Batman: White Knight follows the man now known as Jack Napier as he embarks on a quest to heal the city he once terrorized. After reconciling with his long-suffering partner, Harley Quinn, he sets in motion a carefully plotted campaign to discredit the one person whom he views as Gotham City’s true enemy: Batman.
His crusade exposes a decades-long history of corruption within the Gotham City Police Department and transforms Napier into a city councilman and civic hero. But when the sins of his past return to threaten everything that he has accomplished, the distinctions between savior and destroyer begin to break down for both The Joker and Batman alike—and with them any hope for Gotham’s future.
Story: Sean Murphy Art: Sean Murphy Color: Matt Hollingsworth Letterer: Todd Klein
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
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DC has announced that Swamp Thing 1989 #1, the long-awaited, fully restored, lost issue that begins the conclusion of Rick Veitch’s acclaimed late-1980s run on Swamp Thing will be released in April 2026. After more than three decades, Veitch’s ambitious final epic will be released under the DC Black Label across four issues, published monthly through July.
Written by Rick Veitch, with art by original penciler Michael Zulli and inked by Vince Locke, Swamp Thing 1989 #1 completes the comic Veitch and Zulli intended to deliver as Swamp Thing #88. In this issue, Swamp Thing is cast back through time and encounters a humble carpenter whose presence will alter the creature’s destiny and send ripples through the DC Universe. The issue also sets the stage for the long-anticipated origin of Etrigan the Demon and catapults Swamp Thing on his mythic journey back to the Big Bang and beyond.
The main cover by Rick Veitch reflects the quiet tension and symbolic weight of the story’s historical setting. Variant and foil covers by Michael Zulli present painterly imagery of Swamp Thing that captures the emotional and mythic intensity surrounding this pivotal moment in Swamp Thing’s saga.
The issue will be released with its original trade dress, period-accurate numbering on the cover, facsimile-style paper stock, and vintage ads, Swamp Thing 1989 #1 begins the journey to Veitch’s final Swamp Thing saga, running as it would have been published in 1989.
DC Black Label is completing the work exactly as it was intended. The long-lost Swamp Thing #88, now called Swamp Thing 1989 #1, features art by the late Michael Zulli, who returned to work on the issue before his passing in 2024, completing the painting featured as the variant cover. Working closely with Zulli’s wife, Karen Zulli, DC selected Vince Locke, Zulli’s longtime inker, to complete the issue over his original pencils while preserving the integrity of Zulli’s original vision.
Veteran Swamp Thing series artist Tom Mandrake will illustrate the brand-new Swamp Thing 1989 #2-4, which would have been Swamp Thing #89–91, bringing Veitch’s never-published storyline to its intended conclusion. For Swamp Thing 1989 #2-4, colorist Trish Mulvihill honors the palette and spirit of legendary series colorist Tatjana Wood while letterer Todd Klein brings the same reverence to the work of original Swamp Thing series letterer John Costanza.
Swamp Thing 1989 #1 is a 32-page comic book priced at $4.99 US, with a card-stock variant available for $5.99 US and a foil variant for $7.99 US. The new series begins on April29, 2026.
Bandit the dog, Tinker the cat, and Pirate the rabbit were once ordinary pets—until they became WE3, government-engineered cyborg assassins with terrifying firepower. When the trio is slated for decommission, they escape, embarking on a desperate journey to find “home” in a world that now sees them as weapons of mass destruction.
Relentlessly pursued by their creators and hunted by terrifying new cyber-enhanced foes, WE3 must rely on their instincts, their bond, and their enhanced abilities to survive. This gripping tale of loyalty, survival, and the cost of freedom will leave readers breathless and deeply moved.
This volume collects We3 #1-3.
Story: Grant Morrison Art: Frank Quitely Color: Jamie Grant Digital Ink: Jamie Grant Letterer: Todd Klein
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
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The second big Marvel/DC crossover this year features a fifth dimension/fourth wall shattering lead Batman/Deadpool story from Grant Morrison, Dan Mora, and Alejandro Sanchez as well as four individual team-up tales ranging from great (Tom Taylor, Bruno Redondo, and Adriano Lucas are the perfect team for a Nightwing/Laura Kinney Wolverine crossover comic.) to good (It’s great to have new Amanda Conner interior art, but her, Mariko Tamaki, and Tamra Bonvillain‘s Hulk/Harley Quinn story has big “lol so random energy). The crossover explores the differences and similarities between the Marvel and DC Universes, connections between heroes, and in Morrison’s case, they mine their past as a writer and previous intercompany crossover. Let’s just say that Animal Man and bidders on the Gerry Conway/Ross Andru/uncredited house art fixer uppers’ Superman vs The Amazing Spider-Man are in for a good time.
