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Why Boromir Was the Best Character in the Fellowship of the Ring

Wow, I can’t believe it’s been 20 years since eight-year-old me read an 1,008 page fantasy novel called The Lord of the Rings (And The Hobbit too because it’s an actual children’s book.) just so I could be allowed to watch a fantasy movie called Fellowship of the Ring on VHS. There was also the Fellowship of the Ring video game for GameBoy Advance that had characters from the book, like Tom Bombadil, but would glitch out midway through the Mines of Moria. This was a glitch that not even the Prima strategy guide or GameFAQs.com could fix.

As you can tell from this introductory paragraph, The Lord of the Rings has been a huge part of my life. Along with Star Wars, The Chronicles of Narnia, and good ol’ Redwall, it was my first fandom and is partially why I’m interested in genre fiction and, by extension, write for this website. One thing I love about going back and re-watching The Lord of the Rings films is seeing how my relationship with the characters and themes has evolved over the years. For example, when I was younger, I hated how “slow” the scenes in The Shire were at the beginning of The Fellowship of the Ring, and would fast forward to when Frodo (Elijah Wood) and Sam (Sean Astin) began their journey. Now, I understand the contrast between the idyllic, adorable life of the Hobbits with the darkness that pervades the rest of the film as Peter Jackson shifts the tone from light comedy to fantasy thriller, and how these scenes establish the intoxicating power of the Ring through its effects on Bilbo (Ian Holm), Gandalf (Ian McKellen), and Frodo.


My relationship with a character that has changed the most is Boromir, who is played admirably by Sean Bean (Game of Thrones, Goldeneye). He joins the Fellowship of the Ring at Rivendell and is the only main cast member to die permanently. When I was younger, I thought he was the heel to Aragorn’s babyface and preferred his kinder, younger brother, Faramir (David Wenham), who is a wonderful character and may get an article of his own when the 20th anniversary of The Two Towers and The Return of the King rolls around. However, as I’ve gotten older, I started to connect with him as a flawed, tragic figure that ends up making a big sacrifice that sets up the hobbits, Merry (Dominic Monaghan) and Pippin (Billy Boyd), on their own hero’s journey. While studying texts like the Song of Roland, Beowulf, and Dante’s Inferno (Boromir is totally what medieval theologians would call “a virtuous pagan”.), I started to see Boromir as a more modern version of the tragic hero archetype, who is consumed by pride and greed, but ends up redeeming himself in the end through death. He is a glowing example of the rich intertextuality of J.R.R. Tolkien’s fantasy epic as well as Jackson, Fran Walsh, and Philippa Boyens’ film adaptation, and how these works are in conversation with older myths, legends, and stories.

However, I’ve started to connect with Boromir on a personal as well as intellectual level. As I’ve gotten older, I’ve had to take on more responsibilities like a multi-faceted full time job, paying the bills, and relationships to name a few. So, I relate to Boromir’s struggles with balancing what his father Denethor (And, by extension, his home country, Gondor) want him to do, and what he personally wants to do with his life. Boromir’s constant mentions of Gondor and “his city”  could easily be substituted with “the project”, “the numbers”, or insert office jargon here. However, you can definitely tell that Boromir cares deeply about his city as evidenced by his monologue to Aragorn in Lothlorien where he uses poetic language and describes Minas Tirith as the “The White Tower of Ecthelion, glimmering like a spike of pearl and silver”. Howard Shore’s score soars during this scene, and for a  second, it looks like we might get an Aragorn (Viggo Mortensen) and Boromir team-up to save the day. Alas, that’s not going to happen partially due to Boromir’s father Denethor’s desire for power and a weapon to defend his country.

Basically, Boromir’s whole motivation as a character in Fellowship of the Ring comes from a flashback scene in The Two Towers extended edition where he celebrates a great victory for Gondor, gives a short speech, and then breaks out the ale. However, his celebration is undercut by the appearance of his father Denethor (John Noble) aka the ultimate middle manager. Denethor isn’t the King of Gondor: his actual rank is Steward. Basically, he’s keeping the seat warm until the actual king (Aragorn, in this case) returns and is like an interim head coach if the “interim” tag never came off for hundreds of years. You can definitely see this in the way Noble plays Denethor as if he has the biggest of sticks up his ass, berates Faramir for making a strategic retreat instead of fighting while outnumbered, and doesn’t indulge in a pint of ale.

