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Those Two Geeks Episode 131: Forty Five Minute Mashup

Alex and Joe babble on about more Marvel Legends, movie news and video games.

As always, Alex and Joe can be found on Twitter respectively @karcossa and @jcb_smark if you feel the need to tell them they’re wrong individually, or @those2geeks if you want to yell at them together on twitter, or by email at ItsThose2Geeks@gmail.com.

Those Two Geeks Episode 130: Unplanned Toy Chat

Alex and Joe babble on about more Marvel Legends. Galactus, mainly, but also other stuff in general.

As always, Alex and Joe can be found on Twitter respectively @karcossa and @jcb_smark if you feel the need to tell them they’re wrong individually, or @those2geeks if you want to yell at them together on twitter, or by email at ItsThose2Geeks@gmail.com.

Those Two Geeks Episode 129: Spontaneous Chats about Spider-Man and Toys

Alex and Joe babble on about the Spider-Man: Far From Home trailer, and then talk about the latest Marvel Legends news and reveals.

As always, Alex and Joe can be found on Twitter respectively @karcossa and @jcb_smark if you feel the need to tell them they’re wrong individually, or @those2geeks if you want to yell at them together on twitter, or by email at ItsThose2Geeks@gmail.com.

Those Two Geeks Episode 128: Suicide Squad and What If…?

Alex and Joe babble on about What If..? episode one, The Suicide Squad and the status of the Marvel Legends Galactus Haslab backing.

As always, Alex and Joe can be found on Twitter respectively @karcossa and @jcb_smark if you feel the need to tell them they’re wrong individually, or @those2geeks if you want to yell at them together on twitter, or by email at ItsThose2Geeks@gmail.com.

Galactus is Coming to Marvel Legends through Hasbro’s Haslab

MARVEL LEGENDS SERIES HASLAB GALACTUS Figure

(HASBRO/ Approx. Retail Price: $399.99)

The MARVEL LEGENDS SERIES HASLAB GALACTUS is the largest MARVEL LEGENDS figure to date. Standing at 32-inches tall, this figure’s frame is comprised of over 300 individual pieces, features LED lights in the head and chest areas, has over 70 points of articulation, and 3 swappable face-plate accessories for alternate expressions. Requires 4x AAA batteries, not included. Available for purchase on Hasbro Pulse from July 16, 2021 – August 30, 2021 @ 11:59pm ET. Purchases can be made through HasbroPulse.com in the U.S. & Canada, UK.HasbroPulse.com in the UK, as well as select participating retailers internationally. Check your local retailer for more information.

Get Trippy with this 10″ Galactus with Silver Surfer Black Light Pop! Figure

Satisfy your astronomical appetite with the devourer of worlds! Galactus and the Silver Surfer are ready to devour some planets with the Marvel Galactus with Silver Surfer Black Light Version Jumbo 10-Inch Pop! Vinyl FigurePreviews Exclusive. Featuring iconic square pupils, pink helmet, purple armor and black lighting accents, the classic Galactus and his herald are sure to loom over your collection, consuming planets at will. Plus, look out for a chase variant featuring black light paint application for an eerie cosmic glow. Featuring an otherworldly neon paint job, this 10-inch tall Pop! Vinyl figure comes packaged in a window box, perfect for display. Order now and don’t miss adding this massive cosmic entity to your collection!

The figure is available for pre-order now.


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Review: Unbeatable Squirrel Girl #26

SquirrelGirlCoverUnbeatable Squirrel Girl takes a little break in issue 26 for a special in-universe zine comic written and drawn by various heroes, villains, and denizens of the Marvel Universe. In real life, they are all written by Ryan North with Erica Henderson switching roles with her Jughead collaborator Chip Zdarsky to pen a surprisingly sultry Howard the Duck story. It’s a fun sampler that mostly hit and very little miss from the much vaunted series of three panel Galactus gag strips by Garfield‘s Jim Davis to Anders Nilsen and Soren Iverson’s poignant story of Wolverine befriending a Sentinel and shotgunning a beer with his adamantium claws. The series Unbeatable Squirrel Girl has a lot of fantastic action, jokes, and the occasional superhero parody, but it’s a book where Doreen listens to both her opponents and allies and tries to work things out with eating nuts and kicking butts. S

