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Preview: The Immortal Men #4

The Immortal Men #4

(W) James Tynion IV (A) Tyler Kirkham (CA) Jim Lee, Scott Williams
In Shops: Jul 11, 2018
SRP: $2.99

Can an Immortal Man hope to defeat an Infinite Woman? Armed with a weapon courtesy of the Batman Who Laughs, the Infinite Woman takes aim against the Immortals. It’s the House of Conquest versus the House of Action in the oldest secret war in the DCU-now revealed to the world!

Review: Batman #50

It’s the wedding you never thought you’d see! The Batrimony is real as Bruce Wayne and Selina Kyle are set to tie the knot in a can’t-miss, extra-length milestone issue that will reshape Gotham City. All their friends (and a few enemies?) will be party to a comic book coupling for the ages.

The build up has been coming for a while now and with Batman #50 writer Tom King answers the question as to whether Batman and Catwoman tie the knot.

The issue is done in an interesting way with what amounts to two page spreads with generally half dedicated to Batman’s preparation for the day and the other half for Catwoman’s. In between these normal panel pages, there’s full page images by some top art talent on top of which we’re presented the two’s thoughts about their meeting and what they’re about to do.

While the “will they or won’t they” has been spoiled the comic is interesting as it delves into the thought process of two individuals who are clearly nervous about tying the knot and if they do what it means.

Catwoman isn’t a hero, she’s a criminal.

Batman is a hero. He’s a hero driven by his pain.

If they were to get married, what does that mean for each of them? Can Batman be happy? These are the types of thoughts that run throughout the comic as the two characters explore their love for each other. And that’s the impressive thing, Tom King convinces you that these two love each other. By the end, you’re convinced there’s no one else for these two.

And that spoiling? Well, not quite. There’s a twist but you’ll have to read the comic yourself and go elsewhere.

The issues with the comic is the hype and a build up that doesn’t pay off. The quality of the narrative is excellent, it all just doesn’t quite live up to the lead up and the end result is rather predictable. A single panel does not make a comic and this one relies heavily on that final panel.

The art duties are mainly handled by Mikel Janin with colors by June Chung and lettering by Clayton Cowles. The art is solid and there’s some fantastic page layouts. The way some of these pages are laid out is impressive with very creative visual storytelling. What’s also interesting is the use of pin-ups to tell the story as well. There was a similar thing done in Action Comics #1000 and here it sort of works. The artwork is fantastic, there’s some talent. But, it breaks up the story a bit and after a while becomes a little tedious. When the big picture comes in to focus, the choice is an interesting one and adds a poetic aspect, somewhat appropriate considering what’s happening.

This is a chapter in King’s larger story. There’s much more to come as things weave together and that final panel indicates we’ve got a hell of a lot of excitement to come. As a single issue, this one has its good and its bad but as a piece of the larger puzzle it fits like a perfectly crafted piece of the larger picture.

Story: Tom King Art: Mikel Janín
Pin-up Art: David Finch, Joëlle Jones, Mitch Gerads, Rafael Albuquerque, Neal Adams, Andy Kubert, Becky Cloonan, Ty Templeton, José Luis Garcia-Lopez, Frank Miller, Lee Bermejo, trish Mulvihill, Jason Fabok, Brad Anderson, Alex Sinclair, Hi-Fi, Tony S. Daniel, Tomeu Morey, Amanda Conner, Paul Mounts, Tim Sale, José Villarrubia, Paul Pope, Clay Mann, Jordie Bellaire, Jim Lee, Scott Williams, Greg Capullo, FCO Plascencia, Lee Weeks
Color: June Chung Letterer: Clayton Cowles
Story: 7.5 Art: 9.0 Overall: 7.5 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Preview: The Immortal Men #3

The Immortal Men #3

(W) James Tynion IV (A) Ryan Benjamin, Richard Friend (CA) Jim Lee, Scott Williams
In Shops: Jun 13, 2018
SRP: $2.99

“THE END OF FOREVER” part three! The Immortal Men have risked everything to save the otherwise unremarkable teenager Caden Park. But neither Caden nor the immortal heroes who saved him know the crucial role he’s predicted to play in the upcoming war between the Immortal Men. So when the hero Reload falls into the horrifying hands of the Bloodless, Caden Park must learn the Secret History of the DC Universe, and the truth behind his family heritage – and fast-before the Batman Who Laughs has all his pawns in play!

