One of the world’s most famous scribes has been given a license to write the world’s most famous spy.
Ian Fleming Publications Ltd is partnering with IDW Publishing on a mission to create all-new comic book adventures featuring James Bond, the iconic MI6 spy – also known as 007 – who made his unforgettable debut in the 1953 Ian Fleming novel Casino Royale. Since then, many brilliant creatives have contributed to the legacy of James Bond across different mediums. Now, the innovative, influential, and award-winning writer Grant Morrison is ready to show the world their radical vision for Bond in comics.
The new James Bond series will open with a 6-part adventure, Sunbreaker, and attempts to create a definitive Bond story featuring everything fans love about the character and his world, while adding a whole lot more. Expect to see James Bond in a few unfamiliar situations, facing unfamiliar foes, in a world very like our own as reflected in a deadly funhouse mirror – a world of intrigue, violence, double cross and deception. A world through which James Bond glides like a killer shark among minnows. Charismatic, ruthless, unstoppable.
With new cars, new gadgets, and a terrifying new ultimate villain ripped straight from the headlines, get ready to be shaken and stirred, as James Bond faces the greatest challenge of his life in Sunbreaker!
More details about Grant Morrison’s James Bond comic and more comics featuring Bond with IDW will be declassified in the near future.
A dark universe screams to be heard—and Batman is the one who opens the door. Scott Snyder and Greg Capullo’s explosive, reality-shattering epic that introduced the Dark Multiverse arrives in an affordable, portable DC Compact Comics edition.
It’s a mystery that connects generations. Rare, powerful metals appearing throughout Earth’s history, granting phenomenal powers—even life. These metals don’t appear on Earth’s periodic table, because they aren’t from this world.
Now these metals will be used to make a connection between our world and a world of nightmares known as the Dark Multiverse. And this bridge between worlds will be created through a human soul—Bruce Wayne!
One of the biggest events in DC history is here! Master storytellers Scott Snyder and Greg Capullo reunite after their smash-hit Batman series for a shocking, action-packed epic. Collects Dark Nights: Metal #1-6, plus tie-in issues Batman: Lost #1 and Dark Knights Rising: The Wild Hunt #1!
Story: Scott Snyder Art: Greg Capullo Ink: Jonathan Glapion Color: FCO Plascencia Additional Writers: James Tynion IV, Joshua Williamson, Grant Morrison Additional Art: Mikel Janin, Jorge Jimenez, Doug Mahnke, Alvaro Martinez, Yanick Paquette, Howard Porter, Raul Fernandez, Jaime Mendoza Additional Color: Alejandro Sanchez, Wil Quintana, Hi-Fi, Nathan Fairbairn, June Chung, Brad Anderson Letterer: Steve Wands, Clayton Cowles, Tom Napolitano
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The mysterious Talia, daughter of the archvillain Ra’s al Ghul and Batman’s onetime love, returns with a boy named Damian and claims the child is Batman’s son.
Stunned, the Dark Knight takes the child in, but the boy, raised among the brutal dictates of the League of Assassins, has his own agenda. Soon both Tim Drake, Bruce Wayne’s newly adopted heir, and Alfred, Wayne’s faithful butler, find themselves targets of this genetically perfect and very angry child.
Is Damian really just a young, misguided boy trying to prove himself to his father—or have long years of Talia’s indoctrination left him an operative solely designed to destroy the Batman?
Under the masterly skills of Morrison and Kubert, Batman & Son is one of the most intriguing Batman tales ever told. It also features the artwork of John VanFleet (Batman: The Chalice) in a unique story highlighting the Joker.
Collects Batman #655–658 and #663–666.
Story: Grant Morrison Art: Andy Kubert, John Van Fleet Ink: Jesse Delperdang Color: Dave Stewart, Guy Major, John Van Fleet Letterer: Nick J. Napolitano, Rob Leigh, Todd Klein, Jared K. Fletcher
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
The ultimate edition of Grant Morrison and Steve Yeowell’s superpowered masterpiece is coming with the Zenith Full Colour Omnibus!
In Berlin, 1945, the Allies unleashed Maximan to take on the German super soldier Masterman. Maximan’s defeat was only kept secret by the nuclear bomb that destroyed both men.
