Tag Archives: sean peacock

Godzilla’s Monsterpiece Theatre Presents: Romeo & Juliet and Godzilla #1 deepens the tragedy of the love story while also throwing in slapstick humor on a colossal scale

Godzilla's Monsterpiece Theatre Presents Romeo And Juliet And Godzilla #1

In Godzilla’s Monsterpiece Theatre Presents: Romeo & Juliet and Godzilla #1, Adam Tierney and Sean Peacock intensify the classic tragic melodrama of William Shakespeare’s doomed lovers with an old-fashioned kaiju attack on Renaissance Verona. With the exception of a gorgeous fantasy sequence and some fun genre riffs, Tierney’s plot (and language) doesn’t stray from the classic story. However, Godzilla stomping, Mothra flying, and Capulet’s medieval take on Mechagodzilla add an extra level of mayhem and dark, slapstick humor.

Adding Godzilla to the mix really shows how self-absorbed and infatuated Romeo and Juliet were with each other. While the monster destroys their town killing family and friends, they only have eyes for each other. (And by extension, so do Godzilla and Mothra.) Shakespeare’s beautiful speeches and soliloquies take the foreground while carnage reigns in the background. I cackled when Godzilla took out Juliet’s famous balcony with a blast of nuclear breath, even though it sets up Romeo as the romantic hero sweeping her up in his arms before their kiss. Also, the Capulet/Montague feud doesn’t go away while the town is being attacked, but it only gets (literally) hotter. Tybalt and Mercutio (Especially Harold Perrineau’s performance as him in Romeo + Juliet) are two of the best characters in the play, and Adam Tierney and Peacock give them time to be witty and combative. However, their deaths result from being caught in the crossfire between Mechagodzilla and Godzilla. The combination of Gothic visuals from Sean Peacock and ominous lettering from Brian Kolek, with the classic line “A plague on both your houses,” captures the comic’s overall tone very well: highbrow, yet not afraid to laugh at itself.

Yes, the themes of the irrationality of love and family feuds shine true in Romeo & Juliet and Godzilla. There’s even a gorgeously colored dream sequence where Romeo and Juliet find a happy ending under a stained glass window of Toho monsters that illustrates that this isn’t Verona’s first Kaiju rodeo, as well as the cyclical nature of war and conflict. It’s just also a plain cool piece of art from Peacock, and he adds depth and humor to Tierney and Shakespeare’s text. He has a Tom Scioli meets Classics Illustrated style that works for the tone of the book, even if some of the panel transitions can be muddled and confusing, like when Juliet takes this story’s take on the “poison”. But, overall, Sean Peacock brings a dynamic approach to layouts that draws parallels between Romeo/Juliet and Godzilla/Mothra. The way the action is staged feels like a stage play, too.

Even better than the lead story is the first chapter of Tom Scioli’s Robin Hood and Godzilla serial that will run as backups in all of the Godzilla’s Monsterpiece Theatre Presents titles. The King of Monsters plays a background role in this story, with Scioli gleefully throwing himself into an all-swashbuckling, all-the-time adventure yarn with violence and hijinks that would make Errol Flynn smile. He uses page layouts to spring the trap that Robin Hood pulls off on the Sheriff of Nottingham and his goons, and honestly, this comic works out as a straight-up Robin Hood comic without the Godzilla bit. However, with his face poking out of the water, Godzilla represents menace and the escalation of stakes to come. Tom Scioli uses Godzilla’s presence in the book to put Robin Hood in the tradition of the chivalric romances because this hero finally has a kind of dragon to slay.

If you enjoyed Godzilla’s Monsterpiece Theatre, Romeo and Juliet & Godzilla is much in the same vein, adapting the key moments and themes from the William Shakespeare play while adding some explosive giant monster action. Tierney and Peacock use the presence of Godzilla, Mothra, and Medieval Mechagodzilla to deepen the tragedy of the love story while also throwing in slapstick humor on a colossal scale and showing how self-involved Romeo and Juliet were, as well as the futility of their families’ feud.

