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Spider-Man: Long Way Home #1 is an interesting concept but only a few interesting moments

Spider-Man: Long Way Home #1

A DARK HOMECOMING AWAITS… It’s a world before the Punisher. A world where the existence of the Hulk is but a whisper of a rumor. A world where A.I.M. has just developed a Cosmic Cube in the jungles of South America. Frank Castle, Bruce Banner and Peter Parker are all on a mission to keep the Cube out of the wrong hands – including each other’s. In this three-way free-for-all for the power of the cosmos, who will come out on top? Spider-Man: Long Way Home #1 is an interesting start with moments of potential that never really come together.

Written by Jonathan Hickman, Spider-Man: Long Way Home #1 is an in-continuity, out of continuity, we’re not really sure, story that pits Frank Castle, Hulk, and Spider-Man against each other for a cosmic cube. I mention the continuity bit because it’s Frank Castle that takes part in this, not the Punisher, putting his origin and all of that up in the air and how this all fits in.

Castle is part of a mercenary group sent on a mission by S.H.I.E.L.D. to retrieve a Cosmic Cube. Standing in the way is AIM and Hydra and for some reason the Hulk gets involved. We’re not quite sure of that motivation and then Spider-Man is recruited by S.H.I.E.L.D. to take on the Hulk… which feels like it’s a complete misunderstanding of power sets on S.H.I.E.L.D.’s part. All of it is convoluted and far more complicated than it needs to be.

The comic stands out as best when it’s Frank and the team he’s working with attempting to escape a Hulk who’s hunting them for the Cosmic Cube. The comic has a Predator vibe to it as members of the squad are picked off and there’s a sense of dread and terror surrounding it all. And honestly, the comic should have just kept it to that. Keep it simple and focused.

Instead, we get Spider-Man thrown into the mix for some reason, a match-up that feels rather one-sided. It’s an odd mix of characters that doesn’t quite click in how it’s presented. It makes things far too complicated and dialing it back a bit, the comic would have excelled and been really interesting (and potentially created more motivation for Frank’s eventual war).

The art by Adam Kubert is what makes the interesting parts actually interesting. With color by Arthur Hesli and lettering by Ariana Maher, Spider-Man: Long Way Home #1 presents the chaos and terror of Frank and his fellow soldiers well. You get a sense that they really don’t know what’s going on and what to do. There’s also small moments as the Hulk picks them off one by one. Stretch all of that out and the comic would be overall much stronger, a horror comic featuring Frank Castle being stalked by the Hulk who’s toying with him the whole time.

Spider-Man: Long Way Home #1 isn’t a bad start but also doesn’t really stand out. It’s an oddity in that it doesn’t really make much of a case for it to exist. It’s entertaining in some ways. It has some moments that stand out. But, it’s a comic you read and generally forget about soon after. It doesn’t shine with so many choices, even many choices with just these characters, out there.

Story: Jonathan Hickman Art: Adam Kubert
Color: Arthur Hesli Letterer: Ariana Maher
Story: 7.75 Art: 7.95 Overall: 7.75 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Spider-Man: Long Way Home #1

Spider-Man: Long Way Home #1

(W) Jonathan Hickman, Adam Kubert (A) Adam Kubert

A DARK HOMECOMING AWAITS…

It’s a world before the Punisher. A world where the existence of the Hulk is but a whisper of a rumor. A world where A.I.M. has just developed a Cosmic Cube in the jungles of South America. Frank Castle, Bruce Banner and Peter Parker are all on a mission to keep the Cube out of the wrong hands — including each other’s. In this three-way free-for-all for the power of the cosmos, who will come out on top?

Legendary creators Jonathan Hickman and Adam Kubert team up to tell the grittiest Spider-Man story of the ages!

Spider-Man: Long Way Home #1

The X-Men Hunger for Blood. Get a First Look at Midnight X-Men #1!

The light had its turn.

Following up on the reveal of the all-new, all-terrifying Midnight Universe, Marvel lifts the curtain on the first look inside the debut series, Midnight X-Men, from writer Jonathan Hickman and artist Matteo Della Fonte along with a movie homage variant cover by Björn Barends and main cover by Dike Ruan.