In this wonderful scene, Boromir tells his father that he wants to stay in Gondor instead of traveling to Rivendell to take an object that was responsible for the death of one of the greatest leaders of Men. (Isildur aka Aragorn’s ancestor from over 3,000 years ago.) His brother Faramir, ever being the empathetic one and trying to earn his father’s favor, says he’ll go to Rivendell, but Denethor doesn’t think he’ll toe the party line and forces Boromir to go and get the One Ring for Gondor so they can defeat Sauron and Mordor. This is in spite of the fact that the One Ring has brought nothing but suffering and death and should be destroyed. In a more modern setting, Boromir would be a top employee sent by a manager to do something unethical to get an edge on a competitor, but it ends up hurting the company and the employee. It’s very much a lose/lose situation. 

With the information gained from this extended scene, Boromir’s behavior in the Fellowship of the Ring makes sense from the way he contemptuously throws down Isildur’s blade Narsil, which cut the One Ring from Sauron’s finger, in Rivendell to his firsthand knowledge of Mordor because it borders Gondor. I love how Sean Bean talks with his hands while delivering dialogue about how “one does not simply walk into Mordor”. On a more positive note, the way he treats the hobbits, especially Merry and Pippin, mirrors the way he treats his younger brother, Faramir. There’s a hilarious scene where he spars with them and then ends up being tackled by them and wrestling like a big brother and his younger brothers or nephews. In Moria, he helps them jump across a chasm in a tense chase sequence. These scenes add humanity to Boromir and show that beyond the company line of “bring the Ring to Gondor”, he cares about fostering close relationships with other people, and there’s a reason why his men were raucously cheering in the flashback scene. It shows that Boromir is more than just the mission his father sent him just like we’re more than our job titles and professions.

These moments counterbalance the scenes where Boromir acts condescendingly to Frodo (I hate how he ruffles his hair like the hobbit is a puppy.) and especially the pivotal sequence where he tries to take the Ring from him, tells him that he’ll fail in his mission, and that the Ring belongs to him. In this moment, the corrupt influence of the power of the Ring plus Denethor’s mission consumes him, and he acts like a total asshole leading Frodo to put the Ring on (Never a good idea.) to evade him. Boromir’s treatment of Frodo at the end of The Fellowship of the Ring has parallels to someone having a bad day and taking it out on a co-worker or even a totally innocent customer service professional for an unrelated reason. 


However, Boromir still has some good qualities and apologizes to Frodo (Even though Frodo is off in the netherworld of the Ring and can’t hear.) with Bean’s voice breaking as he comes to his senses. Fittingly, he ends up taking his little bros, Merry and Pippin, under his wing and protects them from the attacking Uruk-Hai whose only instructions are to capture Hobbits and kill everyone else. His protection of Merry and Pippin ends up being his redemption and inspires the hobbits to become soldiers in the armies of Rohan and Gondor respectively with Pippin mentioning Boromir’s sacrifice specifically when he swears his service to Denethor. Also, Pippin being in Minas Tirith ends up saving Faramir’s life as Denethor goes totally crazy and tries to burn his son to death because he has totally lost hope. It’s like he saved his brother beyond the grave, and in my head canon, he’s smiling somewhere as Faramir finds love with another kind, heroic character, who is underappreciated by her people aka Eowyn.

Boromir doesn’t have the traditional hero arc of Aragorn, who goes from pipe smoking, weather-beaten Ranger to well-groomed King of Gondor and atones for Isildur’s mistakes as he distracts the armies of Mordor at the Black Gate so Frodo and Sam can destroy the Ring. However, Boromir’s storyline is more relatable to me as a human and worker in a late capitalist hellscape because his passions and values are subsumed to a never ending for a bureaucrat (Denethor) desperately trying to hold onto power in a world where he has become quite irrelevant. 

In the end, Boromir doesn’t save the world or achieve some great destiny just like so many of us won’t be remembered in history books as great leaders or figures. However, he did have one great moment where he got to be himself and protect his surrogate brothers, Merry and Pippin. Boromir gives them hope that they’ll survive the next two films as well as returning to the Shire as sword-wielding, armor-wearing heroes. In a world where the wealth gap is increasing, the climate is rapidly changing, and a pandemic ravages the lands, I feel this one great moment where I know I made a difference is all I can hope for in life.