Review: Dark Days the Road to Metal

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got the collection that gets you caught up for Metal!

Dark Days the Road to Metal features Dark Days: The Forge #1, Dark Days: The Casting #1, Final Crisis #6-7, Batman: The Return of Bruce Wayne #1, Batman #38-39, and Nightwing #17 by Scott Snyder, James Tynion IV, Jim Lee, Andy Kubert, John Romita, Jr., Scott Williams, Klaus Janson, Danny Miki, Alex SInclair, Jeremiah Skipper, Steve Wands, Grant Morrison, Doug Mahnke, J.G. Jones, Carlos Pacheco, Marco Rudy, Christian Alamy, Jesus Merino, Tom Nguyen, Drew Geraci, Norm Rapmund, Rodney Ramos, Walden Wong, Pete Pantazis, Tony Avina, Rob Clark, Jr., Travis Lanham, Chris Sprouse, Karl Story, Guy Major, Jared K. Fletcher, Brad Anderson, Greg Capullo, FCO Placencia, Tim Seeley, Javier Fernandez, Chris Sotomayor, Carlos M. Mangual, Eddy Barrows, Eber Ferreira, Adriano Lucas, Marilyn Patrizia, and Rian Hughes.

Get your copy in comic shops today and book stores May 22. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

DC Comics provided Graphic Policy with FREE copies for review
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Preview: The Immortal Men #2

The Immortal Men #2

(W) James Tynion IV (A) Ryan Benjamin (CA) Jim Lee, Scott Williams
In Shops: May 09, 2018
SRP: $2.99

“THE END OF FOREVER” part two! Following the destruction of their base of operations, the Immortal Men find themselves on the defensive! Their only hope rests with an emerging metahuman named Caden Park-but the evil Conquest has gotten to Caden first! Will the remaining few battle-ravaged Immortal Men be able to rescue their young would-be savior? And what connection do Caden’s tactile telepathic abilities have to the survival of humanity?

Review: Action Comics #1000 Captures Superman’s Inspirational Power

In Action Comics #1000, an all-star team of writers, artists, and colorists try and for the most part succeed at getting to the heart of Superman. Some stories touch on different eras of history from his time in the 1930s as a non-flying, slumlord buster and the Mort Weisinger Silver Age sci-fi kookiness to classic comics like Kingdom Come. Others look at his relationships with his parents, wife/co-worker Lois Lane, and his arch-nemesis Lex Luthor. One story even looks far in the future of the DC Universe while another acts as a semi-controversial prologue to Brian Michael Bendis’ upcoming Man of Steel miniseries and his runs on Action Comics and Superman.

To give each story the attention it needs, I will do a short review of each one and score it at the end of the paragraph. A final aggregated score  will conclude this (hopefully not that long) “80 page giant” review.

Action Comics #1000 opens with one hell of a curtain call from writer/penciler Dan Jurgens, inker Norm Rapmund, and colorist Hi-Fi that acts as a victory lap for Jurgens’ DC Rebirth run on Action Comics and his tireless work turning Superman from the edgy, armor wearing New 52 version to his classic role as a heroic hope bringer and a family man too. The story is simple. Metropolis is holding a Superman celebration day, but Superman doesn’t want their praise and adulation and wants to keep saving the day. However, through a little trickery from Lois and the Justice League, he ends up getting his moment in the sun. Jurgens’ writing cuts to the core of Superman and his positivity with a small-time Metropolis criminal named Benning talking about how he got him a job after prison so he wouldn’t keep relapsing and running with different supervillains. His art is a little old school, but that’s not a bad thing, and Rapmund’s inking helps make the crowd shots sharp in a story that shows Superman’s bond with the citizens of Metropolis and the superhero community while not neglecting the family elements that have been a big part of the Rebirth era of Superman. There really wouldn’t be a superhero genre without him.

