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Maniac of New York Returns in December with “The Bronx is Burning”

Maniac of New York: The Bronx is Burning #1

Writer: Elliott Kalan
Artist: Andrea Mutti
Letterer: Taylor Esposito
Cover: Andrea Mutti
Maniac Harry Mask Variant: Andrea Mutti
Incentive Cover: Jonathan Luna
$4.99 / 32 Pages / Color / On Sale 12.01.21

The bloody saga of Maniac Harry continues!

After the tragedy of The Death Train, Detective Zelda Pettibone and mayoral aide Gina Greene have lost the trail of the Maniac — and the support of the city. Copycats are springing up, tensions are high and traffic is a nightmare. So, what happens when your favorite unstoppable, mindless killer resurfaces in a Bronx high school? Can Zelda and Gina get there before Maniac Harry adds to his body count? Will the students tear their attention away from their phones long enough to notice there’s a monster in the halls?  

Writer Elliott Kalan and artist Andrea Mutti return for the next chapter of the hit horror-satire that’s somehow even scarier than the world we actually live in!

Maniac of New York: The Bronx is Burning #1

Exclusive Preview: Maniac of New York #1

Maniac of New York #1

Writer: Elliott Kalan 
Artist & Colorist: Andrea Mutti 
Letterer: Taylor Esposito 
Cover: Andrea Mutti 
Incentive Cover: Jonathan Luna
$4.99 / 32 pages / Color / On Sale 02.03.21

Four years ago, a masked slasher began stalking the streets of New York City.  

Maniac Harry is inhuman, unkillable and unstoppable. Which is why the authorities’ solution has been to ignore him, and let New Yorkers adapt to a world where death can strike at any moment. When Maniac Harry starts killing his way through the subway system, trauma-haunted political aide Gina Greene and disgraced NYPD detective Zelda Pettibone become determined to go rogue and destroy him. But how can they fight a monster when they can’t fight City Hall?

From Emmy Award-winning writer Elliott Kalan (The Daily ShowMST3KSpider-Man & The X-Men) and artist Andrea Mutti (Port of Earth, Hellblazer) comes the horrifying story of what happens when terror becomes the new normal. A frightening, thought-provoking, a sometimes funny, always timely tale of murder, obsession, and urban living.

Maniac of New York #1

Jonathan Luna Teams with Lauren Kelly for a New Sci-Fi Thriller 20XX

Image Comics has announced a new, ongoing science-fiction/thriller series—20XX—by Jonathan Luna and Lauren Keely set to hit shelves this December.

20XX imagines a not-so-distant future—a world of norms and syms, divided by fear. Syms, a small percentage of the population with telekinetic abilities, form gangs to survive. But division only breeds more division, and Mer and Nuon experience this firsthand as they become entangled in the often dramatic, sometimes violent, but always complex social landscape of sym gang rivalries in Anchorage, Alaska.

20XX #1 (Diamond Code OCT190019) will be available at comic book shops on Wednesday, December 4.

20XX #1

Epic Fantasy Eternal Empire Vol. 1 Hits Stores this November

Writer/artist Jonathan Luna and co-writer Sarah Vaughn will release Eternal Empire Vol. 1 this November.

The Eternal Empress has waged war against the countries of Saia for over 100 years, and now her sights are set on the last country standing. But within the brutal Empire’s workforce, a young man and woman discover they share a synergistic power that could change the fate of the entire

Eternal Empire Vol. 1 (Diamond code: MAR178441, ISBN: 978-1-5343-0340-9) arrives in comic book stores Wednesday, November 22nd. The final order cutoff deadline for comics retailers is Monday, October 9th.

Alex+Ada’s Jonathan Luna and Sarah Vaughn Launch New Fantasy Series Eternal Empire this May

Powerhouse creative team Jonathan Luna and Sarah Vaughn return with the monthly epic fantasy series Eternal Empire, coming this May from Image Comics.

