On 4th of July aka Captain America’s birthday, Ta-Nehisi Coates and Leinil Yu began a new era for Steve Rogers, Bucky Barnes, and Sharon Carter in Captain America #1. There’s a lot of plates to spin in Coates’ opening storyline from Russia-based vampires interfering in American politics to Cap trying to balance being an inspirational figure while being confronted by a horde of men dressed like Nuke and his relationship with Bucky, Sharon, and the flag on his shield and chest. However, the comic keeps from being overwhelmed by these things by leaning on action with gritty work from Yu, Gerry Alanguilan, and Sunny Gho. The clean art and lantern jaws of Chris Samnee’s run are replaced by pained face, sharp edges, and a muted, shadow filled and it fits a story where Thunderbolt Ross (Who is still a buzzkill). There’s even a well-placed use of a nine panel grid, which I hear is all the rage these days and kudos to Coates and Yu for using for a difficult interpersonal scene between Steve and Sharon and not just a knife fight or something. (Not that there’s anything wrong with knife fights.)
Probably, the boldest decision that Ta-Nehisi Coates makes in Captain America #1 is facing Secret Empire head on and having Steve still fighting to clear his name while also re-casting that whole debacle of an event in the real world light of the election of Donald Trump, Russian tampering of that election, and the increased boldness and acceptance of fascists and white supremacists, who have been here all along. The United States didn’t fight a war against Russia or an army of fascists and lose: they lost at the ballot box and have been losing since 1492, 1607, or 1619 when the first African slaves were transported to Jamestown. Coates and Leinil Yu deal with these real world issues and complicated nature of patriotic iconography through an icon himself: Captain America and explores how problematic he has become in-universe like when Thaddeus Ross benches him for a mission to see who is behind the opening attack of New York City. But somehow guys like Baron Strucker are okay because they helped lead the resistance against HYDRA.
Steve’s struggles with his iconography being co-opted first by HYDRA Cap and then in this issue, by the Nuke wannabes attacking Washington DC, is the emotional heart of Captain America #1. Yu and Gerry Alanguilan give readers plenty of prototypical Captain America shots like throwing his shield into battle, using the shield to protect an injured dad and his son, and then Coates gets to write a great Cap speech. But, then, the narration undermines these moments as Cap wonders what to say to a woman who has lost her daughters and looks around at the collateral damage surrounding the National Mall. And, after the battle, he is immediately undermined by Ross because “appearances matter” and the cloak and dagger spy and assassin skills of Bucky and Sharon are more useful than a guy running around in an American flag costume. A symbol is useful to any resistance, but not a tarnished one, and Yu eschews the heroic poses for middle distance disappointed faces.
But Captain America #1 isn’t all about Steve and his feeble attempts at restoring his legacy. Ta-Nehisi Coates and Leinil Yu using the opening and closing moments of the comics to set up a compelling villain: Selena, a millennia old mutant with “psychic vampire” abilities. She both uses her powers and a mysterious protege, Alexa, to take down HYDRA cells in Russia and to also influence the American government as the head of Faith Based Initiatives in a blink or miss TV screen cameo. In Captain America #1’s cold open, Selena and Alexa prove to be a formidable threat to a group of HYDRA soldiers with plenty of pyrotechnics and snow from Yu, Alanguilan, and Sunny Gho. Coates doesn’t go the secret villain cliche route and immediately introduces the threat while promising to unpack her connection to the U.S. government and finding some way for Steve to confront her in subsequent issues. Having a powerful Russian force interfere with the American government is compelling in light of current events, but that having that threat be a New Mutants villain with vampire-like abilities is a very Marvel way to go about it.
Playing off the classic Captain America quote from Frank Miler and David Mazzucchelli’s Daredevil: Born Again “I’m loyal to nothing except the dream”, Ta-Nehisi Coates and Leinil Yu unpack the role of Cap as an icon and hero in Captain America #1 while kicking off an action conspiracy storyline that is like our current reality, but draped in Marvel Comics lore. There is a questioning aspect to this story as Steve, Bucky, and Sharon are consumed with doubt and separated by their new roles in this ever shifting new status quo. Also, it’s kind of sad that the weapon that Steve uses to finally take down the Nukes could also incapacitate his best friend.
Captain America #1 is thrilling, thought provoking stuff and hasn’t been this meaty and compelling since Ed Brubaker’s run on the title.
Story: Ta-Nehisi Coates Pencils: Leinil Yu Inks: Gerry Alanguilan
Colors: Sunny Gho Letters: Joe Caramagna
Story: 9.2 Art: 8.4 Overall: 8.8 Recommendation: Buy
Marvel Comics provided Graphic Policy with a FREE copy for review