In DC League of Super-Pets, Krypto the Super-Dog and Superman are inseparable best friends, sharing the same superpowers and fighting crime in Metropolis side by side. When Superman and the rest of the Justice League are kidnapped, Krypto must convince a rag-tag shelter pack—Ace the hound, PB the potbellied pig, Merton the turtle and Chip the squirrel—to master their own newfound powers and help him rescue the Super Heroes.
Dwayne Johnson stars as the voice of Krypto the Super-Dog in Warner Bros. Pictures’ animated action adventure feature film DC League of Super-Pets, from director Jared Stern.
The film also stars the voices of Kevin Hart, Kate McKinnon, John Krasinski, Vanessa Bayer, Natasha Lyonne, Diego Luna, Marc Maron, Thomas Middleditch, Ben Schwartz, and Keanu Reeves.
DC League of Super-Pets comes to theaters internationally beginning 18 May 2022 and in North America on May 20, 2022.
The first official trailer for DC League of Super-Pets is here giving us a better idea of the film’s plot.
In DC League of Super-Pets, Krypto the Super-Dog and Superman are inseparable best friends, sharing the same superpowers and fighting crime in Metropolis side by side. When Superman and the rest of the Justice League are kidnapped, Krypto must convince a rag-tag shelter pack—Ace the hound, PB the potbellied pig, Merton the turtle and Chip the squirrel—to master their own newfound powers and help him rescue the superheroes.
The film has an all-star cast including Dwayne Johnson as Krypto the Super-Dog, as well as Kevin Hart, Kate McKinnon, John Krasinski, Vanessa Bayer, Natasha Lyonne, Diego Luna, Marc Maron, Thomas Middleditch, Ben Schwartz, and Keanu Reeves.
There’s a lot of films based on DC properties in the works but we’re excited for DC League of Super-Pets bringing the powerful animals of the DC Universe to the screen. Today, the voice cast of the film was announced through a video posted by Dwayne Johnson.
At first glance, Yesterday might seem like a fresh, almost subversive take on updating the classic catalog of The Beatles. By taking the music of four working-class lads from Liverpool and putting it in the mouth of a working class son of Indian immigrants in Sheffield (and not making any mention of his ethnicity whatsoever), director Danny Boyle could be making a strong case for inclusion and racial equity. But on second glance the film is mostly just a basic romantic comedy (albeit one with a great soundtrack) and one which sort of falls apart in its third act.
But the journey, not the destination, is what is fun here. Jack Malik (Himesh Patel) has never made it in music and is ready to give up when a worldwide simultaneous blackout leads to him being hit by a truck (set to the orchestral hit from “A Day in the Life”). And when he wakes up, no one remembers The Beatles except for him. As he begins performing their music, fame and fortune begin to find him, even as it pulls him apart from a potential romantic connection with his best friend since grade school/manager Ellie (Lily James). Along the way, Jack is mentored by Ed Sheeran (as himself) and an incredibly abrasive record executive played to the hilt by Kate McKinnon. And while Patel and James’s will they/won’t they rom com vibe is what holds the movie together, it’s McKinnon’s scene-stealing that is the real reason to see this movie.
But the rom-com skeleton wears somewhat thin, so the real determining factor in how much you will enjoy this film is how much you like the basic conceit of re-exploring the music of The Beatles through the lens of Jack covering their greatest hits. Yes, it’s good, though a few performances wear a little thin. An almost screaming version of “Help” owes almost as much to the vocal stylings of Kurt Cobain as John Lennon, but an extremely tender and stripped down “The Long and Winding Road” will floor you almost as much as it does Ed Sheeran.
The film also contains performances of Yesterday, In My Life, Something, Carry That Weight, I Want To Hold Your Hand, Elanor Rigby, Here Comes the Sun, Back in the USSR, Hey Jude, I Saw Her Standing There, and All You Need is Love, while at least name-checking a half dozen other songs like Penny Lane and Strawberry Fields Forever. It’s nice, but at least for this fan, felt like a very cursory look at the most basic of The Beatles. Pulling out some deep cuts, and focusing less on the Lennon/McCartney songs would have been nice. Would it have killed them to include a Ringo song in there? “With a Little Help From My Friends” is right. there.
But that’s where this ode to the Beatles sort of breaks down. Since it focuses all on Jack as this genius solo artist, it belies what The Beatles were really all about, which was four incredibly talented people working together. George and Ringo were just as important as John and Paul in the alchemy that was their songwriting and performing. And this film and its performances lose all the depth in that signature Beatle harmony, and the call and response sections of songs like With a Little Help From My Friends. Missing those harmonies is another reason why the version of “Help” in the film is so unsatisfying.
In another film that very much drew inspiration from The Beatles, 2001’s I am Sam starring Sean Penn, there’s a line about what was special about The Beatles was when Paul McCartney wrote the first part of the song “Michelle” and then John Lennon wrote the “I love you, I love you, I love you” part, that was the essence of what The Beatles were about. Yesterday misses that dynamic completely.
And then the film ends in a completely whiffed third act that couldn’t be more by the numbers if it tried. And for a film so full of vibrancy and fun, the end leaves you feeling a little cold and unsatisfied.
As a rom-com, it’s a B-minus. As a celebration and nostalgic take on the music of the most influential music group of the 20th century, it’s an A. How much you enjoy this film will likely depend largely on how much you like The Beatles. But since many people do like them, that’s not a bad bet.
Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.
