Tag Archives: jonathan hickman

Marvel Announces House of X and Powers of X by Jonathan Hickman this July!

After weeks of speculation from comic book fans around the world, Marvel revealed the next monumental chapter for the X-Men during this year’s Chicago Comic & Entertainment Expo. During Marvel’s Next Big Thing Panel, critically-acclaimed creator Jonathan Hickman announced two new series: House of X and Powers of X, beginning this July!

Ever since Stan Lee and Jack Kirby introduced the X-Men, fans everywhere have followed the extraordinary stories of the X-Men through seminal moments like Giant-Size X-Men, 1991’s X-Men #1, Age of Apocalypse, and New X-Men. Each of these moments introduced a new era for mutantkind – and starting this summer, the world will experience the next seminal moment in the history of the X-Men with House of X and Powers of X.

These two new series – written by Jonathan Hickman with art by Young Gun Pepe Larraz, R.B. Silva, and colorist Marte Garcia – will build from every major X-Men milestone since 1963 up through the current X-Men series and storylines fans know and love, including some of Marvel’s most iconic characters from over the decades. Each series will be released on an alternate weekly schedule, starting with House of X, followed by Power of X. Fans will be able to follow along each week this summer and witness history unfold.

House of X and Powers of X will go on sale this July!

HOUSE OF X #1 (of 6)
Written by JONATHAN HICKMAN
Art by PEPE LARRAZ
Colors by MARTE GARCIA
Cover by PEPE LARRAZ
POWERS OF X #1 (of 6)
Written by JONATHAN HICKMAN
Art by R.B. SILVA
Colors by MARTE GARCIA
Cover by R.B. SILVA

Six Awesome Things Happening at C2E2 2019

On March 22 to March 24, 2019, Chicago Comics and Entertainment Expo (C2E2) celebrates its tenth anniversary in style. This is going to be my fourth year at C2E2, and one thing that I love about the show is its merging of different strains of pop culture into a fun experience. For example, you can get an autograph from the ageless actor/Ant-Man Paul Rudd, then hurry over to Artist’s Alley and meet a comics legend like Chris Claremont or George Perez or your favorite webcomic artist, and then wrap up things up with a beer at the Revolution tent. Whether you’re into comics, cosplay, films, TV shows, or all kinds of gaming, C2E2 really has it all.

Here are six fun things to do at C2E2 during the three days of the show at McCormick Place.

6. Try Out Some Escape Rooms (Friday-Sunday)

Unfortunately, there’s no “Escape from Being Crushed by Quarter Bins with Unsold, Polybagged Copies of Death of Superman”, but C2E2 does offer two fun Escape Room experiences if you want to get away from the hustle, bustle, and lines of the con and solve some puzzles in a mindbending environment. There are two Escape Rooms at C2E2: one is “Detention: Escape from the Cursed High School”, and the other is “Secret Aboard Starship Atraeus”. Each room has multiple endings, a 45 minute time limit, and mysterious elements like ghostly spirits and potential freaky aliens. Spots are filling up so book your escape room ASAP!

5. C2E2 Cinema (Friday-Saturday)

Sponsored by The Logan Theatre, C2E2 Cinema offers free movie screenings for anyone with a convention badge on both Friday and Saturday night. Friday’s movies are Teenage Mutant Ninja Turtles (1990) and the timeless classic Princess Bride followed by Wayne’s World and Fritz Lang’s Metropolis. As if that wasn’t enough, Saturday’s movie is Clueless, and there’s also a 1990s themed pre-party with a costume contest. You can go from dropping the big bucks on Alicia Silverstone, Paul Rudd, Breckin Meyer, and Donald Faison’s autographs and attending their Saturday reunion panel to watching them in their heyday on the big screen.

Image result for clueless movie

4. Clueless Reunion Panel (Saturday)

Clueless is one of the greatest Jane Austen adaptations of all time and really encapsulated the various looks and attitudes of the mid-1990s. (Full disclosure: I watched it on my 21st birthday intoxicated with a British grocery store cake in my lap.) Alicia Silverstone, Paul Rudd, Breckin Meyer, and Donald Faison are all attending C2E2, and if you can’t get their autograph, this panel is opportunity to soak in some 90s nostalgia and not harass Mr. Rudd with questions about Avengers: Endgame. Also, this panel is secretly a partial reunion of the late, great boy band DuJour fromJosie and the Pussycats.

3. Marvel Next Big Thing Panel (Saturday)

So, some rumors/house ads have been going on around that Jonathan Hickman is making his triumphant return to Marvel Comics for his first new series after 2015’s Secret Wars. Hickman is a master of the long form epic/event with his work on titles like Secret Warriors, Fantastic Four, and New Avengers, and I’m excited to learn what his next saga will be. (I hope Leonardo da Vinci is involved.) You can find out more information about his work and fellow writer, Jason Aaron (Thor) at Marvel’s Next Big Thing panel. Marvel’s Editor-in-Chief C.B. Cebulski will also be there so you know they mean business, and there will be some announcements about the House of Ideas’ summer slate of books.

