my appetite for more stealth incursions in the Batwoman ongoing title. Epting also plays off J.H. Williams stellar work with layouts by setting up pages at the beginning and end of the comic that look like something has shattered in Batwoman with figures from her past accusing her and asking her questions about what she’s doing with her life. The faded red from Cox evokes her costume as well as her rage and tumultous life from childhood to being kicked out of West Point and even the past year of Detective Comics. And the juicy image on the final page shows that these events have taken perhaps a little bit too much of a negative toll on her.

batwomanrebirthinterior

Most of the big beats in Batwoman Rebirth #1 were already explored in depth in the excellent Batwoman Elegy comic, but Bennett and Tynion make a valiant effort to add shading to that classic story. The interactions between Bennett is an excellent writer of flirting as seen in Bombshells, the Angela comics, and Josie and the Pussycats, and Epting’s gift with body language along with close-ups on lips and hands create instant chemistry between Kate and her three girlfriends that pop up in the flashbacks. The nearly silent page  of Kate and Renee Montoya is a pure masterpiece and a visual argument for why they should be a couple. Except these hints of romance are suddenly swept away for boring recaps of “Batwoman Begins” combined with one tantalizing image at the end. The scales of interesting and a skippable re-do aren’t evenly balanced though.

Batwoman Rebirth #1 has fantastic art and colors from Steve Epting and Jeromy Cox, who will hopefully return her book’s visuals to the lofty heights of J.H. Williams and Amy Reeder several years back. Bennett and Tynion’s plot is skippable for long time Batwoman aficionadoes, and Elegy is a better introduction for new fans so this is definitely a comic you pick up just for the art and the occasional spark of intrigue or romance.

Story: Marguerite Bennett, James Tynion IV Art: Steve Epting Colors: Jeromy Cox
Story: 6 Art: 9 Overall: 7 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

DC Comics’ Monthly Comics Get a Price Increase and Digital Copies

DC_Logo_RGB_031816DC Comics has announced that in April they’ll be increasing the price of some of their comics from $2.99 to $3.99. But, with the increased price comes a digital copy of the comic that can be redeemed. Current comics that are $3.99 will also receive the digital code. This does not impact the twice monthly comics which will remain at $2.99.

This is similar to a program that Marvel launched in late 2011 and recently changed.

Titles impacted include:

  • All-Star Batman
  • Batgirl
  • Batgirl and the Birds of Prey
  • Batman Beyond
  • Batwoman
  • Blue Beetle
  • Cyborg
  • The Hellblazer
  • New Super-Man
  • Red Hood and the Outlaws
  • Super Sons
  • Supergirl
  • Superwoman
  • Teen Titans
  • Titans
  • Trinity

We’ll be monitoring this change to see the impact in both physical sales and digital activity. How will the price increase impact your purchases? Sound off in the comments!

Review: Detective Comics #948

tec48coverDetective Comics #948 starts out as possibly a new take on the early crime fighting days of Batwoman when she worked with her father, Jake Kane, to put a military twist on vigilantism after she resigned from West Point because of Don’t Ask, Don’t Tell. However, it quickly becomes sort of a cleaning crew for the first arc of co-writer James Tynion‘s Detective Comics featuring the nefarious paramilitary organization The Colony as well as the “Monster Men” crossover. Tynion, Marguerite Bennett, and artist Ben Oliver give Batwoman plenty of panel time as her trainees Cassandra Cain, Clayface, and Spoiler are nowhere to be seen. But, in attempting to tie up threads from these storylines, there’s no time to tell a good Batwoman story and answer the question, “What can Batwoman do that Batman can’t.”

In the flashback scene, Tynion, Bennett, and Oliver construct the emotional center of the “Batwoman Begins” arc, which is the relationship between Batwoman and her dad, Jake Kane. Oliver’s art in the first pages looks like some super cool Batwoman mod of the Arkham video games with heads up displays and angles showing her pursuit of Batman. But, then he softens his art when the costumes come off, and Kate has a drink with her dad, who is proud that she is improving as a crime fighter even if Batman has evaded their trail. This warm cameraderie leads in nicely to Batwoman watching her dad in his cell, but then she gets caught up in a potentially interesting action storyline featuring secret organizations with the potential to transform into kaiju. And the emphasis is definitely on “potential” as Batwoman’s personal narrative plays third fiddle to monsters, mad scientists, and a Prometheus wannabe.