The Eternal Empress has waged war against the countries of Saia for over one hundred years, and now her sights are set on the last country left standing. Within the brutal Empire’s workforce, a young woman receives strange visions that give her the courage to escape her fate…or run straight toward it.

Eternal Empire #1 arrives in comic book stores on Wednesday, May 3rd.


Review: Alex + Ada: The Complete Collection

alex-ada_hc_coverartAs the world, has enjoyed science fiction, the very existence of robots has had a powerful foothold in our imaginations. The fact that robots can do what we can do and think at a greater rate, is part of what fascinates us about them. Artificial intelligence is what makes our fascination with the robot and overall, technology so engaging. The fact that a robot can learn and then adapt to what it has learned, is what has kept business from pushing those limits, as science fiction has more than showed what would happen if we did.

Fiction’s earliest meanderings with this notion, was Mary Shelley’s Frankenstein, as the scientist endeavored to create a machine who could think like man. This concept became more sophisticated throughout time, as authors such as Karel Capek, Isaac Asimov and Philip K Dick, sought to explore the parallels between human robot. Which brings as to how film and TV has explored the very idea, as Will Smith’s adaptation of I, Robot, showed the world, the dangers. Then there is Bicentennial Man, which starred the late great Robin Williams as well as Westworld and Humans, which asked these questions in several different scenarios.

So when I started reading Alex + Ada, two years ago, I was instantly enthralled as the description reads:

Alex is a young man who is depressed after his fiancée breaks up with him. Tired of seeing him unhappy, Alex’s grandmother sends him Ada, a Tanaka X-5 android which is capable of intelligent human interaction. The robot is initially incapable of self-awareness, as each android has a program that blocks any potential free thought or consciousness.

That is only the beginning, as it starts much like Her, but becomes something more though provoking and political than I believe any initial reader would have thought. As we see Alex struggle with these questions of what makes one human and what makes one robot, and eventually sees that these labels are meaningless. We follow Alex, as a jilted ex-lover reports him to the FBI because he makes Ada, sentient, and gets set free, as he and Ada face a world where though they welcome new technology, they do not want them to have power. By series end, it proves to be powerful sentiment for why discrimination in any form should not exist.

Overall, a resilient view of the future, as this undiscovered country shows the reader how good technology can be, and how human we still would be. The story by Jonathan Luna and Sarah Vaughn more than invades the senses, it lives with the reader. The art by Jonathan Luna elevates the limits of sequential art. Altogether, as xenophobia and racism is more transparent than ever, and though this series ended last year, it still feels as if it was written yesterday.

Story: Jonathan Luna and Sarah Vaughn Art: Jonathan Luna
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Review: Alex + Ada #15

aa015Alex + Ada is a series which is heavy on a variety of themes.  The invasion of the public into our private lives, whether artificial intelligence can be real or what the role of technology will be in our lives as we move forward in our civilization.  While these all elicit interesting questions from this series, the most enduring underlying theme in this series has been that of love.  Ada is a robot whose sentience was unlocked and discovered what love was, while Alex had a seemingly unlikely route to love after he lost touch with love after his fiancee walked out on him.  In both cases it seemed like love between these two might have been impossible but it became possible as Alex learned to accept that it is a more universal concept than with a man and a woman, while Ada learned what love was after being born as an adult-like human-like android woman.

These unlikely lovers came to be chased and captured as a result of Alex’s illegal opening of Ada’s sentience, an act which they had to hide in order for them to live their lives safely.  This of course has parallels to modern society where people are not allowed who they want because society judges them for their choices which defy societal conventions.  As a theme therefore love is the constant in this final issue of the series, as Alex is captured and sentenced to prison, and as he deals with the waiting for what was the love of his life.

