Tag Archives: patrick stewart

Avengers: Doomsday’s Professor X comes to Hot Toys as a 1/6 Scale Figure

In Marvel’s upcoming blockbuster event, Avengers: Doomsday, the boundaries of reality are about to be shattered, and the stage is set for the monumental return of the legendary founder of the X-MenProfessor Charles Xavier. Guiding heroes through the most perilous of times, his profound intellect and unparalleled telepathic abilities are set to make him an absolute force to be reckoned with.

Inspired by his appearance in Avengers: Doomsday, the Professor X 1/6 Scale Collectible Figure by Hot Toys features a newly developed headsculpt with a detailed likeness of Sir Patrick Stewart. The headsculpt is equipped with separate rolling eyeballs, so that collectors can recreate his intense focus and powerful psychic stares. A selection of interchangeable hands allows fans to pose him using his telepathic powers or operating his wheelchair.

Professor X comes dressed in a dark navy ribbed inner shirt, a dark navy tactical jacket featuring the iconic X-Men logo, a belt with a matching logo, dark navy pants, and a pair of black shoes. The piece measures approximately 9.65 inches (24.5 cm) tall including his wheelchair. His highly articulated body has a built-in magnetic function for securely attaching him to his wheelchair.

His meticulously crafted wheelchair features an articulated joystick and rotatable wheels. Accessories include a sign for Xavier’s School for Gifted Youngsters and a wooden floor-themed graphic card that recreates the devastating scene as seen in the official trailer.
 
Add an iconic telepath to your collection with the Professor X 1/6 Scale Collectible Figure. Available to pre-order now!

Professor X 1/6 Scale Collectible Figure Highlights:

  • Authentic and detailed likeness of Sir Patrick Stewart as Professor X in Avengers: Doomsday.
  • Newly crafted headsculpt with separate rolling eyeball design.
  • Movie-accurate facial expression with detailed wrinkles and skin texture.
  • Body with 30 points of articulation (magnetically attachable to wheelchair).
  • Approximately 9.65 inches (24.5 cm) tall (including wheelchair).
  • 6  pieces of interchangeable hands.
  • Costume includes a tailored Professor X suit with navy-colored ribbed inner shirt, navy- colored tactical jacket featuring an X-Men logo, a black belt with X-Men logo on buckle, navy-colored pants, black shoes.
  • Accessories include a wheelchair (with articulated joystick and rotatable wheels), one Xavier’s School for Gifted Youngsters sign, a wooden floor-themed graphic card.

Michael Bay is in talks to direct Barbaric based on the Vault Comics series

Barbaric #1

Michael Bay may be heading to television. The director is in talks to direct Barbaric, the television based on the comic published by Vault Comics. The series has been picked up by Netflix and will be developed by A+E Studios.

Barbaric launched in 2021 and created by Michael Moreci and Nathan Gooden. The comic has been a hit spawning multiple volumes, a spin-off series, as well as an innovative crowdbuilding campaign.

The series is about a warrior barbarian looking for redemption and a demonic axe and their ongoing adventures.

Sam Claflin and Patrick Stewart are set to star in the series. Claflin will step into the main role of Owen while Stewart will voice the axe. It’s being written and exec produced by Sheldon Turner.

Also exec producing is Turner’s partner at 100% Productions, Jennifer Klein. F.J. DeSanto and Damian Wassel of Vault Comics and Claflin will also exec produce along with Luke Carroll and Michael Stevenson of Cusp Films. Barry Jossen and Tana Jamieson of A+E Studios are part of the exec producing team as well.

SDCC 2019: Star Trek: Picard Gets a First Trailer

Star Trek fans had a moment at San Diego Comic-Con 2019 as the first trailer for Star Trek: Picard was revealed. Sir Patrick Stewart treated fans to the viewing and guests were surprised as Star Trek icons Brent Spiner, Jeri Ryan, and Jonathan Del Arco, announced they will be appearing on the show.