Forty-plus years later, and twenty years after a generation of ’60s British superpowered heroes came and went, the teenage pop star Zenith is the only superhuman left. His only interests – women, drugs, alcohol and fame. So, when he is contacted about the threat from the many-angled ones and the impending destruction of our world, his first reaction is to steer well clear. But the superhumans of the past have other plans…
Grant Morrison and Steve Yeowell’s ground-breaking superhero odyssey is back and presented for the first time in full color. The original run of the beloved 2000 AD classic series was made up of four stories, with only the final of these presented in colour – for this new edition, Books 1-3 have been freshly coloured by acclaimed new talent JP Jordan, providing a new approach to one of 2000 AD’s most acclaimed stories!
Follow the bratty Zenith as he finds himself embroiled in dangers from all sides – not that he’s paying huge amounts of attention to what’s going on; there’s girls to chase and charts to top – from German supersoldiers to extradimensional threats. Zenith is one of 2000 AD’s only ventures into the familiar world of superheroes, and carries our distrust of that entire genre. These heroes aren’t out to help us, they’re just out for themselves – how can Zenith and his ragtag clutch of allies, including psychic conservative politician Peter St John and drunk firebrand Red Dragon, possibly save the country from the gravest threats it has ever faced?
Collecting the whole of Zenith from Book One to Book Four in complete colour for the very first time, The Zenith Full Colour Omnibus hits shelves this December! Alongside the standard hardback edition, we’re also delighted to unveil a webshop-exclusive hardback edition featuring an all-new cover from Yeowell and Jordan which features characters from across the full run of the series!
A highpoint in 2000 AD’s five-decade history, featuring ascendant writing from Morrison and career-defining artistry from Yeowell, The Zenith Full Colour Omnibus is available to pre-order now!
Dark Horse Books delves deep into the iconic catalog of villains Marvel Comics has created over the years in a series of hardcover archival collections that span six decades of cruel and chaotic characters. The first volume, arriving in October 2026, Marvel’s Most Villainous: Magneto explores the titular character through the years with commentary and essays from comics historians John Lind and Chris Ryall alongside stories from creators such as Grant Morrison, Chris Claremont, and so many more.
This first volume showcases the merciless Magneto as he battles his way through the Marvel Universe, including epic showdowns with the X-Men, the Avengers, the New Mutants, X-Factor, and the Mighty Thor. A showcase of classic stories from 1963 to 2003, told by a selection of Marvel greats like Magneto’s creators Stan Lee and Jack Kirby; Roy Thomas and Neal Adams; and writer Chris Claremont and artists Dave Cockrum, John Byrne, Brent Eric Anderson, John Bolton, Butch Guice, John Romita Jr., and Jim Lee. Featuring discussions of Magneto’s origin, impact, and character development over the decades and scans of original art and Magneto-focused covers from Marvel’s archives, fans won’t want to miss this book focused exclusively on one of the most legendary and powerful mutants in the Marvel Universe!
Marvel’s Most Villainous: Magneto HC (376 pages, 7.75×11”) arrives in bookstores and comic shops on October 6, 2026, for $65.00. Pre-order now from Amazon, Barnes and Noble, or your local bookstore or comic shop.
Meet NICK SAX — a corrupt, intoxicated ex-cop turned hit-man, adrift in a stinking twilight world of casual murder, soulless sex, eczema and betrayal. With a hit gone wrong, a bullet in his side, the cops and the mob on his tail, and a monstrous child killer in a Santa suit on the loose, Nick and his world will be changed forever this Christmas. By a tiny blue horse called Happy…
Fanhome has launched The Legends of Batman, an expansive series of hardcover graphic novels featuring the greatest adventures of DC’s legendary Caped Crusader.
This incredible series of stories brings Batman’s life story together in an epic full-color collection.
We check out Batman Reborn which collects the first six issues of Batman and Robin.
Story Grant Morrison Art: Frank Quitely, Philip Tan Ink: Jonathan Glapion Color: Alex Sinclair, Pete Pantazis
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
Fanhome provided Graphic Policy with a FREE copy for review This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
Fanhome has launched The Legends of Batman, an expansive series of hardcover graphic novels featuring the greatest adventures of DC’s legendary Caped Crusader.
This incredible series of stories brings Batman’s life story together in an epic full-color collection.
We check out Batman: The Black Glove which features Batman#667-669, #672-675.