But, hopefully, it doesn’t involve me being shot through with some seriously gnarly arrows… 

Movie Review: Mortal Engines

mortal engines poster

Peter Jackson‘s Mortal Engines is a visual and creative feast for those of us who love production design and giant steampunk style machines. Unfortunately, its somewhat predictable plot and characters don’t help it become a more complete film, leaving it as cold and lifeless as one of its giant rolling cities. While this might be one of the best blockbusters you would normally have in theaters at any given time, this has the unfortunate luck of being in one of the most over-saturated and competitive markets in recent memory. It’s not a bad movie, but if someone asked for a recommendation of what to check out in a theater right now, I can’t wholeheartedly endorse this.

Our story, based on the novel of the same name, is about an apocalyptic future a thousand years from now where giant roaming cities practice “municipal cannibalism.” The larger cities find smaller trading posts and villages and consume their people and resources so that they can continue to exist.

Our action centers around one of the largest of these predator cities — London — where we find our hero Tom (Robert Sheehan). He is an archaeologist, meaning he studies “The Ancient Ones” of the 21st century, “The 60 Second War” that created the conditions of their world, where gigantic mega weapons destroyed most of civilization, fractured continents, and nearly wiped out all of humanity. He scavengers through the wreckage of the cities that they pick up looking for artifacts and even fabled weapons so that he can try to destroy them. However others around him may not have such benevolent purposes.

A mysterious scarred woman, Hester Shaw (Hera Hilmar) is picked up in the breathtaking opening minutes of the film in one of these smaller cities, and she seems to have a vendetta against one of London’s most powerful residents, Thaddeus Valentine (Hugo Weaving).

This begins a chain of events that finds Hester and Tom outside of the city, chased by a sentient skeleton-like robot, picked up by slavers, and fighting for survival. We find out about much more of her backstory and what Valentine is trying to do in London, when she and Tom must work to prevent a repeat of the previous apocalypse.

Despite the complexity of that story, the plot is a little thin, it features one of the most obvious mcguffins ever, and at least halfway through seems to give up all pretense of even pretending to not just completely rip-off Star Wars. Again, that wouldn’t be such a terrible thing if this weren’t competing against so many other blockbusters over the next month.

However, a lot of the creative and stylistic choices here seem to be made for the entertainment of Asian audiences, (the same way other films like Skyscraper and The Meg were) where this may perform substantially better.

It is a really gorgeous film. And unlike some most of Jackson’s recent outings, this does not feel bloated or overwrought. A lot of the credit has to go to director Christian Rivers, a Jackson protoge who worked in the art department and production design for Lord of the Rings, King Kong, and assistant director on The Hobbit films. But Jackson’s fingerprints are all over this, the same way George Lucas will leave his fingerprints on films. It is well-paced and the performances are enjoyable if not memorable.

With such a rich tapestry, my biggest complaint is wishing that this film had something important to say about the world. A story about a giant rampaging London consuming other cities could have something very poignant to say about consumption or capitalism competition. Instead it’s just very surface, but you really enjoy all of that extra work put into the design of London or an entire city built in the sky, or other really amazing action set-pieces.

This is the same Peter Jackson who brought us Lord of the Rings, but unfortunately he’s not working from a rich world built by JRR Tolkien. This is possibly worth seeing if you love spectacle but care less about story and character and deeper meaning. But there just isn’t much behind the beauty and machinations and technical wizardry of this film. If you do see this, treat yourself to an IMAX or other large-format screen, because at least you can appreciate the art and visuals here.

3 out of 5 stars

9 Ideas for Amazon’s ‘Lord of the Rings’ Show


Unless you’ve been chilling out in your hobbit hole smoking a couple bowls of Old Toby with limited wi-fi connection courtesy of the Hobbiton equivalent of Time Warner/Spectrum, you may have heard that Amazon Studios now has the rights to make television shows based on The Lord of the Rings and The Hobbit. Amazon CEO Jeff Bezos himself tweeted about the acquisition, which some see as a power move to try to have a big fantasy show to compete with HBO and Game of Thrones. And if you’re trying to make a “prestige” fantasy universe, you can’t go wrong with playing in J.R.R. Tolkien’s original high fantasy sandbox even though Peter Jackson’s 2001-2003 Lord of the Rings trilogy is a modern film classic and basically my generation’s Star Wars. (The two too many Hobbits not so much.)

In related news,  J.R.R. Tolkien’s son, Christopher Tolkien, who has been the director of the Tolkien Estate since the author’s passing in 1973 has stepped down and is retiring. Christopher Tolkien compiled his father’s posthumous works, including the Silmarillion (1977), which features the creation myth of Middle Earth and sets up many of the events of Lord of the Rings. (Characters like Gandalf, Galadriel, and Elrond even cameo in it.) However, he wasn’t a big fan of the film adaptations and refused to sell Warner Bros the rights to any books other than Lord of the Rings or The Hobbit.

