Tag Archives: josh brolin

Movie Review: Deadpool 2

deadpool 2 imax poster

Deadpool 2 is a triumph of the genre of R-rated action comedy whose only peers are its predecessor and a few Shane Black movies. The major problem with this is the very obvious comparison to the first, which it doesn’t quite live up to, despite patented “Maximum Effort.”

The first was such a breath of fresh air and countered so many expectations. This is another bloated summer blockbuster sandwiched between Infinity War and Solo, and maybe we’re having a bit of remorse at eating at the all-you-can-geek-buffet of the Summer of 2018. But that doesn’t mean it’s bad. In fact, after Infinity War’s dour ending, Deadpool 2 is the palate cleanser many of us need.

Enter our anti-hero, Wade Wilson, aka Deadpool (Ryan Reynolds), who has become a worldwide assassin. But when he reaps the whirlwind from a hit gone wrong, he takes up with his frenemies the X-Men as a trainee. They begin tracking a troubled teenage mutant, who is also being hunted by time travelling mutant Cable (Josh Brolin). To keep up, Deadpool founds his own team called X-Force, and. . . wackiness ensues.

Anyone who owns a trade of Deadpool and Cable knows where this movie is heading, so there shouldn’t be too many shocking plot twists. However, the movie sure takes its time getting there. It starts with an absolutely gonzo bonkers opening, culminating with a James-Bond-style opening credits scene while Celine Dion sings.

Aside — Can we please make sure this is nominated for Best Song for the Oscars?

And then. . . it sure takes its time before getting going again. The middle half of the film is packed full of jokes and even a few cool action setpieces here and there, but it doesn’t ever get back to that place of greatness until its last half hour or so. And then it’s sheer perfection. It tops it all off with the single greatest post credits sequence of all time—worth the price of admission itself.

This begs the question, why pad the middle so much? One of the best parts of the first Deadpool was its all-killer-no-filler pace and leanness. This film felt like it was waiting for something (its sudden but inevitable twist!) to take that next step.

This is also surprising for director David Leitch, whom the credits refer to as “One of the guys who killed John Wick’s dog.” Leitch’s previous work on the John Wick movies and Atomic Blonde show not only a great sense of pace, but also a visual style and flair that is missing from this film. This film felt workmanlike and studio-approved-as-safe, but never pushed any boundaries. And that’s what Deadpool is great at.

Also what Deadpool is great at is understanding he is in a movie. That has never been more clear until Deadpool 2. That humor is front and center in the movie, as Deadpool kills not only every bad guy he comes across, but also mourns the death of Logan, kills himself (multiple times), kills different versions of hmself, kills Ryan Reynolds, and on and on and on. It’s so self-aware, and pushes home that if a Fox-Disney merger goes through, Deadpool will be the king of franchise-skewering and post credits scene massacres and cameos.

And while the film lies pretty squarely on the shoulders of Reynolds and Brolin, the supporting performances are really what make the film. Julian Dennison (who was also in Taika Waititi’s Hunt for the Wilderpeople¸which is quickly becoming a major geek nexus) is Russell, our young mutant in need. Like his counterpart in Wilderpeople, he’s more likely to flip you the bird than say thank you, so he’s perfect for Deadpool.

Also pitch perfect is Zazie Beetz, who plays Domino. While Deadpool derides her mutant power of “luck” as being stupid and “not cinematic enough,” it is, in fact, her performance and powers that give the film what visual brilliance and fun it has. Unfortunately, too much of it comes too late in the film, leaving us wondering why we couldn’t have more Domino earlier.

And finally, a moment to talk about Negasonic Teenage Warhead, who it is revealed in this movie, has a girlfriend named Yukio.

Bravo to Fox, who is the first studio to reveal any sort of LGBTQIA superhero on screen in a major superhero franchise. You’d think it wouldn’t have taken this long, but it somehow did. And? It’s treated with such a non-plussed attitude, it’s refreshing. Yes she has a girlfriend. No, it’s not a big deal. At all. And isn’t that how it should be?

So this is a really fun film. It starts strong, then takes a nap for about 45 minutes while it churns through all of the plot, and then gets really great again. Deadpool fans will get everything they want and more. And it makes you even more amped for sequels featuring Cable, Domino, and everyone else.

4 out of 5 stars

Movie Review: Only the Brave

only the brave posterJosh Brolin’s head firefighter Eric Marsh tells a story of being caught in a wildfire and a bear on fire running out and past them and it being the most terrible and beautiful thing he’s ever seen, which features prominently in the film’s trailer. It’s as apt a metaphor as any for this well-intentioned but ultimately cliched and manipulative film.

Telling the “based on a true” story of the Granite Mountain Hotshots, Only the Brave suffers first and foremost from a terrible and trite title. (Shouldn’t they have just called it “Bear on Fire”? That’s at least interesting.)

