Category Archives: Spotlight

National Cartoonists Society announces the 80th Annual Reubens Nominees

National Cartoonists Society

The National Cartoonists Society has announced this year’s nominees for the Reubens. All eligible entries in each division were reviewed by multiple NCS chapter juries to determine the top nominees. In cases of a tie during the jury process, more than three nominees may appear. Nominees are listed alphabetically by last name.

Winners will be selected through a final vote open to all NCS members.

Congrats to all of this year’s nominees!

ADVERTISING / PRODUCT ILLUSTRATION
Pat Higgins
Liniers
Pashur

ART FOR ANIMATED MEDIA
GogoPedro
Chari Pere
Mike Salva

BOOK ILLUSTRATION
Jason Chatfield
Mike Deas
Chuck Dillon

COMIC BOOK
Jackie Musto
Eric Powell
Stan Sakai

EDITORIAL
Ruben Bolling
Pedro Molina
Michael Ramirez

GAG CARTOONS
Joe Dator
Amy Hwang
Tom Toro

GRAPHIC NOVELS
Greg Broadmore
Pierre-Alexandre Comtois
Briana Loewinsohn

MAGAZINE AND NEWSPAPER ILLUSTRATION
Tom Chitty
Nick Galifianakis
Johnny Sampson

NEWSPAPER PANEL
Dave Blazek
Wayno ®
Bill Whitehead

NEWSPAPER STRIP
Tauhid Bondia
Liniers
Garry Trudeau

ONLINE COMICS – LONG FORM
Steve Conley
Katie Cook
Brad Guigar

ONLINE COMICS – SHORT FORM
Jim Benton
Dee Fish
Ricardo y Nacho

VARIETY ENTERTAINMENT
Chuck Dillon
Patrick Merrell
Joe Wos

The FCC Again Threatens to Censor Disney and ABC over Kimmel while Paramount Retaliates over a Stand Against the Acquisition of Warner Bros. Discovery

Mickey censored

When it comes to journalism, it’s been ominous for a while. Venture capital and private investment has gutted news services, newspapers have shut down and folded, and there’s been attacks coming from all sides in an attempt to censor and reign in their right and duty to report the news freely.

Once again, the FCC and its chair Brendan Carr are attacking Disney and ABC over comments Jimmy Kimmel made on his late night show. It involves a review of Disney’s broadcast licenses, ordering its eight owned-and-operated stations to renew their broadcast licenses ahead of schedule. That’s not currently due to at least 2028. Via Business Insider:

ABC was directed by the FCC to file early renewals for its licensed TV stations by May 28, or within 30 days. This order applies to the eight affiliate stations owned by ABC, including those in New York, Los Angeles, and Chicago.

Disney has confirmed that the company had received the FCC’s order about the accelerated license review.

Kimmel made a joke on his show saying First Lady Melania Trump had the “glow of an expectant widow,” explained as a reference to the age difference between her and her much older husband, President Trump. The comment was made before Saturday’s reported attempted attack during the White House Correspondents Dinner. That failed attack has been used by the right to attack the left claiming their rhetoric incites violence. First Lady Melania Trump took to social media demanding ABC fire Kimmel over the joke that they’re branding a threat and calling it hateful rhetoric. Kimmel defended the joke on Monday’s episode. He stated:

It was a very light roast joke about the fact that he’s almost 80 and she’s younger than I am. It was not by any stretch of the definition a call to assassination.

Business Insider reports that the FCC under Carr is investigating Disney for its DEI practices. From a filing:

The FCC has been investigating Disney’s ABC stations for possible violations of the Communications Act of 1934 and the FCC’s rules, including the agency’s prohibition on unlawful discrimination

The right has made it a mission to further mold the media to fit their worldview. After its purchase by Paramount, CBS News has been scrutinized for its editorial shift right. The current attempt by Paramount to purchase Warner Bros. Discovery would also give it control of CNN, another popular destination for news. Paramount’s David Ellison’s father also has a part of TikTok, a major news source for younger generations.

But beyond what its done to CBS, Paramount has shown its teeth towards individuals willing to scrutinize and speak against its purchase of WBD, teasing a possible era of blacklists and retribution if it succeeds.

The AV Club has a report that a columnist at The Ankler who has spoken out against the acquisition was blacklisted by Paramount. We too have been vocal against the media consolidation, so if there is a blacklist, please add us.

Richard Rushfield recently attended CinemaCon and was handing out swag, a pin that read “Block the Merger.” Paramount didn’t appreciate that and pulled its advertising from The Ankler and talent was instructed to not speak to its reporters. It’s absolutely a canary in the coal mine, and another example of why this merger should not go through.

