Tag Archives: shaft

Crunchyroll lands the North American rights for Kizumonogatari -Koyomi Vamp-

KIZUMONOGATARI -Koyomi Vamp-

Crunchyroll has announced that it has acquired North American and select international theatrical rights, including Mexico and Australia, for the ultra supernatural vampire film compilation KIZUMONOGATARI -Koyomi Vamp- from Aniplex of America.

KIZUMONOGATARI -Koyomi Vamp- is a three-film anime adaptation comprised of edited footage from the trilogy of films of the same name previously released in 2016 and 2017 featuring animation produced by SHAFT.

KIZUMONOGATARI -Koyomi Vamp– centers around a high school student named Koyomi Araragi, who survives an encounter with a gorgeous yet helpless vampire, Kiss-shot Acerola-orion Heart-under-blade. 

Crunchyroll and Sony Pictures Entertainment will bring the film to theaters for one-day-only in North America and Mexico on August 28 and in Australia on September 5

It was one fateful evening when Koyomi Araragi encountered her – Kiss-shot Acerola-orion Heart-under-blade: Legendary Vampire, Killer of Apparitions, and King of Apparitions. Her legs and arms were cruelly torn apart, her extravagant dress soaked in red; she’s a monster who finds herself in a tragic state, lying in a pool of her own blood. However, Koyomi finds her to be beautiful this way. 

Written by NISIOISIN and animated by SHAFT, KIZUMONOGATARI -Koyomi Vamp- takes you back to the beginning, the origin of the MONOGATARI story. Originally released as three separate movies, the upcoming film installment summarizes the KIZUMONOGATARI trilogy and can be seen exclusively in theaters. 

Directed by and screenplay by Tatsuya Oishi. Original story by NISIOISIN. Produced by SHAFT. Run time: 114 minutes.

Men in Black International and Shaft Both Fail to Meet Expectations as MiB Wins the Weekend

Men in Black International

It was a bad weekend at the box office as Men in Black International and Shaft didn’t come close to even the lowest expectations. The weekend was down

Men in Black International opened with $28.5 million which is the lowest opening for the franchise by over $20 million. All three previous films opened with over $51 million. The film received a “B” CinemaScore and middling to negative reviews. The audience was 56% male and 53% aged 25 or older.

The film brought in $73.7 million from 36 markets to bring the global debut to $102 million.

With a budget of $110 million, the opening isn’t a complete disaster. The film has also earned a reported $75 million from brand deals so when added into the earnings the film will likely eke out a small profit by the time it’s all done. But, the franchise definitely doesn’t have the juice it once did.

In second place was The Secret Life of Pets 2 which dropped 49% in its second weekend to bring in an estimated $23.8 million. Domestically, the film has earned $92 million after ten days. Internationally, the film added $8.5 million for an international total of $62.5 million and an international total of $154.5 million.

Aladdin held steady in third place with an estimated $16.7 million to bring its domestic total to $263.4 million. Internationally, the film added an estimated $47.5 million for a foreign box office total of $461.4 million and a worldwide total of $724.8 million. After four weeks the film is third domestically and internationally for the year.

Dark Phoenix dropped hard to fourth place tumbling 72.6% and earning an estimated $9 million. That’s the second largest weekend drop for a film playing in over 3,500 theaters in the second weekend. The film has now earned $51.8 million domestically. The film added $24.2 million internationally bringing that total to $152.5 million. Worldwide, the film has earned $204.3 million. With a $200 million budget, the film has just barely passed it in grosses after two weeks.

Rounding out the top five was Rocketman which added $8.8 million to bring its domestic total to $66.1 million. It also added $8.5 million internationally to bring its worldwide total to over $133 million.

Just outside the top five was Shaft which came in sixth place. The film was expected to earn $15 million but could only scrape together $8.3 million. The opening day audience did give the film an “A” CinemaScore. The audience was also 54% female and 84% aged 25 years or older.

In other comic film results…

Avengers: Endgame came in at #11 earning an estimated $3.5 million domestically to bring that number to $830.5 million.

We’ll be back in an hour for a deeper dive into this year, and last year’s, comic film adaptations.

Beyond Deadpool: A Few of Liefeld’s Other Character Designs

NewMutants98Well, it’s happened: Deadpool is a certified movie star. It was only a matter of time, thanks to that peculiar mix of charm, snark and psychosis spilling out of our boy Wade. But there’s another weapon in Mr. Pool’s arsenal: that killer set of threads he sports. Oh sure, it’s red for a reason, but that’s not all. It’s memorable, it’s sleek, it’s tactical and it has the cool factor out the wazoo. Originally created by Fabian Nicieza and Rob Liefeld in 1991 and making his debut in The New Mutants #98, Deadpool started climbing the mountain of celebrity and never looked back. And it’s safe to say that his costume greatly increased his appeal.

