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Movie Review: The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part

Sometimes sequels are lazy cashgrabs, (especially animated sequels– looking at you, Cars movies!) but the followup to the movie everyone thought was going to be terrible but was actually groundbreaking and amazing is almost equally as… um… “awesome.”

I say “almost” because it’s hard to put the toothpaste back in the tube for the original conceit of the movie: that the Lego toys (and our characters) exist in the real world in a suburban basement somewhere in what was an extended metaphor about capitalism, fascism, consumerism, playing with your toys, and having childlike wonder and fun with them.

Having expended that creativity in the twist ending (and further exploring it in both the Lego Batman and Ninjago movies), the only answer in the sequel is to double down on what else worked so well in the first — humor, songs, childlike anarchy and imagination — and move forward. While this isn’t quite the revelation the first one was, it’s still easily the best movie of 2019 (so far).

Our story begins where the last one ended (literally) with the arrival of Duplo aliens from the “Sistar” system. Now 5 years later, the aliens continue to come and destroy anything that our heroes build in the former metropolis of Bricksburg, which is now a Mad Max style apocalyptic wasteland, complete with broken Statue of Liberty!

However, this doesn’t dampen the spirit of Emmett (Chris Pratt) who continues to think everything is awesome. The more cynical realistic Lucy / “Wyldstyle” (Elizabeth Banks) along with Metalbeard (Nick Offermen), Benny (Spaceship! Charlie Day), UniKitty (Allison Brie), and Batman (Will Arnett) rule over the city protecting it from incursion and destruction. But Emmett starts to have dreams of an upcoming “Mom-ageddon” where all the Legos are put into storage forever.

When one day a mysterious spacewoman named General Mayhem (Stephanie Beatriz) shows up to “invite them all to a wedding,” she kidnaps all of our heroes except Emmett and takes them to the Sistar system. Our optimistic construction worker then has to travel into the great beyond up the staircase and to the new galaxy to rescue them.

On his way he encounters Rex Dangervest (also Chris Pratt in a dual role) whose super awesome spaceship is piloted by Raptors. Rex is super hardcore, which gives him not only “master builder” powers but “master destructor” powers. The two new “vest friends” plan to disrupt the wedding ceremony between Queen Whatevra Wa’Nabi (Taraji P. Henson) and Batman as it is the final sign of the Momageddon.

That plot doesn’t really do the film justice however, because there is so much more going on at every level. The film is infused with joyous songs. The infectious conformity anthem of “Everything Is Awesome” is one-upped by a song literally meant to brainwash our heroes by claiming that “this song’s going to get stuck inside your head.” And it really does.

In “Gotham City Guys,” Queen Whatevra seduces Batman in what is perhaps the funniest sequence in the film for comic fans as she plays on Batman’s insecurities and rivalry with a certain Kryptonian. This is also a good time to mention that Jason Momoa and Gal Gadot also both appear as their DCEU characters in some truly excellent cameos. But don’t worry– Green Lantern is still played by Jonah Hill from the first movie! (What, they were going to get Ryan Reynolds?)

Returning musical champs The Lonely Island also make an appearance singing a song about how cool the credits are– which definitely make you want to sit through the credits. And Queen Whatevra channels evil Disney anthems like “Poor Unfortunate Souls,” “Be Prepared,” and “Mother Knows Best” singing a song all about how she’s definitely definitely definitely not evil, she promises.

What really makes this film work are the multiple layers of meaning. And for this discussion I will have to delve into minor plot spoilers, but not ones which adults wouldn’t see coming from a mile away in a kids movie. Of course as adults we recognize that the “Sistar System” is actually ruled by the sister of the young boy we saw in the first film.

What is actually happening in the war between Bricksburg and her system is sibling rivalry played out large. An older brother feels that his little sister is breaking and stealing his toys (which he’s not wrong about by the way). And a little sister just wants to play Legos with her older brother. Taking in stride the meaning of the first film, we see the son becoming his own father: demanding the conformity to his type of play and excluding those who won’t play along.