AN ALL-NEW, ALL-DISTURBING UNIVERSE BEGINS HERE!

The clock strikes midnight and it’s the dark dawn of a new era.The shadows of New York City are stalked by vampires and the mutant empyres. The sword of Damocles hangs over the peace between these two species and the factions within them. An outright war is brewing and the unturned will be caught in the crossfire. Blockbuster comic book writer Jonathan Hickman returns to the X-Men with a hunger for blood as this new world of terror reimagines the heroes of the Marvel Universe!

Dark Horse presents Shift from Three Worlds/Three Moons

Go back to the beginnings of the Three Worlds / Three Moons sci-fi universe with the new one-shot, Shift, from Jonathan Hickman and Mike del Mundo. Written by Hickman, illustrated by del Mundo, and lettered by Rus Wooton, this one-shot explores a lost age of magic and wonder set ages before Foundations. The 64-page issue will be presented in a prestige, magazine-sized format and will be available September 2026.

Set generations before the current science cycle, in a time when magic is at its peak and Kaoso is thriving, Syg the White Stag eschews the wishes of his family and the will of the Academy by hitching a ride on a Vojoganto to the center of the universe—Akva—to understand the cause behind what he believes to be the inevitable collapse of the universe as he knows it. Accompanied by his lifelong friend, an accused heretic named Markus, the two set out to unlock the secrets of life and stop the worlds’ collapse. Will Syg and Markus be able to complete their mission, or will their time be cut short by the next cosmic shift?

Shift arrives in comic shops on September 2, 2026 for $9.99. It is now available for preorder from your local comic shop for $9.99. Foundations, the first one-shot in the Three Worlds / Three Moons universe, is also available for preorder and will be in comic shops on July 8, 2026.

Shift

The Midnight Universe Plunges the Marvel Mythos into Darkness this August

The light had its turn. For over 80 years, Marvel heroes have inspired hope. This August, that hope dies in the shadows of the Midnight Universe, a new publishing line where top creators unleash haunting new visions of Marvel’s greatest icons. The nightmare begins with three titles: Midnight X-Men by Jonathan Hickman and Matteo Della FonteMidnight Fantastic Four by Benjamin Percy and Kev Walker; and Midnight Spider-Man by Phillip Kennedy Johnson and, in his Marvel Comics debut, artist Scie Tronc.

Dark. Unpredictable. Unmissable. The Midnight Universe draws in longtime fans and newcomers alike to enter a terrifying new world where anything can happen. Interconnected by rich lore-building, Marvel’s most definitive modern creators are given free rein to reimagine heroes with shocking twists and chilling transformations in boundary-less, creator-driven storytelling that will keep readers on edge issue after issue. The X-Men no longer fight for acceptance, they hunger for blood. The Fantastic Four venture into the unknown not to save the world—but to unleash terror upon it. And Spider-Man discovers that with great power… comes something monstrous.

More will be unveiled in the months ahead, but today, the main cover for Midnight X-Men #1 by Dike Ruan is revealed. Befitting the line’s mysterious, ominous aura, the main covers of the Midnight titles will be Cloaked Covers, partially obscured with the full artwork revealed with a turn of the page. With the exception of the debut issues, the full artwork will remain shrouded in shadow, only revealing themselves to readers daring enough to pick them up on stands.

The clock strikes midnight, and it’s the dark dawn of a new era, beginning with MIDNIGHT X-MEN! The shadows of New York City are stalked by vampires and the mutant empyres. The sword of Damocles hangs over the peace between these two species and the factions within them. An outright war is brewing and the unturned will be caught in the crossfire.

Then, in Midnight Fantastic Four, an obsessive scientist delves into the secrets of the universe perhaps best left unknown to mankind, leaving himself and three others warped in strange and horrifying ways. What horrible secrets lie in the new dimensions they have discovered? And can humanity survive the discovery?

And in Midnight Spider-Man, a young Peter Parker is transformed into a hideous spider hybrid by the ruthless Oscorp Corporation in their pursuit for eternal life. When Oscorp begins to use the secrets unlocked by his mutation to create more human-animal hybrids, Peter embraces his grotesque new form to stop them.

