Tag Archives: eternity girl

Preview: Eternity Girl #6

Eternity Girl #6

(W) Magdalene Visaggio (A/CA) Sonny Liew
In Shops: Aug 08, 2018
SRP: $3.99

This issue: everyone will die.

Preview: Eternity Girl #5

Eternity Girl #5

(W) Magdalene Visaggio (A/CA) Sonny Liew
In Shops: Jul 11, 2018
SRP: $3.99

The end really is nigh as Caroline confronts her destiny on two planes of existence, and the stakes could never be higher: eternal imprisonment, or total universal annihilation.

Preview: Eternity Girl #4

Eternity Girl #4

(W) Magdalene Visaggio (A/CA) Sonny Liew
In Shops: Jun 13, 2018
SRP: $3.99

The eternal lord of order known as the Crash takes us on a tour of alternate Eternity Girls throughout the endless possibilities of existence. Throughout them all, one thing remains constant: Madame Atom and Eternity Girl locked in a constant struggle of death and rebirth… until now. Now everything ends. Forever.

Preview: Eternity Girl #3

Eternity Girl #3

(W) Magdalene Visaggio (A/CA) Sonny Liew
In Shops: May 09, 2018
SRP: $3.99

While Eternity Girl and Madame Atom make their way to the mysterious Shining Tower that sits at the intersection of being and nothingness, Caroline’s old boss reveals a devastating secret about Eternity Girl’s powers that even she doesn’t know, but that could destroy her for good. This looks like a job for… Never Man?

Review: Eternity Girl #1

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got a new series from DC’s Young Animal.

Eternity Girl #1 is by Magdalene Visaggio, Sonny Liew, Chris Chucky, Todd Klein, Paulina Ganucheau, Maggie Howell, and Andy Khouri.

Get your copy in comic shops today. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFW


DC Comics​ provided Graphic Policy with FREE copies for review
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Review: Eternity Girl #1

EternityGirl1Cover“Laid yourself out under the stars. Some peace at last so don’t be sad. A fitting end to your end…” from “Some Kind of Nothingness” by Manic Street Preachers (2010)

Abandon hope all ye who enter here, this article is more of a self-therapy session than a review of a DC comic book. Gallows humor about suicide, therapy sessions, cake and vodka veg out time on the couch, Eternity Girl #1 is definitely not your typical superhero/espionage book. This new book from Magdalene Visaggio, Sonny Liew, and Chris Chuckry fits like a glove with the Young Animal imprint’s ethos of telling stories about strange, yet extraordinary individuals that explore universal human themes in an experimental way with a psychedelic color palette. Caroline Sharp, the superhero/spy operative formerly known as Chrysalis or Eternity Girl (See the “Milk Wars” backups.) has been suspended because her shapeshifting abilities glitched and hurt a fellow Alpha 13 operative. She has to get the green light from her therapist before going back to active duty, but that seems light years away. Really, Caroline just wants to die and collapse in the nothingness of Chuckry’s electric blue  color palette.

To steal a phrase/cliché from an old children’s game, Liew’s art in Eternity Girl #1 can be light as a feather or stiff as a board depending on the mental state of our suicidal, “elemental superwoman” protagonist. When she dissociates, Liew’s pencils are fluid as Caroline becomes an energy wave, almost one with the universe. But when she’s forced to take up space in public, Liew’s sharp, rigid lines make you feel the pain in her body as she tries to maintain a frail human form on public transportation. He also has a real gift from switching gears from emotive slice of life, two friends at a coffee shop style art to throwback superhero work when Caroline is thinking about her past as Chrysalis and is confronted by the spectre of one of her old, presumed dead foes and finally pure Kirby crackle when the story gets really philosophical/trippy. My one minor critique of Liew’s work is that Caroline’s therapist and her good friend Dani look very similar, and I thought they were the same person until finally realizing they weren’t thanks to context clues/a second reading.

Visaggio and Liew convey a feeling that everyone who has ever suffered from anxiety or depression can understand of putting on a brave, happy, competent, and/or professional face when you want to cry, scream, or most of the time, just lie there motionless like when Caroline is making dark quips to her therapist about her suicide attempts. The use of humor to mask pain is definitely relatable, and using it to kick off Eternity Girl #1 immediately shows that Visaggio understands the nature of depression. She doesn’t sugarcoat things and isn’t afraid that after losing her purpose in life as a member of Alpha-13, Caroline feels like she’s just “killing time” and hoping that one of her futile (Due to her power set.) suicide attempts actually pan out. Immortal plus depression seriously sucks. However, in a literal earth and reality shattering third act, Caroline realizes that she has to pass as a functional human before she tastes death’s sweet release.