Story Grant Morrison Art: J.H. Williams III, Tony S. Daniel, Ryan Benjamin Ink: J.H. Williams III, Tony S. Daniel, Sandu Florea, Jonathan Glapion, Mark Irwin, Saleem Crawford Color: Dave Stewart, Guy Major Letterer: Rob Leigh, Ken Lopez, John J. Hill, Randy Gentile, Steve Wands, Travis Lanham, Sal Cipriano
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
Fanhome provided Graphic Policy with a FREE copy for review This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
Bandit the dog, Tinker the cat, and Pirate the rabbit were once ordinary pets—until they became WE3, government-engineered cyborg assassins with terrifying firepower. When the trio is slated for decommission, they escape, embarking on a desperate journey to find “home” in a world that now sees them as weapons of mass destruction.
Relentlessly pursued by their creators and hunted by terrifying new cyber-enhanced foes, WE3 must rely on their instincts, their bond, and their enhanced abilities to survive. This gripping tale of loyalty, survival, and the cost of freedom will leave readers breathless and deeply moved.
This volume collects We3 #1-3.
Story: Grant Morrison Art: Frank Quitely Color: Jamie Grant Digital Ink: Jamie Grant Letterer: Todd Klein
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site
The second big Marvel/DC crossover this year features a fifth dimension/fourth wall shattering lead Batman/Deadpool story from Grant Morrison, Dan Mora, and Alejandro Sanchez as well as four individual team-up tales ranging from great (Tom Taylor, Bruno Redondo, and Adriano Lucas are the perfect team for a Nightwing/Laura Kinney Wolverine crossover comic.) to good (It’s great to have new Amanda Conner interior art, but her, Mariko Tamaki, and Tamra Bonvillain‘s Hulk/Harley Quinn story has big “lol so random energy). The crossover explores the differences and similarities between the Marvel and DC Universes, connections between heroes, and in Morrison’s case, they mine their past as a writer and previous intercompany crossover. Let’s just say that Animal Man and bidders on the Gerry Conway/Ross Andru/uncredited house art fixer uppers’ Superman vs The Amazing Spider-Man are in for a good time.
I have a love/hate relationship with the lead Batman/Deadpool story, “The Cosmic Kiss Caper”. This would be a story that I would have died laughing over back in the day with my freshman roommate and our twin comic book collections of Grant Morrison JLA and Action Comics issues, Daniel Way Deadpool trade paperbacks, and various Marvel/DC intercompany crossovers. (Ron Marz and Darryl Banks’ Green Lantern/Silver Surfer slapped!) Morrison uses Deadpool’s fourth wall obliterating, over-caffeinated joke-a-minute personality to flex their incredibly deep reference pool, which Mora enhances through the visuals like a room dedicated to the Amalgam Universe. Like the Deadpool & Wolverine film, it can get grating after a while, but Grant Morrison is a much more clever writer than any of the five on that film and ends up using the comic’s barely there semblance of a plot to poke fun at themself.
“The Cosmic Kiss Caper” also made me realize how much I’ve missed Morrison’s sanity-in-a-sea of a chaos with a dry wit and bit of a James Bond flair take on Batman. Batman has been through these kind of situations before, and a Dark Claw reunion tour has nothing on Batman of Zur-En-Arrh or whatever the heck happened in Final Crisis. He reacts to the PG-13 Looney Tunes antics of Deadpool with style, grace, and dialogue that sounds like it could have been delivered by the late Kevin Conroy. On the art side, Dan Mora and Sanchez pour on flashy colors and poses that satisfied my inner action junkie while going for a more muted approach when this story’s special guest star appears. Batman/Deadpool can be cringy at times, but it’s a love letter to the enduring absurdity as well as emotional honesty of superhero comics. It’s solid pop comics, but Grant Morrison has more of knack writing Batman than the Merc with a Mouth.
Following up the chaos is a Dr. Strange/John Constantine story written by James Tynion, Joshua Williamson, and Scott Snyder, a triumvirate of writers, who have found success penning horror comics as well as Big Two superhero books. The art is handled by Hayden Sherman, who is one of the strongest visual storytellers in mainstream comics with their knack for inventive layouts, with colors by Mike Spicer. This story is about a showdown/conversation between Constantine and Strange (With a Ghost Rider vs Swamp Thing battle royale in the background.) that also ends up being about the nature of fear, darkness, and reality itself in the Marvel and DC universes. DC has the prestige of Vertigo, Alan Moore, Garth Ennis, Peter Milligan and more while Marvel has the more dubious “Midnight Sons” and the Nicolas Cage Ghost Rider duology. (Guillermo Del Toro has directed a Marvel horror film and not a DC one though.) However, Stephen Strange was doing his visually stunning occult thing way before the chain smoking lad from Liverpool, and Tynion, Williamson, and Snyder draw on the moral compromises that the Sorcerer Supreme has made in some of his more recent runs. This gives Sherman the opportunity to do some horrific chimera panels of Strange and Constantine merging with various mystical elements, and I love how they structure the story like a kind of wizard duel. As a fan of gritty fantasy, the occult, and superheroes, this story is a wicked delight, and team-ups between the supernatural denizens of the Big Two would be more than welcome.