Story: 9.5 Art: 8 Overall: 8.8

The next story “Neverending Battle” from the Superman creative team of Peter Tomasi, Patrick Gleason, and Alejandro Sanchez is a tiny bit philosophical, somewhat historical, and definitely epic as a story only done in full page spreads. It’s about Vandal Savage weaponizing Hypertime to trap Superman in his own history so he can’t get back to Jon and Lois to celebrate his birthday. Tomasi’s writing is a little corny at times with adages like “What doesn’t kill you makes you stronger” and “History repeats itself”, but Gleason and Sanchez’s glorious visuals and the through-line of Superman consistently overcoming great odds wins out just like Superman over Vandal Savage. The first spreads are the most iconic with Golden Age Era Superman punching out gangsters, stopping locomotives, and throwing tanks around with Tomasi commentating on the simplistic, good vs. evil nature of these early stories. But he and Gleason aren’t afraid to get vulnerable with a poignant homage to the scene in The Dark Knight Returns where Superman is weakened after stopping a nuclear explosion that blocks out the sun or a page where he’s trapped in the Phantom Zone. However, despite cunning and powerful enemies and occasionally death itself, nothing will stop Superman from being a hero or spending time with his loved ones on his birthday. Gleason has a strong handle on the moral clarity and goodness behind Superman’s strength and I look forward to his upcoming work as the main Action Comics artist.

Story: 8.5 Art: 10 Overall: 9.3

The third story “An Enemy Within” with a script from Marv Wolfman, Butch Guice and Kurt Schaffenberger inking over recently discovered Curt Swan, and colors by Hi-Fi straddles a thin line between optimism and naivete and definitely falls on the naive side. Superman is too busy fighting Brainiac in Japan so he relies on Maggie Sawyer and the Metropolis PD to take out a mind controlled teacher, who is holding his students hostage. There is an opportunity to address social issues, like school shooting, gun control, police violence, and even homelessness in a scene towards the end, but Wolfman, Swan, and Guice gloss over these issues with a simplistic “humanity is good and will save themselves” mantra and use the mind control plot device to cover their asses. Honestly, your enjoyment of this story will depend on how much you believe in the idea of original sin or your tolerance level for after school specials. Guice’s inks bring an interesting grit to Swan’s usually clean, bright pencils, and honestly, the best part of the story is a solemn Superman pinup at the end inked by the late Schaffenberger.

Story: 4.5 Art: 6.5 Overall: 5.5

Geoff Johns, Richard Donner, Olivier Coipel, and Alejandro Sanchez turn in a stoic, 1930s era Superman story about a small time crook named Butch who gets his car beat up when trying to fight Superman. It’s probably the car from the cover of Action Comics #1. Johns and Donner’s take on Superman is a little rougher and little more stern, but he has a solid moral compass and cares for humanity as shown by his empathy towards Butch, who lost his dad in combat during World War I. Coipel’s art is wonderfully rough hewn and is like Norman Rockwell’s work without the sentimentality, and he even plays the “It’s a bird, it’s a plane…” line for sardonic, silent comedy. His Superman commands the page and is someone who you would listen to and definitely take seriously. He doesn’t smile either. But the ending of “The Car” has an earned happiness and is a little spark of light in a cynical world. Johns and Donner really get that heroism is about the little things and not flying the world backwards or time travel shenanigans.

Story: 9.5 Art: 10 Overall: 9.8

Scott Snyder, Rafael Albuquerque, and Dave McCaig tell a quiet, yet time spanning story about the relationship between Superman and Lex Luthor, and how Superman chooses to see the good even in his worst enemy. The story starts intense with shadow wreathed art and dark colors from Albuquerque and McCaig as Luthor has assembled some powerful MacGuffins to take out Superman. But he’s actually just star gazing at the Smallville Planetarium? Albuquerque’s art is sharper and sadder after that with a nostalgic orange palette from McCaig as Lex tells Superman that the planetarium was an escape from bad weather and his abusive parents. They seamlessly blend past and present as it’s revealed that a young Clark Kent gave Lex’s space laser a little boost and saved his life. Snyder uses this anecdote/flashback sequence to hold out hope for a time when “maybe” the cycle of hero and villain will be broken between Superman and Lex Luthor as the story fades to black.