Is this a future we can expect for sites like ours? We have been vocal against the megamerger but also have written some not flattering news concerning DC Comics which would be owned by Paramount under this deal. Will we see retaliation if another scandal were to hit the publisher and we covered it?

It’s not hard to see all of this as a pattern, and an ominous one for independent journalism, even journalism that focuses on entertainment.

Newsarama has recently seen its final staffer exit, sunsetting what was a major entertainment news site, officially killed off by its parent company Future PLC after initially being folded into GamesRadar.

It’s all reasons for the comic, television, video game, tabletop game, toy, movie industries, and more to support independent journalism that’s not at the mercy of large corporations looking to profit and maximize clicks and views or the mercy of VCs looking to suck money from their investment like the capitalist vampires that they are.

There’s a war being waged against the fourth estate and it’s not just a moment calling for solidarity but a moment to lift up the voices who are free to challenge, criticize, and report, exactly what journalism should be doing.

Two More Unions! Hachette Book Group Employees and workers at Magic The Gathering: Arena Both Vote to Unionize!

There are two more unions in the geek space as Hachette Book Group Employees and workers at Magic The Gathering: Arena both have voted to unionize.

Hachette Workers Coalition (HWC)

Employees of Hachette Book Group have voted to unionize, joining the Washington-Baltimore News-Guild-CW Local 32035 of the AFL-CIO. A supermajority of the 600 workers signed up and the Hachette Workers Coalition (HWC) is now the largest union in trade publishing history. The members are seeking a livable wage regardless of work location, better working conditions, a cap on workload hours, a clear and neutral grievance process, AI protections, follow-through on DEI policies, and more.

The HWC have successfully organized in the past, canceling HBG’s publication of Woody Allen’s memoir in 2020 and amending the return-to-office work in 2022.

In the announcement, they mention “substandard working conditions, overwhelming workloads, and compensation not commensurate with the exceptional success and growth that workers have brought HBG.”

The organizing campaign has taken over 5 years.


United Wizards of the Coast - CWA (UWOTC

In other union news, the workers at Magic: The Gathering – Arena have overwhelmingly voted to form a union, United Wizards of the Coast – CWA (UWOTC).

The USWOTC has asked the Wizards of the Coast and Hasbro management to voluntarily recognize the union by International Workers Day (May Day) which takes place on May 1, 2026.

In their announcement, the union has said they are negotiating for:

  • Layoff Protections: Employees currently live in fear of suddenly losing their jobs, with no warning and through no fault of their own.
  • Remote Work Protections: Leadership is instituting a mandatory RTO, forcing numerous remote employees to return to a physical office or be forced to resign. This painful choice is splitting our employees between their homes, communities, and the jobs they love.
  • Generative AI Protections: Pressure has ramped up from leadership to adopt LLMs and Gen AI tools in various aspects of our work. WOTC lacks a robust AI policy, leaving opportunities for abuse and communicating a level of disrespect for artists and other creatives.
  • Sustainable Workload: Employees’ experiences with “crunch” (intense, mandatory unpaid overtime) to meet deadlines vary widely by team and project, with some teams crunching on a regular basis just to get planned work out the door.

They are asking individuals to sign a letter to show their support for the union.

If you are a Mario Kart fan, government is Yoshi and philanthropy is the Golden Mushroom – Zohran Mamdani

New York City’s Mayor Zohran Mamdani is showing its politician’s unwillingness to act that has left so many Americans behind. In just a few months he’s launched numerous initiatives to better the city and attempt the make the lives of its residents better. He’s also savvy, simplifying issues in ways the average person can understand and relate.

Mamdani is attempting to get New Yorkers to donate to the Child Care Action Fund. It provides universal child care to everyone in the city who needs it. Its raised $3.5 million but needs $16.5 million to reach its goal, a drop in the bucket for the ultra-rich that call New York City home. While he’s talked about raising taxes on the ultra-wealthy, this one is being funded through just good old donations.

Mamdani took to explaining it all through Mario Kart in an April 16 press conference.

I like to think of it this way: government is driving the racecar, and philanthropy is there to give it that turbo boost across the finish line. Or, if you are a Mario Kart fan, government is Yoshi and philanthropy is the golden mushroom—that edge we need to beat Bowser on the Rainbow Road. To belabor this metaphor even further, Bowser is corporate greed in this scenario.

One of Mario Kart’s more fun mechanics is giving those behind in the race better items to help them compete while those ahead get less useful items.

Zohran Mamdani: "If you are a Mario Kart fan, government is Yoshi and philanthropy is the Golden Mushroom, that edge we need to beat Bowser on the Rainbow Road. To belabor this metaphor even further, Bowser is corporate greed in this scenario."

