Tag Archives: jimmy kimmel

FCC Commissioner Anna M. Gomez sides with Disney in its Battle with the FCC Over Censorship

In late April, the FCC again went on the offensive against Disney and ABC over comments made by Jimmy Kimmel on his late night show. The FCC has ordered its eight owned-and-operated stations to renew their broadcast licenses ahead of schedule. That’s not currently due to at least 2028. It’s another attack by this current administration against free speech and an attempt to further mold the media to be friendly to not just President Trump and his administration but to Republicans and the right as a whole (as if they could be any more).

While there has been some support, a big one has come from FCC Commissioner Anna Gomez, the panel’s lone Democrat. Gomez believes the goal of the FCC under Chairman Brendan Carr is to pressure networks into self-censorship. Disney already has settled with Donald Trump, paying $15 million in a defamation lawsuit that was launched in 2024.

What Disney and ABC are facing is not a series of coincidental regulatory actions but a sustained, coordinated campaign of censorship and control, carried out through the weaponization of the FCC’s authority as a federal regulator and aimed at pressuring a free and independent press and all media into submission,” Commissioner Gomez wrote.

Gomez sent a letter, which you can read below, to Disney Chief Executive Officer Josh D’Amaro on Monday describing her opinion of what’s going on and the pressure campaign against Disney and others.

The letter traces the censorship campaign from its origins in the settlement of a baseless defamation lawsuit brought against ABC, through a series of investigations into ABC’s debate moderation, diversity programs, and The View, and culminating in an unprecedented early license renewal order against all eight ABC-owned stations, which Commissioner Gomez has called the most egregious First Amendment assault this FCC has taken to date. Gomez is calling on Disney to fight the attempted censorship by the FCC.

Gomez goes further calling out a “stark double standard” at the heart of the FCC’s enforcement posture as well as raising serious questions about the FCC’s conduct in other investigations.

Gomez also has concerns over the FCC’s investigation into Disney’s diversity, equity, and inclusion programs, noting that the agency’s own rules on this topic are limited to recruitment outreach and say nothing about internal corporate policies.

Federal Communications Commission
Washington, DC 20554

OFFICE OF
COMMISSIONER GOMEZ

May 11, 2026
Mr. Josh D’Amaro
Chief Executive Officer
The Walt Disney Company
RE: This Administration’s Campaign of Censorship and Control Against Disney and ABC

Dear Mr. D’Amaro,

I am writing because The Walt Disney Company has once again been made a target by this FCC, and the record of its actions against your company demands a clear accounting.

What Disney and ABC are facing is not a series of coincidental regulatory actions but a sustained, coordinated campaign of censorship and control, carried out through the weaponization of the FCC’s authority as a federal regulator and aimed at pressuring a free and independent press and all media into submission.

You are not the first target of this campaign, and you will not be the last. But Disney’s experience is, by now, the most documented, and it is worth laying it out plainly.

This Administration’s campaign against Disney and ABC began in earnest when ABC agreed to pay $15 million to settle a baseless defamation lawsuit brought by the incoming President of the United States. Whatever the legal calculations behind that decision, its effect was immediate and unmistakable. It told this Administration that pressure works. It told every other company watching that capitulation was an option. And it opened the door to every action that has followed.

That settlement did not buy you peace. It only bought you time. Disney’s experience since then has made one thing undeniable for any company facing the same pressure. You cannot buy this Administration’s favor. For the right price, you can only borrow it. And the price always goes up.

Since that settlement, the FCC has pursued your company on multiple fronts, none of which reflect legitimate regulatory enforcement.

In late 2024, a politically motivated outside organization filed a complaint with the FCC alleging that ABC violated the FCC’s news distortion policy in its coverage of the presidential campaign, specifically the presidential debate ABC journalists moderated. Agency staff reviewed that complaint and dismissed it in January 2025, finding it contrary to the First Amendment and that it failed to even assert a set of facts that, if true, would violate FCC rules. See, Preserving the First Amendment, GN Docket No. 25-11, released January 16, 2025.
(https://docs.fcc.gov/public/attachments/DOC-408880A1.pdf)

This FCC revived it anyway, for reasons that have nothing to do with the merits and everything to do with politics. It is unclear to what degree this FCC has even seriously pursued that complaint, and I suspect there will be no end in sight for that investigation because the process is the punishment and keeping it open serves that goal.

