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X-Men: Age of Revelation Finale Wraps up a Middle Event but Delivers Something that Feels Different

X-Men: Age of Revelation Finale

X-Men: Age of Revelation Finale wraps up Marvel’s mutantkind’s latest event with an ending that’s interesting but overall is a rather blah event.

Written by Jed MacKay, X-Men: Age of Revelation Finale is a rather interesting ending for the story that saw Cyclops and Beast’s conscious shifted to the future where Revelation has created a new mutant nation and not all is right. Without a main series to read, this event has been intriguing spread across multiple miniseries, some feeling more focused on the main story than others. Each miniseries pieced out a bit of the puzzle that put together gave a much clearer picture of what was going on.

X-Men: Age of Revelation Finale ties it all together as various forces rally to stop Revelation and while the event overall is one of the weaker X-Men events, what it delivers is something interesting and refreshing in ways.

SPOILERS AHEAD

The issue is mostly one big fight as Apocalypse and his forces and the remaining X-Men take on Revelation. During that, Beast races to get himself and Cyclops back to the present in hopes they’ve learned enough to stop everything from happening. Why is that important? For once, the bad guy wins.

Yes, Revelation’s plan goes through and plays out as Earth itself is transformed. We get some logic that the increasing death count from Revelation’s earlier plans of the X-Virus forced him, gave him permission in some ways, to go bigger in his vision. And in the end, the bad guy wins. This isn’t a story where the X-Men stop the future horror in some way, wrapping it up in a miniseries. It’s one that plays out as Cyclops and Beast head back and must really do what they can to prevent it from even happening creating very difficult choices.

And that’s where there’s some good and bad, we find out the Beast in the future wasn’t the mind of the Beast from the past, but someone else. As Cyclops returns to his body, Beast has no knowledge of events and we find out it was someone else pulled through time. This is big in that there’s one less person with key knowledge in how to prevent Revelation’s rise to power and someone else does have it. It makes the future feel more inevitable and ominous.

X-Men: Age of Revelation Finale itself isn’t really what’s interesting, it’s how the story plays out and what that means for the future of the line of X-Men comics. This is an event that has long term ramifications as it’s not resolved. Time didn’t get fixed. Things didn’t revert like so many other time travel stories. This is one where the X-Men now know of a dark future and must act to try to prevent it without all the tools they were supposed to have.

End Spoilers

The art by Ryan Stegman and Netho Diaz is solid. There’s some great panels and pages as the battle rages. It’s not all great, a rambling speech by Revelation lacks a certain something, but there are moments that give you the “hell yeah” you’re looking for. With ink by JP Mayer, color by Marcio Menyz, and lettering by Clayton Cowles, the comic looks good and pops at key moments. There’s some good action and good emotional punches that hit right.

Overall X-Men: Age of Revelation Finale isn’t really interesting for the action or art, it’s how this event was structured. It felt like there was no main series to follow and in the end, it doesn’t wrap up with a resolution to the problem, but instead kicks off the next chapter of the story where more challenges are presented. While itself had me down on the X line, what comes next shows potential.

Story: Jed MacKay Art: Ryan Stegman, Netho Diaz
Ink: JP Mayer Color: Marcio Menyz Letterer: Clayton Cowles
Story: 7.25 Art: 8.0 Overall: 7.25 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


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X-Men #35 is a bit of a mixed bag as one era ends and a new one begins

X-Men #35

All good things must come to an end, and as good of a thing as the Krakoan era has been for mutantkind…its time has come at last. The tragedy and triumph of Fall of the House of X, the madness and mystery of Rise of the Powers of X…they have all come to their end and led to this moment that will change the future of mutantkind for years to come. X-Men #35 officially closes the Krakoan era and teases what’s to come.

Just because a series ends, doesn’t mean the story is officially over. X-Men #35 celebrates 700 issues on Uncanny X-Men as it also wraps up the Krakoan era of the X-Men’s story. And, it does so with a choppy over-sized issue that has its ups and downs. From the beginning, I wasn’t a fan of the new take on the X-Men as I felt it took them too far from their roots fighting for their rights. It made them nationalists and statements in the first few issues were at times cringe showing a belief of superiority. It took Professor X and Magneto’s visions and mashed them together for a chimera of a monster. While there were some good ideas and moments, overall, it took the X-Men in too far of an extreme direction. It was Utopia on steroids. All of that came crashing down and from the teases within X-Men #35 and the Free Comic Book Day issue, it looks like the X-Men are getting back to a more traditional take.

