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DC Cancels Red Hood After a Single Issue After Pressure

This week saw the debut of Red Hood, a more adult series featuring a character who has built up a fandom from writer Gretchen Felker-Martin, with art by Jeff Spokes. It’s received relatively positive reviews with a current 8.7 rating from critics and a 7.2 from users, even with some review bombing. But, the comic has already been canceled after just its first issue and while DC hasn’t said why, it’s likely due to Felker-Martin’s comments after yesterday’s assassination of controversial rightwing figure Charlie Kirk.

While DC didn’t give specifics they said in a statement to Popverse:

At DC Comics, we place the highest value on our creators and community and affirm the right to peaceful, individual expression of personal viewpoints. Posts or public comments that can be viewed as promoting hostility or violence are inconsistent with DC’s standards of conduct.

DC has told retailers it has canceled orders for future issues of the series and is also offering credit for all of the orders placed by retailers on the first issue, including sold copies. The ongoing series had its first three issues solicited, the first issue released September 10 with the next issue to have come out on October 2 and third November 12. The series was intended for a 17+ audience and not part of its more mature label DC Black Label, a curious move along with the release of another comic this week that is creator-owned and for all ages that teased a possible shift in the company’s publishing strategy.

Felker-Martin is no stranger to controversy, regularly being banned by social media platform Bluesky, and was banned again yesterday by the platform. She has been accused of antisemitism, support of Hamas, threatening statements towards JK Rowling, among other provocative statements that had been made well before she was hired by DC for this series. Felker-Martin recent post that’s most often shared:

The post was latched on to by regressive and rightwing elements within the industry that are known for their brigading to attack creators they disagree with politically, particularly creators who are minorities like African-Americans, LGBTQ+, and especially Trans individuals. Felker-Martin is Trans and numerous posts to DC’s social media attacks her for that. Kirk has said being gay is an “error” and has advocated that gay individuals should be stoned to death quoting a Bible verse that advocates for it during a debate and saying it affirms “Gods perfect law when it comes to sexual matters.” More of Kirk’s greatest hits of awfulness can be found here with lots of links out for evidence.

Trans people are a throbbing middle finger to God… …an abomination to the Lord, Your God.

-Charlie Kirk

Gretchen Felker-Martin’s firing coincides on the same day Matthew Dowd was fired by MSNBC for comments made during coverage of the shooting of Kirk continuing the trend of cancelation of “the left” while the right makes threatening and hyperbolic statements with no repercussions.

DC’s decision also rewards bigotry on full display in social media messages towards them and only encourages further similar action.

The firing also comes in an environment where parent corporations are regularly firing staff, censoring output, to appease Donald Trump and the current administration. DC is owned by Warner Bros. Discovery. Warner Bros. Discovery CEO David Zaslav publicly stated that a Trump administration could offer a “pace of change and an opportunity for consolidation” for the media industry. Warner Bros. Discovery has announced a recent split back into two companies and who knows what future approval from the administration it will need. Zaslav has mentioned the need to consolidate streaming services to better compete as an example.

WBD confirmed that a company representative recently reached out to the Trump orbit seeking advice about how the company might advantageously interact with the White House and improve its Trump-age odor. The reported message was to look at the example of Amazon and Jeff Bezos paying Melania Trump $40 million to participate in a documentary about herself. Don Jr. might like a hunting and fishing show on the Discovery Channel, they were told. And that CNN could have more pro-Trump voices — suggestion provided.

Trump is a frequent critic of CNN which is owned by Warner Bros. Discovery. He has sued the news organization unsuccessfully multiple times. Find an example here and here. During his first administration, Trump’s antitrust officials sued to stop AT&T from buying Time Warner. Some believe that suit was due to Trump’s distate for CNN though officials have said that wasn’t the case.

Whatever’s best for stock prices…

Preview: Red Hood #1

Red Hood #1

(W) Gretchen Felker-Martin (A) Jeffrey Spokes

ERUPTING FROM THE EVENTS OF H2SH COMES DC’S FIRST-EVER IN-CONTINUITY, MATURE READERS, ONGOING RED HOOD SERIES!