I hold the first Ghostbusters film in high regard, being one of my favorite action comedies ever and a film that I can watch over and over. Since 1984, we haven’t had a worthy successor. I’ll straight up say it, Ghostbusters II is an inferior sequel, and I had high hopes, but low expectations, that this Ghostbusters would give us a “sequel” that could breathe new life into the franchise. This film does in some ways and doesn’t in others. It’s a completely uninspired and middling film. Better than I expected, but still not worth the money for a film ticket.
The blame for the film’s issues doesn’t sit on the shoulders of its stars Kristen Wiig, Melissa McCarthy, Kate McKinnon, Leslie Jones and Chris Hemsworth. The blame for the film’s shortcomings is squarely on Paul Feig for his direction and Feig and Katie Dippold for their script. The film isn’t daring and falls short on laughs. That’s do to the script and the direction. Wiig, McCarthy, McKinnon, Jones and Hemsworth make due with what they’re given and create a mildly entertaining film.
The plot of the film is fine. Wiig’s Erin and McCarthy’s Abby are long time friends into ghosts but went their own way to pursue their scientific careers. They’re brought together again, with McKinnon’s Holtzmann joining them to explore some ghostly phenomenon that in the age of YouTube sets them on their path. The villain wants to bring about the apocalypse… because he was bullied?!
And that’s the first issue with the film. The three women are scientists who talk about the scientific method a lot but it’s never really shown. Their belief in science, observing, measuring, experimentation, formulation, testing, and hypotheses is thrown out any time someone challenges them, but it’s not practiced on-screen. Then there’s the villain who makes the statement he’s really smart and people don’t like him for it, so he’s going to destroy everything. Add in the emphasis that Hemsworth’s Kevin is a hunk of an idiot, and one of the film’s main themes is the intelligent vs the idiots. And the intelligent ones in the film come off as elitists. That elitism and arrogance to prove one’s intelligence actually gets someone killed!
That elitism extends to how Jones’ Patty Tolan is treated (her character and acting is one of the surprise standouts of the film). She’s the one not a scientist, working as a MTA worker who has an amazing knowledge of New York City’s history. Her not being a scientist is emphasized a few times and at the end of the film she’s praised for having a good idea to which her retort is something like “of course, I’m a Ghostbuster.” As if the smart folks are within the Ghostbusters club and those not just aren’t all that intelligent and should be looked down upon.
That mentality is shown in Chris Hemsworth’s Kevin who is as good-looking as he is dumb. The actual laughs of the film usually involve his character and something idiotic he does or doesn’t do. That along with a running joke about soup are the majority of laughs. Hemsworth’s ability to play dumb, along with Jones’ abilitiy to play the “straight man” character are to be commended and as far as acting are the standouts though too much of the film is at their expense in some way.
The jokes also are paced too far apart. The film feels like there’s dead air (pun intended) while we wait for the next scare or joke, and there’s just too little of everything. The pacing fails again and again.
The second issue I have is Feig and Dippold’s choice to not go far enough with the humor. This can be seen mostly with McKinnon’s Holtzmann who is a bat-shit insane version of Egon who does and says inappropriate things. It’s a dialed down version of Pitch Perfect‘s Lilly who would quietly say zany things and stole the show with some of the best lines. Here we begin to that point and then things don’t go far enough to really get the laughs. A perfect example is a scene in the Mayo’s office where she’s saying inappropriate things and messing with FBI agents. Instead of having that run throughout the scene, people either don’t react or it’s off-screen so we know something is happening, but not sure what. I’d have had her clearly doing something, and emphasize that through Abby and Erin’s reactions of trying not to watch her. It becomes an ongoing gag that way.
There are some laughs though. Hemsworth’s idiocy is so stupid it’s funny territory. A running gag with a Chinese restaurant is a joke that’s set up throughout the film and pays off in the credits. There’s some great jabs (and well deserved) at the hate thrown at the film before anyone had screened it. Some jokes fall beyond flat. Hemsworth’s handling of troops at the end is a poor joke choice (really, no “Thriller” dance!?). Slimer’s use too goes in the wrong direction (have him steal a car and give us a kicker scene of his still driving).
The third issue is the inconsistency of the “science” of this world. Proton beams now “kill” ghosts I guess? Except when they want to capture them? Ghosts can be punched now and physically fought with? That scientific method (a particular experimentally obtained value being reproducible) doesn’t seem to apply to the ghosts themselves I guess. Things aren’t consistent in this department at all.
But, again there’s some good. Proton bombs are a nice addition. Proton pistols seem cool, though come out of nowhere. A proton chipper and brass knuckles fall into the silly department.
The special fx are a bit mixed as well. I actually DO enjoy the neon look of the ghosts as well as their design. The problem is they look like something out of a Disney ride and there’s a disconnect between them and the real world. Go back and look at Slimer in the original film’s hotel segment. Though the fx are dated, he still feels like he fits in the world, not that you’re stepping into a video game infused ride to fight him.
I did enjoy the 3D. This was a film I expected the 3D to be good and for the most part it actually is! Ghosts and ectoplasm fly off the screen coming at you and for those paying attention ghosts seem to fly off of the screen’s width and height itself to come back on. They literally break the screen’s framing size in a good way that’s unexpected and works really well.
The failure of this film has nothing to do with the fact it’s four women in the lead. The four of them together play off of each other well and are generally funny. The failure of the film is in the script and the direction. I want there to be a sequel. I want these four to headline that sequel. I just want a new director and writer(s).
Ghostbusters makes its return, rebooted with a brand new cast of characters. Thirty years after the beloved original franchise took the world by storm, director Paul Feig brings his fresh take to the supernatural comedy, joined by some of the funniest actors working today – Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth. This summer, they’re here to save the world!