X-Men #35 wraps things up and moves things along as it gives us one final look at Krakoa and a battle with Apocalypse who isn’t taking what has happened too well. It’s a choppy story that feels like it’s an unnecessary fight, giving the X-Men one final battle of the old era. That choppy storytelling isn’t helped by the rotating artists who at times only take a page and foster a disjointed look along with a disjointed narrative. It feels like it’s almost too many cooks in the kitchen and the team didn’t know how to end things beyond… fight.

Chris Claremont gives us some family bonding time as Nightcrawler, Rogue, Mystique, and Destiny have a picnic and hash things out. While it’s nice to see this storyline continue, and not just dropped now lineage has been established, the dialogue is eye rolling at times where it feels like some things just repeat over and over. I had to pause and go back and reread pages to make sure that there wasn’t a mistake that’s how repetative the back and forth is.

The comic wraps up with a focus on Professor X who is now in custody but has his freedom too in a way. The comic as a whole teases his redemption but also what’s to come is the natural extension of his ideas. His children going off on their own. It teases the villainy of the character, the manipulative nature, but also that there’s reasons for his actions and he’s here to do good, though through at times evil means.

X-Men #35 will likely make fans of the era both happy and sad. There are some cheery moments and it reveals that Krakoa lives on and we might again see the island’s return in the future. It closes one door, leaves more opens, and begins whole new paths to take.

Story: Al Ewing, Gerry Duggan, Kieron Gillen, Chris Claremont
Art: Joshua Cassara, Phil Noto, Lucas Werneck, Leinil Francis Yu, Walter Simonson, Mark Brooks, John Romita Jr., Scott Hanna, Jerome Opena, Luciano Vecchio, Stefano Caselli, Sara Pichelli, Salvador Larroca
Color: Romulo Fajardo Jr., Phil Noto, David Curiel, Laura Martin, Sonia Oback, Marcio Menyz, Matt Hollingsworth, Matthew Wilson, Guru-eFX
Letterer: Clayton Cowles
Story: 7.0 Art: 7.0 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


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Fall of X, G.O.D.S., Ultimate Invasion, and more in Marvel’s Free Comic Book Day titles

This year’s Free Comic Book Day will be packed with new beginnings including a prelude to the X-Men’s next era, Fall ofF X; an introduction to Jonathan Hickman’s bold upcoming projects, G.O.D.S. with Valerio Schiti and Ultimate Invasion with Bryan Hitch; the debut of a new Venom villain, and so much more. In addition to these exciting lead-in stories for fans and newcomers alike, Marvel Comics will also spotlight creators and characters from different cultures and communities in a special installment of the Marvel’s Voices program, Free Comic Book Day: Marvel’s Voices, and deliver all-ages Spider-Man adventures in Free Comic Book Day 2023: Spidey & His Amazing Friends #1 so that even the youngest readers won’t go home empty handed!

It’s one of the biggest days for the comic book industry, and this year promises to be the greatest one yet! Here’s what fans can looking forward to:

FREE COMIC BOOK DAY 2023: AVENGERS/X-MEN #1

Be the first to arrive at this year’s game-changing Hellfire Gala in a story by the current X-Men creative team: writer Gerry Duggan and artist Joshua Cassara. This year’s HELLFIRE GALA will be more dramatic than ever, and the tragic events of the night will lead mutantkind directly into FALL OF X.

Then join Duggan and superstar artist Javier Garrón as they reassemble the Avengers Unity Squad to navigate the dangers of FALL OF X and solve the mystery of the new Captain Krakoa in a prelude story to their upcoming run of UNCANNY AVENGERS. This action-packed story will also feature the debut of the STARK SENTINELS, a new line of mutant hunters who cause major havoc on the night of the Gala and in the pages of Duggan’s INVINCIBLE IRON MAN.

And score a sneak peek at one of the most talked about launches of the year, Jonathan Hickman and Valerio Schiti’s G.O.D.S., an extraordinary epic at the crossroads of magic and science where Marvel’s cosmic pantheon will be boldly reimagined.

Written by GERRY DUGGAN & JONATHAN HICKMAN
Art by JOSHUA CASSARA, JAVIER GARRÓN & VALERIO SCHITI
Colors by MARTE GRACIA & MORRY HOLLOWELL
Cover by JAVIER GARRÓN & MORRY HOLLOWELL

FREE COMIC BOOK DAY 2023: AVENGERS/X-MEN #1

FREE COMIC BOOK DAY 2023: SPIDER-MAN/VENOM #1

Dive into the next story arc of Zeb Wells’ run of AMAZING SPIDER-MAN with a story that sees the return of two classic Spidey villains! Featuring incredible art by Patrick Gleason, this thrilling story also unleashes the full potential Spider-Man’s new suit!

