Lost Marvels No. 1 Tower of Shadows is a must for fans of horror or classic Marvel comics
In 1969, with its revolutionary superhero line well established, Marvel took a chance on the kind of supernatural, EC-style anthology series that had been banned since the formation of the Comics Code in the 1950s. Tower of Shadows featured a staggering array of artists and writers, including Neal Adams, Jim Steranko, Barry Windsor-Smith, John Buscema, Gene Colan, Wally Wood, Stan Lee, Roy Thomas, John Romita, Johnny Craig, Marie Severin, Gerry Conway, and Bernie Wrightson, to name a few. Freed from the conventions of the superhero adventure, these creators brought their storytelling skills to a more quietly sinister genre, producing atmospheric gems of twisted suspense and sardonic horror.
Not only do these nine issues feature Marvel’s best creators working at their peak, but Tower of Shadows is one of the lost, never-collected Marvels. In the first of a new series of Lost Marvels, Fantagraphics and Marvel join forces to introduce these pages to a new generation of readers and restore this series to its rightful place in comics history. This gorgeous volume brings every Tower of Shadows story and cover to life in vivid color and features background and analysis by comics journalist Michael Dean.
Story: Jim Steranko, Johnny Craig, Stan Lee, Roy Thomas, Gary Friedrich, Neal Adams, Len Wein, Allyn Brodsky, Marv Wolfman, Tom Sutton, Roy Thomas, Wallace Wood, Gerry Conway, Steve Skeates
Art: Jim Steranko, Johnny Craig, John Romita, Don Heck, John Buscema, Neal Adams, Gene Colan, George Tuska, Marie Severin, Tom Sutton, Barry Windsor-Smith, Wallace Wood, Syd Shores
Ink: Don Heck, Dan Adkins, John Verpoorten, Mike Esposito, Vince Colleta
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
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Marie Severin is a comic artist from New York. She first began her career as a colorist for Entertaining Comics (EC) in the 1940s when her brother, an artist, needed someone to color his work. Severin then continued working for EC as a colorist on several books. She became a pioneer in coloring, mixing and using all forty-eight available colors to create a wide range of colors in the final comic. Her fellow staff called her EC’s conscience, because she tended to downplay the often gruesome violence of EC’s books, muting the colors so it wouldn’t be so shocking to readers.