Jason Todd has left Gotham and Batman behind him. All he’s taking with him is his costume, his bike, and a metal briefcase containing two handguns (and lots of bullets). New Angelique seems like the perfect place for Red Hood to put down roots. There’s crime, vice, and corruption everywhere. When Jason discovers a superpowered serial killer who is targeting the city’s police, he finds himself sucked into a terrible and bleak conspiracy with seemingly no end in sight. But Jason isn’t the only person on the scene. Following his trail is Helena Bertinelli a.k.a. Huntress. Is she here to stop him or help him? What will happen when the two black sheep of the Bat-Family start working together? Get ready for Red Hood like you’ve always wanted to see him.

Red Hood #1

DC announces a new adult Red Hood series by Gretchen Felker-Martin and Jeff Spokes

DC Comics has announced Red Hood, a new ongoing comic book series from writer Gretchen Felker-Martin and artist Jeff Spokes with lettering by Becca Carey. Launching on September 10, 2025, this mature rated (Ages 17+) DC All In series brings Jason Todd back to the streets, but Gotham City isn’t the city he’s protecting—Jason Todd has left Batman behind. All he’s taking with him to New Angelique is his costume, his bike, a determined sense of justice, and a metal briefcase containing two handguns (and lots of bullets).

New Angelique, a city drowning in corruption, seems like the perfect place for Red Hood to put down roots. There’s crime, vice, and sedition everywhere. When Jason discovers a super-powered serial killer who is targeting the city’s police, he finds himself sucked into a deadly conspiracy with seemingly no end in sight.

But Jason isn’t the only person on the scene. Following his trail is Helena Bertinelli a.k.a. Huntress. Is she here to stop him, or will she join his crusade? What will happen when the two black sheep of the Bat-Family start working together?

Red Hood #1 arrives in comic shops and digital platforms on September 10, 2025, and will be available to preorder and add to pull lists beginning Friday, June 20. Get ready for an angsty, sexy, and violent new chapter in Jason Todd’s legend.

Red Hood, a DC All In comic book series written by Gretchen Felker-Martin with art by Jeff Spokes and lettering by Becca Carey, will launch with a main cover by Spokes and variant covers by Jim Lee, Brian Bolland, Jae Lee, Kyuyong Eom, and Nick Robles. Artist Taurin Clarke will be the ongoing series cover artist beginning with Red Hood #2 in October. Main covers will retail at $4.99 US, with card stock variants at $5.99 US and foil variants at $7.99 US. Red Hood will carry DC’s Ages 17+ content descriptor (for mature readers).

Preview: Red Hood: The Hill #0

Red Hood: The Hill #0

(W) Shawn Martinbrough (A) Tony Akins
In Shops: Feb 06, 2024
SRP: $3.99

Before you embark on Red Hood’s newest adventure in the Hill, experience the story that introduced Jason to his new home! As The Joker War ravages Gotham, a new vigilante group has formed to protect their turf, and Red Hood finds himself caught in the crossfire! This thrilling tale collects Red Hood: Outlaw #51 and #52, and is essential reading to get you ready for all hell to come to the Hill in Red Hood: The Hill!

Red Hood: The Hill #0

The new Ghost Rider revealed! Which villain becomes the Spirit of Vengeance?

Over the years, the Spirit of Vengeance has burned its way through various hosts, and this March, it’ll abandon Johnny Blaze for a new rider in Ghost Rider: Final Vengeance! An evolution of Benjamin Percy’s acclaimed Ghost Rider run, this new series will see an iconic super villain unleash hellfire as the new Ghost Rider—the criminal mastermind known as the Hood!

Armed with a demonic cloak and dark mystical abilities, Parker Robbins’ undying lust for more power and fortune has made one of the Marvel Universe’s dangerous threats. Now with the Spirit of Vengeance claiming what’s left of his soul, there’s no stopping his bloody takeover of the criminal underworld. By the time Johnny Blaze is able to claw his way back from the abyss to reclaim the Spirit of Vengeance, it’ll be far too late!

Joining Percy will be artist Danny Kim who delivered a terrifying showdown between Ghost Rider and the Hood in last year’s Ghost Rider Annual #1. The rising star has designed a brand-new look for the Hood/Ghost Rider that is sure to strike fear into reader’s hearts!

See the Hood embracing his new role in the Ghost Rider: Final Vengeance #2 cover by Juan Ferreyra and Kim’s original design sheet. Be there for this dark new chapter of Ghost Rider when Ghost Rider: Final Vengeance #1 arrives on March 13.