Then, web-swing over to the symbiote side of things with current VENOM masterminds, Al Ewing and Cafu! The pair will pull back the curtain on a secret chapter in symbiote history where an experiment went horribly wrong…. Say hello to new Venom villain, FLEXO!

And get a glimpse into Jonathan Hickman and Bryan Hitch’s ULTIMATE INVASION, a saga that begins with a daring mission to revive the Ultimate Universe but ends with the promise of something all-new and vastly different than anything that’s come before…

Written by ZEB WELLS, AL EWING & JONATHAN HICKMAN
Art by PATRICK GLEASON, CAFU, BRYAN HITCH & ANDREW CURRIE
Colors by MARCIO MENYZ, FRANK D’ARMATA & ALEX SINCLAIR
Cover by PATRICK GLEASON & BRYAN VALENZA

FREE COMIC BOOK DAY 2023: SPIDER-MAN/VENOM #1

FREE COMIC BOOK DAY 2023: MARVEL’S VOICES #1

Spotlighting creators and characters across Marvel’s diverse and ever-evolving universe, this book will include a range of stories from previous Marvel’s Voices issues that star Ms. Marvel, Luke Cage, Wave, and more! Plus a brand-new Ironheart adventure by writer John Jennings and Paris Alleyne that debuts her deadly new nemesis, KHEM!

Written by JOHN JENNINGS, NYLA INNUKSUK, SABIR PIRZADA, ALYSSA WONG & CODY ZIGLAR
Art by PARIS ALLEYNE, NATASHA DONOVAN, ERIC KODA, STEPHEN BYRNE, DIÓGENES NEVES & EDER MESSIAS
Colors by ERICK ARCINIEGA, RACHELLE ROSENBERG, BRIAN REBER, FRANK WILLIAM & DIJJO LIMA
Cover by CHRIS ALLEN & PARIS ALLEYNE

FREE COMIC BOOK DAY 2023: MARVEL’S VOICES #1

FREE COMIC BOOK DAY 2023: SPIDEY & HIS AMAZING FRIENDS #1

Swing into adventure with Spidey, Ghost-Spider, and Miles as they face off against Green Goblin, Doc Ock and more in this spectacular special. Filled with easy-to-read comic stories based on the hit Disney Junior show, this book is perfect for the youngest readers aged 5-7. Young fans will even be able to test their wall-crawling skills with thrilling interactive activity pages! Kids will love this not-to-be-missed comic: the perfect primer for the newest generation of Spider-Fans!

FREE COMIC BOOK DAY 2023: SPIDEY & HIS AMAZING FRIENDS #1

Tony Stark armors up for a new era in these The Invincible Iron Man #1 covers

Just in time for the character’s 60th anniversary, writer Gerry Duggan and artist Juan Frigeri will launch a brand-new ongoing Iron Man comic series in December! Invincible Iron Man will put the armored Avenger’s high-flying abilities, genius intellect, and business savvy to the ultimate test when he experiences a devastating defeat at the hands of a villain that’s been making big waves throughout the Marvel Universe. While his identity is being kept under wraps for now, readers can be assured that Tony Stark has met his match! Tony will need to think fast and make some surprising moves in the months ahead to get back on his feet, including new bonds with surprising allies that will redefine the way Iron Man operates as a hero.

To mark this new era, some of Marvel’s top artists have turned out stunning variant covers for the debut issue! In addition to depicting Tony at his very best in stunning pinups, fans can also check out covers that celebrate his legacy including Ivan Tao’s cover starring Ironheart, the breakout young hero who’s set to play a major role throughout the new run! And feast your eyes on legendary Iron Man artist Bob Layton and Paul Mount’s epic connecting covers! The showstopping piece by one of the character’s most definitive creator’s showcases the various armors Tony has donned throughout his 60-year history!

Other covers are by Kael Ngu, Marco Checchetto and Marcio Menyz, Pepe Larraz and Marte Gracia, John Romita Jr. and Frank D’Armata, Declan Shalvey, and Luciano Vecchio.

Check out the covers now, including the full Layton connecting cover that will grace the first eight issues of the series! 