Preorder Midnight X-Men #1 at your local comic shop today and stay tuned for the cover reveals for Midnight Fantastic Four and Midnight Spider-Man in the months ahead.

Get a first look at Ultimate Universe: Finale #1

Marvel has released a first look at Ultimate Universe: Finale #1.

THE ULTIMATE GOODBYE… Following the events of Ultimate Endgame #5, the creative teams of all the Ultimate books come together one last time to say farewell…

Out June 10, it’s by Deniz Camp and Juan Frigeri; Jonathan Hickman and Marco Checchetto; Bryan Edward Hill and Stefano Caselli; Chris Condon and Alessandro Cappuccio; and Peach Momoko.

Spider-Man, Punisher, and Hulk Show Each other No Mercy in Jonathan Hickman and Adam Kubert’s Spider-Man: Long Way Home

This summer, three of Marvel’s most iconic stars barrel towards a brutal confrontation in Spider-Man: Long Way Home. Crafted by Jonathan Hickman and Adam Kubert, the five-issue limited comic series puts Spider-Man, Punisher, and Hulk on a high-stakes collision course as they desperately pursue a missing Cosmic Cube. In the same spirit as 2024’s Wolverine: Revenge, the hit limited comic series by Hickman and Greg Capullo, Spider-Man: Long Way Home offers familiarity while existing apart from the main Marvel Universe, delivering a timeless, evergreen saga for all readers that’s unrestrained by continuity, scope and mercy!

A DARK HOMECOMING AWAITS…

It’s a world before the Punisher. A world where the existence of the Hulk is but a whisper of a rumor. A world where A.I.M. has just developed a Cosmic Cube in the jungles of South America. Frank Castle, Bruce Banner and Peter Parker are all on a mission to keep the Cube out of the wrong hands – including each other’s. In this three-way free-for-all for the power of the cosmos, who will come out on top?

Check out Adam Kubert’s main cover along with a special foil variant cover by Dave Johnson and a sneak peek at interior artwork. Experience Spider-Man: Long Way Home at your local comic shop this summer when it arrives June 17.

Ultimate Spider-Man #24 succeeds because it brings all of what made this book great to a crescendo

Finally, one of the Ultimate Universe books sticks the landing, and of course, it’s the flagship title Ultimate Spider-Man with Jonathan Hickman, Marco Checchetto, David Messina, and Matthew Wilson concluding the series on a suitably heartfelt note. The strength of this series has been its focus on the web (Pun intended) of relationships between Peter Parker and his family and friends, and the extra pages in Ultimate Spider-Man #24 gives plenty of space for character-driven grace notes as well as an exciting battle royale against Kingpin, Mr. Negative, Mysterio, and Earth 6160’s Anti-Venom, who is a gnarly love child of Todd McFarlane spaghetti webbing and John Romita Jr. bulky design with a sleek high tech Hickman twist.

To use a vastly different comic as a metaphor, Ultimate Spider-Man #24 has a nice balance of love and rockets. Checchetto and Messina draw some big, physical action sequences especially when an enhanced Wilson Fisk is involved. However, they and Hickman also make a flashback to when Mary Jane realized she was pregnant with Richard end up becoming the crux of the issue and probably the whole run. There’s a clear throughline to Peter unexpectedly becoming a father and also obtaining superpowers, and it’s been cool to see his relationship with his son Richard develop throughout the series as he takes on the mantle of Spider-Man, er, Venom. (I was kind of sad to see Peter’s interactions with May kind of tail off because her being the only one to know he was Spider-Man was an adorable highlight of early Ultimate Spider-Man issues.) Richard levels up and has a big damn superhero moment in Ultimate Spider-Man #24, but it’s nice that the comic doesn’t end with some big blast of energy instead giving the Parker family some time to breathe and reflect before leaping headlong into the action of Ultimate Endgame in which Peter plays a key role.