Then, in March 2025, the FCC opened an investigation into Disney and ABC’s diversity, equity, and inclusion programs, directing the Enforcement Bureau to demand a full accounting of your company’s diversity policies and practices. The FCC’s broadcaster equal employment opportunity (EEO) rule is limited to requiring broadcasters to conduct broad, inclusive recruitment outreach. 47 C.F.R. § 73.2080.

This narrowly tailored rule resulted from significant and hard fought litigation over years that addressed both the scope of the Commission’s authority and the substantial intrinsic dangers that arise from the Commission using its licensing authority to enforce its views of the “correct” racial or gender balance in employment practices, dangers this FCC’s current course of action exemplifies precisely. As the D.C. Circuit stated when vacating the FCC’s prior EEO rule as unconstitutional, “the FCC is not the Equal Employment Opportunity Commission . . . and a license renewal proceeding is not a Title VII suit” because the agency’s authority is limited by its statutory remit. Lutheran Church-Missouri Synod v. FCC, 141 F.3d, 344, 354 (D.C. Cir. 1998) (citing Bilingual Bicultural Coalition on Mass Media, Inc. v. FCC, 595 F.2d 621, 628 (D.C. Cir. 1978)) (“The only possible statutory justification for the Commission to regulate workplace discrimination would be its obligation to safeguard ‘the public interest,’ and the Supreme Court has held that an agency may pass antidiscrimination measures under its public interest authority only insofar as discrimination relates to the agency’s specific statutory charge.”). See also, Title VII of the Civil Rights Act of 1964, 42 U.S.C. §§ 2000e–2000e1.
And in its subsequent decision vacating the Commission’s revision of its EEO rule, the court went further and described the inherent coercive danger of investigations on alleged discrimination by licensing agencies such as the FCC. MD/DC/DE Broadcasters Ass’n v. FCC, 236 F.3d 13, 19 (D.C. Cir. 2001) (Investigation by the licensing authority is a powerful threat, almost guaranteed to induce the desired conduct. [See Chamber of Commerce v. Department of Labor, 174 F.3d 206, 210 (D.C. Cir. 1999)] (noting that agency “is intentionally using the leverage it has by virtue solely of its power to inspect. The Directive is therefore the practical equivalent of a rule that obliges an employer to comply or suffer the consequences; the voluntary form of the rule is but a veil for the threat it obscures”)).

The FCC’s attempt to usurp control over internal corporate decision-making through its limited authority requires reaching for legal power that the statute, agency rules, and the applicable case law simply do not provide. Courts have repeatedly and decisively determined that actions such as the FCC’s current investigation are unconstitutional. Despite the extraordinary overreach this investigation represents, it is my understanding that Disney has engaged with the agency in good faith and timely responded to the Commission’s Letter of Inquiry and Supplemental Letter of Inquiry by producing over 11,000 pages of responsive documents to date. See, KTRK Television, Inc. and American Broadcasting Companies, Inc, Petition for Declaratory Ruling Under Section 315(a) of the Communications Act of 1934, as Amended, at page 4, fn. 17, filed May 7, 2026 (KTRK Petition). (https://www.fcc.gov/ecfs/document/10507899614175/1)

Last year, this Administration tasked the FCC to escalate its campaign against ABC by targeting Jimmy Kimmel. The goal was clear: use regulatory pressure to force his removal from the air and send a message to every other broadcaster about the cost of critical coverage. Under that pressure, Disney pulled Kimmel off the air. But the public outcry from local communities across the country and democracy watchers around the world was immediate, broad, and impossible to ignore. Viewers and community voices from across the political spectrum and every corner of our great nation, including small towns, large cities and everything in between, made themselves heard, and that pressure forced Disney’s hand to have Kimmel reinstated.

What that moment revealed is something with which this Administration has never fully reckoned. When the government tries to dictate what people can watch and who is allowed to speak, the American public will fiercely defend their First Amendment rights, the most fundamental freedom we have in this country.

Earlier this year, the FCC opened yet another investigation into ABC, this time targeting The View over an alleged equal opportunities violation stemming from an appearance by a political candidate. To facilitate these investigations, this FCC’s Media Bureau issued new interpretive guidance on the equal opportunities rule that upended decades of settled agency precedent, rewriting the rules of the road specifically to create new exposure for broadcasters it wanted to target. See, FCC’s Media Bureau Provides Guidance on Political Equal Opportunities Requirement for Broadcast Television Stations, DA 26-68 (January 16, 2026) (Media Bureau PN).