As a book, Eternity Girl #1 is nestled in a nice niche between artsy indie and superhero comic, but leaning more towards to the artsy side thanks to the fragmented nature of Magdalene Visaggio’s plot and Sonny Liew’s art plus scattershot, intergalactic colors from Chris Chuckry towards the end. However, Visaggio, Liew, and Chuckry use this niche to honestly probe and explore the feelings that come with depression and create opportunities for connection and empathy in regards to mental health through this engaging comic book. Because sometimes you don’t fear death, you long for it…

Story: Magdalene Visaggio  Art: Sonny Liew Colors: Chris Chuckry 
Story: 9.6 Art: 8.8 Overall: 9.2 Recommendation: Buy

DC Comics/Young Animal provided Graphic Policy with a FREE copy for review

Preview: Eternity Girl #1 (of 6)

Eternity Girl #1

Story: Magdalene Visaggio Art: Sonny Liew
Color: Chris Chucky Letterer: Todd Klein
Editor: Andy Khouri Assistant Editor: Maggie Howell
In Shops: Mar 14, 2018
SRP: $3.99

Caroline Sharp has been a lot of things, including both a superhero and a super-spy. But now, with those days behind her and her powers proving unreliable, Caroline finds herself stuck in a life weighed down by her depression and an inability to change. You see, Caroline is going to live forever, and there is no escape to be had. The very act of living reminds her that, to the rest of existence, she is an anomaly. All of that could change, however, when her old foe, Madame Atom, comes to her with an intriguing offer. Madame Atom can give Caroline the power to end her life; she just has to destroy the rest of the world.

This brand-new DC’s Young Animal miniseries spins out of the Milk Wars event, written by GLAAD Media Award-nominated writer Magdalene Visaggio (Kim and Kim) and illustrated by Eisner-winning artist Sonny Liew (The Art of Charlie Chan Hock Chye).

Around the Tubes

The weekend is almost here! Who’s going to see Black Panther (again)? Sound off in the comments below. While you wait for work to end, here’s comic news and reviews from around the web in our morning roundup.

Kotaku – Do Not Call Yourself ‘Fuck,’ Spider-Man Doesn’t Like It – With great power in name choice, comes great responsibility.

CBR – Syfy Orders Pilot Script for Roche Limit Series – This could be really good.



Talking Comics – Doctor Star and the Kingdom of Lost Tomorrows #1

Newsarama – Eternity Girl #1

The Beat – Prism Stalker #1

Review: Cave Carson Has A Cybernetic Eye/Swamp Thing Special #1

CaveSwampIn its penultimate chapter, “Milk Wars” gets grody and corporate as Cave Carson, his daughter Chloe, and the hockey mask wearing vigilante Wild Dog team up with Swamp Thing against brainwashed cubicle dweller types and a spot-on parody of those soulless, yet addictive Pop Vinyl figures. Jon Rivera’s scripting is a little on the nose as far as the corporate satire goes, but is more than redeemed by some funny one-liners (A guy reading his fellow co-workers name badge while beheading him takes the cake.) and the cast chemistry between Cave, Chloe, and Wild Dog.

But the best part of Cave Carson/Swamp Thing Special #1 is the interplay between Langdon Foss’ (Bucky Barnes, The Winter Soldier) art and Nick Filardi that threads together like one of Swamp Thing’s tendrils. When Swamp Thing bursts into one of one Retconn’s (Evil mind-controlling and metafictional corporation) offices and wakes up Cave and the crew from a milk induced stupor, Filardi throws up the puke green, and Foss gets grotesque with faces and various liquids. It’s very third act of Hateful Eight, but without the two hours of self-indulgent dialogue. Sometimes, epiphanies about being rat in a cage, or cubicle slave in a cave aren’t beautiful come to Jesus moments, but involve puking your guts up.

However, Foss and Filardi can do sleek and beautiful too when Cave and Chloe try to blow the office and attempt to rescue those under lactose tolerant mind control. Foss channels his inner John McTiernan and also Michael Avon Oeming’s work in the original Cave Carson comic with air vent escapades and excavations that use every inch of the CaveOffice.jpgpage and turn overcrowded cubicle space into an action playground. Filardi contributes to the tense mood with pinks and blues that are the polar opposite of the clinical off white palette he uses for the office scenes earlier in the book. Almost, every page has Ben-Day dots giving the book an old school comic gone deranged feel.