Ultimate Spider-Man #24’s excellent rounding out of character arcs doesn’t just apply to the Parkers, but to their friends the Osborns as well. Harry Osborn wants to be a heroic figure like his friend Peter Parker, but he’s caught in the middle between his wife who has merged with four other people to be Mysterio and his father Norman, who taunts him via AI. So, he doesn’t really do anything in the big final battle except watch the Maker’s Council try to rebuild and watch Mysterio consolidate power and not resemble the woman he married in the slightest. These scenes and Harry’s whole arc in Ultimate Spider-Man explore what if your family was a negative influence on you as a hero instead of giving you something worthy to fight for. This search for motivation is what ends up being the last stop for Harry in Ultimate Spider-Man (I’m sure we’ll see him in Endgame.), and it’s cool seeing Peter take up a mentor role in his life as well as being his best friend. In a positive way, it reminds me of Peter and Harry’s relationship in the Sam Raimi Spider-Man films sans the James Franco smarminess and with more cool tech because this is in fact a Jonathan Hickman comic.

Without gratuitous guest stars and through an epic broadcast/monologue from those truth-searching newspapermen Ben Parker and J. Jonah Jameson, Hickman, Marco Checchetto, and David Messina align Ultimate Spider-Man with the anti-fascism and capitalism of Deniz Camp and company’s The Ultimates. The narrative captions add a heft and relevance to the book’s extended fisticuffs/whatever is going on with Richard Parker’s web fluid/symbiote. You can see why these characters play a key role in Ultimate Endgame, but as I mentioned earlier, Jonathan Hickman doesn’t focus on big political statements, but every day resistance through the lens of an iconic superhero and his supporting cast.

Ultimate Spider-Man #24 succeeds because it brings all of what made this book great to a crescendo. There’s the action against colorful, tech savvy, ultracapitalist villains, a grounding in family and friends, and even some romance, both mature between Peter and Mary Jane and developing between Richard and Black Cat. Add the gorgeous art from Marco Checchetto and David Messina and solid coloring from Matthew Wilson (He nails the flat colors for the Venom/Anti-Venom fight scene.), and this is a memorable final chapter in this superhero comic for grown-ups that still know has to have fun and will go down as an evergreen run for Marvel’s mighty webslinger.

Story: Jonathan Hickman
Art: Marco Checchetto and David Messina
Colors: Matthew Wilson Letters: Cory Petit
Story: 8.6 Art: 8.6 Overall: 8.6 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Jonathan Hickman, Mike Del Mundo, Mike Huddleston, and Nick Spencer’s Three Worlds/Three Moons Universe arrives at Dark Horse

This summer, Jonathan Hickman, Mike del Mundo, Mike Huddleston, and Nick Spencer’s ambitious science-fiction universe, Three Worlds / Three Moons, comes to print at Dark Horse! Initially published at 3w3m.comThree Worlds / Three Moons spans comics, graphic novels, and more. Dark Horse Comics will publish all of these stories, in comic shops and bookstores beginning July 2026. The Foundations one-shot, written by Hickman and Spencer, illustrated by del Mundo and Huddleston, and lettered by Rus Wooton, will be the first title published in the line and will set the scene for the sprawling sci-fiworld. 

Across a distant solar system and countless millennia-long cycles, a war has been fought between the forces of magic and science, and order and chaos. When astronaut and explorer Tajo Vallar undertakes a doomed expedition to a dormant moon full of mysteries, the conflict begins anew, and it will be more dangerous than ever before! 

Don’t miss this introduction to the Three Worlds / Three Moons universe and preorder the Foundations one-shot (32 pages) at your local comic shop for $6.99. It will be available in comic shops on July 8, 2026 and will be presented in a prestige, magazine-sized format. 

Christian Ward, James Stokoe, Juni Ba, Ram V, Al Ewing, Steve Epting, Stephen Green, Tini Howard, Phil Hester, and more will be joining the universe in yet-to-be-announced projects, so stay tuned for what’s next in the 3W/3M line! 

Foundations

Ultimate Spider-Man #24 is a pretty solid finale for the series

THE END OF THE LINE! This is it, folks – the last you’ll see of Spidey and his Ultimate friends by Jonathan Hickman and Marco Checchetto!

Story: Jonathan Hickman
Art: Marco Checchetto, David Messina
Color: Matthew Wilson
Letterer: Cory Petit

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle

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