Review: Batman: Urban Legends #1

Batman: Urban Legends #1

As seen in The Lego Batman Movie, the Arkham video games, and the Batman comics of the 1990s and early 2000s, Batman’s strength is in the world and characters that he creates access to. Whether that’s his allies, villains, nooks and crannies of Gotham, or even police officers that he either works with or against, these personalities and settings are why I continue to return to the Batman side of the DC Universe. The creators of Batman: Urban Legends #1 understand this and flesh out different Batman-adjacent characters and even sometimes explore their relationship to the Dark Knight while also telling action, romance, and crime stories.

First up in this Gotham-themed anthology is the beginning of a six part Batman and Red Hood serial where Batman and his former protege-turned-killer vigilante (He’s switched to rubber bullets for the moment.) investigate a source of a hallucinatory street drug tackily called Cheerdrops. Writer Chip Zdarsky has a firm grasp on Jason Todd’s voice, including the darkness inside his soul and his hunger for justice, especially for Gotham’s beleaguered working class. Artists Eddy Barrows and Eber Ferreira and colorist Adriano Lucas nail the grit of the city with explosive linework and jagged layouts to go with a color palette that has had all the light sucked out of it. However, Excalibur’s Marcus To does the art in the flashbacks, which features brighter colors as well as simpler, cleaner lines with a more traditional superhero feel even though one of the scenes is set during “Under the Red Hood” when Jason Todd came back from the dead and started killing criminals.

“Batman and Red Hood” is also a study in contrasts in how two very different crime fighters deal with the same crisis. Batman is the World’s Greatest Detective and is super methodical with Barrows and Ferreria drawing him looking at the chemical makeup of Cheerdrops CSI-style, and his All-Star Superman-esque moment with a jumper is less feel-good and more evidence collection. On the other hand, Jason fights crime with his guts and heart and even admits in a wry line from Zdarsky that he’s not a great detective as he struggles to find a Cheerdrop stash house. However, he does find a boy named Tyler, and of course, Jason is great with kids and even lets him wear part of his mask while he looks for his dad in a dodgy part of Gotham. Zdarsky, Barrows, and Ferreira create something truly heartwarming between Jason Todd and Tyler.

There’s a throughline between this and the flashbacks where Batman (Portrayed as more of an action figure than man by To) struggles being a father figure to Jason, and Alfred does the job perfectly because he sees him as a human being and not an obstacle in his war on crime. Chip Zdarsky writes Alfred Pennyworth as the perfect parent to the Bat-family, who isn’t afraid to tell Batman that he’s full of shit and chooses compassion over a closed fist. And speaking of Batman, I love how Zdarsky doesn’t give him an inner monologue and depicts him more as a force of nature than a gun toting, broken man like Jason Todd, who agonizes over every decision and whose interaction with Tyler bring back memories of his mom who died of a drug overdose. Also, he’s not afraid to go a little dark, and Eddy Barrows and Eber Ferreira jagged layouts and emotional poses are along for the ride.

Batman: Urban Legends #1

The second story in Batman: Urban Legends #1 is an eight page Harley Quinn and Poison Ivy one-off from writer Stephanie Phillips, artist Laura Braga, and colorist Ivan Plascencia. Plascencia is this story’s secret weapon that shows the happy, hilarious times of Harley and Ivy’s first dates and the bleak current times for Harley as she has moved back to Gotham in her solo title and as a recurring character in Batman. Braga’s art is expressive and high energy for both the good times (Harley and Ivy smooching and snapping selfies) and bad times (A sudden bolt of lightning shattering their pictures), and she is a good fit for a story that isn’t centered around a heist or fight against a superhero, but a relationship. She and Phillips tap into the depth of feelings that Harley has for Ivy, and through some handy plant symbolism, they create hope for the relationship that has become very popular for fans in the past decade. “Harley and Ivy” is a nice, nearly slice of life oasis in the midst of the three other stories, which have more moving parts.

The third story in this comic is a 10 page “Outsiders” feature by Brandon Thomas, Max Dunbar, and Luis Guerrero starring Black Lightning, Katana, and an interesting take on Metamorpho. Thomas turns in kind of a mystery plot with the story starting with Black Lightning and an unseen Metamorpho in a Japanese prison before cutting to a bonkers, two page spread of a speedboat chase. Unlike the previous two stories in Batman: Urban Legends #1, Thomas and Dunbar go for a action over character focus, and honestly, I’m here for it. Dunbar uses arrows from their pursuers to act as eye-lines to follow the high speed chase, and he and Thomas have a clever moment or two up their sleeve, especially in regards to Metamorpho’s first appearance. The story isn’t particularly deep, but it has the vibe of a James Bond cold open with superpowers as Guerrero really makes Black Lightning’s abilities sizzle. Finally, Brandon Thomas’ plotting really kept me engaged with thinking about why characters were acting a certain way, and the the mini mystery box structure has me intrigued for the upcoming issue.