This could all change with his retirement, and Tolkien geeks could look forward to The Silmarillion trilogy to go with unending Star Wars sequels and Harry Potter prequels. But for the sake of this article, I’ll be limiting the possible TV shows to stories and characters that appear in The Lord of the Rings, it copious appendices, and The Hobbit even though a show about the rise and fall of Numenor would dunk on Game of Thrones while stealing its lunch money and making out with its romantic partner.

All these stories take place before Fellowship of the Ring just like the potential show mentioned in the Amazon press release.


9. Young Aragorn Show

This show was the first one that came to mind for many Tolkien fans so let’s get it out of the way first. Even though he looks like he’s in his mid-30s, Aragorn is actually in his 80s during Lord of the Rings, which earns a laugh from Eowyn, who has an unrequited crush on him. He has been around the block a little bit: riding through the wild with Elrond’s sons, fighting for both Gondor and Rohan, and even going on a solo man hunt for Gollum. (The subject of a solid, violent fan film.)

The Aragorn prequel show definitely shouldn’t go the Gotham route and have Aragorn be a kid with the exception of flashbacks featuring him in Rivendell and not being a fan of his foster father Elrond pushing him towards becoming king of Gondor. It would work best in the vein of the 2013 Tomb Raider game, Casino Royale, and Batman Begins showing how the orphan Estel became the hardened, badass ranger, Strider, and a king in exile. Hell, you could probably come up with a whole part of a character arc from one of Viggo Mortensen’s long, smouldering looks in Lord of the Rings.

Besides being a cool lone wanderer fantasy adventure show, like Xena with stubble, the young Aragorn prequel has a wealth of relationships to develop from his father figures Elrond and Gandalf to younger versions of Theoden and Denethor when he fights as a mercenary for Rohan and Gondor and especially his romance with Arwen. Honestly, I could watch a whole season of them fighting the forces of Evil in the North and doing a lot of smooching.


8. Isildur and Elrond Show

This show would take place 3,000+ years before the Fellowship of the Ring, but it would be fantastic and could lead into the epic battle, cold open in Fellowship. It would focus on the characters of Elrond and Isildur and provide an inside look at the legendary “Last Alliance” between humans and Elves from the POV of their two young leaders. The show could flesh out Isildur’s father, Elendil, and Elrond’s commander, Gil-Galad, who barely appeared in Fellowship and show what kind of personalities the men who stood up against Sauron had.

Isildur, his father, and brother are also some of the last refugees from the Atlantis-like island of Numenor, which was destroyed by the Valar (Gods of Middle Earth) after their last king struck up an alliance with Sauron. So, the main conflict of the series wouldn’t just be good versus evil, but also personal. It could also show how Elrond went from an optimistic Half-Elf warrior to a cynical, misanthrope after Isildur decides to keep the One Ring and not destroy it. Speaking of the Ring, it already has a built in climax as Isildur chooses power over peace and allows Sauron to survive. (Honestly, Elrond should have pushed him in the lava and saved a lot of trouble.)

If Amazon is serious about being competitive with Game of Thrones and wants to do a real high fantasy show, they couldn’t go wrong with adapting the story of the first war against Sauron featuring the characters of Isildur and Elrond. Plus it’s a chance at seeing the Elven rings in action, having flashbacks featuring Sauron in a sexy, deceptive, Milton’s Lucifer form, and also exploring the interesting topic of religion in Middle Earth. Because Isildur is probably pissed off that his homeland is thousands of feet underwater.


7. Rhun or Harad-Focused Show

Although not as bad as his frenemy C.S. Lewis, J.R.R. Tolkien’s treatment of race in Lord of the Rings was quite problematic. You could play a drinking game with how many times he refers to “non-Western” humans as “swarthy” in the book. Sauron’s allies, the people of Rhun (Who are referred to by the basically racist sobriquet Easterlings),  and Harad, don’t fare much better in the film and are just face mask and turban wearing enemies for the main characters to cut through or sneak around.

Even though they get zero characterization in the books and films, both Tolkien and Jackson saw some potential in the people of Rhun and Harad in a monologue delivered by Sam in the book and Faramir in the movie where he asks, “You wonder what his name is… where he came from. And if he was really at heart.” I think a serious fantasy war drama about a young Rhun or Haradrim would be fascinating and go into the motivation behind banding together with someone really evil in Sauron and Mordor.