So, it’s fitting, we get this comic that is written by a wacky range of POVs beginning with Squirrel Girl herself who stutters through the intro about his being a fundraiser zine. We get to listen to Kraven, hear Spider-Man’s retort, and see the world through Tippytoe’s eyes, which is drawn and colored in an adorable manner  Madeline McGrane’s art and colors make this frame story definitely look like a zine you might pick up at the local coffee shop or one of those fancy schmancy zine stores in bigger stories. It’s followed up by Chip Zdarsky going the closest he’ll ever get to his work on Sex Criminals in a mainstream comic with Erica Henderson doubling as a film noir director, but more awkward. They use close-ups and small panels of Howard the Duck and his femme fatale/client like they’re egging Marvel editorial to linger on this scene more while adding a funny caption. Zdarsky doing Big Two interiors is a big treat, and he barely holds back.

Tom Fowler’s Brain Drain story is a nice showcase of the underrated Unbeatable Squirrel Girl supporting character and hews the closest to Henderson’s usual style on the book. His take on Brain Drain is philosophical, adorable, and structured like the computer science programs that the character loves. It’s oddly motivational too and worth a reread thanks to its erudite writing style. Speaking of rereads, Carla Speed McNeil draws a Loki comic that only makes sense forwards and backwards and is a great example of how the comics medium allows for flexibility of meaning using Loki as a litmus test. It’s a wonderful double page spread, and the best Loki story since Journey into Mystery.

After this, Michael Cho draws a Kraven the Hunter comic/Spider-Man diss story, which is a pretty fun riff off “Kraven’s Last Hunt” and features dead presidents. His art has a light hearted old school vibe while having a subversive take on superhero/supervillain relationships kind of like the main Unbeatable Squirrel Girl title, but from the bad guy’s perspective. It’s followed up by a one page retort from Spider-Man with some gorgeous, yet still funny digital painting work from Rahzzah, who teams up later in the book to do Nancy Whitehead’s photo collage comic with the help of North, who channels Dinosaur Comics in the strip. It’s a well-designed remix story that will make the non-artists reading this comic smile and the kind of mash-up that you would find in a real zine.

NilsonWolverine

But the heavy hitter of the bunch is Anders Nilsen and Soren Iverson’s Wolverine story that is fitting for an artist who had done a comic called Poetry is Useless. Anders Nilsen has a minimalist Euro style perfect for a comic about Wolverine getting talked out of killing a Sentinel, who challenges him to look past his shiny mutant killing exterior and team up with him to beat up some kaiju. (Sadly, this part of the story is off panel.) Wolverine gets a big epiphany moment when he realizes that he’s “hating and fearing” the Sentinel just like the X-Men have been treated for most of their career. This story is proof that more Fantagraphics and Drawn and Quarterly guys should draw superhero comics.

Following this weighty, yet fun story is a couple of candy confections. Unbeatable Squirrel Girl colorist Rico Renzi draws an adorable and faux edgy Batman parody starring the one and only Tippytoe. It pokes fun at Batman’s angsty backstory as well as the fact that Tippytoe always plays second banana. Renzi’s art style is similar to the cartoon The Amazing World of Gumball with lush digital backgrounds and colors. Finally, Jim Davis, whose work I was familiar with eons before I ever opened a Marvel comic, transposes the classic Garfield and Jon relationship to Galactus and the Silver Surfer. It’s the same dad-ish, three panel punchline jokes, but told in a more cosmic key, and Davis has a lot of fun showing Galactus doing his planet devouring, face stuffing thing. His literal eye popping Silver Surfer has a similar manic energy to Robin Williams’ Genie in Disney’s Aladdin.

Unbeatable Squirrel Girl #26 is a real treat as independent cartoonists, the creator of Garfield, and even the book’s colorist get to take a stab at some of the more familiar faces in the Marvel Universe while also giving Squirrel Girl’s supporting cast a moment in the sun. It’s sometimes poignant and always funny.