Story: 9.6 Art: 9.8 Overall: 9.7

Tom King makes a case for winning back to back Eisners for Best Short Story in his, Clay Mann, and Jordie Bellaire’s contribution to Action #1000, “Of Tomorrow”. It’s a tone poem about Superman’s last day on Earth as he says goodbye to Ma and Pa Kent one last time as the Earth is engulfed in the sun with flames and winds that are reminiscent of the last days of Krypton. King writes Superman as an old man wrestling with his past and legacy, wishing he could save more people, and being supremely proud of his wife and son. And it gets deep at the end when he reflects on his father’s blend of science and faith. Mann captures each tiny, beautiful moment in his artwork as he makes art with his strength, tears, and freeze breath: a frozen statuette of Jonathan and Martha Kent like the one of Jor-El and Lara-El in the Fortress of Solitude. Bellaire goes for Earth tones in her colors as Superman immerses himself in his adopted planet before flying off forever. He loves his parents, he loves Earth, but he realizes that all planets die and all story ends. (Except for his comic book for now.)

Story: 10 Art: 10 Overall: 10

Two veteran comics creators Louise Simonson and Jerry Ordway show they still have a lot in the tank in their “Five Minutes” story with colorist Dave McCaig that expertly intertwines Superman’s life as a superhero and Clark Kent’s life as a journalist in five minutes. Simonson’s narration shows that both Clark and Superman’s “powers” come in handy in different situation as Superman is able to dart from a train accident to a hold up and finally to save the city from an asteroid just like Clark is able to write a story and get it in under deadline. It’s a quick, zippy read with a lot of heart and a kind of cheesy “twist” ending, but Simonson and Ordway show how much passion Superman/Clark Kent has for both saving people and reporting. He is precise, efficient, and knows when to fly to next crisis just like a writer juggling different projects. Plus there’s a Bibbo Bibbowski cameo, which will be a treat for Superman fans of the 80s and 90s.

Story: 8.0 Art: 8.5 Overall: 8.3

Paul Dini, Jose Luis Garcia-Lopez, Kevin Nowlan, and Trish Mulvihill turn in a cheeky homage to Superman’s history, Garcia-Lopez’s ability to skillfully render almost every DC Comics hero and villain, and most of all, Mr. Mxyzptlk. Mxyzptlk has the ability to wipe out Superman from the existence in the blink of an eye, but he’s more of a prankster than a coldblooded villain and enjoys toying with him instead. Dini, Garcia-Lopez, and Nowlan also provide a little meta-commentary on how stories involving superheroes in comics never seem to end even after they’re killed off or have passed their mantle to sidekicks or legacy heroes. Probably, because they’re too much fun. This story’s kryptonite is Dini indulging his sleazy side towards the end, but the energy and humanity of Garcia-Lopez’s figures and Mulvihill’s heroic colors more than make up for it.

Story: 7.0 Art: 9.0 Overall: 8.0

In a much darker story than the previous one, “Faster than a Speeding Bullet” happens in a very short span of time as Superman tries to stop a domestic abuser from shooting his girlfriend, Lila, in the head. Artist John Cassaday tells the story in a series of freeze frames as you can see the strain of Superman flying to stop the bullet, and the red, yellow, and blue of Laura Martin’s colors as his chances increase. Brad Meltzer starts incredibly dark in his script with Superman running calculations in his head that he won’t be able to save Lila and ends with Superman admitting that he is inspired by humanity as much as they are inspired by him. “Faster than a Speeding Bullet” is a taut, mini-thriller that also captures Superman’s essence and the strength of his and the people he inspire’s resolves.