Cave Carson/Swamp Thing Special explores similar themes of conformity and corporate subservience as the other “Milk Wars” comics, but also riffs off the viscous body horror of Alan Moore, Stephen Bissette, and John Totleben Saga of the Swamp Thing run. Swamp Thing’s first big splash page is an homage to the classic “Anatomy Lesson” story with a chopped up body emerging out of his green form. Langdon Foss’ take on Swamp Thing finds a happy medium between the sad, detailed Bissette/Totleben Swamp Thing and the more cartoonish Swampy like in the Justice League Dark animated film. It might not be as regal or easy on the eyes, but erring on the cartoon side helps when Swamp Thing starts punching office workers or emerging from a Green salad. Yeah, this is a pretty weird and great comic, and there’s even a much less sexual, but just as psychedelic allusion to Swamp Thing’s magic fruit.

On the Eternity Girl backup story front, Magdalene Visaggio and Sonny Liew turn in their best work yet in a minimalist, yellow tinged parody of comics that break the fourth wall. Basically, when you run out of ideas or stories just tear everything down. The two pager is quite cathartic in age of reboots, reimaginings, and fresh starts and has elegant layouts and line work.

Cave Carson/Swamp Thing Special is a tiny bit office drone satire with a portion of DC “mature readers” body horror and is mostly a damn fun caper from Jon Rivera, Langdon Foss, and Nick Filardi. It’s gross, thrilling, and thought provoking (Sometimes all at once.) and provides a segue to the “Milk Wars” finale without taking up too much space from this adventure.

Story: Jon Rivera Art: Langdon Foss Colors: Nick Filardi
  Backup Story: Magdalene Visaggio Backup Art: Sonny Liew 
Story: 7.9 Art: 8.5 Overall: 8.2 Recommendation: Buy

DC Comics/Young Animal provided Graphic Policy with a FREE copy for review

DC’s Young Animal Gets a Remix in 2018 with new Titles and New Directions

Following the events of the DC/Young Animal crossover event “Milk Wars” this winter, the main titles of the DC’s Young Animal line will get a mix-up of their own, with new series titles and story directions. The pop-up imprint, curated by My Chemical Romance frontman Gerard Way, continues to set the bar for innovation in comics, using the five-part event beginning January 31 to send each title back to #1, with strange and crazy new stories.

Beginning March 7, Shade has shed her alien identity, stepping out of her original Earth body into a new one. Shade, The Changing Woman begins as Loma, now free of the burdens of her past life, sets out to see more of her new home. But how will she cope when the madness she was forced to confront in the Milk Wars is now a mass of memory and confusion? To make things even more challenging, she’ll come face to face with the original Changing Man. Writer Cecil Castellucci and artist Marley Zarcone will continue to helm Loma’s adventures.

Then on March 21, after a year of multiverse-hopping, Cave Carson returns to a normal life of digging and cave-diving, but it just isn’t the same for the explorer. Time fast-forwards as Cave and his daughter Chloe are sucked into an all-new adventure—literally—when they go spelunking in a black hole! Cave Carson Has an Interstellar Eye continues with writer Jon Rivera and artist Michael Avon Oeming.

Then on March 28, follow Violet Paige as she finds herself in a Gotham City unlike anything she’s known before. Mother Panic: Gotham A.D. begins ten years into the future, in a world without a Batman, with Gotham City now in the hands of a Collective. In a high-tech town with zero tolerance toward caped crusaders, what’s a woman who has vowed vengeance to do? The series is written by Jody Houser with art by Tommy Lee Edwards and Ibrahim Moustafa.

Launching from the backup story in “Milk Wars” is Eternity Girla new miniseries from GLAAD Award-nominated writer Magdalene Visaggio and Eisner Award-winning artist Sonny Liew. The series follows the tragedy of Caroline Sharp, a former superhero and super-spy whose cursed powers have left her hideously deformed and unable to die! Her only solution? Destroy the universe. This new series begins March 7.

The “Milk Wars” event kicks off in JLA/Doom Patrol Special #1 on January 31. The epically weird crossover adventure featuring characters from the JLA and DC’s Young Animal will continue throughout February.

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