In addition to the surprise guests, it was revealed that Star Trek’s Jonathan Frakes and Marina Sirtis will make appearances in the new series as well. During the panel, it was also announced that Star Trek: Picard will premiere in early 2020 exclusively on CBS All Access in the U.S.

Around the Tubes

Batman #65

It was new comic book day yesterday! What’d everyone get? What’d you like? What’d you dislike? Sound off in the comments below! While you think about that, here’s some comic news and reviews from around the web.

The Beat – Five Graphic Novels nominated for the LA Times Book Prize – Congrats to all of the nominees!

CBLDF – Two New Jersey High Schools Restrict Fun Home – Grrrrr.

Comic Book – Hugh Jackman and Patrick Stewart Receive Guinness World Record for Longest Careers as Marvel Superheroes – Congrats to both!

Reviews

Comics Bulletin – Batman #65

Movie Review: The Kid Who Would Be King

Director Joe Cornish‘s movie about modern British kids who take up the literal mantle of King Arthur and his knights is a perfect melding of his style with kid-friendly fare. It also includes some oblique and unexpected social commentary in what is otherwise your basic misfit kids on an adventure movie that could’ve come straight out of the 80’s.

This is otherwise nothing like Cornish’s cult favorite Attack the Block (which was the last –and only– time we saw him direct), except for its perfect sense of place. Both films capture their thoroughly British settings but also manage to translate them to a universal understanding. This is much the same way The Goonies, E.T. or Stranger Things captured their settings of the Pacific Northwest, suburban California, exurban Indiana, respectively, and draws you in. The script is also fun, which should be no surprise to those who know Cornish from his comedy roots or as one of the co-writers of Ant-Man. 

Our main story follows young Alex (Louis Ashbourne Serkis), the son of a single mom and a frequent target of school bullies Lance and Kaye along with his best friend Bedders. One night after school they chase him into a construction site where Alex finds a swords sticking out of a pillar of concrete and rebar. He pulls it out, fights off his bullies, and escapes.

The next morning a strange new kid at school calling himself Merlin… no… Marvin, tells Alex he is the heir to Excalibur and must protect England from a growing threat. When Arthur and his knights defeated Morgana (Rebecca Ferguson), they only sealed her away until a time when the hearts of mankind would grow cold, the people would be divided against each other, and cynicism would reign. Alex only has a few days before a solar eclipse which will unleash her and her armies, and he must gather his new knights to defeat her.

Alex in inspired by all of this. As the child of a single mom, all he had to remember his father by was a book of Arthurian legend, which told him Arthur turned his enemies into allies and united all the land. So, of course, he turns his bullies into his friends, and they take off cross-country to get to the island where Arthur was supposedly born (and where Alex’s father supposedly lives).

The film is a lot of fun, with kids fighting evil monsters and swashbuckling swordplay. There’s also this underlying story of Alex’s search for his own identity and trying to grow up not knowing his father. Without revealing too many spoilers, let’s just say that not everything is as it seems, both in the Arthur legend and Alex’s putative background. At a particularly disheartening moment when he wants to give up, Merlin appears (this time as his older, wizened self played expertly by Patrick Stewart) to tell him that we each write our own stories. And sometime we need to take our old legends and tell them anew with a new, better take on them. That serves as a beautiful explanation of exactly what this film is.

First, the not-so-subtle references to the divisions and cynicism of the adult world giving rise to Morgana’s return are pretty oblique, but it would be fairly easy to read “BREXIT” into the film, even if it isn’t shown in the film’s depictions of newspapers and tv news, which mostly focus on broader issues like “CRIME!” and “HATE!” But really? We’re talking about Brexit here, and we’re talking about anti-immigrant sentiment.

Which is another reason the casting of the film is so great. Alex is a white kid (specifically worth noting Louis Ashbourne Serkis is the son of Andy Serkis and Lorraine Ashbourne), and his main bully Lance (a stand-in for Lancelot) is blond and blue-eyed. But Bedders is of Indian/Pakistani origin and Kaye is black (and a girl!). It’s refreshing to see this story being re-written with a specific call for unity but also being representative of a more cosmopolitan, egalitarian Britain and where their ethnic and gender identities never come up once. They are simply people to one another.

