Tag Archives: phil elliott

Underrated: Jack Staff: Soldiers

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet-pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week:  Jack Staff: Soldiers


I find I have an affinity to superheroes wearing the Union Jack, probably because one of the first comics I picked up was Marvel’s Union Jack, the three issue miniseries from the late 90’s where the titular character faced off against a legion of vampires, becoming one of my favourite characters in the process.

Since then I’ve always been drawn to heroes wearing the British flag, and so when I did a bit of research on other flag wearing heroes for a very early edition of this column, I came across Jack Staff. Britain’s Greatest Superhero was conceived from a Paul Grist script that was rejected as a Union Jack concept, and found new life as Jack Staff. Written and drawn by Grist, with Phil Elliott providing the colours, Soldiers is the second volume published by Image comics, and collects the first five issues of the Image comic series (the first volume contained the pre-Image stuff).

The story within the book takes place concurrently in two time periods over the course of twenty years – quite how Jack Staff doesn’t seem to age isn’t exactly explained, but then it doesn’t need to be. Grist has written the comics in an anthology-like style as multiple characters are used for focal points with each of the smaller stories telling a smaller piece of the whole. As a graphic novel, this works wonderfully.

Because the events of the story are contained to Castletown, there’s never a world ending threat to contend with, and so the threat level seems more credible given the smaller scale of the book’s events (and given Jack Staff’s ambiguous power set, not quite knowing what he can do is half the fun of watching the shit hit the fan).

Jack Staff: Soldiers is a lot of fun. There’s an old school feel to the heroics in this story, with Grist hinting that the characters are part of a much larger whole as this book scratches the surface of Jack Staff’s world. Despite being listed as the second volume, it’s an excellent point for folks to jump on board, and if you’re anything like me then you’ll be hunting out the other three volumes that Image have published.


Join us next week when we look at something else that is, for whatever reason, Underrated.

Markosia to publish Contraband

Contraband

Contraband, the breakout tech sci-fi graphic novel which forecasted today’s malignant world of social media mayhem, is being published by top UK indie label Markosia this spring.

Written by TJ Behe and illustrated by Phil Elliott, Contraband is an intense, dark foreshadowing of today’s tech-driven paranoia and online political chaos. When a hacker shifts real-time ownership of a wildly popular social app to each creator of its top-viewed video, rampant violence, misinformation, and privacy invasion ensues – as people everywhere chase the money, fame, and power of being ranked #1.

The story centres on a self-styled citizen journalist forced to hunt down an activist sabotaging a ruthless entrepreneur’s dark web social app, Contraband.  His search leads him into a voyeur underground where profit-hungry youths prowl city streets secretly inciting, staging and filming violent events to satisfy society’s accelerating demand for sensational content.

Published by Slave Labor Graphics in 2007, Contraband was one of the first social media-centric tech thrillers. Contraband’s chilling collection of ideas in this earlier era may have seemed outrageous – but are now rampant in 2021. Dark web communication apps secretly serving criminals banned from Twitter, Facebook, and other big-name social apps. Rampant “happy slapping” with credibility-hungry kids filming violent, exploitive acts.  Professional citizen journalists empowered with mobiles chasing down video stories to gain their own online fame.

Aces Weekly Asks You to Pick a Card, Any Card

Aces Weekly, the on-line comic magazine, founded in 2012 by David Lloyd and Bambos Georgiou, has announced the release of a set of collectible “trading cards”, which give purchasers access to volumes of the award-winning publication.

Each of the ten cards features an image from a specific volume on one side and a unique code on the other, which allows access to that volume. Volumes feature at least six different stories spanning seven issues and are often over 200 pages in length.

The cards are limited editions of 100 per volume, and are available from direct sales comic shops retailing for £6.99 for one card.

The first ten volumes feature a stellar line-up of established talent such as David Lloyd,  Herb Trimpe, Marc Hempel, Henry Flint, James Hudnall, Val Mayerik, JC Vaughn, Mark Wheatley, Phil Hester, John McCrea, Yishan Li, Algesiras, Alain Mauricet, Alexandre Tefenkgi, Roger Langridge, Dan Christensen, Kev Hopgood, Ferg Handley, Dave Hine, Shaky Kane, Keith Burns, Lew Stringer, Carl Critchlow, Phil Elliott, Lew Stringer, Stephen Baskerville, Jim Hansen, Mychailo Kazybrid, David Leach, Batton Lash, Jimmy Broxton and Bambos Georgiou.

Aces Weekly has also managed to launch plenty of breakout creators during those first ten volumes, including Paul McCaffrey, David Hitchcock, Ben Dickson, Gavin Mitchell, Esteban Hernandez, Kathryn Layno, Jok, Santullo, Rachael Smith and Lawrence Beveridge of the Fearless Vampire Killers, to name but a few.