Review: Amazing Spider-Man #1

Amazing Spider-Man #1

I’ll admit I tend to be hot or cold when it comes to Spider-Man. I usually pick up the series when there’s a new launch or team and read the first arc, maybe. But, I usually trail off, overwhelmed with so many choices. I’ve enjoyed storylines here and there but I rarely read or follow entire runs. I enjoyed “Beyond” realizing it was a short term arc before the “next phase” of the character began. And, it arrives with Amazing Spider-Man #1, a new start to help celebrate 60 years of the character.

Zeb Wells kicks off the new era as the writer teamed with artist John Romita Jr. making his triumphant return to the character. Unfortunately, while the comic should be an exciting celebration, it overall feels a bit disjointed and choppy at times focused more on the setup than the now.

Opening with a mysterious event, the comic skips six months later. We find that Peter is down on his luck, dodging bill collectors and generally ghosting his friends. He’s the usual sad sack but instead of the loveable loser, he comes off more as just a jerk. This isn’t the Peter we feel bad for. He’s much more of an ass making it hard to cheer for him. This is depressing Peter, not funny quippy Peter who can’t get his act together. This Peter deserves to be slapped to get his act together.

From there, it’s action, reveals, and catching up with characters as to where they are. Yes, there’s some surprises and a few characters get some growth but overall the goal feels like surprises taking advantage of the six months time skip. Answers will come but those surprises create the disjointed feel at times, like it’s a series of vignettes as opposed to a flowing narrative. But, where the comic works, it really works. A dinner with Tombstone has such great personality and is a highlight of the comic.

John Romita Jr.‘s art to me is also a bit hit-or-miss. I know individuals like his style but I’ve never been the biggest fan. With ink by Scott Hanna and color by Marcio Menyz, visually the comic is all over. It lacks the “classic” contortionist look made popular over the years and instead we get Romita’s style which at times is more baffling than the contortionist take. I think my issue with Romita’s style is that the characters look so much the same with a generally blocky head, like LEGO figures that have certain parts changed but the base remains the same. But, like the story itself, there’s some great artistic moments. They’re just spotty and few and far. If you’re a fan of Romita’s style, I’m sure your take will be much more positive but this is really a personal preference and taste.

There’s a lot to take in with Amazing Spider-Man #1. It shows a lot of potential with where the story’s going and generally feels like a new and interesting direction for the first arc at least. Hopefully, things get a bit smoother going forward as it all plays out but as a start, it’s just so-so.

Story: Zeb Wells Art: John Romita Jr.
Ink: Scott Hanna Color: Marcio Menyz
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


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Review: Devil’s Reign #5

Devil's Reign #5

Devil’s Reign has been one of the best Marvel events in some time. The story has kept things rather grounded and an organic continuation of a story that’s been going on for some time as opposed to some random global threatening event. There’s been some action but the series so far has been a bit more low-key. Wilson Fisk has continued his attempt to win re-election through manipulation. The heroes are standing against him. There’s a new law banning heroes, something we’ve seen before. But it’s all worked. Devil’s Reign #5 is a good entry in the story but is a bit bumpier than previous issues.

Written by Chip Zdarsky, the heroes have rallied to confront him and his Thunderbolts. Fisk has capture the Purple Man’s kids and added their abilities to the plan. There’s a ratcheting of things up leading to the expected fisticuffs as well as an action by Fisk that was rather obvious.

Devil’s Reign #5 has sort of been in the news due to a death being spoiled in Daredevil: Woman Without Fear #3. But, is it? What would happen feels a little obvious and plays out as expected. It’s not really something that’s been spoiled in the traditional sense. It feels a bit more soap opera instead. The fallout has one of two paths as well and it’ll be interesting to see which is taken in the end. It’s all rather too predictable and falls a bit too much into the two sides fighting. What has been a solid four issue build up begins to show its faults. It falls into a lot of punching on top of a narrative that feels a bit choppy as well, like a scene or page is missing.

The art by Marco Checchetto continues to be great. With color by Marcio Menyz and lettering by Clayton Cowles, the comic looks fantastic. There’s interesting moments like when the final fight begins, the coloring feels like it shifts like a cloud has been lifted. There’s also a little bit of restraint as well. Fisk’s key scene feels like it should or could have been more brutal.

Devil’s Reign #5 continues an entertaining event series but it falls into some traps like the expected extended fight. I hoped the series would deliver something a little different and with one more issue it might, but, this is an issue that feels like it’s a bit rougher than the others delivering something we’ve seen before far too many times.

