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Review: Tankers #1

An oil company decides that the dwindling supply can be fixed by traveling back in time and just making more! Tankers #1 kicks off a satirical action series.

Story: Robert Venditti
Art: Juan José Ryp, Jorge Monlongo
Color: Andrew Dalhouse
Letterer: Dave Sharpe, Jorge Monlongo

Find a comic shop to get your copy

Or, buy your copy at the link below:

Zeus Comics

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Review: Tankers #1

Tankers #1

There’s a lot to like about Tankers #1. The comic is both action and over-the-top satire. An oil company decides it wants to extend oil production by delaying the comet that killed the dinosaurs using time travel and a laser. It’s the type of sci-fi concept that could be a comedy played straight. And, Tankers #1 sort of does that. But, the comic has a lot of bump aspects that are hard to get past.

Robert Venditti nails so much with this debut. The concept of a Texas oil company doing this sort of plan is hilarious. The characters presented are such caricatures that they deliver laughs at the silliness of it all. The plan itself is funny and so extreme, it too deserves laughs. The fact the comic goes in a predictable direction that no one thought of is groan-worthy. It’s to a point that the comic wraps up with an end that’s something we’ve seen so many times before, it’s like when people in zombie or horror stories have clearly never seen a zombie or horror story. Tankers #1 is the Butterfly Effect plain and simple. And sadly that kills the creativity.

The fact the comic goes in the direction that’s expected is a killer. I had hoped the series would deliver something new or different. There’s so much leading up towards the end that would indicate that. The sci-fi satire nails so much right. The oil execs, the gung-ho soldiers, they all play to laughs at the ludicrousness of it all. Sadly, the comic winds up in a spot that’s not new and seen a mile away. For as creative as it opens, Tankers #1 closes exactly where you expect it to.

Juan José Ryp‘s art delivers an exaggeration that plays to Venditti’s story. There’s both seriousness and silliness to the design and characters. The action scenes would fit in the testosterone-fueled 80s and that’s where this comic belongs in many ways. Along with Andrew Dalhouse‘s colors, the art nails down the over-the-top satirical nature of it all. The soldiers are all alpha in their looks and attitudes. The dinosaurs splatter by raining blood everywhere. It’s so simple in the ridiculousness of it all. Dave Sharpe‘s lettering adds a macho flavor punctuating the cliched dialogue. It adds to the comedic feel of it all.

Venditti and artist Jorge Monlongo deliver a backup that feels like it fits the satirical nature of the main story. Involving President Lincoln, it’s best to experience the short which has a lot of potential to it. It’s bizarre and a direction that’s unexpected but quite welcoming.

Tankers #1 is an interesting comic. It has so much going right, it’s unfortunate that it doesn’t stick the landing. A great concept that skewers its subjects loses its impact with an ending that’s far to predictable. There’s something that can be read into that but the fact no one mentions the obvious direction feels like an opportunity lost. A few more lines, and the comic would have nailed the humor of it all. I’m hoping the second issue of Tankers surprises me by heading into a different direction but as is, this is a story we’ve seen before too many times.

Story: Robert Venditti Art: Juan José Ryp, Jorge Monlongo
Color: Andrew Dalhouse Letterer: Dave Sharpe, Jorge Monlongo
Story: 7.5 Art: 7.85 Overall: 7.5 Recommendation: Read


Purchase: Zeus Comics

Graphic Policy’s Top Comic Picks this Week!

ENIAC #2

Wednesdays (and now Tuesdays) are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in

Each week our contributors choose what they can’t wait to read this week or just sounds interesting. In other words, this is what we’re looking forward to and think you should be taking a look at!

Find out what folks think below, and what comics you should be looking out for this week.

Avengers #44 (Marvel) – “Enter the Phoenix” wraps up and leads into “Heroes Reborn”!

Beasts of Burden: Occupied Territory #1 (Dark Horse) – An elder member of the occult-battling pack of Wise Dogs recalls a harrowing mission in U.S-occupied Japan after World War II. Yeah, we’re in for this.