The third story in Batman/Deadpool #1 is a team-up between Wolverine and Nightwing aka “nepo heroes” to rescue Gabby and Jonathan the Wolverine from Killer Croc. Tom Taylor uses a dual narration style that is a contemporary version of what Jeph Loeb did in Superman/Batman, and Bruno Redondo’s fluid choreography and grid brings a directness and ease of reading complemented by Adriano Lucas’ flat gold and blues. Taylor is a humorous writer with a side of pure heart like in moments where Dick Grayson, Laura Kinney, Gabby, and Barbara Gordon all bond over their different pets. Although different in outward demeanor, Dick and Laura have a lot of similarities, and Tom Taylor’s succinct narration adds context to the body language showcased in Redondo’s art. They have instant chemistry and could easily appear in each others’ books on regular basis without batting an eye. “Sticks and Snikts” is a no-brainer crossover that pays homage to Tom Taylor’s excellent work with both heroes as well as legacy heroes and their growth and development in general.
Batman/Deadpool #1 wraps up with a Hulk/Harley Quinn story and a Static/Ms. Marvel story that have polar opposite tones. “Harley and Hulk’s Amazin’ Saturday” is a bright adrenaline rush with boundless energy as the more colorful alter egos of Harleen Quinzel and Bruce Banner smash, eat, and even flirt their way through a five page story. There isn’t really a point for these characters to interact, but it’s a rare opportunity for Amanda Conner to show why she still has one of the smoothest lines in comics and shows that the anarchic nature of her Harley Quinn run with Jimmy Palmiotti could fit in with Hulk too. Also, it’s just nice to see the Hulk have fun and not being sent down to Hell or being sad and lonely for once.
On the flip side, “New Friends in Old Places” brings together the iconic teenage hero of the 1990s and the iconic teen hero of the 2010s. The old-ish, new school vibes matches the dynamic of the creative team of G. Willow Wilson, artists Denys Cowan and Klaus Janson, and colorist Francesco Segala. There’s not a lot of time to develop the story so Cowan ably transitions from domestic life to superhero ass kicking with plenty of teenage awkwardness as Static and Ms. Marvel team up to fight a generic kaiju. “New Friends in Old Places” felt like a few bits of an appetizer and not even a full small plate so hopefully there will be future interactions between these two heroes that have inspired young people of all genders, races, and religions. (And are also total nerds!)
Batman/Deadpool #1 is a satisfying intercompany crossover that features dynamic work from some of the best artists in comics and a range of tones and types of stories. It’s fun to see Grant Morrison turn back the clock to 1990 in some ways while dropping hit and miss one-liners about Gen Z Internet culture and Absolute Batman, and Dan Mora was born for this kind of big, bad action spectacular. However, my favorite stories were the Dr. Strange/John Constantine and Nightwing/Laura Kinney Wolverine crossovers because they were both intellectually simulating and visually enticing while digging to the core of their protagonists and roles in their respective universes. Also, it’s kind of epic to see Hayden Sherman draw Ghost Rider and Swamp Thing beating each other up. (One day your Alan Moore, Stephen Bissette, and John Totleben will come, Mr. Blaze/Ketch/Reyes!)
Story: Grant Morrison, James Tynion IV, Joshua Williamson, Scott Snyder Story: Tom Taylor, Mariko Tamaki, G. Willow Wilson Art:Dan Mora, Hayden Sherman, Bruno Redondo, Amanda Conner, Denys Cowan, Klaus Janson Colors: Alejandro Sanchez, Mike Spicer, Adriano Lucas, Tamra Bonvillain, Francesco Segala Letters: Todd Klein, Frank Cvetkovic, Wes Abbott, Dave Sharpe, Steve Wands Story: 8.2 Art: 8.9 Overall: 8.6 Recommendation: Buy
DC Comics provided Graphic Policy with a FREE copy for review