Even Oliver’s art kind of falls off when the story hits the present. The glorious skyline of Gotham with its skyscrapers is kind of just drab and boring when Batman and Batwoman hit Monster Town. The image of a monster/seagull did make me a shudder a little bit and sells the fact that these dead monsters’ blood could lead to some terrible consequences more than Dr. October’s exposition. She is a charming and high energy character, and even if his cityscapes aren’t as well defined, Oliver still has a knack for expressions.

With the exception of the poetic flashbacks, Detective Comics #948 lacks the interpersonal tension that has been the best part of James Tynion’s run on the title, especially when Spoiler confronted Batman in the last arc. This incident isn’t even mentioned in this comic as he, Marguerite Bennett, and Ben Oliver decide to play a juggling act with the repercussions of the Monster Men, the resurgence of the Colony, and try to do a backdoor pilot for Batwoman’s upcoming series. Hopefully, we learn more about what makes Kate tick as a person and crime fighter in the next issue of “Batwoman Begins” instead of just rehashing (Not so.) old storylines.

Story: James Tynion IV, Marguerite Bennett Art: Ben Oliver
Story: 6.0 Art: 7.5 Overall: 6.7 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Review: Love is Love

loveislovefiOn June 12, 2016, a hateful man killed 49 people and wounded 53 at The Pulse, a gay club in Orlando, Florida. This was a terrible day for the LGBTQ community, and I was just plain sad. A couple weeks ago, I had celebrated getting a job and moving to a new city with a few friends at a couple gay clubs in my old home of Richmond, Virginia so a thought went through my head, “It could have been me.” Even though I am relatively privileged as a white cisgendered, relatively straight passing bisexual male, I had no queer friends in my new home to turn to and confide in after the events in Orlando. But what got me through was the queer comics and comics journalism community, and my Facebook inboxes and Twitter DM’s were filled with messages of hope and understanding. I may have felt alone in my current situation, but these beautiful people, many of whom I have never met in the flesh, got me through the tough days after the Pulse shooting.

The Love is Love comics anthology project from IDW Publishing with assistance from DC Comics, Archie Comics, Aftershock, and the Will Eisner estate gave me a similar feeling of the comics community coming together to mourn after The Pulse shooting. While reading the graphic novel, I simultaneously felt sadness and hope and remembered that despite the scandals that the comics industry has some great folks, whose excellent work appears in this comic. I enjoyed how well-represented all genders, races, sexualities, and religions were in Love is Love along with the different art styles and color palette. On a pure aesthetic level, most of the stories in Love is Love hit two of my favorite genre sweet spots: superhero and autobio, which made it a great read on both an emotional and intellectual level.

Honestly, I could write a book about the brilliant one to three page stories, poems, and pinups in Love is Love, and maybe I will one day. For the purpose of this review, I will hit on a few that affected me personally; those stories that through words, art, colors, and letters gave me comfort as I thought back to Orlando.

batwomanPaul Dini‘s Harley and Ivy story is insanely adorable and nails their romantic relationship in a nutshell with each one making compromises for the each other. For example, Harley goes vegetarian while Ivy is subjected to a Three Stooges marathon. Bill Morrison‘s art is very similar to the style of Batman: Animated Series and peppered with all kinds of background details to add to the humor. Another funny story (Albeit darker than Harley and Ivy shenanigans.) that provided some great comic relief in the midst of the emotionally headier material of Love is Love was a Deathstroke one by Taran Killam where he switches out his arsenal of guns for karate after the Pulse shooting. Gallows humor is a great way to stave off pain.

As someone whose sexuality is still not accepted by those close to me and was afraid to come out until I was 19, Love is Love‘s portrayal of homophobia is harrowing, yet all too relatable. Early, in the book, Daniel Beals and David Lafuente do a splitscreen story where two young boys see the same news coverage of The Pulse, but react in vastly different ways because of their parent’s homophobia and empathy respectively. Then, there is a nuanced story from Jeff King and Steve Pugh where a girl is sad about the shooting and wants to go to the memorial service, but her dad is uneasy about men kissing men. Later, he realizes how thoughtless he was and apologizes. I know Pugh from his superhero work on Fantastic Four and Detective Comics, and this appeal for forgiveness was just as fictional as Batman or Reed Richards in my own life.

