Tag Archives: kurt busiek

JLA/Avengers #1 Facsimile Edition is a nice new edition of the classic story

The first issue of the grandest Marvel and DC Comics crossover of them all – an icon-packed event decades in the making! After years of anticipation, JLA/AVENGERS saw acclaimed writer Kurt Busiek (MARVELS) reunite with his AVENGERS collaborator George Pérez – an artistic legend for both companies – to assemble every single member of Earth’s Mightiest and the World’s Greatest in one blockbuster book!

Universes collide as the Justice League fights the towering Terminus and the Avengers face the awesome menace of Starro! Each team must undertake an epic quest on the other’s world, with the fate of both realities in the balance! It’s one of the all-time great comic books, boldly re-presented in its original form!

Story: Kurt Busiek
Art: George Pérez
Color: Tom Smith
Letterer: Comicraft

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics


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DC reveals Alex Ross variant covers for JLA/Avengers #3 and Avengers/JLA #4

This summer, DC Comics and Marvel Comics are rereleasing the historic 2003-2004 JLA/Avengers crossover by Kurt Busiek and George Pérez as a series of facsimile edition comics. DC has revealed an Alex Ross variant cover for Avengers/JLA #4, arriving this August.

The new Ross cover art is part of a two-piece connecting image created exclusively for these new facsimile editions and is an homage to George Pérez’s cover of 1983’s Comics Interview Special Edition #6. Marvel will publish the first half of the piece on JLA/Avengers #3 in July, featuring the Avengers, and DC will publish the other half on Avengers/JLA #4, featuring the Justice League. Together, the two covers connect to form a face-off between the iconic teams.

It’s the grandest Marvel and DC comics crossover of them all and an icon-packed event decades in the making! After years of anticipation, JLA/Avengers reunited acclaimed writer Kurt Busiek (Marvels) with his Avengers collaborator George Pérez—an artistic legend for both companies—to assemble every single member of Earth’s Mightiest and the World’s Greatest in one blockbuster book! Universes collide as the Justice League fights the towering Terminus and the Avengers face the awesome menace of Starro! Each team must undertake an epic quest on the other’s world, with the fate of both realities in the balance!

DC and Marvel will faithfully reproduce the original four-issue saga with classic trade dress, original wraparound card stock covers, and the full story as it appeared in 2003 and 2004.

Kurt Busiek and George Pérez’s JLA/Avengers Returns as Facsimile Editions starting in May

This summer, Marvel Comics and DC Comics join forces to bring JLA/Avengers, the 2003 limited series by legendary creators Kurt Busiek and George Pérez, back to comic shops! The history-making four-issue saga will be boldly re-presented in its original form as new Facsimile Editions with original trade tress and wraparound card stock covers. Marvel Comics will publish JLA/Avengers #1 (May) and #3 (July) while DC Comics will publish Avengers/JLA #2 (June) and #4 (August). The issues will also feature all-new variant covers.

It’s the grandest Marvel and DC comics crossover of them all and an icon-packed event decades in the making! After years of anticipation, JLA/Avengers reunited acclaimed writer Kurt Busiek with his Avengers collaborator George Pérez – an artistic legend for both companies – to assemble every single member of Earth’s Mightiest and the World’s Greatest in one blockbuster book! Universes collide as the Justice League fights the towering Terminus and the Avengers face the awesome menace of Starro! Each team must undertake an epic quest on the other’s world, with the fate of both realities in the balance!

JLA/Avengers #1 features a main cover by Pérez and variant cover by Ryan Stegman. It arrives May 27, 2026.

Abrams ComicArts and Marvel announce Thor: Behemoth of the Black Moon by Eric Powell and Marvels: The Novelization by Steve Darnall and Alex Ross

Abrams ComicArts and Marvel have announced two new publishing projects set for release in May 2026Thor: Behemoth of the Black Moon, an original graphic novel by Eric Powell, and Marvels: The Novelization by Steve Darnall, with new illustrations by Alex Ross.

Thor: Behemoth of the Black Moon is part of the Marvel Arts line, a publishing initiative curated by Alex Ross and edited by Charles Kochman, editor-in-chief of Abrams ComicArts. Each title is a self-contained work shaped by the voice and style of the creator behind it.