The pattern by now is familiar: a complaint is filed, an investigation is opened with maximum visibility, and the process itself becomes the pressure.

This Commission has repeated that same pattern across multiple companies it regulates. These investigations are often announced with much fanfare, pursued selectively against perceived critics of this Administration, and most are destined never to be brought to any enforcement conclusion that could face judicial review. That is because the threat is the point. As sitting Supreme Court Justice Neil Gorsuch recently reminded us by invoking Justice Thurgood Marshall: “The value of a sword of Damocles is that it hangs, not that it drops.” First Choice Women’s Res. Ctrs., Inc. v. Davenport, 598 U.S. _ (April 26, 2026), No. 24-781.

And the double standard could not be more glaring. This FCC has trained its enforcement apparatus on ABC while staying conspicuously silent about other broadcasters operating under the exact same rules, in the same markets, that aired interviews with political candidates without filing notices and received no inquiry, no letter, and no investigation whatsoever. See, KTRK Petition at pp. 37-38.

Meanwhile, in what appears to be a form of entrapment, the Commission selectively pressured ABC affiliates in Texas to file late equal opportunities notices while offering them amnesty for doing so, then used the resulting inconsistency that the Commission helped create as evidence against your station, which received no such offer. The facts as described by Disney, if true, are disturbing. In 2002 the FCC’s Media Bureau issued a declaratory ruling that The View is a bona fide news interview program exempt from the equal opportunities provision. See, KTRK Petition at pp. 27-28. This January the FCC’s Media Bureau issued a Public Notice creating confusion over longstanding guidance on how the bona fide news exemption from the Commission’s equal opportunities rule should be applied and included an invitation for shows to file petitions to obtain clarity. See Media Bureau PN at p 4. The Commission appears to have followed this up with actions that helped create the facts on which it relied as a basis for its investigation of KTRK Television (KTRK), the Disney owned and operated ABC broadcast station in Houston Texas. Specifically, it is alleged that on February 11, 2026, following James Talerico’s February 2, 2026, appearance on The View, the FCC sent a Letter of Inquiry to KTRK asking whether it took the position that The View qualified as a bona fide news interview program and had placed a record of James Talerico’s appearance in its political file. See, KTRK Petition at pp. 2-4. KTRK timely responded that The View qualifies as a bona fide news interview program and it had not placed such a record in its political file. Id. The Commission then issued a Supplemental Letter of Inquiry (SLOI) on March 26, 2026, based, at least in part, on the assertion that KTRK’s position was contradicted by the positions taken by 19 of ABC’s affiliated stations in Texas, as they all had placed such records in their political files. Id. The SLOI allegedly failed to note, however, that those filings were made more than two weeks after the appearance at issue and in response to the FCC’s direction that making such filings would protect them from an enforcement action. Id. See also, FCC public inspection files (https://publicfiles.fcc.gov/ ) to view publicly filed records of James Talerico’s February 2, 2026 appearance on The View by ABC Texas affiliates (e.g., WFAA (Dallas–Fort Worth) filed 2/20/2026; KTXS-TV (Abilene/Sweetwater) filed 2/20/2026 and KVII-TV (Amarillo) filed 2/20/2026).

If true, that is a government agency abusing its authority to punish speech it dislikes while protecting speech it favors.

In what is now the most egregious assault on the First Amendment this FCC has taken to date, the agency has directed Disney’s eight ABC-owned local television stations to file for early license renewal, a mechanism that has not been invoked in more than half a century. Some of these licenses were not set to come up for renewal for nearly five years. Using the licenses of individual local stations as leverage against a parent company is an extraordinary and dangerous misapplication of this agency’s authority. The FCC licenses local broadcast stations, not national networks, and every action taken against these stations is, in truth, an action taken against local communities and against press freedom.

Ultimately, this effort to punish and intimidate your company will not succeed. The FCC’s internal process will be lengthy, and should it produce an outcome unfavorable to your stations, Disney will have every right to challenge that outcome in federal court, a process that could take years. Throughout all of it, Disney’s stations keep their licenses.

Disney has been here before. When the state of Florida came after the company with the full weight of its government, Disney fought back and won. The same resolve that carried that fight can carry you in this one. The First Amendment does not belong to this Administration to grant or withhold. It belongs to the public, to the press, and to every broadcaster willing to defend it.