2. AMC’s NOS4A2 Screening (Saturday)

Some of the best TV shows of all time, like Breaking Bad, Mad Men, and the criminally underrated Halt and Catch Fire, have aired on AMC, and the supernatural horror drama NOS4A2 might be their next big hit. It’s based on a novel by Joe Hill and is about an artist named Vic McQueen (Ashleigh Cummings), who has the power to track a mysterious immortal named Charlie Manx (Zachary Quinto). Manx is up to no good and feeds on children whose souls he places in a messed up world called Christmasland, where every day is Christmas. Fans at C2E2 will have the opportunity to see the first episode of NOS4A2 early before it airs on AMC on April 30.

HOLLYWOOD, CA – JANUARY 30: (L-R) Marv Wolfman, Carrie Bernans, George Perez and guest arrive for Excelsior! A Celebration of The Amazing, Fantastic, Incredible and Uncanny Life Of Stan Lee at TCL Chinese Theatre on January 30, 2019 in Hollywood, California. (Photo by Gabriel Olsen/Getty Images)

1. Marv Wolfman and George Perez: In Conversation (Sunday)

George Perez recently announced a well-earned retirement from creating comics and attending most conventions (Except DragonCon and FetishCon). So, C2E2 is one of the last opportunities that fans have to meet the artist of New Teen Titans, Avengers, and Crisis on Infinite Earths, not to mention once the nicest people in comics. This panel with long time collaborator, Marv Wolfman, who was also responsible for co-creating Blade and Bullseye, should be interesting to attend as two legends reflect on their legacy and swap war stories of 40+ years in the comics industry.

Jonathan Hickman is Returning to Marvel

Marvel has been teasing something that seems to do with mutants (aka X-Men) and now in their latest teaser it seems Jonathan Hickman will be involved. We don’t have to wait long, we’re getting more information at Marvel’s “Next Big Thing” panel at C2E2 this weekend.

The panel is Saturday from 4:00pm – 5:00pm in room S401.

Hickman himself seems to be having fun with it all.

Around the Tubes

It’s new comic book day! What’s everyone getting? What are you excited for? Let us know in the comments! While you wait for shops to open, here’s some comic news and reviews from around the web in our morning roundup.

Sequart Organization – “We Go Bigger”: Diving into Jonathan Hickman’s Avengers – This was a really interesting run.

Kotaku – Spider-Man’s Heist DLC Is Fun But Familiar – Who’s playing? What do you think of the new DLC?

UploadVR – Neon Wasteland Is A Gory Animated AR Comic Book – This could be very cool.

 

Reviews

Talking Comics – Black Hammer: Age of Doom #6

Comic Attack – Lucifer #1

Review: S.H.I.E.L.D. by Hickman and Weaver #6

It has been a long time coming, but the ground-breaking series that showcased the ancient founding of SHIELD,  S.H.I.E.L.D. by Hickman and Weaver, has come to an end. I have not been this excited to see a series wrap up since perhaps Secret Wars, which famously suffered a similar prolonged publishing delay. It has been awhile and I had to do a second reading of both volumes of this title to jog my memory. It is best read in my opinion as a trade or in one sitting. Hickman’s writing style is very complex and layered but rewards close attention and patience.

This issue showcases the climax of the battle for SHIELD, as LEONID, the chosen catalyst for Da Vinci’s  enigmatic human machine, bridges a solution to the dichotomous philosophies fueling the SHIELD war. i.e. the philosophy that everything eventually dies or the philosophy of endless possibility. The ending was long over due but shed some thematic light on some other Hickman works within Marvel’s publications. What I loved the most about this series and this issue in particular is how so much of it was an elegant yet succinct love letter to Marvel’s cosmology. The series explored the origins of humankind, its renaissance, its future the Inhumans, Deviants and the evolutionary guidance of the Celestials all within 12 issues. What appears to be the resolution in this issue (at least from my perspective) is that Da Vinci’s machine becomes a earth-made celestial of sorts, a literal deus ex machina that resolves the conflict by creating ideal earths for the figureheads of each faction in the SHIELD conflict. Issac Newton gets his desolated apocalyptic landscape, and Da Vinci gets his Utopia of human progress.

One question that I could not get out of my head was my own speculation if the resolution in this issue was the trigger point for the multiversal incursions we saw later in Hickman’s run on the Avengers and New Avengers titles? There was some strong theme carryover particularly with the dualities of life and death, building/ planning complex structures, from a single idea and so on.  I tend to judge writers on their contributions to the meta-narrative. I really have to praise Hickman for deep and lasting contributions to the Marvel mythos. From the infinity formula, to life model decoys, the SHIELD series (volumes 1 and 2) offered us a compelling and poignant origin story.