I have a love/hate relationship with the lead Batman/Deadpool story, “The Cosmic Kiss Caper”. This would be a story that I would have died laughing over back in the day with my freshman roommate and our twin comic book collections of Grant Morrison JLA and Action Comics issues, Daniel Way Deadpool trade paperbacks, and various Marvel/DC intercompany crossovers. (Ron Marz and Darryl Banks’ Green Lantern/Silver Surfer slapped!) Morrison uses Deadpool’s fourth wall obliterating, over-caffeinated joke-a-minute personality to flex their incredibly deep reference pool, which Mora enhances through the visuals like a room dedicated to the Amalgam Universe. Like the Deadpool & Wolverine film, it can get grating after a while, but Grant Morrison is a much more clever writer than any of the five on that film and ends up using the comic’s barely there semblance of a plot to poke fun at themself.
“The Cosmic Kiss Caper” also made me realize how much I’ve missed Morrison’s sanity-in-a-sea of a chaos with a dry wit and bit of a James Bond flair take on Batman. Batman has been through these kind of situations before, and a Dark Claw reunion tour has nothing on Batman of Zur-En-Arrh or whatever the heck happened in Final Crisis. He reacts to the PG-13 Looney Tunes antics of Deadpool with style, grace, and dialogue that sounds like it could have been delivered by the late Kevin Conroy. On the art side, Dan Mora and Sanchez pour on flashy colors and poses that satisfied my inner action junkie while going for a more muted approach when this story’s special guest star appears. Batman/Deadpool can be cringy at times, but it’s a love letter to the enduring absurdity as well as emotional honesty of superhero comics. It’s solid pop comics, but Grant Morrison has more of knack writing Batman than the Merc with a Mouth.
Following up the chaos is a Dr. Strange/John Constantine story written by James Tynion, Joshua Williamson, and Scott Snyder, a triumvirate of writers, who have found success penning horror comics as well as Big Two superhero books. The art is handled by Hayden Sherman, who is one of the strongest visual storytellers in mainstream comics with their knack for inventive layouts, with colors by Mike Spicer. This story is about a showdown/conversation between Constantine and Strange (With a Ghost Rider vs Swamp Thing battle royale in the background.) that also ends up being about the nature of fear, darkness, and reality itself in the Marvel and DC universes. DC has the prestige of Vertigo, Alan Moore, Garth Ennis, Peter Milligan and more while Marvel has the more dubious “Midnight Sons” and the Nicolas Cage Ghost Rider duology. (Guillermo Del Toro has directed a Marvel horror film and not a DC one though.) However, Stephen Strange was doing his visually stunning occult thing way before the chain smoking lad from Liverpool, and Tynion, Williamson, and Snyder draw on the moral compromises that the Sorcerer Supreme has made in some of his more recent runs. This gives Sherman the opportunity to do some horrific chimera panels of Strange and Constantine merging with various mystical elements, and I love how they structure the story like a kind of wizard duel. As a fan of gritty fantasy, the occult, and superheroes, this story is a wicked delight, and team-ups between the supernatural denizens of the Big Two would be more than welcome.
The third story in Batman/Deadpool #1 is a team-up between Wolverine and Nightwing aka “nepo heroes” to rescue Gabby and Jonathan the Wolverine from Killer Croc. Tom Taylor uses a dual narration style that is a contemporary version of what Jeph Loeb did in Superman/Batman, and Bruno Redondo’s fluid choreography and grid brings a directness and ease of reading complemented by Adriano Lucas’ flat gold and blues. Taylor is a humorous writer with a side of pure heart like in moments where Dick Grayson, Laura Kinney, Gabby, and Barbara Gordon all bond over their different pets. Although different in outward demeanor, Dick and Laura have a lot of similarities, and Tom Taylor’s succinct narration adds context to the body language showcased in Redondo’s art. They have instant chemistry and could easily appear in each others’ books on regular basis without batting an eye. “Sticks and Snikts” is a no-brainer crossover that pays homage to Tom Taylor’s excellent work with both heroes as well as legacy heroes and their growth and development in general.