Your stations serve real communities, and the audiences who depend on ABC extend far beyond those eight licenses. Your journalists do work that matters to millions of Americans across the country, and the viewers who rose up to defend Jimmy Kimmel are the same viewers who will stand up again if this FCC follows through with its threat. I am encouraged to see that Disney is choosing courage over capitulation. The fight ahead may not be easy, but the law, the facts, and the public are on your side. This is a fight worth having, and one that I am confident you will win.

I am committed to using every tool available to me as a Commissioner to shine a light on what this FCC is doing to curtail press freedom and to hold this process to account at every step.

Sincerely,

Anna M. Gomez
Commissioner
Federal Communications Commission

The FCC Again Threatens to Censor Disney and ABC over Kimmel while Paramount Retaliates over a Stand Against the Acquisition of Warner Bros. Discovery

Mickey censored

When it comes to journalism, it’s been ominous for a while. Venture capital and private investment has gutted news services, newspapers have shut down and folded, and there’s been attacks coming from all sides in an attempt to censor and reign in their right and duty to report the news freely.

Once again, the FCC and its chair Brendan Carr are attacking Disney and ABC over comments Jimmy Kimmel made on his late night show. It involves a review of Disney’s broadcast licenses, ordering its eight owned-and-operated stations to renew their broadcast licenses ahead of schedule. That’s not currently due to at least 2028. Via Business Insider:

ABC was directed by the FCC to file early renewals for its licensed TV stations by May 28, or within 30 days. This order applies to the eight affiliate stations owned by ABC, including those in New York, Los Angeles, and Chicago.

Disney has confirmed that the company had received the FCC’s order about the accelerated license review.

Kimmel made a joke on his show saying First Lady Melania Trump had the “glow of an expectant widow,” explained as a reference to the age difference between her and her much older husband, President Trump. The comment was made before Saturday’s reported attempted attack during the White House Correspondents Dinner. That failed attack has been used by the right to attack the left claiming their rhetoric incites violence. First Lady Melania Trump took to social media demanding ABC fire Kimmel over the joke that they’re branding a threat and calling it hateful rhetoric. Kimmel defended the joke on Monday’s episode. He stated:

It was a very light roast joke about the fact that he’s almost 80 and she’s younger than I am. It was not by any stretch of the definition a call to assassination.

Business Insider reports that the FCC under Carr is investigating Disney for its DEI practices. From a filing:

The FCC has been investigating Disney’s ABC stations for possible violations of the Communications Act of 1934 and the FCC’s rules, including the agency’s prohibition on unlawful discrimination

The right has made it a mission to further mold the media to fit their worldview. After its purchase by Paramount, CBS News has been scrutinized for its editorial shift right. The current attempt by Paramount to purchase Warner Bros. Discovery would also give it control of CNN, another popular destination for news. Paramount’s David Ellison’s father also has a part of TikTok, a major news source for younger generations.

But beyond what its done to CBS, Paramount has shown its teeth towards individuals willing to scrutinize and speak against its purchase of WBD, teasing a possible era of blacklists and retribution if it succeeds.

The AV Club has a report that a columnist at The Ankler who has spoken out against the acquisition was blacklisted by Paramount. We too have been vocal against the media consolidation, so if there is a blacklist, please add us.

Richard Rushfield recently attended CinemaCon and was handing out swag, a pin that read “Block the Merger.” Paramount didn’t appreciate that and pulled its advertising from The Ankler and talent was instructed to not speak to its reporters. It’s absolutely a canary in the coal mine, and another example of why this merger should not go through.

Is this a future we can expect for sites like ours? We have been vocal against the megamerger but also have written some not flattering news concerning DC Comics which would be owned by Paramount under this deal. Will we see retaliation if another scandal were to hit the publisher and we covered it?

It’s not hard to see all of this as a pattern, and an ominous one for independent journalism, even journalism that focuses on entertainment.

Newsarama has recently seen its final staffer exit, sunsetting what was a major entertainment news site, officially killed off by its parent company Future PLC after initially being folded into GamesRadar.

It’s all reasons for the comic, television, video game, tabletop game, toy, movie industries, and more to support independent journalism that’s not at the mercy of large corporations looking to profit and maximize clicks and views or the mercy of VCs looking to suck money from their investment like the capitalist vampires that they are.