If you enjoyed this title I strongly recommend reading other works under Hickman’s pen, such as his run on the Fantastic Four  or Secret Warriors which brought back Leonardo Da Vinci, and his work on Avengers and Infinity. Hickman’s stories are carefully constructed plots that are well organized, and filled with wonder, additionally they feel like pieces of a puzzle revealing a greater landscape. No other writer in my opinion has executed their vision as sophisticated as Hickman’s they are artistic products of wonder and imagination that have really fleshed out the marvel universe, I’m happy to have been along for the ride, delay notwithstanding.

Story: Jonathan Hickman Art: Dustin Weaver
Story: 9.0 Art: 10 Overall: 9.5 Recommendation Buy!

Marvel provided Graphic Policy with a FREE copy for review

Jonathan Hickman’s East of West and Transhuman are Being Developed by Amazon Studios

Amazon Studios is working on two more comic series with East of West and Transhuman, both by comic creator Jonathan Hickman. Hickman has worked with artist Nick Dragotta on East of West and artist J.M. Ringuet on Transhuman.

Hickman is working with Robert Kirkman, the creator of The Walking Dead, who will executive produce the series under Skybound Entertainment‘s first-look deal with Amazon Studios.

Both series will be exectuive produced by Hickman and Dragotta and Ringuet. Hickman will write East of West while another writer is being looked for to adapt Transhuman.

East of West is a re-imagined western with America divided into different regions and a conspiracy involving a prophecy. Death, as in the Four Horseman, searches for his son while the other three Horsemen work to bring about the end times.

Transhuman is a science fiction story about a divorced couple who ran a corpration allowing humans to enhance themselves through robotics and genetically.

 

(via Deadline)

Review: Black Panther Vol. 3 A Nation Under Our Feet

Black Panther is coming to theaters and we’re reviewing each trade paperback volume of the current ongoing series from Marvel! We continue with the third volume of, “A Nation Under Our Feet.”

Black Panther Vol. 3 A Nation Under Our Feet collects issues #9-12 by Ta-Nehisi Coates, Brian Stelfreeze, Chris Sprouse, Karl Story, Goran Sudzuka, Walden Wong, Roberto Poggi, Scott Hanna, Laura Martin, Matt Milla, Larry Molinar, Rachelle Rosenberg, Paul Mounts, and VC’s Joe Sabino. It also features material from New Avengers (2013) #18, #21, and #24 by Jonathan Hickman, Valerio Sciti, Salvador Larroca, Frank Martin, Paul Mounts, David Curriel, and VC’s Joe Caramagna.

Get your copy. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

 

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Would Captain America Approve of Punching Nazis? (YES.)

As would surprise absolutely no one who’s followed my People’s History of the Marvel Universe series, I’m a strong believer in the idea that our pop culture is both influenced by our political culture and can have a strong influence on that political culture. Thus, it’s a major problem when the author of both of Marvel’s current Captain America comics gets all pearls-clutchy about whether it’s ok to punch Nazis.

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(credit to Shop5)

While people who’ve followed this spat on comic book twitter are familiar with this particular debate, allow me to clarify for everyone else: Captain America, as a pop culture icon, was designed to punch Nazis. And not merely in a cheeky, subversive symbolic, let’s-make-fun-of-Hitler way; the first Captain America comics were very clear in their argument that Nazis were a real threat to the United States both abroad and at home (with Jack Kirby and Joe Simon calling out real organizations like the German-American Bund, the Silver Shirts, and the America First Committee), and that we should go and fight them now (a year before Pearl Harbor). Nazis didn’t like this argument and they didn’t like Captain America as a pop culture icon – hence why they sent death threats to Jack Kirby and Joe Simon, threats that Jack Kirby met by being ready to punch Nazis at a moment’s notice.

Current Cap writer Nick Spencer’s stance doesn’t show a great understanding of the characters he’s working with or the spirit in which they were created, but that wouldn’t be so much of a problem…except that Spencer’s online conflicts with critics and fans are starting to bleed over into his comics, denying people a useful symbol for resistance in an era in which we really need them.

NaziCap and the “Alt-Righting” of HYDRA

Now, I’ve already talked about why NaziCap is a terrible idea – not only is it deeply insulting to the creators of Captain America and the various writers and artists who worked for decades to establish Steve Rogers as a consistent character, not only does the whole story only work by leaning on played-out non-mind control mind control gimmicks that relied on outright lying to your customers, but so far the only up-side is that Nick Spencer gets to write stories for months on end where Steve Rogers becomes a straight up supervillain:

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Now, it would be bad enough if Spencer’s problematic story resulted only in bad writing. But the problems go far beyond that, because Spencer’s Steve Rogers has an undeniable and inescapable political line. Take for example, Cap’s extended speech in Civil War II: The Oath:

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Let’s be clear: this is not just a comment on Marvel’s Civil War II; this is a blatant copying of post-2016 election hot takes blaming liberal coastal elites for the election of Donald Trump due to their lack of empathy for Trump voters in the heartland, bootstrapped into an anti-superhero and pro-HYDRA rant. Now, leave aside for the moment that this whole scene is jarring and awkward in the extreme in that Captain America is completely contradicting himself from Marvel’s first Civil War event – and remember, Nick Spencer’s non-mind control mind control retcon means that Cap still did and thought everything he did and thought in that series. (After all, Civil War II is absolutely cluttered with examples of characters from Tony Stark to Carol Danvers forgetting what they thought and did during Civil War I and before.)