Batman: Urban Legends #1

Grifter is a character I didn’t really know a lot about except for some random comics like the New 52 Team 7 and JLA/WildCATs, but Matthew Rosenberg, Ryan Benjamin, and Antonio Fabela have made this anti-hero/rapscallion and his various pratfalls quite lovable and hilarious Batman: Urban Legends #1’s final story. Grifter is like that guy who bluffs at poker, but never has a good hand. And until maybe the penultimate page of the comic, he’s either screwing up or making a joke about it beginning with his mad rush towards supervillain fire during his Team 6 days with a lot of characters with familiar names from Wildstorm comics. (I’m not an expert on these characters, and you don’t have to be to enjoy the story.) Grifter uses his sense of humor to detract from his mediocre performance as Lucius Fox’s bodyguard or to avoid getting his ass kicked by Batman, but he also has a mystery side that is revealed when he has a “date” at one of Penguin’s bars. The mystery starts to really unfold towards the end of the comic, but Rosenberg hints at every time, he talks on a headset with what I assume is his older brother.

The comedy in “Grifter” isn’t just limited to Matthew Rosenberg’s delightfully smartass dialogue. It shows up a lot in Ryan Benjamin’s visuals, which range from G.I. Joe or Authority homages (When the superheroes clean up Team 6’s mess.) in the flashback to pure slapstick. For example, Grifter spills a drink at a party Lucius Fox is meeting a client at and spills a drink on a woman. In this situation, Benjamin doesn’t just show a simple facial expression, but throws in some growlixes and makes you know that she’s furious that the soaking wet guy in Converse and blue jeans is even in the same room with her. This playfulness extends to the fight between Batman and Grifter, which starts as a serious throwdown and ends up in a total cat and mouse situation with Grifter finally getting enough self-awareness to call it quits. However, their paths will cross, and you can tell that Batman understands he’s a wildcard with his connections to Lucius Fox, the criminal underworld, and probably those Wildstorm guys. All in all, Matthew Rosenberg, Ryan Benjamin, and Antonio Fabela turn in a hilarious action-comedy set in DC’s weirdest and (sometimes) dourest city and also slowly unveil what seems to be a master plan to merge the worlds of Wildstorm and Gotham.

Batman: Urban Legends #1 is an absolute win for the anthology format that DC Comics has been trying out with all of the four stories in the comic being entertaining and shedding light on a unique cast of characters. The longer stories that bookend the comic are especially noteworthy thanks to Chip Zdarsky’s pitch-perfect handle on the fascinating character of Jason Todd in “Batman and Red Hood” and Matthew Rosenberg and Ryan Benjamin’s skill with verbal and visual humor in “Grifter”.

Story: Chip Zdarsky, Stephanie Phillips, Brandon Thomas, Matthew Rosenberg
Art: Eddy Barrows, Eber Ferreira, Marcus To, Laura Braga, Max Dunbar, Ryan Benjamin
Colors: Adriano Lucas, Ivan Plascencia, Luis Guerrero, Antonio Fabela
Letters: Becca Carey, Deron Bennett, Steve Wands, Saida Temofonte
Story: 8.0 Art: 8.6 Overall: 8.3 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


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Preview: Red Hood #52

Red Hood #52

Written by: Shawn Martinbrough
Art by: Tony Akins

After making his dramatic return to Gotham City, Jason Todd finds himself in the middle of a turf war between a violent gang aided by Killer Croc and a new group of vigilantes dedicated to protecting his old neighborhood of the Hill. When a childhood friend is targeted for assassination by a vicious new crime lord on the rise, the Red Hood must forge an uneasy alliance with the vigilantes to save her.

Red Hood #52

Batman: Urban Legends Dives Into the World of Gotham Spotlighting, Jason Todd, Grifter, Harley Quinn and Poison Ivy, the Outsiders, and more

Explore the world of Gotham in a brand new anthology series, Batman: Urban Legends which launches in March 2021 from DC Comics. Batman may be the biggest name in Gotham City, but there are lots of other heroes—and villains—who will get a turn to shine in a brand-new monthly anthology series highlighting top talent and a mix of new voices making their mark on the city the Dark Knight calls home.