There’s a war being waged against the fourth estate and it’s not just a moment calling for solidarity but a moment to lift up the voices who are free to challenge, criticize, and report, exactly what journalism should be doing.

In the Age of Trump, Corporations Have Shown their Weakness. Let’s Exploit it.

Disney

This week, Disney owned ABC suspended Jimmy Kimmel‘s show indefinitely for jokes surrounding the murder of rightwing martyr Charlie Kirk. The suspension came after Nexstar and Sinclair both said they would not air the show in protest and threats by Federal Communications Commission Chairman Brendan Carr of investigations. It is not only the latest example of government authoritarian overreach by the Trump administration, a clear violation of the first amendment, but further proof of the greed of US corporations who care only for further gain and further dollars. But, that also show’s their weaknesses. They are beholden to corporate profits. They don’t care about about causes, they care about how they can maximize their profits through those causes. We already generally knew this was the case, but it’s on full display and any pretense is gone.

Impact those profits with swift and deep boycotts and protests and change can happen.

The likelihood of deep nationwide work stoppages are unlikely, too many individuals live paycheck to paycheck, a reported 67%, and are beholden to their employers for benefits like healthcare. They don’t have vacation days to spend or the ability to take time off without putting themselves at risk. That is a “feature” of the current economic system, not a bug.

With the unlikelihood of sustained, multi-day, mass protests with economic impact, targeted boycotts are the next best option. Nexstar and Sinclair’s decision to “cancel” Jimmy Kimmel is performative outrage to gain favor with the Trump administration which they need to lift ownership restrictions when it comes to media. Nexstar wants to purchase Tegna which would increase its local TV ownership to more than 39% of US households, which is prohibited by law. They need the FCC to change this rule so they can have further control over the market, and thus, present a further danger to censorship. Nexstar’s actions are to curry favor by “punching libs” and do Trump’s dirty work for him. Trump has wanted to cancel Kimmel for some time. After the cancelation of Stephen Colbert, that reality became more into being. He said Jimmy Kimmel was next.

Nexstar, and Sinclair’s decision is about their dollars, their profits. Disney, the once champion of bullying others, has felt pressure in recent years, not just from Trump by also Governor Ron Desantis. Their decision was economic, Nexstar and Sinclair make up a large chunk of coverage, but also an attempt to bend the knee and appease MAGA.

This is about corporate mergers and increasing stock prices. It also is a further slide into fascism where corporate and government interests merge.

The economy is controlled by the state and used to serve the interests of the nation. Though claiming to help the common person, fascist regimes often align with powerful business interests.

So, how do we stop this? We make that stock go down. Disney, the owner of ABC, Nexstar, and Sinclair have shown their weakness by their worship of the dollar. By tanking revenue, we can directly effect change.

We’ve seen this in action.

Target announced their rollback of diversity, equity, and inclusion (DEI) initiatives which lead to a nationwide boycott. The company reported a 21% drop in net income in the second quarter this year which was exacerbated due to the boycott and an already shaky business where it saw flat or declining sales in eight of the past ten quarters. It’s stock is down from a high of $142.50 in January to around $88.35 today, that’s a 38% decrease. The CEO of Target is stepping down, being replaced as the company has said it expects further decreases in sales as the boycott continues.

Target stock 2025

How would that work here?

Nexstar and Sinclair

For those serviced by these companies.. If you purchase anything directly from them, cancel what you can and let them know why you are. For those who have channels owned by either, find out what companies are advertising on their channels, especially local news, and then boycott those advertisers. But, you need to let those advertisers know you’re doing that and why.

Disney

Disney is a megalith of a corporation whose boycott needs to run wide and deep with different strategies for each.

  • ABC, ESPN, FX, Disney Channel – like Nexstar and Sinclair, stop watching the channel, find out who advertises on it and boycott the advertisers letting them know.
  • Disney+ and Hulu – Cancel your subscription and let them know why.
  • Marvel – Do not watch the films in theaters, on television, or purchase physical or digital releases. Do not purchase the comics. Don’t buy the toys and any licensed goods.
  • Dynamite, Dark Horse, and other comic publishers – Disney licenses properties to numerous publishers, do not purchase any of it.
  • Star Wars – Nothing related to the property should be purchased or consumed.
  • Movies – Avoid Fox, Pixar, Marvel Studios, Walt Disney Pictures, Lucasfilm.
  • Disney Parks – Don’t go, this is pretty simple.