Story: Adam Tierney, Tom Scioli
Art: Sean Peacock, Tom Scioli Letters: Brian Kolek
Story: 8.8 Art: 8.6 Overall: 8.7 Recommendation: Buy

IDW provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Godzilla’s Monsterpiece Theatre Presents: Romeo & Juliet and Godzilla #1

Godzilla’s Monsterpiece Theatre Presents: Romeo & Juliet and Godzilla #1

(w) Adam Tierney (a) Sean Peacock

The explosive literary mashup series returns! But this time, Godzilla is taking on the classics one story at a time. O Godzilla, Godzilla, wherefore art thou Godzilla? First, it’s invading the Bard’s most revered play, Romeo & Juliet. Families at war! Forbidden love blossoming! Godzilla on its path of destruction! Fair Verona won’t be so fair for long!

And that’s not all: Tom Scioli is returning to the series to write and illustrate a backup story starring the legendary thief entitled “Robin Hood and the Monster of Nottingham!”

Godzilla's Monsterpiece Theatre Presents: Romeo & Juliet and Godzilla #1

Crowdfunding Corner: Midnight Western Theatre Compendium, You Must Be This Tall To Ride #1

Welcome to our revamped “Crowdfunding Corner” rounding up some of the latest crowdfunding news. We’re going beyond just announcement projects, we’ll be tracking to make sure these projects get delivered as well as what we think the “risk” of backing them are.

We’ll be updating the format as we get a better handle of the needs of this sort of coverage, so stay tuned and check out the first round of projects!


Midnight Western Theatre Compendium TPB

Midnight Western Theatre Compendium TPB

Publisher: N/A
Creative Team: (w) Louis Southard (a) David Hahn, Butch K. Mapa (c) Ryan Cody, Sean Peacock (l) Buddy Beaudoin (ca) Julianne Griepp
Launch Date: Launching soon
Risk: Low – The series is done and the team has run previous campaigns and delivered them on time.

In a deadly wild west, tall tales and nervous whispers run rampant of Ortensia Thomas AKA the Woman in Black! A mysterious gunslinger on an impossible mission against the forces of evil. With otherworldly—or all too human—threats finding themselves at odds with this antihero for the ages, this is a bloody story of a serious woman with a serious job to do. Thankfully, she doesn’t work alone…

Meet—or revisit!—the colorful cast of Alexander Wortham the Reluctant Vampire, Sarah Bishop the Wild West Witch, Governor Jamie Corson, Plague Doctor, Samual the Prophet, the Lone Spirit, Ata’halne, Red Tom, the Fireman, and the widely beloved Horse.

Originally published by Scout Comics and Entertainment from 2021-2023, Midnight Western Theatre is resurrected once more with this ambitious compendium Kickstarter. With over 300+ pages of comics content, this epic tome seeks to collect Midnight Western Theatre Vol. 1 (Issues 1-5), Midnight Western Theatre Vol. 2: Witch Trial (Issues 1-5), variant cover art, original series concept art, Ortensia cosplay photoshoot, behind-the-scenes making of, exclusive TV show adaptation material, and a whole lot more rooting-tooting cowboy shooting!

Saddle up your horse and get ready for the weird west comic of your dreams by writer Louis Southard (Flash Gordon / X-O Manowar), artist David Hahn (Batman ‘66 / Impossible Jones), artist Butch K. Mapa (Speed Racer / Archie Horror), colorist Ryan Cody (Justice League vs. Legion of Super-Heroes), colorist Sean Peacock (Love Honey / Godzilla Monsterpiece Theatre), letterer Buddy Beaudoin (Green Arrow / Flash), and cover artist Julianne Griepp (Laugh Riot / Comics Are Dying: The Comic).