And we also have the eponymous Mom of the Momageddon (Maya Rudolph) who is doing what moms everywhere do: if you can’t play nicely with each other, then I’m going to have to take away the source of the conflict (the offending toys). Again, these are minor spoilers, but they’re also pretty clear to adults who read between the lines of the early plot and who are aware of the conceit of the first film. Also, let’s take one moment here and point out how amazing Maya Rudolph is. She is the shining star at the center of this film’s universe, bathing everything in a warm glow at the perfect intersection of awesome, funny, and super serious. She’s the perfect mom.

There’s also deeper message here that emphasizes the original (covert) feminism of the first Lego Movie, even directly pointing out that Lucy was the one who did most of the heroic things but Emmett is still seen as the leader and the hero. But this film is implicitly making the case for opening up the toy box for everyone, and not just everyone in general, but specifically for young girls. It should also be noted that the central players of the Sistar galaxy are also voiced by women of color (Haddish, Beatriz) — another implicit demand for playing with everyone.

Gatekeeping is endemic in our fan culture, and nowhere is it more apparent than among self-professed fans who seem most intent on keeping women out of the fandom. The same mentality also infects the toy aisle of your local favorite big box store, which is still one of the most unnecessarily gender-segregated areas left in America.

The idea that Legos and building sets are only for girls, and therefore we have to create special gendered Legos for them is as silly as it is retrogressive. And yet, Lego has done just that, haven’t they?

The strongest message that we got at the end of the film is simply to play with one another, and allow different forms of play and imagination to work together. Spoiler alert: when the brother and sister stop fighting, they create a beautiful new Utopia for the Lego heroes from both universes to live in.

There’s another great moment near the climax of the third act where “Everything is Awesome” is turned on its head and Lucy starts singing how everything’s not awesome, but it can be if we all work together and put aside differences and misunderstandings. Essentially, it’s a message to not go Hard AF at each other, because all that brings is destruction and unhappiness.

There couldn’t be a better lesson for 2019, and this was made all the more poignant when I saw this film at a critics preview screening the same night as the State of the Union speech. Everything’s not awesome, but there’s a way forward if we can hope and dream of a better world and work to bridge misunderstandings in order to confront the real evils that exist out there.

Note that this isn’t some mealy-mouthed centrist plea for bipartisanship or something of that nature. This is more of a plea to an increasingly fractured left and center who can so easily fall into the traps of purity tests or even engaging in ridiculous activities like re-litigating the 2016 primary.

One of the biggest lessons of this Lego movie is the fight about who started the war between Bricksburg and the aliens. “You started it.” “No you started it.” It’s the oldest, childish argument in the world, and it’s time to move past things like that to help make our world a better place.

The film is also incredibly funny, with jokes coming a mile a minute. You will want to re-watch several times, and maybe see it out of the theater because you are laughing so hard you will miss the next joke. There are beautiful and hilarious Easter eggs and callbacks to the previous film, but nothing that presents a barrier to anyone who didn’t see it.

The character designs and animation also continues to be astounding. Freed of just following the instructions from the first film, so many of the designs are just built on anarchy and imagination which makes them incredibly fun and toyetic. I left the theater and immediately went online to look to see if I could buy a UniKitty battle cat. Luckily I can, along with numerous other sets that I would probably have to take a second mortgage out to be able to afford. There’s also an amazing “Battle Ready Batman and MetalBeard” set for those who might gawk at playing with “girls toys.” (Did you not get the memo?)

The film does bog down a little bit in its second act, but it more than makes up for it with an amazing ending. The spirit and morality and hopefulness of this film make it something that will make you happy and want to play with your toys and hug your kids.

Everything’s not awesome, but it can be if we’ll listen to The Lego Movie 2.

4.5 out of 5 stars

Movie Review: Teen Titans Go! To The Movies

teen titans go to the movies posterTeen Titans Go! is bright, anarchic, silly and written for little kids. The film perfectly captures the spirit of the source material and simultaneously delivers some of the funniest of easter eggs and deep cuts into comics in recent memory.

Unfortunately, it also keeps the ADHD pacing of cartoon show, making for a disjointed and uneven film overall that ends with a somewhat letdown of a climax. Compared to its peers of The Incredibles 2 and both The Lego Movie / The Lego Batman Movie, this just doesn’t hold up. But, what it lacks in cohesiveness and theme, it more than makes up for with mountains and mountains of jokes.