Story: 8.5 Art: 8.5 Overall: 8.5

The final story in Action Comics #1000 is Brian Michael Bendis’ DC debut with Jim Lee, Scott Williams, and Alex Sinclair doing the art. Lee and Williams definitely put the “action” in Action Comics, and most of the story is a third act of Man of Steel fight sequence with collateral damage galore as new giant sword wielding alien conqueror villain Rogol Zaar crashes all over Metropolis and tries to kill the last two Kryptonians on Earth. Yes, Supergirl has a cameo in this comic and is there to get her ass kicked as much as Superman. Bendis’ writing is quippy as ever and doesn’t really pair well with the disaster movie feel of Lee and Williams’ art. He seems to be going for an “Avengers Disassembled” type of throughline in his approach to Superman by physically breaking him down and also taking shots at his past. Yes, the final page of Action Comics #1000 is a huge retcon for Superman’s character, and hopefully, Bendis has the reasoning and great story to back it up, or Rogol Zaar might just be a Mongul knock-off with a cooler sword.

Story: 6.0 Art: 8.0 Overall: 7.0

 

Story: Dan Jurgens, Peter Tomasi, Marv Wolfman, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, Brian Michael Bendis  Art: Dan Jurgens with Norm Rapmund, Patrick Gleason, Curt Swan with Butch Guice and Kurt Schaffenberger, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, Jose Luis Garcia-Lopez with Kevin Nowlan, John Cassaday, Jim Lee with Scott Williams  Colors:  Hi-Fi, Alejandro Sanchez, Dave McCaig, Jordie Bellaire, Trish Mulvihill, Laura Martin, Alex Sinclair
Story: 8.2 Art: 8.8 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: Action Comics #1000

Celebrate 1000 issues of Action Comics with an all-star lineup of top talent as they pay tribute to the comic that started it all! From today’s explosive action to a previously unpublished tale illustrated by the legendary Curt Swan to the Man of Tomorrow’s future-this very special, oversized issue presents the best of the best in Superman stories!

Action Comics #1000 feels like an end, a beginning, and a celebration of a landmark moment, one thousand issues and almost 80 years of Superman. The issue is full of some top notch talent with numerous stories of varied style and quality. All of it though is entertaining in some way.

The issue opens up with writer Dan Jurgens‘ finale to his latest run with “From the City That Has Everything.” It’s clear from his latest run (and all his Superman material) that he loves the character and this story which features art by Jurgens, ink by Norm Rapmund, color from Hi-Fi and letters by Rob Leigh, is that recognition as Metropolis honors the Man of Steel. It’s a cheesy story but one that is so in a way that a speech from someone honoring someone else might be. Touching and a fine way for Jurgens to wrap up his run.

The second story is a really cool one that weaves a story out of what is essentially pin-ups. It’s a great way to include such a thing in a comic without it just being images. I hope we see more of this and the art is from a who’s who of creators. It involves Superman going through time and gives a way for artists to take advantage to take us readers through Superman’s history, some of his key moments, and different artistic styles we’ve seen. It’s an utterly brilliant story and presentation and a highlight of the celebration.

Marv Wolfman and Curt Swan team up for “An Enemy Within” which feels like a bit of a retro story in both pacing and art. While not bad it’s an interesting reminder of how much storytelling has changed over the years. I don’t want to give too much away but the story has some nice twists involving a hostage situation.

“The Game” sees Superman and Lex Luthor match wits in a game of chess. Paul Levitz and Neal Adams team up for the story and it’s interesting and one you can probably debate about the deeper meaning. It’d be nice to see this story in a longer form as there’s a lot to work but with just a few pages we don’t get a lot of depth, just fun twists that feel like they’re from the 80s and an homage to an Adams classic moment.

Geoff Johns, Richard Donner, and Olivier Coipel come together for “The Car” which has a criminal recounting how his car was destroyed by a mysterious flying man. The art is fantastic and I think some of my favorite work by Coipel who seems to be channeling Frank Quitely. It’s such a simple story but one that really digs into what makes Superman super.

“The Fifth Season” sees Scott Snyder and Rafael Albuquerque come together as Superman and Lex Luthor come together in Smallvill. It’s an interesting story that again explores the relationship of the two characters. Particularly it focuses on Luthor being oblivious to the good that Superman does that he doesn’t acknowledge or is even aware of. It’s another story that can be debated as far as its deeper meaning and themes.