Batman/Deadpool #1 wraps up with a Hulk/Harley Quinn story and a Static/Ms. Marvel story that have polar opposite tones. “Harley and Hulk’s Amazin’ Saturday” is a bright adrenaline rush with boundless energy as the more colorful alter egos of Harleen Quinzel and Bruce Banner smash, eat, and even flirt their way through a five page story. There isn’t really a point for these characters to interact, but it’s a rare opportunity for Amanda Conner to show why she still has one of the smoothest lines in comics and shows that the anarchic nature of her Harley Quinn run with Jimmy Palmiotti could fit in with Hulk too. Also, it’s just nice to see the Hulk have fun and not being sent down to Hell or being sad and lonely for once.
On the flip side, “New Friends in Old Places” brings together the iconic teenage hero of the 1990s and the iconic teen hero of the 2010s. The old-ish, new school vibes matches the dynamic of the creative team of G. Willow Wilson, artists Denys Cowan and Klaus Janson, and colorist Francesco Segala. There’s not a lot of time to develop the story so Cowan ably transitions from domestic life to superhero ass kicking with plenty of teenage awkwardness as Static and Ms. Marvel team up to fight a generic kaiju. “New Friends in Old Places” felt like a few bits of an appetizer and not even a full small plate so hopefully there will be future interactions between these two heroes that have inspired young people of all genders, races, and religions. (And are also total nerds!)
Batman/Deadpool #1 is a satisfying intercompany crossover that features dynamic work from some of the best artists in comics and a range of tones and types of stories. It’s fun to see Grant Morrison turn back the clock to 1990 in some ways while dropping hit and miss one-liners about Gen Z Internet culture and Absolute Batman, and Dan Mora was born for this kind of big, bad action spectacular. However, my favorite stories were the Dr. Strange/John Constantine and Nightwing/Laura Kinney Wolverine crossovers because they were both intellectually simulating and visually enticing while digging to the core of their protagonists and roles in their respective universes. Also, it’s kind of epic to see Hayden Sherman draw Ghost Rider and Swamp Thing beating each other up. (One day your Alan Moore, Stephen Bissette, and John Totleben will come, Mr. Blaze/Ketch/Reyes!)
Story: Grant Morrison, James Tynion IV, Joshua Williamson, Scott Snyder Story: Tom Taylor, Mariko Tamaki, G. Willow Wilson Art:Dan Mora, Hayden Sherman, Bruno Redondo, Amanda Conner, Denys Cowan, Klaus Janson Colors: Alejandro Sanchez, Mike Spicer, Adriano Lucas, Tamra Bonvillain, Francesco Segala Letters: Todd Klein, Frank Cvetkovic, Wes Abbott, Dave Sharpe, Steve Wands Story: 8.2 Art: 8.9 Overall: 8.6 Recommendation: Buy
DC Comics provided Graphic Policy with a FREE copy for review
The Dark Knight and the Merc with a Mouth team up for an adventure so mind-bending you’ll think you’re in a dream! Batman/Deadpool #1 is brought to you by legendary creators Grant Morrison and Dan Mora!
And be sure not to miss these incredible extra stories: Scott Snyder, James Tynion IV, and Joshua Williamson team up with Hayden Sherman for a magical Constantine/Doctor Strange tale! Tom Taylor and Bruno Redondo bring you an epic Nightwing/Dick Grayson and Laura Kinney/Wolverine story! Mariko Tamaki and Amanda Conner smash Harley Quinn and the Hulk together! G. Willow Wilson and Denys Cowan tell an electrifying Static and Ms. Marvel yarn!
Check out the full list of creators below as well as an early preview of the comic!
Batman and Deadpool in “The Cosmic Kiss Caper!” by Grant Morrison, Dan Mora, Alejandro Sánchez, and Todd Klein
John Constantine and Doctor Strange in “A Magician Walks Into a Universe” by Scott Snyder, James Tynion IV, Joshua Williamson, Hayden Sherman, Mike Spicer, and Frank Cvetkovic
Nightwing (Dick Grayson) and Wolverine (Laura Kinney) in “Sticks & Snikts” by Tom Taylor, Bruno Redondo, Adriano Lucas, and Wes Abbott
Harley Quinn and The Incredible Hulk in “Harley & Hulk’s Amazin’ Saturday!!!!” by Mariko Tamaki, Amanda Conner, Tamra Bonvillain, and Dave Sharpe
Static (Virgil Hawkins) and Ms. Marvel (Kamala Khan) in “New Friends in Old Places” by G. Willow Wilson, Denys Cowan, Klaus Janson, Francesco Segala, and Steve Wands
In celebration of 90 years of DC, super fan and writer Mark Waid turns back time to the very beginning of the DC Universe in a four-issue miniseries drawn by some of DC’s greatest artists and told by the newest chronicler of time, Barry Allen, the Flash! In our debut issue, Barry takes us from the very birth of the DC Universe to the rise of the Justice Society. The Golden Age of heroes begins here! New History of the DC Universe #1 takes us from the beginning of creation to Superman’s escape from Krypton.