Eric Powell, creator of the Eisner Award–winning series The Goon, brings his distinct blend of myth, mood, and grit to the world of Asgard. In this new story, the God of Thunder must confront the dark legacy of his father, Odin, and face the consequences of a past that refuses to stay buried. Powell’s work has been celebrated for its emotional depth, striking visuals, and storytelling that bridges genre fiction and mythology, making this an ideal entry in the Marvel Arts line.

Marvels: The Novelization is a collaboration between Marvel and Abrams ComicArts. It is the first-ever prose adaptation of the ground breaking, award-winning 1994 comic book series by Kurt Busiek and Alex Ross. Written by Steve Darnall and featuring a new cover, an afterword, and full-color and black-and-white illustrations by Ross, the novelization revisits the story of photojournalist Phil Sheldon as he witnesses the rise of super humans in the Marvel Universe from the streets of New York. This literary adaptation expands on one of Marvel’s most seminal works and offers readers a new way to engage with this iconic, original story.

Savage Tales Returns With More Brutal Adventures!

An exciting recurring tradition for fans of action-packed genre tales in comics and the pulp traditions, Dynamite has announced another Savage Tales release this February.

Fan-favorite scribe and pulp fiction mastermind David Avallone is back for the latest winter time gift for readers, contributing all three new original stories within this special oversized issue featuring cardstock covers. He’s joined by a trio of rising star artists, two of which are recent graduates from the prestigious Kubert School for comics illustration.

One of the biggest power couples of pulp have an untold tale revealed, as Avallone pens “Mutiny on Mars” starring John Carter and Dejah Thoris. To draw the Barsoom-trekking adventure, Eman Casallos comes in with his honed skills.

An underrated and favorite pulp figure, Captain Gullivar Jones’ next hotly anticipated tale is shown in “His War” drawn by Kubert graduate Hamish Munro-Cook

Last but certainly not least, one of Dynamite’s biggest heroines gets the spotlight, as Vampirella’s “The Real Thing” is chronicled by Avallone and Mariano Benitez-Chapo, also a Kubie rising through the ranks.

It doesn’t end there though, as those three are topped off with a special bonus reprinting the “Seeing Red” story starring Red Sonja by Kurt Busiek and Benjamin Dewey, originally seen in the pages of fellow anthology Red Sonja: Black, White, Red. 

With the pages full of action, romance, and fearsome foes, such a book packed with classic reading mandates a crop of jaw-dropping covers in the pulp painting and illustration tradition. The quartet of take-no-prisoners covers are contributed by Arthur Suydam, Bjorn Barends, Joseph Michael Linsner, and cosplayer Rachel Hollon. It’s all the perfect package to stave off cabin fever as fans enter the throes of winter.

Savage Tales: Winter 2025 Special is out February 2025.

Free Agents #1 feels like a bit of a throwback for good and bad

Free Agents #1

Salvo. Pike. Katari. Shakti. Ridge. Maraud. Chalice. They’ve fought every day of their existence and won a terrible victory. Now they’re stranded on Earth, free agents for the first time. But when relics from their long war appear, threatening their chance at better lives, their greatest battle begins. They’ve fought for a million planets. Can they fight to save their own souls? Free Agents #1 is an interesting concept of a comic but its execution falls short of its pitch.

Free Agents #1 packs a lot into the first issue. Not only does it introduce, with a good amount of detail, a large cast, but it also gives their tragic history and kicks things off with some action. Written by Kurt Busiek and Fabian Nicieza, Free Agents #1 has potential. Its concept of soldiers finding refuge on Earth and trying to move on from their traumatic experience is a story well worth telling. But, this debut issue doesn’t dive into their struggle enough to get that across. The struggle feels almost non-existent.

The comic kicks off with the team battling a remnant from the war they thought they left behind. It teases their being a part of the Image superhero universe, with a name drop of Cyber Force, and has them going back to their “civilian” lives they’re trying to forge. From there it’s debriefs and letting readers know what happened to get to this point in a debut issue that feels a little choppy. I remember reading Image superhero comics in the 90s during the launch, and Free Agents feels a lot like that, the concept is better than the execution with a story that feels like it’s missing details or something to get the point across. Here, reader aren’t given a sense of these individuals really struggling with their past. They treat the battle we witness like it’s part of their war with debriefs instead of really focusing on wanting to get away from it all. They all question “why” far too much instead of some anger about wanting their previous life to go away. We’re told they were all forced to fight but their actions never really indicate they don’t want to fight. They say it but never really act on it.