This book is 100% done, we only need YOUR help to print and ship! If you like Jonah Hex, Buffy the Vampire Slayer, Supernatural, Westworld, romantasy fiction, and a lot of other cool stuff, then this is the book you’ve been waiting for!


You Must Be This Tall To Ride #1

You Must Be This Tall To Ride #1

Publisher: N/A
Creative Team: (w) John McGuire (a) Ivan Rehzi (c) Ivan Rehzi (l) Tanner Eddleman
Launch Date: Launched – ends on April 10 2026 11:09 AM
Risk: Low – previous campaigns have been run and based on updates and comments delivered close to on time.

When your family inherits an amusement park from a long-missing Uncle, it turns a potentially boring summer vacation into what could be the greatest summer of all time!

However, when a game of Hide and Seek finds their youngest cousin lost in a huge run down estate, it is suddenly up to the rest of the kids to find him before their parents get home.

But what do you do if there is more to this place than you could ever imagine?

What if the various worlds and rides are portals to something else?

What if they are doorways to other realms?

How far would you go for Family?

Preview: Blood Honey

Blood Honey

Sean Peacock
February 3, 2026

Young love always feels like life or death—and at this high school, it is in this exciting graphic novel!

In this Burton-esque macabre world, young lovers Vanessa De La Mora and Edgar St. Claire are at the top of the food chain at Manderlay Preparatory High School. They should be focusing on their upcoming crowning as homecoming queen and king, but lately the duo have grown weary and resentful of each other. While breaking up seems like the easy solution, they’ve both independently decided that all of their problems would be solved if the other was, well…dead.

Blood Honey

Preview: Blood Honey #1

Blood Honey #1

(W) Sean Peacock (A) Sean Peacock

Young love always feels like life or death — and at this high school, it is.

In this Burton-esque macabre world, young lovers Vanessa De La Mora and Edgar St. Claire are at the top of the food chain at Manderlay Preparatory High School. They should be focusing on their upcoming crowning as homecoming queen and king, but lately the duo have grown weary and resentful of each other. While breaking up seems like the easy solution, they’ve both independently decided that all of their problems would be solved if the other was, well… dead.

Join up-and-coming writer/artist Sean Peacock in this exciting cat-and-cat game as two teens try to murder each other in increasingly elaborate fashion!

Blood Honey #1

Crowdfunding Corner: Forge/Surge/Omega Triple Feature from Shape Comics

Backer Beware: Crowdfunding projects are not guaranteed to be delivered and/or delivered when promised. We always recommend to do your research before backing.

Shape Comics has launched a new project: the Forge/Surge/Omega Triple Feature — three awesome stories in one big book. And by the looks of it, this will be their biggest hit yet.

Collectively, the stories play around in a mix of genres. We get some medieval fantasy with Forge, the story of a blacksmith-turned-magic-fire-knight who tries to defend her kingdom from an army of skeletons. Surge shifts the genre from fantasy to sci-fi with the story of a young tech genius who develops a visor that can shoot beams of lightning. Omega rounds it out with a mix of sci-fi and fantasy, where an elvish space man fights a giant monster in an arena in an attempt to free his planet from invading lizard barbarians. 

It’s safe to say that this comic is jam-packed with awesomeness.

The project has a large team of talented creators behind it. Shape’s co-founder Breyden Boyd is at the helm as the writer for all three comics, with illustrators Sean Peacock (Forge), Nick Malara (Surge), and Marcus Cripps (Omega) laying down the pencils inks. Shape’s resident colorist Violet Villanueva will be coming through with the group’s signature halftones and paper textures, giving it all a nice retro cohesiveness.

This whole thing got started when Boyd dusted off some old superhero doodles from his childhood and breathed new life into them. The Shape-Man series was the first, and with over 3000 copies sold, the fans demanded more. Boyd turned back to the doodles, and decided it was time for Forge, Surge, and Omega to make their debut.

Check out the Forge/Surge/Omega Triple Feature on Kickstarter until October 25th.