New History of the DC Universe #1 is an attempt to compile a single, clear, timeline of the DC Universe from the beginning to who knows when. While not so much a flowing narrative, Waid treats the series like an updated guidebook. Years ago, we regularly got guidebooks giving fans loads of information about characters and more. This feels more like that breaking down key moments and the characters involved. And it’s a deep dive that delivers a large amount of obscure characters and events. Waid does a solid job of bringing together recent editions to DC’s mythos for what had already been established decades before.
The art by Todd Nauck and Jerry Ordway is good. With color by Matt Herms and John Kalisz and lettering by Todd Klein, the comic looks good and it’s interesting to see the designs over the years and all of the characters. This isn’t a comic full of action but each page has interesting visuals and layouts showing off the history and key players and events. It’s not flashy but it is intriguing.
Where New History of the DC Universe #1 really stands out is what comes after the tour through time. A definitive timeline is laid out including what comics you’d find references or events themselves. That’s written by Dave Wielgosz with research by Wielgosz and Waid and a special thanks to John Wells. Here’s hoping DC takes advantage of this listing to give readers an easy way to explore every reference highlighted.
While it’s nice to finally get a definitive history of the DC Universe, New History of the DC Universe #1 is just one slice of an existence spanning breakdown of DC’s history. If you really want to know the history now, it’s worth checking out but this is one that’s probably best to wait for the likely eventual beautiful hardback collection. New History of the DC Universe #1 is an interesting debut overall but is a rather bland presentation of the history that’s really only for the diehard fans invested in continuity.
Story: Mark Waid Art: Todd Nauck, Jerry Ordway Color: Matt Herms, John Kalisz Letterer: Todd Klein Story: 7.0 Art: 7.0 Overall: 7.0 Recommendation: Read
DC Comics provided Graphic Policy with a FREE copy for review
A new villain has emerged in Gotham, masquerading as Alice, inspired by Alice in Wonderland. She sees herself as the hero in her own twisted fairytale with Gotham as her personal Wonderland. Kate Kane, also known as the Batwoman, is tasked with stopping Alice before she unleashes a deadly poison throughout the city. Presented in the Compact Comics format, get the critically acclaimed graphic novel for only $9.99!
Collects: Detective Comics #854-860.
Story: Greg Rucka Art: J.H Williams III, Jock, Scott Kolins Color: Dave Stewart, David Baron Letterer: Todd Klein
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After decades as Earth’s champions, the members of the Justice League have all retreated out of the public eye, replaced with a new generation of crime-fighters whose brand of justice leaves humanity terrified, rather than inspired.
But with the planet’s future in jeopardy, Superman, Wonder Woman and Batman must come out of retirement to make one last stand for truth and justice… setting the stage for a conflict that will define what heroism truly is.
The classic Kingdom Come gets a “DC Compact Comics” edition for just $9.99!
Story: Mark Waid Art: Alex Ross Letterer: Todd Klein
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
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For years, Diana of Paradise Island yearned to leave the only home she knew behind for adventures that laid beyond its shores. Now, after a fateful meeting with Air Force pilot Steve Trevor, the Amazon Warrior finds herself in Man’s World. And she is ready for anything that it may throw at her.
But is the world ready for Wonder Woman? An American government, fraught with dissension and conflicts foreign to Diana, has deemed her a danger to society. How will Wonder Woman carry out her mission of peace and love in a world that can’t get out of its own way? That is, unless there are more insidious forces at play…
Collects all three volumes of Wonder Woman: Earth One.
Story: Grant Morrison Art: Yanick Paquette Color: Nathan Fairbairn Letterer: Todd Klein
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Fanhome has launched The Legends of Batman, an expansive series of hardcover graphic novels featuring the greatest adventures of DC’s legendary Caped Crusader.
This incredible series of stories brings Batman’s life story together in an epic full-color collection.
The Legends of Batman Collection includes the best and most essential Batman adventures by legendary creative teams. The collection forms an expansive overall narrative that begins with Batman’s origin in Year Zero and culminates in Batman Year 100.
Story: Grant Morrison Art: Andy Kubert, John Van Fleet Ink: Andy Kubert, Jesse Delperdang, John Van Fleet Color: Dave Stewart, Guy Major, John Van Fleet Letterer: Nick J. Napolitano, Rob Leigh, Todd Klein, Jared K. Fletcher
Fanhome provided Graphic Policy with a FREE copy for review