Story: Chip Zdarsky Art: Marco Checchetto
Color: Marcio Menyz Letterer: Clayton Cowles
Story: 7.75 Art: 8.25 Overall: 7.8 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


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Review: Devil’s Reign #4

Devil's Reign #4

Devil’s Reign has been a fantastic even so far. It’s been a mix of action, twists, and a story that has something to ponder below its surface. Devil’s Reign #4 continues all of that as the series begins to hurtle towards its finale. It brings everything together for an issue that sets up what’s to come in the final two issues and is full of emotion.

The heroes are beaten down. Wilson Fisk has a grip on New York City with his new Thunderbolts as well as Doc Ock’s creations patrolling and keeping the peace. Add in that friends have gotten hurt and you have that low moment for them all before they can rally and turn it all around.

Fisk is struggling too. He’s being taunted by Doc Ock, his son hates him, and he can’t remember the identity of Daredevil. But, most importantly, he can’t find peace. He has almost everything he wants, power, wealth, a wife, and yet he can’t settle. It’s an interesting issue that shows the compulsion of the character that’s his undoing.

Writer Chip Zdarsky has kept the event grounded which is partially why it has been so successful. Some of the grander characters are imprisoned letting the “street level” characters shine. Even Captain America has taken a back seat to Daredevil and Jessica Jones when it comes to decisions. Zdarsky has show with Devil’s Reign not every event needs to be world threatening. There are times entertainment can be derived from simple things like policy that has gone wrong.

Zdarksy is helped by Marco Checchetto‘s art with Marcio Menyz‘s colors and Clayton Cowles‘ lettering. The trio have put together a story that has gloom in its visuals but it’s never depressing. There’s an overcast about it that fits the narrative but never causes it to drag. The characters look great as well. The art is able to balance a jail break with an emotional moment between father and son. The series has been fantastic at capturing the emotion of the characters and this issue is a prime example. You can feel the anger of Jessica Jones. You can see the frustration and guilt of Matt Murdock. Visually, the comic is impressive with a fantastic match of story and art.

Devil’s Reign #4 is another solid issue of Marvel’s best event in quite a while. The story is one that is influenced by what has come before but delivers it in a new and updated twist. There’s some real emotion here and a lot that will make you pause and think. With just two more issues left, it’s up in the air as to how this all will end but one thing guaranteed is there’s going to be some shifts when things are all done.

Story: Chip Zdarsky Art: Marco Checchetto
Color: Marcio Menyz Letterer: Clayton Cowles
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


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Review: Devil’s Reign #3

Devil's Reign #3

Marvel’s recent events have been rather mixed in quality. Some start off really strong to only sputter by the third issue. Others just never quite click with the concepts better than the execution. Devil’s Reign #3 bucks the trends going three for three with quality and entertainment.

Mayor Fisk has tightened his grip on New York City and looks to running strong in his re-election thanks to the help of the Purple Man. Standing in his way is Luke Cage who has decided to step up to run against Fisk for Mayor and the remaining heroes who have gone underground to do what they do best.

Written by Chip Zdarsky, Devil’s Reign #3 does a fantastic job of balancing a lot of plot threads, giving each more than enough time to grow in their various ways. Ben Reilly’s arrest, Luke’s campaign, Sue Storm in jail, Doc Ock, and more, it’s all packed into an issue that barrels ahead.

What I think Zdarsky does amazingly well is deliver a story that’s downright depressing in may ways but doesn’t feel dark. There’s still a glimmer of hope through the frustration so many of the heroes are showing. What’s great is also the “street level” heroes are taking the lead in this event with characters such as Captain America taking a backseat and following their lead. It’s an interesting dynamic that puts Daredevil, Luke Cage, and even Miles Morales more in the spotlight

The art is fantastic as well. Marco Checchetto delivers a style that fits the mood, helped by Marcio Menyz‘s colors and Clayton Cowles‘ lettering. Like the story itself, there’s a darkness and cloud that hangs over the art but at no point does it feel depressing. There’s a frustration that oozes off the page as the heroes feel beat down but not beaten. There’s also some humorous moments through it all as well, nailing the little bit of levity that Zdarsky’s script brings. The art also transitions so well from debates around a table to full on action without missing a beat.

Devil’s Reign #3 continues what is one of the best Marvel events in some time. There’s a depth and layer to the story that can be enjoyed as well as its surface level details. It includes some heavy hitters while also not allowing them to steal the spotlight. This is an event that has potential to blow up bigger in the Marvel Universe, and there’s an energy about the story and art that captures that so well. This is an event that’s not to be missed.