And the art doesn’t help a ton. Stephen Mooney is talented and I read the comic in a non-ideal digital form but there’s some sequences where things are completely clear as to what’s going on and there’s a rough aspect to it all. With color by Triona Tree Farrell and lettering by Richard Starkings and Tyler Smith, the comic’s visuals, like the story, feels a little rough at times. There’s odd movement in some of the action sequences and the mix of civilian and soldier doesn’t always come across well. The disguises feel like they’re encroached by their soldier uniforms at times or there’s aspects to something they do (like the healing scene) that’s not always clear. The comic attempts to “show” at times instead of “tell” and the show doesn’t make the tell clear. Like the story itself, there’s a lot of potential.

Free Agents #1 is an interesting concept and there’s a lot to it. Hopefully, like some of those 90s Image superhero comics, the story will clear up with more issues and right its path. But, as far as being a debut issue, it doesn’t live up to the quality you’d expect with the high caliber talent on it. It’s a better idea than execution as the execution doesn’t get the idea across enough. Instead of being soldiers trying to escape to a new life, it comes off as refugee soldiers being dragged back into the war they thought was over. They’re two concepts that are close, but different. This may be one where the first arc is read as a whole instead of individual issues.

Story: Kurt Busiek, Fabian Nicieza Art: Stephen Mooney
Color: Triona Tree Farrell Letterer: Richard Starkings, Tyler Smith
Story: 7.0 Art: 7.25 Overall: 7.0 Recommendation: Read

Image Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Free Agents #1

Free Agents #1

(W) Kurt Busiek, Fabian Nicieza (A) Triona Farrell (A/CA) Stephen Mooney
In Shops: Jul 03, 2024
SRP: $3.99

Series Premiere. Giant-Size! Bargain Price! An all-new ongoing series! Kurt Busiek (Astro City), Fabian Nicieza (Deadpool), and Stephen Mooney (Half Past Danger) introduce a team of young veterans, survivors of a massive intergalactic war. Salvo. Pike. Katari. Shakti. Ridge. Maraud. Chalice. They’ve fought every day of their existence and won a terrible victory. Now they’re stranded on Earth, free agents for the first time. But when relics from their long war appear, threatening their chance at better lives, their greatest battle begins. They’ve fought for a million planets. Can they fight to save their own souls?

Free Agents #1

Underrated: Autumnlands: Woodland Creatures

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week:  Autumnlands: Woodland Creatures


 Autumnlands: Woodland Creatures

A few weeks ago I wrote about the first volume of The Autumnlands  in this column (which you can find in a horribly typo filled post here because apparently I forgot to spell check). I was quite taken with the book, and remarkably surprised that I’d never come across the story before, and as I’m sure you’ve figured out, I picked up the second trade. This time for full price.

The second trade, Woodland Creatures picks up, with the aftermath of the bridge battle sending Dusty and Learoyd left abandoned on the ground as the rest of the citizens are rehomed.

Whereas the first volume touched on the divide of rich and poor in a class-based society, the second really drives home the differences between the magic users and the rest of the woodland creatures, culminating in a shocking and remarkably relevant commentary on the imposition of one’s will over another.

Slavery, class divide, religion, environmental damage and technological abuses are all touched upon here in a way that doesn’t come off as Kurt Busiek standing on a soapbox, but rather encouraging us to think about the world around us. Maybe something that seems impossible has a rather obvious solution when approached from a different angle.

If you’re looking for a fun fantasy story, then you will find what you’re looking for with the second volume in the Autumnlands saga. Without question, this is a top notch comic book. But like any great science fiction or fantasy series, the messages barely beneath the surface are more powerful and relevant for their seemingly innocuous delivery and framing within the confines of the story.