Dr. Lucky Tran (@luckytran.com) 2026-04-16T21:58:08.526Z

Exclusive Preview: The Sentry #2

The Sentry #2

(W) Paul Jenkins (A) Christian Rosado
(C) Matt Milla (L) Joe Caramagna
(CA) Alex Maleev (VCA) Alessandro Cappuccio and Rachelle Rosenberg, Giuseppe Camuncoli, Roberto Poggi and Romulo Fajardo Jr., Mark Buckingham and Richard Isanove

HULK VS. SENTRY! The CRYSTALLINE PLAGUE is spreading — and no one knows what it wants. Cities fall silent under frozen corpses, E.M.P. storms rage across the globe and the HULK himself is infected! As chaos escalates, SENTRY fights to keep the VOID at bay… but every battle drags him closer to the darkness inside. From a brutal showdown in the SIBERIAN WILDS to a catastrophic strike against KINGPIN’S EMPIRE, we plunge deeper into a mystery that threatens the entire planet — and the corrupted mind of its most powerful hero!

The Sentry #2

Exclusive Preview: The Infernal Hulk #6

The Infernal Hulk #6

(W) Phillip Kennedy Johnson (A) Adam Gorham
(C) Matthew Wilson (L) Travis Lanham
(CA) Nic Klein (VCA) Juan Ferreyra, Mateus Manhanini, Davide Paratore, Von Randal and Arif Prianto, Kei Zama and Ruth Redmond

INTRODUCING THE HELLBUSTER ARMOR! When Infernal Hulk pushes Earth’s Mightiest Heroes to the brink, IRON MAN leads an overpowered strike force to level the Living City and end the Age of Monsters forever. Will Tony’s new HELLBUSTER ARMOR and the spear of the ONE ABOVE ALL be enough to keep him alive against the INFERNAL HULK? Or will he be corrupted like all the others?

The Infernal Hulk #6

Exclusive Preview: The Crown: A Tale of Hell #2

The Crown: A Tale of Hell #2

Writer: Mike Mignola · Todd Mignola
Artist: Warwick Johnson-Cadwell
Letterer: Clem Robins
Cover artist: Warwick Johnson-Cadwell
Genres: Fantasy · Horror · Occult & Supernatural
Publication date: April 22, 2026

The demon brothers’ fight for control of Pandemonium gets even messier when their sister joins in with her own ideas for the future of Hell.

Mike Mignola is joined by his brother Todd Mignola (“Hellboy: The Exorcist of Vorsk”) and artist Warwick Johnson-Cadwell (Our Encounters with Evil) in this new Hellboy prequel series.

Longtime Mignola collaborator Warwick Johnson-Cadwell joins the Hellboy universe!
Brothers Mike and Todd Mignola pen this story about Hellboy’s brothers!

The Crown: A Tale of Hell #2

Over 1000 Hollywood Professionals come together to Oppose the Paramount-Warner Bros. Discovery Merger. Will Comic Creators Join?

Warner Bros.

Paramount is poised to be the new owner of Warner Bros. Discovery with a vote by WBD stockholders taking place in late April to approve or reject the deal. Paramount will spend a proposed $111 billion to take over the company that includes HBO, HBO Max, Warner Bros., DC Comics, and more. The deal is unlikely to face scrutiny from the federal government, Paramount’s Ellisons are close with the Trump administration, but is facing pushback elsewhere. California Attorney General Rob Bonta and colleagues in other states are pushing against the deal, likely opposing the federal government who will approve the deal. There’s also the chance of stipulations for European approval, but an outright block of the deal is unlikely.

Now, over 1,000 performers, creatives and other industry professionals signed a letter, which was organized by groups including the Committee for the First Amendment, the Future Film Coalition, the Writers Guild of America and the Democracy Defenders Fund, to oppose the merger.

The letter states the deal would:

  • Consolidate an already concentrated media landscape, reducing competition at a moment when our industries—and the audiences we serve—can least afford it. The result will be fewer opportunities for creators, fewer jobs across the production ecosystem, higher costs, and less choice for audiences in the United States and around the world.
  • It would reduce the major U.S. film studios to four.
  • Media consolidation has accelerated the disappearance of the mid-budget film, the erosion of independent distribution, the collapse of the international sales market, the elimination of meaningful profit participation, and the weakening of screen credit integrity.

The Paramount-Warner Bros. Discovery deal has a direct impact on the comic industry which has yet to organize against it. The purchase would include DC Comics as well as whatever deal the comic publisher has with Milestone Media and Wonder Comics.

It’s unknown what the exact impact would have on the publisher but it would consolidate television and film, limited avenues for comics to see their creations to come to the big and small screen.