The bigger problem is that Spencer is trying to have it both ways. On the one hand, he’s constantly riffing off of the rhetoric and imagery of present-day white nationalist and neo-Nazi movements to elicit controversy and give his story some “subversive” heft. On the other hand, Spencer constantly runs away from the implications of his own ideas by trying to de-Nazify HYDRA (which not-coincidentally prevents Steve Rogers from crossing a line that might harm his value as a brand):

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Once again, let clarify the comic book history: HYDRA was created as a Nazi organization, as part of an argument by Jack Kirby that the true believers in the Third Reich were still out there, ready to strike back against their enemies in the name of Nazism. HYDRA’s leader, the Red Skull, isn’t just a COBRA villain who hates freedom, equality, puppies, and sunshine in a generic Saturday morning cartoon way. From the beginning, the Red Skull has been not just a Nazi but a personal acolyte of Adolf Hitler:

would-cap-approve-of-punching-nazis-5

Indeed, the Red Skull is such a massive racist that he was once successfully distracted from his master plans by the fact that Peggy Carter was in an interracial relationship with another SHIELD agent:

would-cap-approve-of-punching-nazis-6

Likewise, the Red Skull’s chief subordinates in HYDRA were quite emphatic about the fact that they were actual and current believers in Nazi political ideology.

Now, Spencer isn’t the first person at Marvel to try to de-Nazify HYDRA – Brian Michael Bendis and Jonathan Hickman’s Secret Warriors story about HYDRA being an ancient organization that dates back to the Third Dynasty in Ancient Egypt set the pattern for fandom arguments that HYDRA wasn’t “really” fascist. But in the current political environment, it is especially tin-eared for Nick Spencer to “alt-right” HYDRA: we live at a time when we have actual Neo-Nazis in the White House working references to America First into Inaugural Addresses and dog-whistling to their fanbase by removing references to Jews and anti-Semitism from Holocaust Memorial addresses, all the while trying to use weasel-words to rebrand themselves as members of the “alt-right” so that they can normalize themselves in the media and the broader political culture. Indeed, Richard Spencer (who led crowds in throwing Nazi salutes at the alt-right’s election celebrations in D.C) was giving an TV interview about how the “alt-right” weren’t neo-Nazis when he got punched.

Sam Wilson as Sockpuppet and SJWs Are the Real Threat:

At the same time that Spencer has mired himself in a political quagmire in Captain America: Steve Rogers, we’re starting to see some of the same problems crop up in Captain America: Sam Wilson, which I used to enjoy because the book seemed to be grounded in a sincere love of Captain America comics from the 70s through 90s, what with Cap-Wolf and the Serpent Society showing up almost immediately. But given the tight-rope walk that always comes when a white writer is writing a highly political comic by speaking through a character who’s a black man, it’s a very bad sign when Nick Spencer’s twitter fights over the right and wrong ways to protest start coming out of Sam Wilson’s mouth:

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Leave aside that portraying Sam Wilson as the “both-sides-do-it” moderate clashes with the book’s raison d’être of Sam Wilson as the more militant political version of Captain America. Far worse is the actual content of the issue, which presents as its villains a group of campus left terrorists who use bombs to enforce “safe spaces:”

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Now, all of this would in normal times be painfully awkward, what with the white guy in his late 30s trying to do Tumblr-speak. But to push the idea that campus leftists are the real danger at a time when anti-fascist protesters have been shot by fans of neo-Nazi Milo Yiannopoulos, who deliberately targets critics for harassment and deportation, and when campus recruiters for the “alt-right” turn out to have past form for burning down black churches, comes across as pushing “alternative facts.”

Conclusion:

So why should we care, why does all of this comic book stuff matter when compared to the real-world political side of things?

As I said at the time, the “subversive” reimagining of Steve Rogers as a fascist was never ok, but there is far less leeway for it in a world in which Donald Trump is president. We have actual Neo-Nazis at the very top of the Federal government, directing government policy to enforce religious bans on Muslim immigrants, refugees, and permanent residents, to build border walls and prepare new offensives against young formerly undocumented immigrants given legal status and low-income immigrants. The “contrarian” fantasy of NaziCap has been lapped by reality and thus no longer serves any satirical purpose.

But on a more serious note: far from being emboldened by being punched in the face, Neo-Nazis are already emboldened by the fact that they have one of their own in the White House. Hence the burning of mosques in Texas and the Quebec mass-shooting , hence the constant drum-beat of bomb threats against Jewish Community Centers, hence the rise of hate crimes and random incidents of aggression from racist assholes who think that Trump has legalized bigotry.