Now it must be mentioned that Rob Liefeld has historically been a controversial figure in his chosen field, but that’s not what this article is about. Rather, let’s take a look at some of Liefeld’s other character designs from the (general) time of Deadpool’s creation and compare their looks with his striking little black and red number. Are they ready for their close-up as well, Mr. DeMille (or Tim Miller)?

 

 

Cable

Well yeah, I had to put Cable in first, he’s gonna be in the sequel (fingers crossed for Keira Knightley). He’s also got a lot going on. For starters, the whole left side of his body is living metal from the Techno-Organic virus, so he’s kinda like half-Terminator (and he’s from one of those dystopian futures that are so popular). He’s got the whole battle-scarred old soldier look going on, like Clint Eastwood if he had an awesome cybernetic eye implant. Also: lots of heavy weaponry, large shoulder pads and plenty of pouches to hold stuff (yeah, it’s an old joke about Liefeld’s designs, but it kinda works for a soldier to have utility belts all over himself). Cable’s design is a pastiche of ideas that are strong on their own, but add up to a strange whole. His design is visually interesting but doesn’t have the symmetry or color of Deadpool’s. Still, can’t wait to see him in the sequel.

Cable

Shaft

Every superhero universe has to have an expert archer, and Rob Liefeld’s Image Comics imprint Extreme Studios was no exception. Thus we have Shaft, who only WISHES he had a theme song as fantastic as Richard Roundtree. But still, he does have a bow that fires its arrows by magnet power instead of a string, so he’s got that one up on the rest of the “outdated projectile weapons” crowd. Beyond that, he has a face-encircling headgear that calls to mind Gambit, among others. His initial design was not short on bandoliers and pouches, though the ability to carry gear around seems fitting for a master archer (are any of these characters ever shown fishing around in these pouches for anything, or do they always remain decorative?). Shaft’s color scheme is red and white, making him look slightly like Aquafresh toothpaste without the green part. It’s a somewhat interesting design that works, but it still doesn’t quite have the wow factor provided by the interplay of red and black in Deadpool’s look.

Shaft

Badrock

Another founding member of Youngblood, Badrock is the big bruiser on the team, even though he’s just a teenager. His look is mostly about showcasing his stone-like hide, but he did wear some serious shoulder pads in his first appearance and beyond. One striking aspect about Badrock’s look is his jutting lower jaw, giving him that determined underbite shared by The Iron Giant and Vin Diesel (hmmm…). Beyond that, Badrock’s actual costume(s) have consisted of various tight spandex that emphasize his bulk but don’t lend themselves to attention-grabbing designs of their own. Much like Ben Grimm or Concrete, the character’s body that resembles natural material IS their look, and that’s what springs to mind when they are mentioned.

Badrock

Domino

Domino is another character that is memorable more for a physical characteristic than for what they wear. Created by Nicieza and Liefeld during their run on The New Mutants, Domino is another of those deadly super-weapon experiments which governments just never get tired of financing. While for clothing Domino generally wears form-fitting black (sometimes with purple accents) tactical gear, it’s that black spot over her left eye that contrasts so well with her chalk white skin and really sticks in the reader’s mind. Such a simple characteristic, but powerful in the way it resonates with her codename. Her luck generating powers, her mysteriousness and even her deadliness are all suggested by the spot over her eye. It’s a solid bit of character design.

Domino

Diehard

The coolest Diehard that wasn’t married to Demi Moore is this guy, actually a series of artificial bodies that carry the consciousness of the original hero. His look is the closest to Deadpool on this list, at least in the fact that they both possess the same featureless full-face mask that suggests something other than human might be underneath. Diehard’s version is white with a dark stripe down the middle, giving it that pleasing contrast and increasing the cool/scary ratio. The rest of his suit’s color scheme is a little busy though, with both gold and red added to the dark blue and white. In my opinion, that degrades the unity of his look a bit in relation to Deadpool’s solid black and red motif. A cool design but just a bit off balance.