As with all great works of fiction, Woodland Creatures asks exactly as much of the reader as it needs to in order to encourage you become a better person. Yup. But as deeply as I have read into this book, and possibly far deeper than I should have, you don’t need to do that. This is a book that can be enjoyed solely as a great story.

Image has a vast library of great books, and while we’re still waiting on the third volume of the series, this book is worth reading now. Yes, there’s a set up for the following issue, and yes there are unanswered questions, but nothing that will haunt you long into the night (though the wait for the next chapter  will suck).

As with most books covered in this column, it’s a book I don’t see getting the love it deserves – that’s why the book is Underrated. Go read it now. You won’t regret it.


Join us next week when we look at something else that is, for whatever reason, Underrated.

Underrated: Autumn Lands: Tooth And Claw

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week:  Autumn Lands: Tooth And Claw


In another case of “Alex bought something for Underrated without knowing anything about it beforehand,” we have The Autumn Lands: Tooth And Claw by Kurt Busiek, Benjamin Dewey, Jordie Bellaire and John Roshell of Comicraft. I had never heard of this series before spotting it at my LCS last week as I restocked the trade shelves (I’m not a nice person, they pay me to do it). Then this week a used copy came in, and I couldn’t turn down a half priced trade.

It didn’t take long for me to realize that $5 was an utter steal for this book. Within four pages I had become absorbed into this wonderfull world of anthromorphic animals, magic and class based society.

Autumnlands is published by Image, with the first volume being released in 2015 that collects the six issues released from November 2014 to June 2015. There was a second volume released in 2017 that collects the eight issues released from November 2015 to January 2017. As a person who only recently discovered the series, I can imagine that the less than frequent release date didn’t help garner Autumnlands much buzz – but I could easily be wrong here as it is entirely possible I just missed it. Like I missed the comics.

Magic is failing in the world, and a group of sky-city dwelling wizards want to bring back the Great Champion so that he can show them how to return the world’s magic. Only… the wizards didn’t bring back a savior, they snagged themselves a soldier. An effective soldier, but a soldier nonetheless. From anther world, or time, or dimension. Into this new world, then, the soldier finds himself embroiled in the politics of a city (or he would if he seemed to care about such things), and it’s through the uses of the types of animals that we can see a class-based commentary begin to form.

Although this is more a rule of thumb than specifically stated, meat eaters, generally, seem to be at the top of the hierarchy, while herbivors are (quite literally) at the ground level. There are exceptions to this, including a wizarding giraffe, however. But put the politics and commentary aside, and you still have a solid fantasy story about a hero who finds himself alone in a strange world who must somehow protect and save those who need him. Busiek delivers on multiple levels with this book, and it’s easy to see why there’s a cover quote telling us it’s his best work in some time.

Likewise, there’s also a cver quote extolling Benjamin Dewey’s art work, and rightly so, as he and colourist Jordie Bellaire deliver the second punch with their all out visual assualt. Rarely have I been so surprised by a book’s visual impact as I was when reading this.

Autumnlands: Tooth and Claw is fatastic, and I’d have been supremely happy with this at twice the price – I’m pretty sure my LCS has volume two (or they did when I put it on the shelf), so I’ll be picking that up this weekend, too. Volume one is going to set you backaroud $10 new, which is an astounding deal for six issues, let alone six issues of this quality. Autumnlands: Tooth and Claw is a really good read, phenomenl, even.

But as with most books covered in this column, it’s a book I don’t see getting the love it deserves – that’s why the book is Underrated. Go read it now. You won’t regret it.


Join us next week when we look at something else that is, for whatever reason, Underrated.

Around the Tubes

It’s a new week and we’ve got lots coming at you! We’re kicking things off with some news and reviews you might have missed from around the tubes

The Beat – Contents First/Tappytoon partners with Inklore/PRH to bring webcomics to print – Nice.

CBR – Did Busiek and Mignola Nearly Do a Comic Adaptation of Final Fantasy? – Get the scoop.

How to Love Comics – The ShortBox Comics Fair Returns For 2023 – Nice! Taking place all of October.

Reviews

The Beat – Cosmic Detective
Comic Attack – The Holy Grail of Eris Vol. 1
The Beat – Kagurabachi
Collected Editions – Superman Adventures Vol. 3

Cosmic Detective
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