In Tolkien’s Unfinished Tales, he mentions a resistance movement to Sauron in Rhun, and this footnote could turn into an entire TV show. I think it would be more powerful to show the life of a Rhun or Haradrim soldier, who fought for Sauron and their daily life and emotions.

While HBO is doing a fantasy/alternate show about the Confederacy winning the Civil War, wouldn’t it be cool if Amazon did a revisionist take on the Tolkien mythos and gave people of color agency and robust character arcs to go with the cool armor designs and giant elephants?


6. Mines of Moria Show

Players and ex-players (Like yours truly) of The Lord of the Rings Online should definitely know that the Mines of Moria is easily one of the coolest and scariest places in Middle Earth. It’s the ultimate RPG dungeon, and unfortunately The Fellowship of the Ring could only show audiences its main quest line. This is why a show centered around Balin’s failed colonization of Moria would be a very entertaining and horrifying show.

The show could begin with Balin (Ken Stott reprising his role from The Hobbit films) feeling restless in a peaceful Erebor and deciding to reclaim the dwarves’ ancestral homeland and mine the beyond precious metal mithril. There would be plenty of gruff humor, axe swinging action, and all kinds of creepy critters either from Tolkien’s mythos or twisted original creations.

I was sad that Guillermo del Toro didn’t get to direct The Hobbit films so it would be really redemptive for him if he directed the pilot, executive produced, and helped design some of the monsters for this Mines of Moria show. It could provide a longer look at one of the cooler places in Middle Earth and also tell a story from the POV of the dwarves, who are supporting players in both the Middle Earth books and films. Plus it would make the Tomb of Balin scene even sadder.


5. Young Theoden Show

Rohan is one of the most fascinating countries in Middle Earth because they’re basically Vikings, who ride horses. J.R.R. Tolkien’s essay The Monsters and the Critics  is pretty much responsible for you reading Beowulf in AP English or Lit 101, and you can see a lot of his passion for the 9th century Anglo-Saxon epic poem in the honorable warriors and people of Rohan. Plus “shield maiden” is seriously a job you can have there until Grima Wormtongue decided to bring the patriarchy back.

As played by Bernard Hill with a fantastic wig, Theoden is one of my favorite characters in The Two Towers and Return of the King. He has strong emotional connections to his niece, Eowyn, his late son, Theodred, and even the hobbit, Meriadoc Brandybuck. Theoden also has a passive aggressive relationship with the people of Gondor, which he kind of takes out on Aragorn. (The whole “Where was Gondor?” scene.) His empathetic approach to kingship would be a unique wrinkle in a TV drama landscape filled with assholes and anti-heroes

A Theoden TV show would also be a chance to explore the relationship between the Rohirrim and people of Dunland, who were allies of Saruman in The Two Towers and utilize a fantasy setting to look at political imperialism. Theoden might be a nice guy, but he perpetuates the oppressive status quo, oops.


4. Tauriel/War of the Ring “Northern Front” Show

While the Lord of the Rings was focusing on the events in Gondor, Rohan, and Mordor, there was a whole war being fought in the North. Remember the dwarves, people of Dale, and Elves of Mirkwood from The Hobbit? They had to deal with hordes of Orcs and Sauron’s allies from Rhun decades after liberating their people from a giant dragon voiced by Benedict Cumberbatch.  The valiant effort of Legolas’ fabulous father Thranduil and the dwarves of Erebor and the Iron Hills misdirected resources that could have been used to hunt down Frodo and the One Ring or besiege Minas Tirith.

The setting of the War of the Ring’s “Northern Front” would be a prime place to reintroduce the unfairly maligned character, Tauriel, who was played by Ant-Man‘s Evangeline Lilly in The Hobbit: Desolation of Smaug and The Battle of Five Armies. With Legolas traveling with the Fellowship, she’s the top warrior of Mirkwood and also has interesting connection to the dwarves because of her relationship with Kili from The Hobbit. Most of the leaders in Lord of the Rings are male so it would nice to see the War of the Rings from a female POV and get a real arc for Tauriel instead of just being a cog in a forced love story.

This show would also provide an opportunity for Lee Pace to come back as Thranduil, King of Mirkwood, and I could definitely use some more fantastic eyebrows and moose mounts. An interesting subplot could be centered around the Elves of Lothlorien deciding to help at Helm’s Deep instead of their relatives’ war in the North, which probably made Thranduil furious.