DiehardLiefeld was a busy guy back then, helping create the early ’90s like that. There’s love for his work and there’s criticism, but it’s simply a fact that he created a hefty body of work in a relatively short time. While in my opinion Deadpool is one of Liefeld’s more successful co-creations, there’s a good chance that these characters will have their own moments to shine before a larger audience (and not just Cable, who we know is on his way). I wouldn’t mind seeing Domino pop up in the X-Men franchise, and Youngblood could make for a cool team movie if handled correctly. Sure, they may not be as pretty as Deadpool (really though, who is?), but that doesn’t mean they can’t get the job done.

Review: Shaft TP

Shaft-TP-Cover-REVI think everyone has heard of the character of John Shaft, even if you have not of the movies including the John Singleton remake which came off more like a shadow of what the originals were. The character made famous by Richard Roundtree, was probably one of the most unique icons form the 1970s and actually created its own archetype. There have been clones of this character through films that came out after, that, but none were as good as John Shaft. Most people don’t know that they were based on books.

This is a fact that I didn’t know myself until I met the writer of this new comic, David Walker, at New York Comic Con, as he seemed to be very invested in writing the character in the books and not in the movies. Then when they announced Bilquis Evely as the artist, I did not know who she was, but was intrigued after doing a Google search of her work. So when the first issue dropped, I was more than intrigued, I became a believer, as this was not only true to who the character should have been as the title of the first arc, tells the reader, he is a complicated man.The John Shaft in these books, is far more interesting and more intricate than what was portrayed in the movies.

The story starts in 1968, shortly after John gets discharged from the Army, where he begins his civilian life working as boxer. He refuses to throw a fight within the first few pages and soon finds himself looking for work again, where it dawns on him to start a detective agency. He starts his first case, looking for a shoplifter but ends up getting more complicated than that, from gangsters to ending with a search for a missing girl. By story’s end, the reader will find a character, which they actually never knew, but will be more than intrigued to understand.

Altogether, a fine story that challenges any preconceived notions had of this character and his motivations and really of the time. David F Walker shows exactly why Dynamite chose him to write this story and the prose novel, which goes with each issue, as he understands John Shaft enough, to give him the proper interpretation. The art by Bilquis Evely, is a godsend as, she captures the era and the characters in the most interesting hues. Overall, a solid book that although was set in the 60s is very much relevant today.

Story: David F. Walker Art: Bilquis Evely
Story: 10 Art: 9 Overall: 9 Recommendation: Buy

Dynamite provided Graphic Policy with a FREE copy for review

Preview: Shaft TP

Shaft TP

writer: David F. Walker
artist: Bilquis Evely
cover: Denys Cowan & Bill Sienkiewicz
FC • 176 pages • $19.99 • Mature

Who’s the black private dick that’s a sex machine with all the chicks? Shaft! (You’re damn right!) Created by author Ernest Tidyman and made famous in a series of novels and films, iconic hero Shaft makes his graphic novel debut in an all-new adventure. He’s gone toe-to-toe with organized crime bosses, stood up to the cops, squared off against kidnappers, and foiled assassination attempts. But who was John Shaft before he became the hardboiled investigator with a reputation as big as New York City itself? Recently arriving home from his tour of duty in Vietnam, his first case — tracking down a missing person for his girlfriend — quickly turns into a matter of life and death, making him a target of gangsters and the police!

Collects issues 1-6 by David F. Walker and Bilquis Evely, along with an introduction by Shawn Taylor, Character sketches, a look at the making of the series, a complete cover gallery featuring art by Denys Cowan, Bill Sienkiewicz, Francesco Francavilla, Sanford Greene, and more!

Shaft-TP-Cover-REV

Preview: Shaft #6

Shaft #6

David F. Walker (w)
Bilquis Evely (a)
Bill Sienkiewicz, Francesco Francavilla (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Mature
FANS, ASK YOUR RETAILER FOR THE:
Denys Cowan w/ Bill Sienkiewicz B/W Art retailer incentive cover
Sanford Greene B/W retailer incentive cover
Francesco Francavilla “Virgin” Art retailer incentive cover

The critically acclaimed comic book debut of Shaft comes to a violent end in a hard-boiled climax of retribution, revenge, and betrayal. The first big case of private detective John Shaft’s career has come with a high price. Shaft has it all figured out, but the bodies haven’t finished dropping, and there are still scores to settle. With the ghosts of his past looking over his shoulder, and his enemies in his sights, Shaft makes his final play.

