Everyone goes insane eventually. And then they belong to the terrifying Red Mask! Batman #133 continues “The Bat-Man of Gotham” as Bruce begins to wage his battle against this city gone mad in a new spin on Batman.

Overall, I haven’t been much of a fan of this storyline. In the main attraction, Bruce is in this alternate world where Gotham is controlled by Red Mask. Then, in the back-up, Tim is searching for Batman attempting to bring him home.

Together, the two stories work and work well, but writer Chip Zdarsky overall delivers a story that feels like we’ve seen over and over. All that changes are the details. Here, the hints of who the Red Mask might be is the most intriguing aspect of it all, as we see the character use some powers against Selina which tied to what Bruce discovers as he exhumes a body, teases the villain’s identity.

And, as I said, that’s the most interesting aspect. Bruce debuts as this world’s Batman and is given some help to stop Red Mask, but overall, the comic feels like it’s a video game tie-in more than the main Batman title. It doesn’t feel like anything particularly new or different. Give us a peaceful world where Batman isn’t needed and let us watch Bruce lose his mind, that’s something that’s new and hasn’t been done before.

The art by Mike Hawthorne is good. The action is fine but the color by Tomeu Morey pops in certain moments. Hawthorne is joined by Adriano Di Benedetto on ink and lettering by Clayton Cowles and the detail and design of the world is more interesting than anything else. Batman’s makeshift costume, the buildings of Gotham, the story they tell stands out more than the paces Bruce and Batman are put through. There’s almost a tiredness about it all, a city and reality that wears on the people living it.

Zdarsky also gives us the attempt to get Bruce back in the third part of “The Toy Box.” Miguel Mendonca provides the art with Roman Stevens on color and Cowles on lettering. Overall, the story is ok. It’s a little rushed as Tim Drake is in the world of Toyman attempting to not just capture the villain but also rescue the individuals kidnapped by him. It’s a quest as opposed to a story, delivering scant details, though it’d all be worth to expand it further as it’s actually interesting and somewhat horrific.

Batman #133 has solidified my thoughts on this arc, the main story and back-up are flipped. The comic should feature Tim and Jon Kent’s attempt to find and rescue Bruce as the main draw. A story of a “rescue” of Bruce from an actual ideal world could have been a bit more interesting than Bruce again finding he needs to don the cowl in an alternate world to dispense justice. Overall, an entertaining, though overall ho-hum arc so far.

Story: Chip Zdarsky Art: Mike Hawthorne, Miguel Mendonca
Ink: Adriano Di Benedetto Color: Tomeu Morey, Roman Stevens Letterer: Clayton Cowles
Story: 7.0 Art: 7.5 Overall: 7.0 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Purchase: Zeus Comics – comiXology/Kindle

Batman #131 kicked off the latest story arc where Bruce/Batman was transported to another Earth and Gotham where Batman doesn’t exist. The city is walled off, a fascist nightmare where the police are jacked up on Venom and Arkham Asylum seems to run the place. Batman #132 continues that direction as Bruce attempts to get his bearings, get home, and overall decide what to do. It’s that last part that feels a bit odd overall in an arc that so far is rather meh.

Written by Chip Zdarsky, Batman #132 delivers an interesting Gotham where the entire city feels like it’s part of Arkham in some ways. The most minor infraction will have you picked up by the police who themselves are juiced up and out of their minds. That concept of the entire city corrupted in this way is an interesting direction in theme, it extends and literally builds walls around the main Gotham which can be debated has similar problems. This alternative Gotham is the one we know on Venom. And that’s partially what’s odd about the issue and arc. Bruce is having a lot of issues getting his bearings and in some cases stepped in to right wrongs but this issue feels like a drawn out “origin”. By the end it’s clear before he leaves Bruce will don a mask as this world’s version of Batman and attempt to topple those who oppress. But, that means he made a decision and isn’t driven by justice like it feels like he should be. Why was there even a moment of decision here at all? It just doesn’t feel quite in character for him to see this injustice and just want to peace out and get home without helping first.

The issue also falls into a “villain reveal” issue as it progresses. More and more familiar characters are added with little explanation as to why they have shown up, making the cameos feel a little odd and jarring. They feel thrown in for the hell of it as opposed to really driving the story. It’s a distraction that’s not needed to drive the story.

The art by Mike Hawthorne is good. Joined by Adriano Di Benedeotto on ink, color by Tomeu Morey, and lettering by Clayton Cowles the world feels like a twisted version of the Gotham we know. It’s not so over the top to feel distracting, instead the team has gone with one that feels like it’s out of a bad dream. Slightly different, slightly horrific. The anticipation really is what this world’s Batman will look like and based on what Hawthorne and the team have shown so far, the designs for all of the heroes to come should be intriguing.

The issue continues its backup story as Robin and Superman (the Jon version) attempt to find Bruce. This has them dealing with Toyman whose weapon may be a key to finding where Bruce was sent. It’s all an interesting aspect to the main story and its strength is its heart. Written by Zdarsky with art by Miguel Mendonca, color by Roman Stevens, and lettering by Cowles, it’s Tim Drake’s quieter moments with his boyfriend that stand out.

Batman #132 isn’t a bad issue and the arc so far is ok. It feels a bit like a filler arc until the next big story. There’s a lot here that could be interesting but it doesn’t totally commit to its underlying themes that would make it truly stand out. Hopefully, this is one whose whole is stronger than its individual parts.

Story: Chip Zdarsky Art: Mike Hawthorne, Miguel Mendonca
Ink: Adriano Di Benedetto Color: Tomeu Morey, Roman Stevens Letterer: Clayton Cowles
Story: 7.0 Art: 7.75 Overall: 7.0 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Purchase: Zeus Comics – comiXology/Kindle