While this works as theme for this final issue, it is also handled in a clunky way at times.  Of course with Ada being a robot there are some technical aspects of her consciousness which are a bit mysterious when it comes to how she loves and how she stores her emotions.  As the issue begins to get into a bit of virtual psychology it loses some of its steam from a story telling standpoint, even if the theme itself is spot on.  This makes this final issue a bit of a mixture, both doing the overall series justice but also failing a bit to reach the same height as its predecessors.  It wraps up the series in a way that we could expect, only not quite telling the full story that was there to be told.

Story: Sarah Vaughn and Jonathan Luna Art: Jonathan Luna
Story: 8.2 Art: 8.2 Overall: 8.2 Recommendation: Read

Image provided Graphic Policy with a FREE copy for review.  

Preview: Alex + Ada #15

Alex + Ada #15

Story By: Jonathan Luna
Story By: Sarah Vaughn
Art By: Jonathan Luna
Cover By: Jonathan Luna
Price: $2.99
Diamond ID: APR150625
Published: June 17, 2015



We Talk Alex + Ada with Jonathan Luna and Sarah Vaughn

a&a005When Jonathan Luna and Sarah Vaughn came up with the idea for Alex + Ada, they probably had no idea how big it would get.  It got picked up by Image, and although planned for only 12 issues it was extended to 15 in order for the story to have a fulfilling end.  It was a great entry by Sarah Vaughn into comics, and helped solidify Jonathan as a comic book creator.  We got together with them on the eve of the final chapter of their story to discuss robotics and the future.

Graphic Policy:  There are obviously a lot of themes in this series, so let’s discuss some of them!  Probably the deepest theme in this series is that of love, and what it means to different people.  At the same time it is also denied to certain people as well.  Where did you find inspiration for this?

Jonathan Luna: We wanted to tell a sci-fi romance, so naturally, love is going to be the biggest theme. But with the backdrop of prejudice, it also becomes about acceptance. Personally, I lean towards drama, sci-fi, and fantasy. I like to show amazing things and inject them with emotion. I knew Sarah loved working with drama as well, so I brought this concept to her. But it was she who mainly brought in the prejudice aspect.

Sarah Vaughn: The idea of prejudice came when we knew we needed Ada to be sentient and that sentience wasn’t magically created, it was an accomplishment achieved by humans. It just seemed to me the world wouldn’t welcome a new group of beings with their own thoughts and desires. There was something important in exploring that.

GP:  Alex both judges and is judged for his love of Ada, as he looks critically towards his grandmother but also develops feelings for Ada.  Do you think it is human nature to be critical of things that others do that we ourselves are comfortable with?

SV: That’s definitely an aspect of it. Alex is certainly weirded out by his Grandma having an android in the beginning of the story. But though they’re in similar situations, Alex has a different view point. He chooses to unlock Ada, while Katherine never unlocks Daniel. So the judgment is layered.

a&a004GP:  There are a couple of evocative covers in the series.  On the cover for issue #1 we see Ada is what could be construed as a bridal veil (though it is just packaging from her box.)  Do you think that if love was possible for a robot that they would seek out marriage?

JL: I think that a robot could sincerely love only if it were sentient. That said, marriage is a cultural practice. A robot would want to seek out marriage if it were either programmed to, drawn to it on its own, or persuaded to. We did use the marriage theme with issue #1’s cover, but it was more symbolic. It wasn’t necessarily going to happen in the story.

GP:  Another evocative cover was that for issue #7 where Ada is shown to be removing her outer face to show her true emotion underneath.  While it is not the intent of the cover, it does raise the idea of interchangeable appearance of one’s lovers.  At other times in the series you highlight that love is more about the “soul” than the outer appearance, but do you think in this scenario that people would try to swap out robots for the same personality but different appearance?

SV: I absolutely think people would consider this. I also think the complexities grow when you weigh if the people looking into this were humans with non-sentient robots, humans wanting their sentient partners to change, or sentient robots considering for themselves.

GP:  Another theme is that of awareness, in that there are those with the potential for self aware artificial intelligence but that it is denied to them.  This is obviously another big issue, especially as it pertains to the denial of certain scientific principles in society (evolution, climate change).  Did this help form the outlook of the series?