A small part of this is an attempt by Neo-Nazis to claim cultural spaces and symbols, whether we’re talking about fights over Twitter access, the appropriation of memes like Pepe the Frog, the appropriation of language from sexual subcultures, attempts to recruit right-wing anime fans, Gamergaters, and furries, and most worrying of all, the attempt to reframe anti-corporate works like They Live to fit anti-Semitic conspiracy theories. And it’s not like Marvel has been immune to this: “Hail HYDRA” and HYDRA iconography has been a favorite of Neo-Nazis online as a way to get around bans on outright Nazi imagery, and defenses of the HYDRA secret agent Grant Ward on ABC’s “Agents of SHIELD” have sometimes blended into defenses of fascism more generally.

In the face of all of these, people really need anti-Nazi symbols to inspire and rally them. Captain America ought to be one of these symbols, but he can’t be as long as Steve Rogers is a HYDRA agent and Sam Wilson is more worried about the campus left – i.e, as long as Nick Spencer is the lead writer of all of Marvel’s Captain America comics. So here’s my pitch to Marvel Comics: hire Brubaker, hire Rucka, hire G. Willow Wilson, all writers who’ve shown a grasp on both storytelling and politics, or hire someone new with fire in the belly, and give us a Cap who will fight for us.

East of West, The Apocalypse: Year Two deluxe hardcover edition to hit stores this March

Critically-acclaimed writer Jonathan Hickman and artist Nick Dragotta’s East of West, The Apocalypse: Year Two deluxe oversized, prestige format hardcover edition will collect the Second Year of the Apocalypse storyline—issues 16-29 of the ongoing series—and will hit stores this March.

East of West took the comics industry by storm and defined the sci-fi/western genre crossover long before HBO’s Westworld and other similar stories tooks off in popularity. East of West remains a fixture on the New York Times bestseller list and one of the most successful creator-owned series on the market.

East of West, The Apocalypse: Year Two HC (ISBN: 978-1-5343-0059-0, Diamond Code: JAN170824) hits comic book stores on Wednesday, March 22nd. The final order cutoff deadline for comic retailers is Monday, February 27th.

East of West, The Apocalypse: Year Two hits bookstores on Tuesday, March 28th.

east-of-west-the-apocalypse-year-two-hc

Image Comics Announces 20 Comics and More at Image Expo

Today at the Showbox Market Theater in Seattle, Washington, Image Comics kicked-off Emerald City Comicon with Image Expo and a slew of exciting creator-owned announcements.

They also announced a new initiative Creators for Creators as well.

Image Comics revealed the following creator-owned projects set to launch in the coming year and beyond.

AFAR by Leila del Duca & Kit Seaton

Critically-acclaimed, Russ Manning nominated SHUTTER artist Leila Del Duca teams up as co-creator and writer alongside artist, colorist, and letterer Kit Seaton (THE BLACK BULL OF NORROWAY, EVE OF ALL SAINTS) for an original graphic novel, AFAR.

In AFAR, Boetema suddenly develops the ability to astrally project to other worlds, unintentionally possessing the bodies of people light years away. Inotu, her inquisitive brother with a pension for trouble, finds himself on the run after he’s caught eavesdropping on an illegal business deal between small town business tycoons and their cyborg bodyguard. When Boetema accidentally gets someone hurt while in another girl’s body, the siblings are forced to work together to solve the problems they’ve created on their planet and others.

AFAR hits shelves this Fall 2016.

afar

BLACK CLOUD by Jason Latour, Ivan Brandon, Greg Hinkle, Matt Wilson, Aditya Bidikar, Tom Muller, edited by Maria Ludwig
Co-creators Jason Latour (SOUTHERN BASTARDS, Spider-Gwen), Ivan Brandon (DRIFTER, VIKING) and Greg Hinkle (AIRBOY, THE RATTLER), team up with colorist Matt Wilson (THE WICKED + THE DIVINE), letterer Aditya Bidikar, designer Tom Muller, and editor Maria Ludwig for an all-new series called, BLACK CLOUD.

Once upon a time…They built a world where dreams come true… And those dreams went to war. In BLACK CLOUD, we meet Zelda: exiled to Earth, her dreams of revolution are gone, but she still holds the key to the world she left behind. And it’s for sale.

BLACK CLOUD is set to launch in Fall 2016.

black cloud

THE BLACK MONDAY MURDERS by Jonathan Hickman & Tomm Coker 
All hail god money! From Jonathan Hickman (EAST OF WEST, Secret Wars, Avengers) and Tomm Coker (Undying Love) comes a mythical reinterpretation of modern global economics.

THE BLACK MONDAY MURDERS is classic occult indoctrination where the secret schools of magic are actually clandestine banking cartels who control all of society—a hidden world where vampire Russian oligarchs, Black Popes, enchanted American aristocrats, and hitmen from the International Monetary Fund work together to keep ALL OF US in our rightful place.