The stories that bypassed my head and went straight to my heart strings were ones that focused on queer clubs as sanctuaries. In six pulsing panels and two pages, comics legends Grant Morrison and Jesus Merino capture the beat with alternating colors and skeletons in the background. Without a word, an image engulfed my mind and reminded me of fog lights, cute boys, and too many Long Island ice teas. In a similar vein, Emma Houxbois and Alejandra Gutierrez looked at the escapism of a queer club experience complete with cuties and the sad realities of the morning after. (Full disclosure: I worked closely with Emma on the Fantheon podcast and at the websites The Rainbow Hub and Pop Optiq and she has contributed to this site.) The comic had a soft color palette and intelligent narration while still connecting to my personal experiences and of other LGBTQ people. And it was followed by a silent comic by Brian Michael Bendis, his daughter Olivia Bendis, Michael Oeming, and Taki Soma that captured the joy and energy of a queer night club with people dancing with they wanted to and bright colors everywhere courtesy of Soma.

Many of the creators, who were from Florida, had very personal stories to share about the LGBTQ community of Orlando, which were sad and enjoyable, like Scott Snyder, who wrote a prose piece with a spot illustration by Jock about working at Disney World, and how some of the queer employees, who played various Disney characters, would invite him to a gay bar every Thursday and accept him.

Love is Love gave me an opportunity to listen to the stories of some queer comics creators that I have admired for quite some time, like James Tynion and Phil Jimenez. Tynion’s story was drawn in black and white by artist Molly Ostertag except for splotches of rainbow in the bracelet that he got as a youngster. It skips time frantically in a two page story as he comes to terms with his sexuality cutting from him spending time with his friends at Pride to facing the fact that he is a bisexual boy at an all-boy’s Catholic school. Jimenez did his comic with his writer friend David Kim and talked about how they had grown up from using codenames to show that they are dating men to being out and proud DC Comics creators. The comic is filled with snatches of conversations they had about relationships and even superhero oddities as they reflect on their friendship after the events in Orlando. Jimenez also excels at wispy, life drawing as well as superheroes, Amazons, and the Invisible College.

The queer DC Comics character that means the most to me is definitely Midnighter, and I was happy to see him featured in a couple of the Love is Love stories. The first one is by Dan DiDio and Carlos D’Anda and acts as a crash course in DC’s LGBTQ characters. It’s pretty amusing and features Midnighter and Apollo doing shots of tequila and getting on the dance floor with Batwoman as Renee Montoya snarks from the sides. The other one was my favorite story of the entire Love is Love collection from Tom Taylor, Emily Smith, and Michael Garland. Midnighter was angry after The Pulse shooting just like I was angry, and Garland punctuates his anger with a red background. He’s just punching aimlessly when Apollo shows up and says that he is not alone and will be safe with him. This kind of solidarity between queer people in the face of death and tragedy truly empowered me as Taylor makes good use of Midnighter’s vulnerable side that is the emotional center of Steve Orlando’s current work on his title.

Other highlights of Love is Love included Tom King and Mitch Gerads doing a rainbow-tinted Batman tale, Sterling Gates returning to Supergirl and writing about how she failed to save the day, married couple Amanda Seibert and Cat Staggs showing Batwoman comforting a child, whose mother died at The Pulse, and much more. There’s even a wonderful, yet vulnerable riff on Beauty and the Beast from Marguerite Bennett and Aneke where Bennett, and an LGBT-inclusive riff on DC’s old romance comics from project creator Marc Andreyko with art from George Perez, Karl Kesel, and Laura Allred.  A full list of collaborators on Love is Love can be found here, and I definitely plan on delving into their other work.

Love is Love is personal, beautiful, and tragic collection of comics that really affected me despite their being more “ally” creators than LGBTQ ones. I hope it will make the world a more loving and inclusive place even in the shadow of the election of two homophobes to the office of president and vice president.

As Batman says in King and Gerads’ story, “Today, I will get up. Today, I will face their hate… And I will again fight for my love.” Visual and verbal moments like that are why I love comics.

Story: Various Art: Various
Story: 9.5 Art: 10 Overall: 9.8 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

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