The cards feature the following artist;

Volume 1 David Lloyd
Volume 2 Henry Flint
Volume 3 Marc Hempel
Volume 4 Herb Trimpe
Volume 5 Shaky Kane
Volume 6 Roger Langridge
Volume 7 Nardo Conforti
Volume 8 Paul McCaffrey
Volume 9 Val Mayerik
Volume 10 Keith Burns

Comic shops can obtain wholesale prices and order sets of cards by contacting Bambos Georgiou at info@acesweekly.co.uk

Preview: Doctor Who: The Tenth Doctor Archives Omnibus Vol. 3

DOCTOR WHO: THE TENTH DOCTOR ARCHIVES OMNIBUS Vol. 3

Writers: Tony Lee, Matthew Dow Smith, Jonathan L. Davis
Artists: Al Davison, Blair Shedd, Matthew Dow Smith, Kelly Yates
Colorists: Lovern Kindzierski, Charlie Kirchoff, Phil Elliott
Letterers: Neil Uyetake & Robbie Robbins
Cover: Tommy Lee Edwards

The third Tenth Doctor Archives collects the story arcs ‘Tesseract’ and ‘Final Sacrifice’! Witness the TARDIS assaulted by bizarre, five dimensional beings! Martha and UNIT battling an ancient evil under Greenwich! And, finally, the Tenth Doctor’s new companions, Emily Winter and Matthew Finnegan, must face the predations of the Advocate on a war-ravaged alien world… and not everyone will make it out alive!

Collects: Doctor Who: Tesseract; Doctor Who: Final Sacrifice

10D-Archives-Omnibus-Vol-3

Preview: Doctor Who: The Tenth Doctor Archives: Omnibus Vol. 2

DOCTOR WHO: THE TENTH DOCTOR ARCHIVES: OMNIBUS VOL. 2

Writers: Tony Lee, Leah Moore, John Reppion, John Ostrander, Richard Starkings, Gary Russell, Rich Johnston, Charlie Kirchoff
Artists: Al Davison, Matthew Dow Smith, Ben Templesmith, Paul Grist, Kelly Yates, Eric J, Tom Mandrake
Colorists: Lovern Kindzierski, Charlie Kirchoff, Phil Elliott
Letterers: Neil Uyetake & Robbie Robbins
FC – HC – 288pp – $24.99 – On Sale: May 18

The second stunning volume of the Tenth Doctor Archives collects six thrilling one-shots (‘Through Time and Space’), and the first arc of the Tenth Doctor’s debut ongoing series (‘Fugitive’). Travel with the Doctor’s beloved companions Martha, Donna and a whole new gang in a bumper collection of transtemporal adventure!

Collects: Doctor Who: Through Time and Space; Doctor Who: Fugitive

10D-Archives-Omnibus-Vol-2

Review: Ring Of Roses

ringofrosesOriginally published over twenty years ago as a four issue miniseries, this the first time the story has been presented in colour. Set in an alternate reality London in the year 1991, where the Catholic Church wields incredible power, to the point of hindering the progress of science and technology to levels comparable to where our world was during World War II. Ring Of Roses has been published by numerous publishers; Dark Horse published the original four issue miniseries from 1992-3, Image Comics released a trade paper back in 2005, and finally we have this collection by Titan Comics. Ring Of Roses is a murder mystery tale rife with corruption, secret societies, religious mania and even the plague. But does a graphic novel originally written in 1992 hold up today?

Absolutely.

Ring of Roses is a story that bears as much relevance now as it did twenty three years ago. Dave Gibbon’s forward compares this book to three standout graphic novels released in the late 80’s that, if you haven’t read at least one, then you’ll surely have heard of them; Maus, The Dark Knight Retuns, and Watchmen. That’s some lofty company to put Ring Of Roses in, and while the story is absolutely worth reading, the impact this book had back then was considerably less than the other three.

That being said, this still a phenomenal story, if a little harder to follow at times than you would expect with a comic book. Das Petrou does an excellent job propelling the story along, and the comparative lack of narration is refreshing; it reminds me of some of my favourite books that don’t spell everything out for you as you read it. By not holding your hand and over explaining everything Das Petrou encourages you to give the story a second reading. John Watkiss art is in a line heavy, almost sketchy, style that conveys just as much grime and oppressiveness as you need without feeling needlessly dark or murky to the point where the artwork makes the story hard to follow. Although I never read a copy of the story in greyscale, I really enjoyed the vibrancy the newly coloured art brings to the story. [colourist’s] addition to the story doesn’t feel out of place in the least, and helps to bring out details that I may have otherwise missed.

Ring Of Roses isn’t a new story, but the themes within the story are still more than relevant to today’s audience. It isn’t a perfect graphic novel, but it held my attention from start to finish, and I enjoyed every digital page that I read.

When you get a chance, check this book out. It’s a fantastic book that’s just as relevant now as it was nearly twenty five years ago. And yes, it absolutely holds up to the stories written today.

Writer: Das Petrou Artist: John Watkiss Colourist: Phil Elliott
Story: 8.75 Art: 7.75 Overall: 8.75 Recommendation: Buy

Titan Comics provided Graphic Policy a FREE copy for review.