The rest of the script doesn’t get much better, including its tagline “It’s not what stands in front of you, it’s who stands beside you.” I don’t even know what that’s supposed to mean. It’s so obvious that it sounds like it’s trying to sound deep, but a similar sentiment could be expressed more powerfully and in fewer words.

So much of the script feels like it was written by a computer trying to sound deep, self-important and patriotic. Some of it lands. Some of it is groan-worthy.

This is a big slab of red meat served up rare for red state audiences who loved American Sniper, 13 Hours, and so on. Who doesn’t love and respect the heroism and rugged manliness of firefighters? Apparently, this jaded liberal.

The film would be so much better if it wasn’t so obvious about everything. An early scene is a travel montage as the firefighter crew gets together to go out on a job. Set to AC/DC’s “It’s a Long Way to the Top if You Want To Rock and Roll” it’s hard not to enjoy a good song and the working class hero vibe they’re setting. But then as Bon Scott sings “Riding down the highway!” they cut to a shot of them. . .  riding down the highway. And that, maybe even more than the flaming bear, is the best explanation of the film.

Also grating is the presence of charisma black hole Miles Teller. As much fun and down home gravitas as the presence of Josh Brolin and Jeff Bridges bring, Teller sucks it all up and ruins it. Teller is also apparently not acting, as he simply shows up playing a stoner douchebro who wants to join the squad to help turn his life around. He is also really the only one of the team, besides Brolin’s character, with any discernible character arc.

This is all so sad, because Brolin, Bridges, and the other supporting cast actually do good work. Even more phenomenal is Jennifer Connelly, playing Brolin’s wife. As the only woman in the cast with more than a few seconds of screen time, she’s expected to stand in for all women in the film, and she delivers.

But this is one of the biggest problems with the film. While it’s absolutely true that the Granite Mountain Hotshots were an all-white, all-male crew, and their story would not be served best by erasing that fact, it’s worth asking why only one female character has any real agency or purpose outside of being an adjunct to a man.

And why is this story being told that features the heroism of white men, rather than another story that might tell about the heroism of other communities? Why are the contributions and sacrifices of women kept behind the scenes?

Still, I’m a firm believer in the aphorism that you should meet a movie where it’s at and what it was trying to accomplish, not judge it based on what it isn’t. And based on that metric, Only the Brave does well. Its aim is low, and it meets those expectations– like a giant greasy chicken fried steak dinner served at a down home restaurant.  Its visuals and human drama are real, even if strained by a barrage of cliches. And as much as Tellar tries to drag the movie down, Connelly, Brolin, and Bridges do their best to elevate this story to honor the sacrifices of these men and their families.

Overall Rating: 2.5 out of 5

Rob Liefeld Gives Us a Look at Josh Brolin as Cable

We’ve seen how Domino will look in Deadpool 2 but what about the man with the very large guns? Cable creator Rob Liefeld has posted a look at what Cable will look like in the film. The popular character will be played by Josh Brolin.

Josh Brolin is Cable in Deadpool 2

The Hollywood Reporter has the scoop that Josh Brolin will be time sliding into the coveted role of Cable in Deadpool 2. That concludes whirlwind rumors, and tons of “xyz actor has been offered” the role that these types of things lead to (yay clickbait!). The deal with Brolin is for four movies.

This is the second comic role Brolin will be embodying as he’s also Thanos in the Marvel Universe films. Cable, while also a Marvel character, is in Fox’s universe of X-Men related films.

Brolin has been numerous comic films beyond Thanos in the Marvel Unvierse. He was Jonah Hex in Jonah Hex, Young Agent K in Men in Black 3, and Dwight in Sin City: A Dam to Kill For.

Zazie Beetz was announced not too long ago as Domino in Deadpool 2.

Cable was created by Rob Liefeld and Luise Simonson and is the son of Scott Summers, aka Cyclops, who is sent into the future and returns older and through time travel.

Liefeld said about the casting:

Josh Brolin brings both the gravitas as well as the physicality required to bring Cable to life on the big screen! He’s an amazing actor and I’m as excited as anyone to see him paired with Ryan Reynolds, Zazie Beets in Deadpool 2!! Cable, Domino and Deadpool people!! It’s happening!!!

Brolin will be seen as Thanos in Avengers: Infinity War in 2018.

Movie Review: Everest

everest

Everyone has thought about what it would be like to climb the highest point of the planet Earth. Everyone. However, not everybody has the ability to do so. Instead of risking your life, catch a glimpse of the experience on the biggest screen possible, preferably in IMAX.

Everest follows the story of a small group of people who go on an expedition to climb the highest mount, but as an unexpected storm hits, the crew has to face the worst of conditions.

Baltasar Kormákur, an Icelander who is doing a film of such scale for the first time, is the person behind the camera. He has done a tremendous job at directing Everest—the cinematography, pacing and character development are fantastic.