The first six issues are anchored by a Batman/Red Hood thriller from writer Chip Zdarsky and fan-favorite artist Eddy Barrows. Renegade vigilante Jason Todd, a.k.a. Red Hood is investigating a new and lethal drug sweeping through Gotham City. In the course of one night, this investigation will change his life forever – and put him in Batman’s crosshairs.

Future State: Grifters writer Matthew Rosenberg and artist Ryan Benjamin continue from the pages of Batman #101, as gun-for-hire Cole Cash is still in Gotham, on the trail of the true motives of the Halo Corporation…and yes, Batman and Grifter go head-to-head again!

In a story set before the launch of the new ongoing Harley Quinn series, writer Stephanie Phillips and Future State: The Next Batman artist Laura Braga team up to help Harley sort out her complicated history with Poison Ivy – but first she’ll have to find her!

This debut issue also launches a three-part tale of the Outsiders, courtesy of Future State: Outsiders writer Brandon Thomas with art by Max Dunbar. This saga reunites team members Black Lightning, Katana, and Metamorpho, but this reunion quickly turns into a confrontation with the appearance of a figure from Katana’s past!

Batman: Urban Legends #1 is a $7.99 prestige format series, debuting on Tuesday, March 16, 2021 with covers by Hicham Habchi (main), David Finch (variant), and Kael Ngu (variant).

Review: Red Hood #51

Red Hood #51

I had given up on Red Hood for a whole host of reasons. With a new creative team and direction, it felt like a good time to explore the series again. Red Hood #51 has Jason Todd returning home to Gotham City. The city is still picking up the pieces after “The Joker War”. Jason finds his old neighborhood has new vigilante protectors. And they’re fighting against those attempting to take advantage of the power vacuum.

Written by Shawn Martinbrough, Red Hood #51 packs a lot into a single issue. That’s to its detriment to an extent as nothing feels like it’s given the depth it’s needed. The comic is broken up into three distinct paths as the narrative jumps around the puzzle pieces.

All the concepts of the comic are generally great, though the end villain feels a bit laughable. The idea of neighbors coming together to protect their area is a solid next step for the Bat line of comics. Jason heading back and trying to figure out his next steps also works. The villains we’re presented feel a little comical. While there’s some things that work, there’s too many moments that come off as jokes that aren’t meant to be jokes.

But, you can see what Martinbrough is going with. Jason Tood, and this Red Hood, is being reshaped to focus on a lower level of villain, a more street level Batman. He’s being shaped into a white Luke Cage, and with that we’ll hopefully get the baggage that can come with that, gentrification being an example.

The art by Tony Akins is pretty solid. Along with Stefano Gaudiano on ink, Paul Mounts‘ colors, and lettering by Troy Peteri we’re presented with a different look at Gotham. It’s an art style that befits the focus and characters of the comic and characters. This isn’t the run down parts of Gotham nor are these the newly built. Red Hood looks like he’ll be straddling the two, an area being worked on that’s been gentrified and continues to be. We see that in the detail of the buildings are neighborhoods presented. The art tells us so much about where Red Hood fits in the Bat-family picture.

The comic isn’t bad but it feels like it attempts to pack too much in. Red Hood #51 has Jason Todd following a new direction and finding a new role for himself. There’s a lot of potential in the comic as to where it can go and the groundwork is laid out here. Unfortunately, none of it is given the time its needed to be really interested. Instead, we get Red Hood in a Luke Cage situation with over the top characters that so far don’t quite feel in place in a Red Hood comic. We’ll see where things go but as a start, this is a mixed one.

Story: Shawn Martinbrough Art: Tony Akins
Ink: Stefano Gaudiano Color: Paul Mounts Letterer: Troy Peteri
Story: 7.0 Art: 7.5 Overall: 7.15 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review


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Preview: Red Hood #51

Red Hood #51

Written by: Shawn Martinbrough
Art: Tony Akins

A new era begins for the Red Hood! With his Outlaw days behind him, Jason Todd returns home to Gotham City. While he plots what’s next for Red Hood, he tracks down a childhood friend now living in the Hill. As Gotham City reels from the effects of “The Joker War,” Jason finds himself caught in the crossfire between vigilante protectors of the historic neighborhood and a rising criminal element intent on seizing power!

Red Hood #51
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