Championess (Legendary Comics) – Based on the true story about female bare-knuckle boxers.

Batman #107 (DC Comics) – The series has really found its footing post-Future State and with the seeds being laid out for that fascist future, we want to see how it all plays out.

Crime and Punishment (Digital Manga Distribution) – We don’t know much about the publisher but the title and description caught our eyes. On the eve of the revolution a young student murders a pawnbroker but an innocent man is quickly arrested.

ENIAC #2 (Bad Idea) – The first issue about a computer gone mad was solid. We want to learn more.

Far Sector #11 (DC Comics/DC’s Young Animal) – The series is soon wrapping up and we want to see how it all comes together in this very socially relevant series.

Geiger #1 (Image Comics) – Geoff Johns and Gary Frank team again for this new series about the scavengers of a dying Earth post-nuclear war.

Green Lantern #1 (DC Comics) – We want to see what the future holds for this series as DC’s cosmic side of things attempts to get things in order.

The Impure #1 (Scout Comics) – Nero must stop his sister before she causes humanity’s downfall.

King in Black #5 (Marvel) – The event wraps up and looks like it’ll have some interesting ramifications on the Marvel Universe.

Magic #1 (BOOM! Studios) – Magic: The Gathering returns to comics!

Nocterra #2 (Image Comics) – The first issue of this world plunged in darkness was very entertaining and we want to see where it goes and how it uses the darkness to tell its story.

Nottingham #2 (Mad Cave Studios) – This new take on Robin Hood was fantastic in its debut and we’re expecting more quality.

Project Patron #1 (AfterShock) – Years ago a hero battled a beast as Earth’s protector. What the world doesn’t know is he died that day and was replaced.

The Rise #1 (Heavy Metal) – A prequel to the horror franchise Night of the Living Dead!

Sam & His Talking Gun #2 (Scout Comics) – It’s John Wick… but with a talking gun.

The Silver Coin #1 (Image Comics) – A new horror anthology with each issue telling a story in a shared supernatural world.

Suicide Squad #2 (DC Comics) – The first issue was pure action and fun plus the bodies already began to pile up. We’re excited to see what happens next as the jailbreak of Talon continues.

Tankers #1 (Bad Idea) – A time travel story about oil execs and dinosaurs.

Bad Idea in June 2021 includes Tankers #2 and ENIAC #4

TANKERS #2

Written by ROBERT VENDITTI
Art by JUAN JOSÉ RYP
Colors by ANDREW DALHOUSE
Cover by LEWIS LaROSA with LAURA MARTIN
PLUS: An All-New BAD IDEA B-SIDE
THREE ISSUES | BI-MONTHLY

$5.99 EACH  |  40 PGS.  |  RATED: T+  |  ON SALE JUNE 2, 2021

The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.

Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly over-budget, New York Times best-selling writer Robert Venditti (Justice League), blockbuster artist Juan Jose Ryp (Wolverine), and colorist extraordinaire Andrew Dalhouse (The Multiversity Guidebook) are here to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with the second of THREE MEGA-SIZED ISSUES SHIPPING BIMONTHLY (that means every other month, don’t look it up).

ENIAC #4

Written by  MATT KINDT
Art by DOUG BRAITHWAITE
Colors by DIEGO RODRIGUEZ
Cover by LEWIS LaROSA with DIEGO RODRIGUEZ
PLUS: An All-New HERO TRADE story as a BAD IDEA B-SIDE
FOUR ISSUES  |  MONTHLY  
$3.99 EACH  |  40 PGS.  |  RATED T+  |  ON SALE June 2, 2021

Seventy-seven years ago, the United States unlocked the key to defeating the Axis powers, but, in their desperation to end the war, accidentally created a far more powerful threat: ENIAC (Electronic Numerical Integrator and Computer). Designed to be a cutting-edge breakthrough in supercomputing that could deliver a decisive victory to the Allies, ENIAC did just that…by ordering the bombing Nagasaki without human consent or approval. A fully autonomous A.I free from the bounds of programming or morality, ENIAC spent the decades since manipulating global superpowers from the shadows, secretly shaping everything we thought we knew about the history of the geopolitical order. And, throughout it all, one classified question has plagued presidents and prime ministers, generals and spymasters alike: “What is ENIAC planning next?”