SV: We definitely discussed the difference between being sentient and sentient-capable, and the moral and legal ramifications of that debate. At what point does sentience begin? If you are able to “flip the switch”, or once you actually do? We didn’t necessarily want to answer that question, though I’m pretty firm in my own opinion.

a&a003JL: It’s interesting. When is a robot considered a person? This was one of the few big things Sarah and I weren’t on the same page on. The whole debate makes me think of abortion. But yeah, ultimately, it isn’t our job to answer questions–it’s to ask them.

SV: And that’s one of the things I really enjoyed about working with Jon on Alex + Ada. There were a couple robot and A.I. topics that we completely disagreed on. Like long arguments, some where we even had to take breaks. I could imagine people in the future having these very same disagreements, only they’re not theoretical, they’re legitimate current events. And that really excited me.

GP:  Yet another theme is the intrusion of the outside world into people’s personal lives, a common enough theme in a lot of culture due to the increasing police powers of the state (for instance with Snowden).  Do you think that with more technology in the future that we will have less privacy?

JL: Sure, it’s possible that we’ll have less privacy in the future. But I’m a bit optimistic with this. I feel that as our population grows and society advances, we become more vocal, capable, and powerful. So, if the powers that be tried to take our privacy away, we simply wouldn’t let them. Again, I’m an optimist. For all I know, the robots will take over and make us their slaves.

GP:  Would the dynamic of the series have changed if Alex was the robot and Ada was the human?

SV: No. The relationship dynamics might be a little different. It’s a domino effect. A straight cis-female human has a different societal experience and history, and that would naturally affect the interactions and scenes with a male-created android. But the main story points would have stayed the same.

JL: I agree. But I do wonder how well the series would’ve done if it were the other way around. I’d love to know.

a&a002GP:  On a similar note, the default gender for robots seems to almost always be male, but Ada is of course a female.  Do you think that robots are by nature genderized as masculine?  Would a robot have to “learn” to be feminine?

JL: I definitely think that robots are typically genderized as male, in terms of perception and physicality. But I wouldn’t necessarily say that those robots act masculine. This kind of goes back to the “marriage” thing–a robot would have to be programmed or learn to be masculine, feminine, or even both, or neither.

SV: I agree with Jon. Otto has always been male for me. It’s definitely my default. But that’s my perception as a human, and one I’ve been thinking about during the creation of this book. But masculinity and femininity are very different from being male or female. It can be an energy and a stereotype. So if a program is created to be feminine, it’s because a creator has added their own perceptions of what femininity is into the programming, or a user is perceiving a program’s actions to be feminine.  If a program “learns” to be feminine, it first needs to learn what femininity is, and how to perceive it. And so the question of what is feminine and what is masculine comes into play. It becomes far more complicated.

GP:  The future world in Alex and Ada seems to be possible as an outcome of our progress but also potentially it could be seen as a dystopia.  Do you see it as one or the other?  Or both at the same time?

SV: Humans are messy. We can be horrible, and we can be wonderful. I can so easily see us destroying ourselves, but I also have hope we’ll figure out a way to make things work.

JL: I see it as both, too. Technology is advancing, which is great. But those advancements are new opportunities for challenging the way we think. And sometimes the way we think can be terrifying.

GP:  Issue #15 is going to be the last of the series.  What should we expect to see?  Will we see these characters again?

JL: The reader should expect to see what happens after the incident on the beach in issue #14, the consequences of Alex and Ada’s actions. And I don’t think we’re going to see these characters again, after #15. It’s a sad thought. Sarah and I miss them already. But all stories should have an ending.

Preview: Alex + Ada #14

Alex + Ada #14

Story By: Jonathan Luna
Story By: Sarah Vaughn
Art By: Jonathan Luna
Cover By: Jonathan Luna
Price: $2.99
Diamond ID: FEB150588
Published: April 29, 2015



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