THE CHILD IS BORN, AND ALL OF HELL IS LICKING ITS CHOPS! After over three decades of anticipation, Rick Veitch’s legendary finale to the Swamp Thing saga explodes! The child is born, and Anton Arcane has slithered out of hell to claim them as his final prize. Can John Constantine and Abby’s closest friends protect their baby? Will the fate of the world be tipped into an abyss of unalloyed hatred? Or will Swamp Thing do whatever it takes to return to his loved ones and save them from Arcane’s clutches? Welcome to the ultimate ending to the saga of Swamp Thing.
Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.
These are Graphic Policy’s Mini Reviews and Recommendations.
Logan
Ultimate Universe Finale #1 (Marvel) – I wasn’t a fan of the timey wimey BS that was Ultimate Endgame #5, but Ultimate Universe Finale #1 is a better conclusion to Earth-6160 as well as bittersweet glance of what could have been. Jonathan Hickman and Marco Checchetto give Peter Parker a taste of his own medicine when May starts becoming a superhero capturing the domestic dynamic that made Ultimate Spider-Man refreshing. Bryan Hill and Stefano Caselli turn in a powerful coda to T’challa’s heroic journey and widely focus on his relationship with Storm. The Peach Momoko Ultimate X-Men and Deniz Camp Ultimates stories are the most tantalizing offering an exciting new status quo and a new Big Bad for Earth-6160. Finally, Chris Condon and Alessandro Capuccio’s is just a simple birthday hangout between Logan and Victor after issues and issues of violence. It feels like the conclusion this series deserved instead of chasing Magik through mazes. All in all, this comic reminded me of the good ol’ days of the Ultimate Universe, and maybe editorial will catch a hint and bring it back in a more comprehensive way than Ultimate Impact Reborn. Overall: 8 Verdict: Buy
Swamp Thing 1989 #3 (DC/Black Label) – The DC Universe-spanning tapestry that Rick Veitch and Tom Mandrake are weaving comes into clearer view in Swamp Thing 1989 #3. It’s a truly a cosmic gumbo featuring cameos from John Constantine, Nergal, Darkseid, Anthro, and more all invested in Swamp Thing’s narrative of birth and rebirth, life and death. And then you’ve got Arcane doing the opposite number, and giving Mandrake and colorist Tristh Mulvihill an opportunity to indulge in their grisly child. But the heart of the story continues to be Swamp Thing’s battle to be with Abby and their unborn child, and that’s what keeps me coming back to each installment. Even after he’s factory reset by the Source, this is his first and last thought, and he’ll try to make it back to his loved ones. Overall: 8.9 Verdict: Buy
Summer of Supergirl Special #1 (DC) – Just in time for her new movie, the Summer of Supergirl Special #1 is a delightful entry into the world of the Last Daughter of Krypton for fans old and new. The lead story from Sophie Campbell and Belen Ortega pits Supergirl against Lobo with a side of Krypto and the fittingly named Dawg. Opening with a court case, this story is freaking hilarious and also heartwarming as Lobo and his daughter Crush adjust to life in Midvale. (The mac n cheese sandwiches help a lot.) The modern Supergirl feels like a mix of rebel and wholesome, and Campbell gets that which is why she is the current writer and sometimes artist on the ongoing title. This story made me want to catch up on the Supergirl and Lobo comics while acting as a full meal in its own right. Next up is a Mary Marvel/Supergirl backup from Gail Simone and Emma Kubert where they fight a power-negating robot, but mostly bond as fellow adoptees and young female superheroes who are often in the shadow of their male counterparts. Kubert’s art fuses old school superhero art with contemporary techniques and brings some big feelings. The final story is for all the continuity cops out there courtesy of who else but Mark Waid and the chameleon-like Cian Tormey, who does a Supergirl Eras tour slicker than the billionaire with the big record sales and even bigger carbon footprint. The story is a recontextualizing of 60+ years of sometimes insane stories into a sales pitch for why Supergirl is awesome and should have her own movie and comic. And the Crisis on Infinite Earths and Woman of Tomorrow callbacks are pure beauty. Overall: 8.4 Verdict: Buy