“Of Tomorrow” is Tom King, Clay Mann, Jordie Bellaire, and John Workman having Superman revisit Earth one last time before it’s consumed by the sun. It’s a reminder of the loss of the character and a deeply touching entry.

Louise Simonson and Jerry Ordway come together for “Five Minutes” which reminds us that Superman has a few jobs, hero and reporter (as well as husband and father). It’s a fun story that plays on the speed of the character and that how he can some times mess up one job due to the other. A funny ending that gave me a chuckle.

“Actionland!” has Paul Dini and José Luis García-Lopez focus on our favorite imp who has it out for Superman. It’s the odd story of the bunch with the focus on the villain but is a reminder that like Superman, some of them have infinite power that they hold back due to… something.

Writer Brad Meltzer and artist John Cassaday honor Christopher Reeve with “Faster Than a Speeding Bullet” that has Superman racing to prevent a gun going off and killing a woman. It’s a fantastic story and I had no idea how it’d resolve. Again though, it’s a reminder of some of the things that makes Superman great and boils the character down to his goodness and how he inspires and is inspired.

“The Truth” is Brian Michael Bendis‘ DC debut with art by Jim Lee and what is supposed to lead into the miniseries The Man of Steel which kicks off Bendis’ run. Out of all of the stories, this is the low point of the issue honestly. Maybe it’s the hype but there’s a new baddie who’s out to kill Kryptonians and while Metropolis is getting destroy two civilians are focused on Superman’s underwear? It’s very Bendis and while funny, especially with Lee on art, it doesn’t quite work and honestly lowered my excitement for what he has coming.

There’s a lot packed in here and something for everyone. No matter the era of your enjoyment there’s a story that fits it and this is really a comic that has an amazing amount of talent. It’s truly a celebration of such an iconic character and for the celebration alone it’s a purchase. At times, comics like this are a let down, but this is the exception with every story entertaining in some way and a few that shine. It’s the rare oversized celebration comic that lives up to the occasion.

Story: Dan Jurgens, Peter J. Tomasi, Marv Wolfman, Paul Levitz, Neal Adams, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, Brian Michael Bendis
Art: Dan Jurgens, Patrick Gleason, Curt Swan, Neal Adams, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, José Luis García-Lopez, John Cassaday, Jim Lee
Ink: Norm Rapmund, Butch Guice, Kurt Schaffenberger, Kevin Nowlan, Scott Williams
Color: Hi-Fi, Alejandro Sanchez, Dave McGaig, Jordie Bellaire, Trish Mulvihill, Laura Martin, Alex Sinclair
Letters: Rob Leigh, Tom Napolitano, Dave Sharpe, Nick Napolitano, John Workman, Carlos M. Mangual, Josh Reed, Chris Euopoulos, Cory Petit
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: The Immortal Men #1

There is a secret history to the DC Universe of heroes who have protected humanity from the shadows since the dawn of time…and who can live forever. Enter the Immortal Men! The team, headed by the Immortal Man, has waged a secret war against the House of Conquest for countless years-but Conquest has dealt a devastating blow. When their base of operations, known as the Campus, is savagely attacked, the Immortal Men must seek out their last hope-an emerging metahuman known as Caden Park! Caden’s emerging powers may be able to ensure the Immortal Men’s survival-but will Conquest get to him first?

Jim Lee, Ryan Benjamin, and James Tynion IV have come together like Voltron for this new series which is… interesting. DC Comics’ “New Age of Heroes” promised to introduce us to the next generation of heroes giving us all new stories and new directions. The Immortal Men #1 does that to a certain extent but what’s present feels like it is a new volume of a series that has a long history and continuity. That’s both good and bad.

Having recently reread Marvel’s Eternals, I can’t help but compare the two as the concepts presented feel similar and Neil Gaiman’s take, out in trade today, presents a much more straightforward story to this first issue. Both feature a character that doesn’t know their real history/potential. Both feature beings that have shaped history. Both feature characters that for the most part immortal. This first issue even plays with “the truth” coming through dreams.