The film bogs down a little bit in the middle in their travels across country, but ends incredibly strong with a final showdown between the forces of evil and Alex leading his entire school against them. This is the movie my 10 year old self would’ve loved and which I hope kids today will pick up on as a new modern classic.

3.75 out of 5 stars

Movie Review: The Emoji Movie

emoji_movie_posterJust how bad is it? It’s really, really, really bad.

💩 💩 💩 💩 💩 out of 5 🌟

But were we really expecting anything less from this? The very idea of it sounded terrible from the outset. No one in 1975 decided to make a kids film about the pet rock. There’s no 90’s-tastic The Slap Bracelet Movie or Pogs! The Movie! (We do have Space Jam, but that’s not all that terrible.) The biggest problem is that huge amount of legitimate talent they must have had kompromat Russian dossiers on in order to blackmail them to make this.

TJ Miller is a “Meh” emoji 😒 living inside high school freshman Alex’s phone, where every app is its own city. And on his first day on the job he messes up the face he’s supposed to pull– and emoji aren’t supposed to be able to have more than one emotion. So he goes on a quest with Hi5 ✋ (James Corden) to find a hacker (Anna Faris) who can upload them onto the cloud where he can fix his code. Sound dumb? It is. And so much worse.

Literally the only moment of joy in this entire film is when they wander through YouTube and are momentarily mesmerized by a cat video.

There. You’ve now experienced 100% of what is good and entertaining in The Emoji Movie.

Mentioning YouTube, this film is chock-full of internet product placement. Twitter, Facebook, Dropbox, Crackle — they all make cameos. And the worst is a sequence in the Just Dance app introducing The Emoji Dance, which is one of the most cringeworthy moments in a movie chock full of them.

SmilerAnd then there’s the film’s purported antagonist– Maya Rudolph as a smiley emoji whose presence is nails on a chalkboard  in a movie that is a swimming pool full of glass shards, razorblades, and lemon juice.

When a movie like The Lego Movie works, it’s partially because its villain Lord Business delivers a greater meaning about the dangers of conformity. But Smiler is just an awful generic discount store brand version.  So while a positive message about being yourself and it being ok to have other emotions might have been intended, it’s so lost in an incredibly uninspired and dumb script.

It’s a shame because Rudolph is incredibly talented. So are Miller, Faris, Corden and the rest of the cast. To a person — up to and especially including Sir Patrick Stewart who has a brief cameo as the poo emoji — the entire cast are talented people who deserve better material. Indeed, the first trailer and the cast led me to believe this might not be awful. But it wastes their talents like gold-plating a toilet does. Just because it’s covered in gold doesn’t make what’s in the bowl stink any less. This movie is a gold-plated commode filled with a mountain of filth like you’d find on one of those episodes of Hoarders.

For another perspective, this is how my 11 year old daughter — the target demographic for this “film” — responded: halfway through, she got up to leave the theater to text her friends how bad it was:

texts emoji movie

1- Imminently proud that my daughter knows NOT to text in the theater.

2- Even more proud that she can recognize how terrible this abomination is.

It’s sometimes the case where a critic sees a movie and it doesn’t resonate, because, well, it just wasn’t made for them. I get that. This is not one of those cases. This is a case of where the movie doesn’t understand itself.

One needn’t be 13 to understand the appeal of emoji. But the people who made this movie obviously don’t. And they also don’t understand how smartphones and apps work, either.

giphy

It’s also not clear any of them know or regularly interact with any teen or tween of any sort. As much of a creative wasteland as Hollywood movie studios can be, this is the absolute most uninspired and creative nadir of not only the year, but perhaps the decade.

This was made by the same out of touch corporate groupthink that gave us Poochie, the Edsel, and New Coke.