Each issue contains world-expanding bonus content like maps, corporate organization charts, decoded apocrypha, and stock tips to die for.

THE BLACK MONDAY MURDERS is a brand new, crypto-noir series about dirty, filthy, money… and what kind of people you can buy with it. Set to launch in Fall 2016.

the black monday murders

THE DIVIDED STATES OF HYSTERIA by Howard Chaykin
Howard Chaykin (SATELLITE SAM, BLACK KISS, AMERICAN FLAGG!) with the able assistance of Jesus Aburto on coloring, and Ken Bruzenak on lettering, unleashes THE DIVIDED STATES OF HYSTERIA.

THE DIVIDED STATES OF HYSTERIA is set in the aftermath of a dirty bomb that wipes New York City off the map, as what will come to be known as the Second American Civil War shatters the domestic landscape in isolated pustules of violence…and a team of five private contractors is charged with stemming this tide of rage and bringing the bombers to justice.

THE DIVIDED STATES OF HYSTERIA launches in Winter 2016.

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GLITTERBOMB by Jim Zub & Djibril Morissette-Phan & K. Michael Russell & Marshall Dillon
Fan-favorite writer Jim Zub and newcomer Djibril Morissette-Phan come together with colorist K. Michael Russell and letterer Marshall Dillon for GLITTERBOMB.

“Probably the only thing I love more than comics is cinema,” said Morissette-Phan. “Which makes Glitterbomb a dream project since it’s a perfect blend of both.”

Set in Hollywood, GLITTERBOMB is a horror story about failed fame and blood-soaked revenge.

GLITTERBOMB is set to launch in late Summer 2016.

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HORIZON, by Brandon Thomas, Juan Gedeon & Frank Martin (Skybound)
Writer Brandon Thomas, artist Juan Gedeon, and colorist Frank Martin team up for an all-new series from Image/Skybound titled, HORIZON.

In HORIZON, Zhia Malen thought she’d fought her very last war, until she learned her planet was targeted for occupation…by a desperate world called Earth. The people of Earth will be told that her arrival on our planet means invasion. These are lies. This is retaliation, and Horizon explores what happens when our planet finally runs out of second chances. And when we meet an alien race just as committed to survival as we are…

HORIZON is set to launch from Image/Skybound in July 13, 2016.

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THE HUNT by Colin Lorimer, Jim Campbell, and Joana Lafuente (Shadowline Comics)
Critically acclaimed writer/artist Colin Lorimer (Harvest) teams up with letterer Jim Campbell and colorist Joana Lafuente for THE HUNT.

At her father’s deathbed, Orlaigh Roche came face to face with the age-old myth of The Slaugh; a group of soul-stealing spirits so evil that not even hell would take them. Years later, and with the belief that her father’s soul is still trapped in some form of the netherworld, she goes looking for answers—beginning a journey that leads her down a path to discover what really happens to us after we die.

THE HUNT begins in 2016 from Image/Shadowline Comics.

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ISOLA by Brenden Fletcher & Karl Kerschl 
Bestselling creators Brenden Fletcher (Batgirl of Burnside, Gotham Academy) and Karl Kerschl (Gotham Academy, The Abominable Charles Christopher) re-team for ISOLA—an epic fantasy adventure series with the scope of Game of Thrones and the spirit of Princess Mononoke.

ISOLA is set in a mystical land where the queen’s brother enacts a treacherous plot to transform her into a tiger. The captain of the guard, a woman of great skill, brings swift and lethal vengeance, unaware the wicked prince alone has the power to reverse the spell. The two women—one on two legs, one on four—must undertake a perilous journey halfway across the globe to the fabled island of ISOLA, gateway to the underworld, where they hope to find the spirit of the queen’s late brother and return her to human form.

ISOLA is set to launch in Spring 2017.

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KILL OR BE KILLED by Ed Brubaker, Sean Phillips, Elizabeth Breitweiser
Bestselling writer Ed Brubaker (THE FADE OUT, FATALE), artist Sean Phillips (THE FADE OUT, FATALE), and colorist Elizabeth Breitweiser (THE FADE OUT, FATALE, OUTCAST BY KIRKMAN & AZACETA) reunite for KILL OR BE KILLED, the ultimate pulp crime comic.

KILL OR BE KILLED is the story of a troubled young man who is compelled to kill bad people, and how he struggles to keep his secret, as it slowly begins to ruin his life and the lives of his friends and loved ones.

Both a thriller and a deconstruction of vigilantism, KILL OR BE KILLED is unlike anything Brubaker and Phillips have done together in their long partnership.

KILL OR BE KILLED is set to launch in Summer 2016.

kill or be killed

LAKE OF FIRE by Nathan Fairbairn & Matt Smith
Co-creators Nathan Fairbairn (Scott Pilgrim, Batman Incorporated) and Matt Smith (Barbarian Lord) come together for an all-new series titled LAKE OF FIRE.