Story: Ryan North, Erica Henderson Art: Madeline McGrane, Chip Zdarsky, Tom Fowler, Carla Speed McNeil, Michael Cho, Anders Nilsen, Rico Renzi, Jim Davis Colors: Madeline McGrane, Chip Zdarsky, Rico Renzi, Rahzzah,Soren Iverson
Story: 9.5 Art: 9.0 Overall:9.2 Recommendation: Read

Review: Ultimates 2 #100

Ultimates_2_Vol_1_100_TextlessAl Ewing’s ambitious, multiple reality and multiverse spanning run on Ultimates comes to a suitably hopeful and abstract conclusion in Ultimates2 #100 with some fantastic art and colors from Travel Foreman, Filipe Andrade, Marco Lorenzana, Scott Hanna, Dan Brown, and Matt Yackey. Ewing starts out crowd pleasing with a great fight scene between both teams of Ultimates and the malevolent Ultimate Reed Richards plus sharp, quick satire of Mark Millar and Bryan Hitch’s Ultimates before they return to the larger task of restoring Eternity to its proper place in the universe with the help of anthropomorphic embodiments of past multiverses.

I was slightly disappointed that the abstract beings and concepts got more panel time than the actual team of Ultimates. However, it’s incredibly cool that Ewing, Foreman, Andrade, Lorenzana, and Scott Hanna use them to make a metafictional comment on the Marvel Universe with its mixture of magic, science, and other fun stuff and superhero stories in general and the idea of “illusion of change” and no one really staying dead in superhero comics. (Hence, the Ultimate Universe Ultimates, Chaos, and Order coming back.)

Except Galactus does change throughout the series and continues to be the bringer of life to the whole multiverse and set the Ultimates on hopeful paths as they return to their own comics with his bright gold coloring from Brown and Yackey. In the past, the heralds of Galactus have been harbingers of doom and general bad guys, but in this case, they are his helpers in helping everything return to normal. One thing I have enjoyed about Ultimates2 as a whole is seeing more of the series from Galactus’ POV instead of having him lurk in the background when the team needs a heavy hitter or feature in a one-off issue. He is basically the team leader in Ultimates2.

Even though there is some spectacular punching like America kicking Ultimate Captain America’s jingoistic ass to next week and then some, Ewing makes the Ultimates more like “paramedics” (As America describes them.) than the paramilitary heroes that Millar’s Ultimates were. They are all about fixing the multiverse’s problems through science and logic than executing preemptive strikes on Middle Eastern countries in service of American imperialism. The Ultimates are a search and rescue team on a cosmic level trying to preserve hope in a universe filled with cynicism like whatever is going on with Captain America and HYDRA. Technically, they’re sealed off from Earth by the planetary defense shield that was built to withstand hungry purple Galactus, but this doesn’t hinder the Ultimates and company from saving the Marvel universe light years away from Hydra Cap and the Secret Empire event.

The unsung hero of both Ultimates and Ultimates2 is colorist Dan Brown, who gets some help from Matt Yackey on this issue. They make Ultimates2 #100 look otherworldly with intergalactic blues, blacks, and purples as Al Ewing wraps his storyline up. And even when the storyline gets a little too metaphysical, they save the day with bright golds and orange that instantly evoke hope and rebirth. Foreman, Andrade, and Lorenzana complete this lightness with their art that is fluid like the Superflow that crosses the multiverses although their lines get more rigid during the fight scenes, and there are some epic speed lines when Blue Marvel one punches Ultimate Hulk, who is a total MRA.

In Ultimates2 #100, Al Ewing ties his team of Ultimates in with the original Mark Millar and Bryan Hitch in a non-awkward way and also paves the way for any alternate universe characters to return after the events of Secret Wars. Once again, he shows a rare talent for combining epic, high level plotting with characters (Including Galactus), who have genuine emotional arcs. Honestly, he should be in  charge of Marvel’s next blockbuster event

Story: Al Ewing Art: Travel Foreman, Filipe Andrade, Marco Lorenzana with Scott Hanna
Colors: Dan Brown with Matt Yackey
Story: 8.0 Art: 8.5 Overall: 8.3 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review

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