Now, after years of silence, ENIAC has re-emerged with a 72-hour countdown until it unleashes every weapon in Earth’s atomic arsenal. Its motives? Unknowable to humankind. Its endgame? Destruction on an unthinkable scale. As ENIAC’s clock rockets toward zero, it’s down to two covert operatives to infiltrate a Russian black site and free the one man alive who knows how to kill the machine…before it erases mankind, once and for all.

It’s Not a Bad Idea to be First and Get the Tankers #1 Pin

Tankers #1 – the double-sized, bi-monthly, dinosaur-battling, hyphen-invoking, much-anticipated spectacular from Robert Venditti, Juan José Ryp, and Andrew Dalhouse– will drop into select stores worldwide and finally give comics something other than ENIAC to talk about. But before Tankers bursts out of its comic book-sized muscle tee and melts your face with awesome

As part of the upcoming April 7th festivities, Bad Idea will send to each Destination Store location another mysterious and bewildering gold metallic pin. These pins are strictly to be awarded only to the first customer to purchase a copy of Tankers #1 at each BAD IDEA Destination store location. That’s right, the first customer to walk in during official store hours and pick up a copy – that includes early-bird Wednesday Warriors buying at the counter, someone picking up a pre-order, a random making a purchase, even the guy who really needs to use the restroom but then locks eyes with TANKERS – you just have to be the first.

These pins are badges of honor and should be worn proudly and with much pageantry! Each pin will arrive in a sweet (super not collectible so you better wear them!) pin backing that brandishes the BAD IDEA logo and is inscribed with the following:

If you manage to secure an illustrious pin make sure to post about it on social and tag @badideahello so that their crack social media team can amplify it and spread the word.

Tankers #1 pin

Bad Idea in April 2021

TANKERS #1

Written by  ROBERT VENDITTI
Art by JUAN JOSE RYP
Colors by ANDREW DALHOUSE
Cover by LEWIS LaROSA with LAURA MARTIN
PLUS:An All-New BAD IDEA B-SIDE
THREE ISSUES  |  BI-MONTHLY  
$5.99 EACH  |  40 PGS.  |  RATED T+  |  ON SALE APRIL 7, 2021

The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.

Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly over-budget, New York Times best-selling writer Robert Venditti (Justice League), blockbuster artist Juan Jose Ryp (Wolverine), and colorist extraordinaire Andrew Dalhouse (The Multiversity Guidebook) are here to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with the first of THREE MEGA-SIZED ISSUES SHIPPING BIMONTHLY (that means every other month, don’t look it up).

Tankers #1

ENIAC #2

Written by  MATT KINDT
Art by DOUG BRAITHWAITE
Colors by DIEGO RODRIGUEZ
Cover by LEWIS LaROSA with DIEGO RODRIGUEZ
PLUS: An All-New BAD IDEA B-SIDE
FOUR ISSUES  |  MONTHLY  
$3.99 EACH  |  32 PGS.  |  RATED T+  |  ON SALE APRIL 7, 2021

Seventy-seven years ago, the United States unlocked the key to defeating the Axis powers, but, in their desperation to end the war, accidentally created a far more powerful threat: ENIAC (Electronic Numerical Integrator and Computer). Designed to be a cutting-edge breakthrough in supercomputing that could deliver a decisive victory to the Allies, ENIAC did just that…by ordering the bombing Nagasaki without human consent or approval. A fully autonomous A.I free from the bounds of programming or morality, ENIAC spent the decades since manipulating global superpowers from the shadows, secretly shaping everything we thought we knew about the history of the geopolitical order. And, throughout it all, one classified question has plagued presidents and prime ministers, generals and spymasters alike: “What is ENIAC planning next?”