Shaft06-Cov-A-Sienkiewicz

Preview: Shaft #5

Shaft #5

David F. Walker (w)
Bilquis Evely (a)
Denys Cowan w/ Bill Sienkiewicz, Francesco Francavilla, Sanford Greene (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Mature
FANS, ASK YOUR RETAILER FOR THE:
Denys Cowan w/ Bill Sienkiewicz B/W Art retailer incentive cover
Sanford Greene B/W Art retailer incentive cover
Francesco Francavilla “Virgin” Art retailer incentive cover

The bodies have been piling up as private detective John Shaft has been searching for the missing Marisol DuPree. Now that he’s found her, all the pieces of the puzzle are starting to fit into place. Shaft finally knows what is going on, and why so many people around him have died. He thought he was done fighting wars. He thought he was done with the killing. But he was wrong. For men like Shaft, there’s always a war to be fought, and the killing always comes easy.

Shaft05-Cov-A-Cowan

Preview: Shaft #4

Shaft #4

David Walker (w)
Bilquis Evely (a)
Denys Cowan w/ Bill Sienkiewicz, Francesco Francavilla, Ivan Nunes, Sanford Greene (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Mature
FANS, ASK YOUR RETAILER FOR THE:
Denys Cowan w/ Bill Sienkiewicz B/W Art retailer incentive cover
Sanford Greene B/W Art retailer incentive cover
Francesco Francavilla “Virgin” Art retailer incentive cover

John Shaft is a ticking time bomb of vengeance waiting to explode. Before the killing starts, however, he wants answers. Consumed by rage, he returns to the place he hates the most—his childhood home—where his personal demons continue to haunt him. When unfriendly faces from his past appear, Shaft realizes that getting his revenge will require forming allegiances with his enemies.

Shaft04-Cov-A-Cowan

Announcing the Finalists for the First Ever Dwayne McDuffie Award for Diversity

long beach comic expoThe finalists for the first ever Dwayne McDuffie Award for Diversity Award were announced today. The five nominated titles are:

  • HEX11 by  Lisa K. Weber and Kelly Sue Milano (HexComics)
  • M.F.K. by Nilah Magruder (http://www.mfkcomic.com/)
  • Ms. Marvel by G. Willow Wilson and Adrian Alphona (Marvel Entertainment)
  • The Shadow Hero by Gene Luen Yang and Sonny Liew (First Second Books)
  • Shaft by David F. Walker and Bilquis Evely (Dynamite Entertainment)

The winner will be announced at the first ever Dwayne McDuffie Award for Diversity ceremony event to be held later this month at Long Beach Comic Expo on Saturday February 28 at 2 PM PT. The Award is named in honor of Dwayne McDuffie, the legendary writer and producer who co-founded and created Milestone Media.

The Dwayne McDuffie Award Selection Committee consists of eight prominent comics and animation professionals who knew McDuffie and have demonstrated a commitment to inclusiveness:

  • Neo Edmund – Novelist, animation and comics writer;
  • Joan Hilty – Nickelodeon Comics Editor; Creator of Bitter Girl;
  • Joseph Illidge – Former Editor, Milestone and DC Comics; Columnist, Comic Book Resources; Writer, First Second Books;
  • Heidi MacDonald – Editor in Chief, The Beat;
  • Glen Murakami – Producer/Supervising Director, DC animated properties and Ben 10: Alien Force/Ultimate Alien;
  • Eugene Son – Comics writer/Story Editor, Ultimate Spider-Man Animated;
  • William J. Watkins – Writer; Former owner, Chicago’s first Black-owned comics store;
  • Len Wein – Co-creator Swamp Thing, Wolverine, New X-Men; Former Editor-in-Chief- of Marvel Comics and Senior Editor, DC Comics.

Reginald Hudlin, an innovator of the modern black film movement, will be the Keynote Speaker at the Dwayne McDuffie Award for Diversity Award ceremony later this month.

Preview: Shaft #3

Shaft #3

David F. Walker (w)
Bilquis Evely (a)
Denys Cowan w/ Bill Sienkiewicz and Ivan Nunes, Francesco Francavilla, Sanford Greene (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Teen+
FANS, ASK YOUR RETAILER FOR THE:
Denys Cowan B/W Art retailer incentive cover
Sanford Green B/W retailer incentive cover
Francesco Francavilla “Virgin” Art retailer incentive cover

John Shaft didn’t go looking for trouble; it came looking for him, and in the process, a lot of people died. Devastated by the murder of a friend, Shaft wants answers and revenge—though not necessarily in that order. With vengeance on his mind and cold steel in his hand, Shaft finds himself caught up in a brewing gang war that threatens to consume the city. Everyone from the Mafia to the police wants Shaft to do their dirty work, but no one realizes that’s all part of his plan.

Shaft03-Cov-A-Cowan

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