This difference between the two is the execution where Eternals feels like you’re discovering this reality along with the characters, The Immortal Men #1 feels like you’re dropped into a story arc already in progress. It explains some things but it’s not clear enough. That’s in stark contrast to the other series such as Damage, Sideways, and Curse of Brimstone which are much easier to dive in to. While those three series were fresh origin stories, this debut is more in line with The Terrifics where you might need some knowledge to truly enjoy it.

While I was a bit mixed on the story, the art is a different story. Like the story itself there’s a long list of those contributors including Benjamin and Lee, Scott Williams and Richard Friend on inks, Jeremiah Skipper and Alex Sinclair on color, and Carlos M. Mangual on lettering. There’s some great visuals though. The art is fantastic with really interesting settings and the characters look fantastic. The use of a dream state opens things up to give us some impressive visuals that’ll have you lingering to decipher it all.

Much like Caden Park, we’re thrown into things and hoping for something greater. I couldn’t help walking away feeling a bit disappointed, especially due to the fact all of the other releases for the “New Age of Heroes” have been so good. I can see what the creative team was going for, I’m just not convinced they pulled it off in one issue. As a trade, or a graphic novel, this would have read much better but as a single issue it falls a bit short in execution.

Story: Jim Lee, Ryan Benjamin, James Tynion IV
Ink: Scott Williams, Richard Friend Color: Jeremiah Skipper, Alex Sinclair Letterer: Carlos M. Mangual
Cover: Jim Lee, Scott Williams, Alex Sinclair
Group Editor: Jamie S. Rich Editor: Katie Kubert Associate Editor: Jessica Chen
Story: 6.0 Art: 8.0 Overall: 6.0 Recommendation: Pass

DC Comics provided Graphic Policy with a FREE copy for review

Preview: The Immortal Men #1

The Immortal Men #1

Story: Jim Lee, Ryan Benjamin, James Tynion IV
Ink: Scott Williams, Richard Friend
Color: Jeremiah Skipper, Alex Sinclair
Letterer: Carlos M. Mangual
Cover: Jim Lee, Scott Williams, Alex Sinclair
Group Editor: Jamie S. Rich
Editor: Katie Kubert
Associate Editor: Jessica Chen
RATED T+
In Shops: Apr 11, 2018
SRP: $2.99

“THE END OF FOREVER” part one! There is a secret history to the DC Universe of heroes who have protected humanity from the shadows since the dawn of time…and who can live forever. Enter the Immortal Men! The team, headed by the Immortal Man, has waged a secret war against the House of Conquest for countless years-but Conquest has dealt a devastating blow. When their base of operations, known as the Campus, is savagely attacked, the Immortal Men must seek out their last hope-an emerging metahuman known as Caden Park! Caden’s emerging powers may be able to ensure the Immortal Men’s survival-but will Conquest get to him first?

Scott Snyder, Jim Cheung, and Jorge Jiménez Take on the Justice League Starting in June

DC Entertainment continues to attract dynamic, top-name talent, announcing today that artists Jim Cheung and Jorge Jiménez will join writer Scott Snyder in launching DC’s flagship Justice League in June.

On sale June 6, Justice League #1 follows the events of DC Nation #0 (on sale May 2) and Justice League: No Justice (on sale weekly from May 9 through 30). The Justice League is launched into a mystery that will draw out their most terrible foes…in ways our heroes couldn’t possibly imagine! In this debut issue, Martian Manhunter struggles to protect the team from an incoming threat that will shatter the world as they know it, while a familiar face strikes out on a dark path…

Shipping biweekly, in Justice League #2 on June 20 by Snyder and Jiménez, the League is faced with an impossible decision…and now they must face the consequences! While Martian Manhunter and Batman attempt to recruit an old ally back into the fold, The Flash and Hawkgirl are blindsided by new challenges that could rewrite their mythologies!

Justice League #1 arrives in stores June 6, followed by Justice League #2 on June 20. Below is a first look at both Cheung and Jiménez’ covers for their issues. Fans can also expect variant covers by Jim Lee and Scott Williams.

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