Exploit #4 (Mad Cave) – The ripped from the headlines/anti-billionaire/agitprop thriller series wraps up with a stylish, trollish extended heist issue from Tim Leong, Laura Hudson, and Emiliana Pinna. Pinna and colorist Rebecca Good make everything smooth and sleek thanks to the foundation of characterization laid in previous issues. It’s cathartic watching tech bros get their comeuppance, and the ending is pretty sweet/full circle with just a touch of bitterness to set up a potential sequel. Exploit is both a love letter to good tech journalism and a suspenseful story with badass queer leads. It’s the perfect way to wrap up Pride Month. Overall: 8.1 Verdict: Buy
BEFORE THE BEGINNING OF TIME, SWAMP THING MUST FACE THE SOURCE! After three decades of controversy and cancellation, Rick Veitch’s finale to the Swamp Thing time-travel saga barrels toward its mind-bending conclusion! Swamp Thing’s journey back through time has finally led all the way to the Big Bang and beyond. There, in the presence of the Source of the Multiverse, Swamp Thing must make an impossible choice: join the Source of life itself or find his way home to Abby. While 13 billion years in the future, John Constantine works his occult network while Hell itself is ablaze with villains of yesteryears forging evil into a new and terrifying form! The child of Swamp Thing, Abby Arcane, and John Constantine, heir to the role of Earth’s Elemental, is about to be born. And everything hangs in the balance.
Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.
These are Graphic Policy’s Mini Reviews and Recommendations.
Logan
Escape #7 (Image) – Shaw makes his attack on the enemy Titan weapon in the fireworks-filled Escape #7. Daniel Acuna visually captures the horrors of a fire fight while Rick Remender‘s captions expose all of Shaw’s fears and doubts as he undertakes what is essentially a suicide mission. This could easily be the final issue of the series, but Escape isn’t just interested in the dog faction winning the war, but also how they treat the folks that have been oppressed by the bats. The use of anthropomorphic animals allows Remender and Acuna to go under the surface of the “last good war” and look at the real pain and trauma that it caused as this series continues. Overall: 8.6 Verdict: Buy
Exploit #3 (Mad Cave) – Exploit #3 is quite the twisty techno-thriller ride from Tim Leong, Laura Hudson, and Emiliana Pinna. Leong and Hudson uncover some cards about the assassination of Saxon and the identities of Dade and Mr. Ipsum while still keeping the story grounded in the romantic relationship between Kirby and Lenox that reaches a rough spot as they’re both fugitives from both the government and tech bros. There’s one chase sequence from Pinna and colorist Rebecca Good that is particularly exciting using a map-like double page spread and inset panels. Exploit #3 plunges right into the morally grey area, and I’ve never been more excited to read the next issue. Overall: 8.9 Verdict: Buy
Did You Hear About Mimi Green #1 (Dark Horse) – Connor Goldsmith and Josh Cornillon take aim at cancel culture, wellness culture, and vitality with a heavy helping of body horror in Did You Hear About Mimi Green #1. Seriously, this comic is like if David Cronenberg directed Hacks. Cornillon’s visuals are capital “d” disgusting, but there’s a dreamy quality to his work as well, especially when Mimi thinks about her old lover. All in all, this is a unique and engaging debut from Goldsmith and Josh Cornillon that knows likable characters are overrated. Overall: 8.4 Verdict: Buy
Swamp Thing 1989 #2 (DC) – It’s such a blessing to get the proper conclusion to Rick Veitch’s Swamp Thing run, and this installment is even timier and wimeyer than the previous issue’s Biblical beauty. Swamp Thing continues to be flung back in the depths of time, and it’s looking more and more hopeless that he’ll be reunited with Abby. Veitch and artist Tom Mandrake continue the Jesus parallels by having Abby giving birth to their daughter in a stable in Houma while Swamp Thing’s journey gets more cosmic and trippy. This issue also has guest stars galore like John Constantine, Jim Corrigan, Anthro, and the heroic Shining Knight as well as a more nefarious figure to fill the void in the Green. Swamp Thing 1989 #2 lacks the tragic beauty of the Camelot and crucifixion issues, but does capture the bonkers creative of the late 1980s era while not abandoning the all-important Swamp Thing/Abby relationship. Overall: 8.1 Verdict: Buy
As Swamp Thing is flung backwards through time, his true destination is revealed! While John Constantine works a world of connections to locate the lost elemental, Abby prepares to give birth to their child of three worlds. Witness the epic odyssey that could not see print until now! Over three decades in the making, welcome to the grand finale of Swamp Thing!