It does, however, satirize our over-saturation of superhero movies, with specific barbs at competitors at Marvel, a hilarious Deadpool/Deathstroke discussion, and even at Warner Bros problems in bringing many of its heroes to screen. It’s basically Deadpool for children, with all its meta satire, with fart humor instead of sex jokes. But as the most salient part of all of this, our main plot revolves around Robin being upset that no one has made a movie about him yet.

And, of course, because every great hero or team needs an iconic villain, they try to recruit “Slade” (nee Deathstroke) to be their arch-nemesis. Will Arnett, who also produced this film, really relishes playing the villain here, almost as much as he did playing Batman in the Lego movies.

One of the fun and lesser recognized aspects of Teen Titans Go! is its use of music. The movie is also a musical, which is a fun for the most part. However, sometimes they are full-on cringeworthy, including a Titans theme song rap, which is hands down the worst part of the movie. To make it worse, they decide to repeat the entire thing during the film’s climax.  “The Night Begins To Shine,” this is not.

But they’re not all bad. At one point they sing a song called “Upbeat” and the lyrics (and on-screen action) specifically mimic 1980s pop tropes. Yes, a lot of the jokes in this movie will go over kids’ heads. And a lot of the jokes will be too juvenile for adults. Spoiler alert/Parental warning: upset at being cut off during his inspirational speech so they can cut to the credits, Robin tells kids to ask their parents where babies come from. Walking out of the theater, it was clear that many kids were asking their parents just that. Good joke.

However, if you’re a fan of the more mature Teen Titans show, make sure you stick around into the credits, as there is a tease you don’t want to miss.

So, is this film great or terrible. Allow me to pull a page out of Beast Boy’s and Cyborg’s playbook and “waffle” a little bit.

Many will dislike the childish approach to the material– in which case it appears the upcoming Titans live-action show may bring plenty of darkness and edge– but if you’d like to just laugh for 90 minutes in a dark air conditioned space with lots of children laughing around you, this is fun. If that sounds like torture invented by Brother Blood’s Pain-Bot, then stay away. But certainly, compared to the artistry of other recent animated movies about superheroes, this doesn’t quite measure up.

3.5 out of 5 stars

PS – an animated short from DC’s Superhero Girls precedes the film and is quite fun, too.

DC All Access Presents the LEGO Batman Movie w/ Guest Host Will Arnett!

It’s not every day that Batman himself drops by the set of DC All Access, even though sometimes it feels like it. But this time it’s for real as Will Arnett – the star of LEGO Batman joins Jason as the new co-host. No sidekick. All hero. Then join Will for a special interview with Will. Lastly, find out the amazing giveaway that Will is offering. Plus find out what’s hot in DC and Vertigo comics news this week.

Around the Tubes

It’s new comic book day, what’s everyone getting?

Around the Blogs:

Kotaku – Zombie-and-depression lovers rejoice: The second, promising-looking episode of Telltale’s The Walking Dead series will launch Wednesday, June 27th on Xbox 360 and Friday, June 29th on PS3 and PC.That seems to be the entire article….

The Beat – DC confirms graphic novels on the NookCool, I guess.

Bleeding Cool – Will Armett Cast As Batman, Channing Tatum As Superman, But…Could be cool.

ICv2 – DC Comics Deck-Building Game – Look forward to checking this out at Gen Con.

Jonah Hex in Theaters Today


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Jonah Hex starring Josh Brolin, John Malkovich, Megan Fox and Will Arnett hit theaters today.  Based off of the DC comic book the movie isn’t getting the best of reviews at Rottentomatoes.com.

So far out of 12 critics the movie is rated is 3.6 out of 10 while the community gives it a 4.4 out of 10 (40%) from 64 individuals.  The overall sense of that community is that something is rotten in this adaptation of the DC wild west series.  I’m going out on a limb and guessing this one won’t fair well at the box office.

We’ll likely be defying the critics and heading to the theater this weekend to check it out for ourselves with a review to follow.

For those who don’t want to drop the $10 for the movie, Whiteout which was published by Oni Press and written by Greg Rucka is debuting on Cinemax.  That movie was also beaten up pretty good when it was released.

Anyone excited for Jonah Hex?  Anyone seen Whiteout?