That’s just a small sample of the level and here’s a pretty thorough list of the Disney empire. Individuals, including those in Hollywood, are already putting pressure on the company.

By weakening corporate profits, and making it clear why, we can make investors angry, who will in turn force the internal change we so desire and desperately need.

The West Coast Avengers Head to Jimmy Kimmel Live

Monster-sized threats are roaming Los Angeles…and the West Coast Avengers will need all the help they can get to save the day. Can Kate Bishop, A.K.A. Hawkeye, keep her newly-formed team together long enough to survive their first big test? And can she do it while the cameras are running?

This November, learn the fate of Los Angeles in West Coast Avengers #4, featuring a new variant cover by artist David Nakayama to celebrate the team’s super hero debut on Jimmy Kimmel Live! Kimmel airs on ABC which is owned by Disney, the same parent company as Marvel.

This isn’t the first time superheroes have been a talk show, Hawkeye appeared on Late Night with David Letterman in Avengers #239.

From writer Kelly Thompson and artist Stefano Caselli, don’t miss the action in West Coast Avengers #4, on sale November 21st at your local comic shop!

Captain America: Civil War – Presidential Election Version

Jimmy Kimmel Live has brought up the fact that there are some interesting parallels between our current presidential election and Captain America: Civil War. Both of them feature former friends who are now enemies. They both feature powerful men and women who are also cartoon characters. There’s also a lot of interest in both, so much so that Marvel decided to weave the campaign into the new movie trailer.

Jimmy Kimmel Goes Avengers Crazy…. and a little Ant-Man

Jimmy Kimmel went Avengers crazy on Monday’s Jimmy Kimmel Live featuring the cast and lots of skits involving the cast of Avengers: Age of Ultron. He also has a little after-credits scene with Paul Rudd aka Ant-Man. Check out all the video below!

Cheesy Marvel Cartoon Openings

Jimmy and the Avengers Play Telephone

Wall of America: Marvel Comics Super Fans

The AvenGerbils: Hamster of Thor

Who Leads the Avengers in Real life?

Mark Ruffalo on His “Man-Canceling” Avengers Outfit

The Cast Discuss Strange Fan Art

The Cast Take Fan Questions

Avengers Family Feud

Post Credit skit

Harrison Ford Flips Out Over Star Wars Questions

In reality, it was all a nice bit, Harrison Ford and Jimmy Kimmel had some fun with Star Wars on last night’s Jimmy Kimmel Live!. While promoting his new movie 42, Ford also had fun with all of the excitement for Star Wars: Episode VII which will be directed by J.J. Abrams. I’m expecting some major announcements around it at this year’s San Diego Comic-Con.

Jimmy Kimmel Pitches New Characters to Marvel Comics

Joe Quesada was on Jimmy Kimmel Live last night to plug Marvel NOW!. His quick pitch/infomercial went over much better than previous attempts to plug Marvel comics on ABC shows. The Marvel NOW! items were very subtle with some comics strewn about and images hanging all over and ended with Kimmel repeating their catch title, “Marvel Now!” The skit itself was ok, wasn’t quite as funny as other Kimmel skits and I don’t what it was pitching really came through well, but it got the idea of comics in front of people, but nothing to dispel the myth they’re for kids.

Joe Quesada Unveils Marvel NOW! On Jimmy Kimmel Live Tonight on ABC

Tonight, Tuesday, October 9, at 12/11c, Marvel NOW! comes to ABC’s Jimmy Kimmel Live, as Marvel Chief Creative Officer Joe Quesada visits the most exciting late night show on television to find out if there’s a chance for a mighty Marvel team-up of epic proportions. But just what ideas does Jimmy Kimmel have in mind for Marvel NOW!? And what surprise does Joe have in store for everyone?

This appearance by Quesada marks the first time a comic book artist has appeared on the show. ABC is owned by Disney, which is also the parent company of Marvel. Hopefully this goes better than previous attempts by Marvel to promote their products on shows, which often had hosts making fun of comics or promoting other companies.

Tonight, tune into ABC at 12/11c and see what happens when Jimmy Kimmel Live and Marvel Entertainment team up for the very first time!

Then, don’t miss the beginning of Marvel NOW! on Wednesday with Uncanny Avengers #1, available in comic shops everywhere, on the Marvel Comics app, and the all-new Marvel Comics Webstore!