In LAKE OF FIRE it is 1220 AD, and the gears of the Albigensian Crusade grind on. When an alien mining craft infested with legions of bloodthirsty predators crash-lands in the remote wilderness of the French Pyrenees, a small band of crusaders and a Cathar heretic are all that stands between God’s Kingdom and Hell on Earth.

LAKE OF FIRE is set to launch in Summer 2016.

lake of fire

MOONSHINE by Brian Azzarello & Eduardo Risso, edited by Will Dennis
From Brian Azzarello and Eduardo Risso—the Eisner award-winning creative team behind the crime classic, 100 Bullets—comes the brutal new series, MOONSHINE.

MOONSHINE is set during the Prohibition Era, deep in the backwoods of Appalachia and tells the story of Lou Pirlo, a city-slick “torpedo” sent from New York City to negotiate a deal with the best moonshiner in West Virginia, one Hiram Holt. Lou figures it for milk run—how hard could it be to set-up moonshine shipments from a few ass-backward hillbillies? What Lou doesn’t figure on is that Holt is just as cunning as ruthless as any NYC crime boss and Lou is in way over his pin-striped head. Because not only will Holt do anything to protect his illicit booze operation, he’ll stop at nothing to protect a much darker family secret…a bloody, supernatural secret that must never see the light of day… or better still, the light of the full moon.

MOONSHINE #1 will hit stores in Fall 2016 and marks the first time Azzarello and Risso have worked together with Image Comics and reunites the acclaimed creative team that defined modern crime comics with 100 Bullets… and now puts a horror-twist on a classic gangster tale.

moonshine

MOTOR CRUSH by Brenden Fletcher, Cameron Stewart, & Babs Tarr
From the creative team behind the popular, New York Times bestselling Batgirl of Burnside—Brenden Fletcher, Cameron Stewart, and Babs Tarr—comes MOTOR CRUSH—is a stylish, neon-soaked, revved up science-fiction action series.

By day, a Domino Swift competes for fame and fortune in a worldwide motorcycle racing league. By night, she cracks helmets of rival gangs in brutal, illegal bike wars on the city streets to gain possession of a rare and valuable contraband: an engine-boosting “machine narcotic” known as MOTOR CRUSH. But the origins—and ultimate purpose—of this mysterious substance are unknown, and could put her on a collision course with danger…

MOTOR CRUSH rides into town this December 2016.

motor crush

PRIMA by Jen Van Meter, Rick Burchett, Eric Newsom, edited by Jeanine Schaefer
Spies.
Thieves.
Ballerinas.
PRIMA.
You don’t always see who’s standing in the spotlight.

Creators Jen Van Meter and artist Rick Burchett team up to tell an all-new story about a dance company—comprised entirely of former spies—righting the wrongs of the Cold War in a series called, PRIMA.

PRIMA follows Sophia Forais and Pauline French are the soloist and Managing Director of a dance company that once served as a front for a Resistance cell in France. Engaged for a long run in New York, the dancers have turned their attention and unique skills to aiding a veteran of the Romanian underground now being blackmailed by her American husband. The small operation should prove simple, but Sophia, Paulina and their colleagues will quickly learn that the war has not really ended, and the world is no less ruthless than it was when they were smuggling information and refugees during the Occupation.

An espionage/romance adventure set in the arts world just after WWII, PRIMA is a warm-hearted series of intrigues: To Catch a Thief goes to the ballet.

On stands in FALL 2016.

prima

PRINCE OF CATS by Ron Wimberly 
PRINCE OF CATS written and drawn by Ron Wimberly, lettered by Jarred Fisher, and featuring design by Jorden Haley returns to print from Image Comics.

PRINCE OF CATS was first released from Vertigo to critical acclaim in the summer 2012. It was out of print before the following summer. After three years, it will be returning to print through Image Comics.

PRINCE OF CATS is Rosencrantz and Guildenstern are Dead meets The Warriors meets Sword of Doom. PRINCE OF CATS sets Shakespeare’s Romeo and Juliet in an alt-universe, mid-eighties New York where dueling with live blades evolved as a cultural phenomenon alongside New York’s other street cultures; it eschews the story of the titular star-crossed lovers to follow the tragic story of Tybalt, the Prince of Cats.

PRINCE OF CATS, the definitive remastered author’s edition, is set to release in Fall 2016.

prince of cats

ROCKSTARS by Joe Harris & Megan Hutchison
Fan-favorite Joe Harris (THE X-FILES, SNOWFALL) teams up with artist Megan Hutchison for an all-new, ongoing series a la Almost Famous meets Supernatural called, ROCKSTARS.

ROCKSTARS follows a pair of young, rock ‘n roll investigators as they uncover a mystery involving a legendary band, dead groupies, human sacrifice and a supernatural undercurrent connecting so many famous—and even more undiscovered—secrets, myths and conspiracies peppering rock music throughout the ages.