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Where the movie is at its best—that being the realistic touch that Kormákur has added, you are digging your nails into your palms, literally (at least that’s what I did). I strongly disagree with other reviewers who say the first act is slow. For me it was perfect as we get to know the characters, where and how they take up on this endeavour, who is who.

The realism is unprecedented; never did I think the film would be nearly as close to reality as it actually is. The fact that we see the bodies of the dead climbers being passed by, the ambiguity of it—it’s both selfish and yet understandable.

In a way, the spine-chilling storms, the roaming thunders shattering the ground, the unearthing of the mountaineers who may have survived, and the frozen faces and limbs—they all contribute to truly immersing the viewer to the horrible reality some hikers go through when climbing up the peaks. The strongest theme in Everest is the idea that human nature will be responsible for any occurring death, not due to severe conditions.

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As far as acting goes, it’s stellar across the board–Jason Clarke, Thomas Wright, Ang Phula Sherpa, Jake Gyllenhaal, Tom Goodman-Hill, Josh Brolin and everyone else do a fine job at portraying the struggles of the characters.

Everest is a film centred around the ambience, harshness, physical impact, and sound of the extreme weather and magnificence of the Himalaya. With powerful character moments, fantastic scenery and visual effects, the film shows how small and insignificant we, the humans are, in comparison to the Mother Nature. To be fully immersed, Everest must be seen in 3D on the largest screen possible.

Overall Score: 8

star-rating-8-out-of-10

See it!

Julia Garner Joins Sin City: A Dame To Kill For!

Julia GarnerJulia Garner has joined the cast of Robert Rodriguez and Frank Miller’s Sin City: A Dame To Kill For, which is now filming in Austin at Rodriguez’s Troublemaker Studios. Garner, an up-and-comer whose credits include Martha Marcy May Marlene and The Perks Of Being A Wallflower, will play a young stripper opposite Joseph Gordon-Levitt’s Johnny in the follow-up to 2005′s Sin City, adapted from Miller’s own graphic novel series.

Also onboard for Dimension Films’ October 4, 2013 release are Josh Brolin, Ray Liotta, Jeremy Piven, Dennis Haysbert, and Juno Temple, while Sin City vets Mickey Rourke, Jessica Alba, Michael Madsen, Rosario Dawson, Jamie King, and Clive Owen are returning.

Garner made her feature debut in Sean Durkin’s Martha Marcy May Marlene and nabbed roles last year in Wallflower and Not Fade Away. She recently hit Park City with Jim Mickle’s cannibal pic We Are What We Are, bought by eOne out of Sundance last week. Garner also stars as a young Mormon teenager in Rebecca Thomas’s Berlin entry Electrick Children, which Phase 4 Films will be opening theatrically this March and will next be seen in CBS Films’ horror sequel The Last Exorcism 2, in theaters March 1. She is repped by Authentic Talent & Literary Management and Sloane, Offer, Weber & Dern.

Men in Black 3 is Out Now & You Can Win a MIB Prize Pack!

Packshot_043396402881_9642A184Men in Black 3 is out today on DVD and Blu-Ray and we’ve got a prize pack to give away to one lucky winner provided by SONY!

In Men in Black 3, Agents J (Will Smith) and K (Tommy Lee Jones) are back… in time. J has seen some inexplicable things in his 15 years with the Men in Black, but nothing, not even aliens, perplexes him as much as his wry, reticent partner. But when K’s life and the fate of the planet are put at stake, Agent J will have to travel back in time to put things right. J discovers that there are secrets to the universe that K never told him — secrets that will reveal themselves as he teams up with the young Agent K (Josh Brolin) to save his partner, the agency, and the future of humankind.

We’re giving you THREE different ways to enter and if you do all three, that’s three entries.

How to enter:

Yes, it’s that simple, no tricks, no strings attached.Frank_BobbleHead

Details:

  • The contest runs until December 7, 2012 at midnight Eastern time.
  • The contest is open to those in the U.S.

Prizes:

  • 1 MIB3 DVD
  • 1 Frank the Pug Bobble Head

You can get Men in Black 3 now from stores.

Jonah Hex in Theaters Today


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Jonah Hex starring Josh Brolin, John Malkovich, Megan Fox and Will Arnett hit theaters today.  Based off of the DC comic book the movie isn’t getting the best of reviews at Rottentomatoes.com.

So far out of 12 critics the movie is rated is 3.6 out of 10 while the community gives it a 4.4 out of 10 (40%) from 64 individuals.  The overall sense of that community is that something is rotten in this adaptation of the DC wild west series.  I’m going out on a limb and guessing this one won’t fair well at the box office.

We’ll likely be defying the critics and heading to the theater this weekend to check it out for ourselves with a review to follow.

For those who don’t want to drop the $10 for the movie, Whiteout which was published by Oni Press and written by Greg Rucka is debuting on Cinemax.  That movie was also beaten up pretty good when it was released.

Anyone excited for Jonah Hex?  Anyone seen Whiteout?