Over three decades since the controversy and cancellation, Rick Veitch’s legendary lost issues are completed! After a renowned two year run on the series, Veitch’s grand finale to Swamp Thing was cut short, and never to see print! Whispers and leaks hinted at the epic untold saga for years. Now, for the first time, that final story is told! As Swamp Thing is cast back through time, he will come to meet a carpenter who will change the trajectory of his life, and the DC Universe forever. The origin of Etrigan, and Swamp Thing’s journey to the beginning of time starts here!
Story: Rick Veitch Art: Michael Zulli, Vince Locke Color: Trish Mulvihill Letterer: John Costanza, Todd Klein
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Over three decades since the controversy and cancellation, Rick Veitch’s legendary lost issues are completed! After a renowned two year run on the series, Veitch’s grand finale to Swamp Thing was cut short, and never to see print! Whispers and leaks hinted at the epic untold saga for years. Now, for the first time, that final story is told! As Swamp Thing is cast back through time, he will come to meet a carpenter who will change the trajectory of his life, and the DC Universe forever. The origin of Etrigan , and Swamp Thing’s journey to the beginning of time starts here!
DC has announced that Swamp Thing 1989 #1, the long-awaited, fully restored, lost issue that begins the conclusion of Rick Veitch’s acclaimed late-1980s run on Swamp Thing will be released in April 2026. After more than three decades, Veitch’s ambitious final epic will be released under the DC Black Label across four issues, published monthly through July.
Written by Rick Veitch, with art by original penciler Michael Zulli and inked by Vince Locke, Swamp Thing 1989 #1 completes the comic Veitch and Zulli intended to deliver as Swamp Thing #88. In this issue, Swamp Thing is cast back through time and encounters a humble carpenter whose presence will alter the creature’s destiny and send ripples through the DC Universe. The issue also sets the stage for the long-anticipated origin of Etrigan the Demon and catapults Swamp Thing on his mythic journey back to the Big Bang and beyond.
The main cover by Rick Veitch reflects the quiet tension and symbolic weight of the story’s historical setting. Variant and foil covers by Michael Zulli present painterly imagery of Swamp Thing that captures the emotional and mythic intensity surrounding this pivotal moment in Swamp Thing’s saga.
The issue will be released with its original trade dress, period-accurate numbering on the cover, facsimile-style paper stock, and vintage ads, Swamp Thing 1989 #1 begins the journey to Veitch’s final Swamp Thing saga, running as it would have been published in 1989.
DC Black Label is completing the work exactly as it was intended. The long-lost Swamp Thing #88, now called Swamp Thing 1989 #1, features art by the late Michael Zulli, who returned to work on the issue before his passing in 2024, completing the painting featured as the variant cover. Working closely with Zulli’s wife, Karen Zulli, DC selected Vince Locke, Zulli’s longtime inker, to complete the issue over his original pencils while preserving the integrity of Zulli’s original vision.
Veteran Swamp Thing series artist Tom Mandrake will illustrate the brand-new Swamp Thing 1989 #2-4, which would have been Swamp Thing #89–91, bringing Veitch’s never-published storyline to its intended conclusion. For Swamp Thing 1989 #2-4, colorist Trish Mulvihill honors the palette and spirit of legendary series colorist Tatjana Wood while letterer Todd Klein brings the same reverence to the work of original Swamp Thing series letterer John Costanza.
Swamp Thing 1989 #1 is a 32-page comic book priced at $4.99 US, with a card-stock variant available for $5.99 US and a foil variant for $7.99 US. The new series begins on April29, 2026.