3. Rangers of the North vs. The Witch King Show

This show idea completely comes from my personal love for the “Shadows of Angmar” quest line in the Lord of the Rings Online MMO. Before he chased down hobbits with magical rings, the Witch King was responsible for the decline and eventual demise of Arnor, the kingdom in the North that Aragorn is the heir to. The attack on Weathertop in The Fellowship of the Ring is the Witch King basically talking trash to Aragorn and telling him that the North still belongs to him.

The battle between the Witch King and Arnor is interesting because with the help of hobbits, Elves, and Gondorians, the Rangers of the North eventually defeat him, but they’re scattered and have no real political power. This is why Aragorn looks like he hasn’t taken a bath ever (And still looks hot.) instead of looking like royalty in Fellowship of the Ring. 

The war between Arnor and Angmar spans five centuries and involves Arnor splitting into three separate kingdoms. (Game of Thrones is not original.) A good way to tell this long story would be to pick a family of Rangers and tell their story over the years and using the framing device of Aragorn telling the story to the hobbits by the camp fire. They didn’t have much food so they had to do something to pass the time. The show’s setting in the North could also lead to cameos from fan favorite characters, like Tom Bombadil, the Barrow-Wights, and Old Man Willow as well as the occasional hobbit and familiar places like the Prancing Pony Inn.



2. A Dark Comedy About Orcs, War, and Their Feelings

With the exception of  Saruman and Gollum, the forces of Evil in Lord of the Rings aren’t really well-sketched out. The glorified flashlight Eye of Sauron that pops up throughout the three films is certainly no Hannibal Lecter, Anton Chigurh, or even Jason Voorhees. Sure, Weta Workshop’s designs for the various Orcs, Goblins, and Uruk-Hai in Lord of the Rings is very cool and grotesque, but Peter Jackson didn’t have time to dig into their inner feelings in his film trilogy.

This is where this unnamed show about Orcs and their feelings come into play. It should be a war story about foot soldier on either the Gondor or Rohan front and be a dark comedy in the vein of Full Metal Jacket, MASH, or most recently, Four Lions finding the funny side of fighting for the forces of evil. The main character should be either a foot soldier or non-commissioned officer with occasional cameos from named Orcs/Uruk-hai from the books and films, like Lurtz, Gothmog (The puffy, white faced guy from Return of the King) , and Gorbag, who did a cool crane kick move before getting stabbed in the back by Samwise Gamgee.

I am here for latrine digging humor and jabs from regular Orcs about how the Uruk-Hai are pretty, but dumb as well as finding out what the ordinary, lunch pail, er, scimitar wielding foot soldier thinks about Sauron and his war against humans, Elves, and the “free people”.  A good showrunner for this project would be one of Middle Earth (Aka New Zealand’s) finest comedic directors Taika Waititi if he’s not too busy making every future Marvel movie.


1. The Great Bilbo Bake Off

In the terrible of year of 2017, who wouldn’t want a show featuring cakes, pies, pastries, and all matter of hobbit treats judged by Noel Fielding, Paul Hollywood, and company. Plus since this competition technically takes place in a fantasy world, why not bring back Mel, Sue, and everyone’s favorite Commander of the British Empire, Mary Berry from previous seasons of the Earth spinoff of The Great Bilbo Bakeoff.

Yes, because he’s one of the oldest hobbits, Bilbo (As played by Martin Freeman, duh.) should definitely be the main judge of his show. It would also give him a much needed break from his hobby of map flipping, ring fondling, and generally being a weird loner hoarder. Plus his 111th birthday is coming up, and you definitely need a tasty cake if you’ve lived that long.

Just be wary of the Sackville-Bagginses taking your Baked Alaska out of the freezer…

Around the Tubes

I’ll be posting, but irregularly over the next few days, so hope folks have a great Thanksgiving!

Around the Tubes

The Mary Sue – Representative Zoe Lofgren Shows Her Internet Savvy: Ask Reddit for Internet Law SuggestionsI encourage folks to take part!

CBR – “The Walking Dead” Casts Chad Coleman as TyreeseAwesome to see this fan favorite character coming to the screen.

The Beat – All the Hostess comics ads in one creamy cake I really want a Twinkie.

ICv2 – PETA Takes on Peter JacksonI blame trolls.

Comics Alliance – Marvel Reveals New Content For Delayed ‘Phase One’ Box Set -But will it have the cool suitcase!?

The Guardian – How we built our “America: Elect!” graphic novel interactiveSome cool behind the scenes info.

TinTin Trailer

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The full length trailer for TinTin has hit the tubes.  Produced by Peter Jackson and directed by Steven Spielberg – with visual effects provided by WETA opens December 23.

Almost American