When a pattern of unsolved ‘groupie’ murders dating back to the 1970s resumes in present-day Los Angeles, nobody makes the connection except for Jackie Mayer, a young rock nerd who not only knows everything about music history, trivia and its myriad secrets and factoids, but also harbors a mysterious, almost magical ability to ‘see’ what most people miss, and determine and divine what’s going unreported.

Joined by a music writer and aspiring investigative reporter named Dorothy Buell, and his loyal cat, Skydog, they soon uncover a vast mystery involving a legendary band’s exploits, their mercurial guitarist’s occult associations, demonic possession, and sacrifices to the dark gods of rock.

Each story arc will feature a case sprung from a different rock n’ roll era—British Invasion, Punk, 80s Heavy Metal, etc.—and draw on Jackie’s unique connection, knowledge, and darkly magical associations to crack them.

The series will launch in Fall 2016.

rockstars

ROMULUS by Bryan Hill & Nelson Blake II (Top Cow Productions)
Fan-favorite writer Bryan Hill (POSTAL) and Nelson Blake II come together for an all-new Image/Top Cow series in ROMULUS.

Set in the near future, ROMULUS follows the last in a line of near-mystical martial artists wages a revolutionary war against The Order of Romulus, the ancient secret society that trained her—a global organization, hidden in plain sight, that’s controlled the world since the days of Ancient Rome.

Their plan? Cull the population with genocide and rule a New World Order. Her plan? Kill them all or die angry.

Romulus launches from Top Cow/Image in Fall 2016.

romulus

SEVEN TO ETERNITY by Rick Remender & Jerome Opeña
Writer Rick Remender reteams with collaborators Jerome Opeña (Uncanny X-Force, Fear Agent) and Matt Hollingsworth (TOKYO GHOST, WYTCHES) to bring readers a modern fantasy series following Adam Osidis, a dying knight from a disgraced house, on a mission to rid his world of an insidious God who ensnared him in a Faustian deal.

Gharils Sulm, The God of Whispers is a Machiavellian warlord who holds sway everywhere in the world of Zhal. He’s spread an omnipresent paranoia to every corner of the kingdoms; one of his spies hides in every house, every family, every hall, spreading mistrust and fear.

Adam must choose between joining a hopeless band of magic users in their desperate bid to free their world of the evil God’s burden or give in to the The God of Whispers’ promises of salvation and safety.

The series is set to launch in the Fall of 2016.

seven to eternity

SURGEON X by Sara Kenney & John Watkiss, James Devlin, & Jared K. Fletcher, edited by Karen Berger 
Writer Sara Kenney and artist John Watkiss come together for an all new series, SURGEON X, and join forces with the award-winning Karen Berger, founding editor of DC’s Vertigo imprint.

Set against the backdrop of an antibiotic apocalypse in near future London. Rosa Scott, a brilliant and obsessive surgeon becomes Surgeon X, a vigilante doctor who uses experimental surgery and black market drugs to treat patients. But as Surgeon X, Rosa soon develops a godlike-complex, deciding who will live and who will die. Ultimately, she believes that to survive in this compromised world her own warped moral code is the one she must follow—even if it endangers those closest to her.

The comic is informed by hundreds of conversations with scientists, physicians, historians, economists, ethicists & philosophers to create this deeply disturbing, yet authentic future world.

SURGEON X was funded by a Society Award from Wellcome Trust, an independent global charitable foundation dedicated to improving health. They support bright minds in science, the humanities and the social sciences, as well as education, public engagement and the application of research to medicine.

SURGEON X will launch in Fall 2016.

surgeon x

VS by Ivan Brandon, Esad Ribić, Ive Svorcina, Aditya Bidikar, Tom Muller, edited by Sebastian Girner 
Writer Ivan Brandon (DRIFTER) and Esad Ribić (Secret Wars) team up with colorist Ive Svorcina, letterer Aditya Bidikar, designer Tom Muller, and editor Sebastian Girner for a futurist drama in, VS.

VS follows the rise and fall of Satta Flynn, a wildly popular soldier in a time when War has been privatized and is a form of entertainment.

Armies financed and equipped by super-corporations. War medics that double as Pit Mechanics. Satta’s every move is LIVE on TV. And for the first time, Satta finds out what it’s like to lose.

VS is set to launch in Fall 2016.

vs

WINNEBAGO GRAVEYARD by Steve Niles & Alison Sampson
Writer Steve Niles teams up with artist Alison Sampson, colorist Stéphane Paitreau, and letterer Clem Robins in WINNEBAGO GRAVEYARD.

Sampson used 1970s horror films for inspiration on the artwork and described the book’s overall look as: “about 70% Americana, slightly heightened, like True Blood, and about 30% ripping off of heads.”

A horror-adventure story, WINNEBAGO GRAVEYARD follows a family with a teenage son and what happens when their road-trip goes wrong and they find themselves stuck in a town full of satanists.

WINNEBAGO GRAVEYARD is set to launch in Fall 2017.

winnebago graveyard

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