Now, after years of silence, ENIAC has re-emerged with a 72-hour countdown until it unleashes every weapon in Earth’s atomic arsenal. Its motives? Unknowable to humankind. Its endgame? Destruction on an unthinkable scale. As ENIAC’s clock rockets toward zero, it’s down to two covert operatives to infiltrate a Russian black site and free the one man alive who knows how to kill the machine…before it erases mankind, once and for all.

ENIAC #2

Bad Idea Has some Promotional Ideas

Bad Idea Crass Promotional Module v1

With their launch in March 2021 with ENIAC #1, Bad Idea is loading comic shops up with promotional material to get comic readers excited.

The Bad Idea Crass Promotional Module v1 gives a preview of the various series coming our way. It features 16 pages of preview content of titles including:

  • ENIAC #1 by writer Matt Kindt (Mind MGMT) & artist Doug Braithwaite (Justice)
  • TANKERS #1 by Robert Venditti (Justice League) & Juan Jose Ryp (Wolverine)
  • WHALESVILLE #1 by Matt Kindt (Mind MGMT) & Adam Pollina (X-Force)
  • THE LOT #1 by Marguerite Bennett (Animosity) & Renato Guedes (DCeased)
  • SLAY BELLS #1 by Zeb Wells (Hellions) & David Lafuente (Ultimate Spider-Man)

Plus: This bad boy also has A BUNCH OF SUPER-SECRET SURPRISES that you shouldn’t take pictures and tweet, SO DEFINITELY DON’T DO THAT!!!

Stores aren’t just a shop, they’re an art gallery — and it’s about damn time that someone treated it as such. That’s why Bad Idea is sending stores a museum-worthy framed poster. Yes, framed. And not just in one of those stylish, modern-thin black frames that looks good everywhere, but in a garish, lavishly adorned, 16×20 overly ornate gold frame that is impossible to miss. (Retailers: check your emailed instructions for the minimum required time it needs to be displayed, per “the rules.”) But don’t worry, Bad Idea will be sending a new 16×20 promo poster to pop in there every month, and they’ll be rounding out the minimum display time with one hell of a poster surprise, too!

This display stands approximately 16 inches high and handles two (count ’em!) rows of up to 25 comics apiece. That’s double-sided header cards promoting Bad Idea’s upcoming March 3, 2021 launch date and ENIAC #1, too, for once you’ve got those puppies in hand. In the meantime, you can pop your Bad Idea promo books in there or whatever in there once those run out. BUT REMEMBER: This lives on your counter. It is now an immovable part of your counter. These are the sacred rules of Bad Idea, and they are inflexible and unchanging.

Bad Idea is Taking Their Marketing Directly to Stores’ Top Customers

There be whales! Bad Idea has another good idea in how it’s selling it’s soon to be launching line of comics. The comic publisher is calling on each of its 154 retailers to send them their top five clients.

Bad Idea’s plan is to then send an individually personalized, hand-scripted invitation to the launch of Bad Idea on March 3, 2021.

Pre-ordering with a Bad Idea destination store is the only way to guarantee that you can get Bad Idea’s comics each time a new one drops. This means that the best option to preserve your elevated status as one of the most elite comic shop subscribers in your zip code will be to a) accept Bad Idea’s gracious invitation, then b) pre-order the whole Bad Idea line before other comics fans even have the good sense to know what is happening, and, finally, c) constantly mention to your friends and family that you’re a comic shop whale and nothing they say or do can ever change that.

Coming soon from Bad Idea are ENIAC, Tankers, Whalesville, The Lot, and Slay Bells. The first launches in March 2021.

Get a Look at Tankers #1 from Robert Venditti, Juan Jose Ryp, and Jordie Bellaire

Tankers #1 is going to melt your face, eyes, and prefrontal cortex (in that order) when Bad Idea unloads THREE DOUBLE-SIZED ISSUES of dinosaur-battling intensity into select comic shops worldwide beginning in April 2021!

From the deeply unsettling and sugar-dependent imaginations of writer Robert Venditti, artist Juan Jose Ryp, and colorist Jordie BellaireTankers #1 is the only comic brave enough to admit that the biggest injustice of the dinosaurs’ extinction is that mankind didn’t get to kill them all ourselves. And now, 60 million years on, we finally have our chance to correct that wrong.

Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly overbudget, Venditti, Ryp, and Bellaire are going to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with a premise that goes something like this:

The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.

The series will be shipping BI-MONTHLY (that means every other month, don’t look it up).

Tankers #1

After the Button… Bad Idea Launches with Five Titles in 2021

Bad Idea is on the way! After an interesting build-up, the comic publisher is ready to do something new, get some comics on the shelves!

Beginning in March 2021, comic fans will be getting at least one brand-new Bad Idea release per month in a variety of tastes-good, feels-great formats by a fleet of world-class creators, including writers Matt Kindt, Robert Venditti, Marguerite Bennett, and Zeb Wells, artists Doug Braithwaite, Juan Jose Ryp, Adam Pollina, Renato Guedes, and Adam Pollina, and even more yet to come (like Mae Catt, Joshua Dysart, Tomas Giorello, Eric Heisserer, David Lapham, Lewis LaRosa, Jeff Lemire, Peter Milligan, and more).

Bad Idea is taking a new spin on comic distribution. Comic books will be sold exclusively in participating comic book stores. No digital releases. No trade paperbacks or hardcovers. And no variant covers, either. Just super-high quality comics that will always leave you wanting more – because they’ll never publish more than two in a given month.

The publisher’s goal is for every single issue to look and feel special with prestige-format package, deluxe matte laminate covers, and heavy-duty interior paper stock. There’ll also be extra-long page counts, guest appearances from artists, and standalone bonus stories in every issue at no extra cost. That means more The Hero Trade from Matt Kindt and David Lapham and… the bird of a shared universe!?

All of that for just $3.99 per issue.

You’ll have to visit a Bad Idea “destination store” – one of the 100 and counting comic shops around the world that have signed on to join our independent network of direct-distribution retail partners – and buy them on a Wednesday (or simply pre-order them in advance by phone or email and pick them up whenever you’re damn well ready).

What will we see next year? Lets find out!

ENIAC #1 (of 4)

MATT KINDT (writer)
DOUG BRAITHWAITE (art)
DIEGO RODRIGUEZ (colors)
LEWIS LAROSA with LAURA MARTIN (covers)

Seventy-seven years ago, the United States unlocked the key to defeating the Axis powers, but, in their desperation to end the war, created a far more powerful threat: ENIAC (Electronic Numerator Integrator and Computer), the world’s first supercomputer. ENIAC’s calculations proved vital to turning the tide against Germany and Japan – until it ordered the second atomic bomb to be dropped on Nagasaki without any human order or approval. America had inadvertently created the first artificial intelligence without ever realizing the full extent of its abilities…or its ambitions. For the more than 50 years that followed, ENIAC manipulated global affairs from the shadows, waging a cold war that pitted spy against spy, nation against nation…until it went dark and disappeared from view. Now, years later, an encrypted countdown has just been detected in Earth’s satellite network and mankind only has three days left before ENIAC executes its endgame. With few options and even less time, the Secretary of Defense has just given two covert operatives the most important mission in human history: kill ENIAC…before it kills us.

From the minds of New York Times best-selling writer Matt Kindt (Mind MGMT), incendiary artist Doug Braithwaite (Justice), and colorist Diego Rodriguez (X-O Manowar), Bad Idea’s long-awaited debut starts here with a science-fiction thrill ride that will send shockwaves for decades to come.

FOUR ISSUES // MONTHLY // BEGINNING MARCH 2021

ENIAC #1 (of 4)

TANKERS #1 (of 3)

ROBERT VENDITTI (writer)
JUAN JOSE RYP (art/covers)
JORDIE BELLAIRE (colors)

The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.

Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly overbudget, New York Times bestselling writer Robert Venditti (Justice League), blockbuster artist Juan Jose Ryp (Wolverine), and Eisner Award-winning colorist Jordie Bellaire (Pretty Deadly) are here to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with THREE DOUBLE-SIZED ISSUES shipping BIMONTHLY (that means every other month, don’t look it up).