Story: Chip Zdarsky Art: Marco Checchetto
Color: Marcio Menyz Letterer: Clayton Cowles
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


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Zeb Wells and John Romita Jr. Take on Amazing Spider-Man Starting in April

This year marks the 60th anniversary of Spider-Man and Marvel is celebrating its most iconic hero with a new volume of Amazing Spider-Man brought to life by two acclaimed comic book talents, Zeb Wells and John Romita Jr.!

His “Shed” storyline is considered one of the best Spider-Man stories of all time, his bold work on New Warriors laid the groundwork for Civil War, and he’s currently making waves within the Spidey mythos in AMAZING SPIDER-MAN’s current “Beyond” era. Now hit writer Zeb Wells is ready to begin a new age at the helm of one of Marvel’s all-time great comic book series. Wells will be joined on Amazing Spider-Man by none other than the legend himself—John Romita Jr. The definitive Amazing Spider-Man artist made his grand return to Marvel last year specifically for this run and is back to bring Spider-Man’s world to the page with his singular, unmatched finesse. Arriving in April, Wells and Romita Jr.’s run will house all the classic elements fans love about Peter Parker, surprising new takes on your favorite Spider-Man foes, and the answer to the question that will be on everyone’s mind: WHAT DID SPIDER-MAN DO? 

Peter’s on the outs with the FF. He’s on the outs with the Avengers. He’s even on the outs with Aunt May! After a terrible and mysterious incident, no one wants to see Spider-Man – except for Doctor Octopus. Ock’s on Spider-Man’s tail and the Master Planner has something truly terrible planned for when he gets his tentacles on Spidey. All that, and Tombstone makes a move that will remind readers why he’s one of Spider-Man’s most terrifying villains…

Join us for Spider-Man’s biggest year when Amazing Spider-Man #1 hits stands in April with inks by Scott Hanna and colors by Marcio Menyz.

Amazing Spider-Man #1

Review: Devil’s Reign #2

Devils' Reign #2

The Kingpin’s plans are coming together as he has the heroes on the run while he attempts to manipulate the electorate to get reelected. Devil’s Reign #2 is a solid mix of action and moments to ponder in an event that has lived up to the expectations. Instead of over-the-top world threatening action, Devil’s Reign has kept things grounded in its two issues giving us an updated take on the Superhuman Registration Act mixed with the political zeitgeist.

It’s hard to not read Devil’s Reign #2 and think of all that has recently gone on in politics in the United States in recent years. The story revolves around a politician, Kingpin, who is using a new law to distract from the machinations he has going on while also attempting to manipulate people to steal an election. While the event might feature superheroes and villains, it clearly has something to say about the current times in its own twisted way.

Chip Zdarsky‘s writing is top-notch delivering exciting action and also some moments to ponder. It bounces around various characters including Iron Fist, Ben Reilly’s Spider-Man, Reed and Sue Richards, and the Avengers on the run. Each delivers a key moment that really pushes the story along and opens up interesting possibilities for their corner of the world.

But, it’s those final moments of the comic that is most intriguing. In the debut issue Tony Stark decided he’d stand up against Wilson Fisk by running against him for Mayor. Stark as Mayor would be interesting but this issue delivers the debate we should have. Is it really the best idea to take on a rich white guy with another rich white guy. The debate within the heroes feels like the debate that currently rages on the left about who should be the party’s nominees for major positions and in reality, it’s usually the entrenched elite that wins out. Zdarsky leaves us not knowing if he’s going to deliver that cold dose of reality or allow fantasy to play out.

The art by Marco Checchetto continues to impress. With color by Marcio Menyz and lettering by Clayton Cowles, the series has a beaten style to it but never feels dark and depressing. The heroes are getting dragged down by the law and in many cases being beaten physically. They’re on the run and hiding not know when they’re be attacked by the deputized Thunderbolts. But it never feels down visually. It’d be easy to deliver a darker ominous tone and just that by the art team gives us a style that mixes that dark cloud that hangs over the story with a bit of hope as well. It never feels completely gloomy, just a little worn.

Devil’s Reign #2 is a solid second issue for the event. It keeps up the quality of the debut and then some. There’s an element about it that allows you to just enjoy the action but also dive deeper and ponder what it has to say. If it’s able to keep this up, this event might be one of Marvel’s best in a long time.

Story: Chip Zdarsky Art: Marco Checchetto
Color: Marcio Menyz Letterer: Clayton Cowles
Story: 8.75 Art: 8.75 Overall: 8.75 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXologyAmazonKindleZeus Comics

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