Paramount also currently licenses some of its property to IDW Publishing, it’s unknown if this would continue with the company now directly owning a comic publisher. The loss of the properties by IDW would negatively impact a comic publisher which has been one that has a history of indie releases.

The deal also puts Paramount deeply in debt creating an even shakier future for the company. It’ll need to bring down its debt and that could impact some of the purchased assets like DC.

Comic creators can sign the “Block the Merger” open letter to make sure their names are included. But, this is a merger that has the potential of major reverberations within the industry and opens up numerous ethical questions for creators that have yet to be discussed by the industry.

Paramount has released a response to the letter:

We hear and understand the concerns that some in our creative community have raised and respect the commitment to protecting and expanding creativity.

Importantly, as creators we know firsthand that this is also a moment when the industry has been facing significant disruption—and the need for strong, creative-first and well-capitalized companies that can continue to invest in storytelling has never been greater.

This transaction uniquely brings together complementary strengths to create a company that can greenlight more projects, back bold ideas, support talent across multiple stages of their careers, and bring stories to audiences at a truly global scale—while strengthening competition by ensuring multiple scaled players are investing in creative talent.

We have been clear in our commitments to do just that: increasing output to a minimum of 30 high-quality feature films annually with full theatrical releases, continuing to license content, and preserving iconic brands with independent creative leadership —ensuring creators have more avenues for their work, not fewer.

We understand the concerns raised as a result of the disruptions caused to our industry by COVID, entry of big-tech, and changes in consumer behavior, but we promise this: Paramount remains deeply committed to talent, and this merger strengthens both consumer choice and competition, creating greater opportunities for creators, audiences and the communities they live and work in.

Exclusive: Dive into Mark Russell and Russ Braun’s The Forgotten Divine with Character Blurbs

AHOY Comics has made its reputation on witty satires, acclaimed creators, and a commitment to bold and risk-taking storytelling. Now the publisher is launching its debut Kickstarter for The Forgotten Divine, a satirical science fiction drama from writer Mark Russell and artist Russ Braun. The inaugural campaign from the publisher that asks its readers to Expect More will offer exclusive campaign-only covers, unique AHOY goodies, and more tantalizing perks yet to be announced. Sign up here to be notified when the campaign goes live.

Meet Rodney Coleman, an unhoused veteran whose sleep is haunted by dreams of a faraway planet. (At least, he thinks they’re dreams.) Soon Coleman connects with others plagued by dreams of the same world and finds himself at the head of a UFO cult. The group’s shared effort to understand their visions is heartfelt at first—but over time it descends into unreality, conspiracy, paranoia, violence, and conceivably… revelation. 

We have an exclusive look at the characters with blurbs from Russell and art by Braun. Check it out below and sign up now so you don’t miss out when this launches!

Rodney: A homeless veteran whose visions of an alien world start a global movement that would become known as The Forgotten Divine. An explosives expert in Afghanistan, he returns home to a country that now considers him a liability. But his visions give him a sense of purpose he never had on the battlefield.

Doc: Rodney’s mental health therapist. A better friend than therapist, Doc is divorced and lives alone in a house with no pets and only one fork. The only inhabited house in a deserted cul-de-sac, he goes from trying to talk Rodney down from his visions to being a dedicated believer in The Forgotten Divine.

Willemina: Willemina was working at a museum of the weird when she became an oddity herself. Having strange visions, she had no idea what to make of them until she saw a poster for a support group looking for people who were having dreams at once too real and too alien to just be dreams. 

Toby: A ten year-old girl who has the strongest and most detailed visions of anyone in The Forgotten Divine. She comes to be seen as a prophet by those who share her affliction/calling.

Agent Reeve: An FBI agent and psychologist, she is willing to do whatever it takes to infiltrate The Forgotten Divine and prevent what she fears will be another Jonestown or Waco. TA dedication which puts her on a collision course with the very people she’s trying to save.

Exclusive Preview: Planet of the Apes vs. Fantastic Four #3

Planet of the Apes vs. Fantastic Four #3

(W) Josh Trujillo (A) Andrea Di Vito
(C) Erick Arciniega (L) Joe Caramagna
(CA) Greg Land, Rachelle Rosenberg (VCA) Cory Smith, Marcus To, Pete Woods, Scott Hepburn

A rebellion is afoot in Ape City… and the Fantastic Four have lost their powers. Enter: The Apetastic Four! Meanwhile, Dr. Doom and the Red Ghost’s plans begin to bear fruit. Will they conquer the Planet of the Apes… or destroy it?!

Planet of the Apes vs. Fantastic Four #3
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