THREE ISSUES // DOUBLE-SIZED // BI-MONTHLY // BEGINNING APRIL 2021

TANKERS #1 (of 3)

WHALESVILLE #1

MATT KINDT (writer)
ADAM POLLINA (artist/cover)
MATT HOLLINGSWORTH (colors)

You never thought you’d see a Bad Idea like this! From the limitless imaginations of New York Times best-selling writer Matt Kindt (Mind MGMT), veteran artist Adam Pollina (X-Force), and Eisner Award-winning colorist Matt Hollingsworth (Hawkeye) comes a very special whale tale for all ages (and species) in the tradition of Hayao Miyazaki and Pixar!

When young Wawae – the seaborn son of a whaling captain – is thrown overboard and swallowed whole by a whale, he knows his father will relentlessly pursue revenge against the creature that stole away his boy. What he didn’t expect, however, is what he’s about to find inside: the town of “Whalesville” – a colorful, cobbled-together village inhabited by an astounding collection of talking sea creatures, including a crab named Caleb, an angler fish called Angela, and a seadragon that prefers to go by Lilly. But, to Wawae’s new friends, Whalesville isn’t just their home, it’s the whole world – and they don’t understand the danger that now pursues them from above the waves or that they are even inside a whale at all. To rescue his new best buddies, Wawae will have to convince them of the truth…and save Whalesville before his own father sends them sinking into the inky depths forever.

WHALE-SIZED ONE-SHOT // ON SALE MAY 2021

WHALESVILLE #1

THE LOT #1 (of 4) 

MARGUERITE BENNETT (writer)
RENATO GUEDES (artist/cover)

In 1970, legendary filmmaker Oliver Larsen began production on his latest horror masterpiece on the lot of Los Angeles’ famed Cloverleaf Studios. Obsessed with bringing authenticity to the genre, the director insisted on casting real-life occultists to perform a genuine Satanic ritual live on camera – until something went horribly wrong. In the bloody aftermath, the production was shut down, the footage was confiscated, and the soundstage was forever shuttered.

Until today.

On the heels of a promotion that’s just made her the youngest studio chief in decades, Aviva Copeland is planning to overhaul Cloverleaf’s fading image for the 21st century – starting with the prime piece of California real estate that’s gone unused for 50 years: the very same lost soundstage where Larsen filmed his doomed masterpiece. But, as Aviva will soon discover, this corner of the lot may have been closed for a half-century, but it’s far from empty…and the evil that lives within its haunted walls will soon seize its chance to kill again.

New York Times best-selling writer Marguerite Bennett (AnimosityA-Force) and artist Renato Guedes (DCeased: Hope at World’s End) present a terrifying vision of horror and Hollywood in the boldly bloody Bad Idea manner!

FOUR ISSUES // MONTHLY // ON SALE JULY 2021

THE LOT #1 (of 4)

SLAY BELLS #1

ZEB WELLS (writer)
DAVID LAFUENTE (artist/cover)
ULISES ARREOLA (colors)

You’ve heard of black comedies? Well, this is the first one that’s not just black, but red and green and covered in reams of extremely flammable tinsel that’s already been banned in Canada!

Every Christmas Eve, little Bobby Hamilton and his father rise at dawn for an early morning hunting trip. It was their favorite tradition – until they accidentally killed a certain red-nosed reindeer. They should have known better. They shouldn’t have tried to cover it up. Because Santa Claus knows that they’ve been naughty – and, now like so many fragile Christmas ornaments violently shaken free, the yuletide peace of a quaint Midwestern farming hamlet will forever be shattered as Old Saint Nick comes to town to reap the sweetest gift of all: vengeance.

This July, Emmy Award winner Zeb Wells (HellionsRobot Chicken), mischief-making artistic all-star David Lafuente (Ultimate Spider-Man), and colorist Ulises Arreola (Action Comics) are ready to ruin Christmas a solid six months in advance with the only thing we really wanted this year, anyway: another king-sized Bad Idea one-shot that will soon go down in infamy!

SANTA-SIZED ONE-SHOT  //  ON SALE JULY 2021

SLAY BELLS #1
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