So, yes. The Emoji Movie is truly that bad. And, unfortunately, according to box office figures and how it beat the vastly superior Atomic Blondethis is a sign of why in America we can’t have nice things.

ZERO stars out of 5

Graphic Policy Radio Goes to the Movies to Discuss Logan. Listen on Demand.

On demand: iTunes ¦ Sound Cloud ¦ Stitcher ¦ Listed on podcastdirectory.com

Snikt. Snikt. In the near future, a weary Logan cares for an ailing Professor X somewhere on the Mexican border. However, Logan’s attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.

Logan is the latest and reportedly final ride of Hugh Jackman as the iconic Wolverine partnering him with Patrick Stewart as Professor X and Dafne Keen as Laura aka X-23! Part road trip, part western, Logan explores themes and tackles issues as immigration, intellectual property, violence in fantasy entertainment, the inevitability of death, and more.

Joining hosts Elana and Brett to discuss the film is Graphic Policy contributor Logan Dalton.

By day, Logan is a data entry administrator. At night, he writes about comics, TV shows for sites like Graphic Policy and Nerds on the Rocks, and is even working on a play. Once he interviewed a vampire. Feel free to pick his brain on LGBTQ representation in comics at any time on Twitter @MidnighterBae

Graphic Policy Radio Goes to the Movies to Discuss Logan LIVE This Monday

Snikt. Snikt. In the near future, a weary Logan cares for an ailing Professor X somewhere on the Mexican border. However, Logan’s attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.

Logan is the latest and reportedly final ride of Hugh Jackman as the iconic Wolverine partnering him with Patrick Stewart as Professor X and Dafne Keen as Laura aka X-23! Part road trip, part western, Logan explores themes and tackles issues as immigration, intellectual property, violence in fantasy entertainment, the inevitability of death, and more.

Joining hosts Elana and Brett to discuss the film is Graphic Policy contributor Logan Dalton.

Listen to the show as it airs LIVE this Monday at 7pm ET.

By day, Logan is a data entry administrator. At night, he writes about comics, TV shows for sites like Graphic Policy and Nerds on the Rocks, and is even working on a play. Once he interviewed a vampire. Feel free to pick his brain on LGBTQ representation in comics at any time on Twitter @MidnighterBae

We want to hear your thoughts. Tweet them to us @graphicpolicy.

Listen to the show this Monday live or catch it on demand after.

A Short, Spoiler Free Logan Review

loganIt should be no surprise to you by this point that I’m a huge Wolverine fan, so when I realized I could watch the movie on my birthday I jumped at the chance to get to go see it.

But before I say anything else, if you want an in-depth critical review with no real plot spoilers then you can read Brett’s review over here, because that’s not what this is going to be. This is going to be some quick impressions from a twenty-five-year fan of Wolverine who has been desperate for a half way decent movie starring the clawed Canadian. I went into the movie with the critic part of my brain turned off (somehow), so this is being written from a fan’s perspective before anything else.

On the quality: After sitting through the film on opening night, it’s safe to say that I was not disappointed, and I have every intention to see this movie again very soon. Logan earns the R rating several times over, and as fun as it is to see the movie do that, that’s not why I loved the film. Or at least not the whole reason.

On the action: This is the Wolverine movie fans have been waiting seventeen years for. Remember the scene in X2 when Wolverine defends the X-Mansion? It’s like that, but R-rated, and with much better choreography.

On the acting: While I doubt there’ll be any Oscar talk around this movie, Hugh Jackman and Patrick Stewart are fantastic. As is Dafne Keen who is able to hold her own when sharing the screen with the two veterans as they deliver their best performances as these characters to date.

Overall: I saw somewhere that somebody had compared this to the Dark Knight of the X-Men movies, and I don’t disagree with them. After a single viewing, this is easily the best movie in the franchise right now – whether that’ll change once I’ve rewatched it… I doubt it, but you never know. The performances of the three leads was phenomenal, the story everything I hoped it’d be. I can’t wait to watch this again – and I will. Very soon.

And no, if you’re wondering, there’s no post-credits scene.

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