Tag Archives: dark horse

Dark Horse will Voluntarily recognize Dark Horse Workers United

Dark Horse Workers United

At the end of May, it was announced staff for Dark Horse were moving to form a union with Dark Horse Workers United. In their announcement the organization said a supermajority of staff, including staff from Things From Another World which Dark Horse announced its intention to close, have voted to unionize. They are working with the Communications Workers of America (CWA), Local 7901.

The movement is asking Dark Horse interim CEO Jay Komas and Dark Horse leadership to recognize the union by June 3, 2026.

Dark Horse responded today stating it would voluntarily recognize the union, preventing a long initial process. The announcement was actually very humble, recognizing the grievances listed by the staff.

To the members of Dark Horse Workers United and everyone at Dark Horse:

I am pleased to announce that Dark Horse Comics is willing to voluntarily recognize Dark Horse Workers United as a recognized collective bargaining representative under standards established by the National Labor Relations Board (NLRB). Our representatives have reached out to the union’s attorney to initiate the appropriate next steps in this process.

I’ve read your statement carefully, and I realize that organizing a union is not something people do lightly. It takes courage, coordination, and a level of trust in each other. I understand the employees’ disappointment with how issues have historically been addressed. You’ve taken this step because you believe Dark Horse can be better. So do I.

Over the years, this company has asked a great deal of its employees. People have poured themselves into this work; accepting conditions, absorbing uncertainty, and sometimes carrying burdens that were not always fairly distributed because they believed in what Dark Horse stood for. That belief is something we must honor. Dark Horse understands and accepts the obligation to change and, as we embark on this journey, we will do so in genuine partnership across our entire team.

Voluntary recognition is an unusual step for employers, but in doing so Dark Horse intends to reaffirm its commitment that this new leadership wants to do things differently and enter into good-faith bargaining. Not because we are required to, but because it is the right thing to do. The path to a strong Dark Horse runs through a workforce that feels heard, respected, and genuinely invested in the company’s future, not one that feels like it must fight just to be seen.

To our creators and licensors: The team at Dark Horse Comics has delivered excellence for you time and time again. We see that excellence. Dark Horse is committed to providing a more supportive environment to ensure that legacy continues.

To fans of Dark Horse Comics: We care deeply not just about the stories we bring you, but about how we bring them to life. With greater respect and improved working conditions, we’ll build a Dark Horse you can believe in for more than just great comics.

On behalf of the Dark Horse Comics Leadership Team, we look forward to sitting down at the bargaining table with Dark Horse Workers United and continue to build something of which we are all proud.

With respect,

Jay Komas

Interim CEO, Dark Horse Comics

The union formed on five principles:

  • Democracy: Our voices should be heard and valued, with fair representation.
  • Diversity: Our work environment and publication titles should foster an inclusive atmosphere where everyone feels respected.
  • Equity: We must collectively address each other’s individual needs, and work to reduce systemic inequality.
  • Solidarity: We are strongest together. We stand together.
  • Transparency: We are committed to safety and approachability in our work environment through clear communication and fellowship.

It also stated three goals:

  • Improve job security, wages, and benefits by advocating and determining strategies for the improvement of the material needs of our workers.
  • Create a transparent and equitable workplace culture where all teams feel comfortable communicating with each other, and vital information is shared company-wide.
  • Acquire a seat at the table when critical decisions are made that will affect all stakeholders, including the workforce.

There’s still many steps to go.

  1. The National Labor Relations Board has to certify the union.
  2. There’s a membership drive following the certification where individuals sign up for membership.
  3. A “bargaining committee” is formed to negotiate with the employer.
  4. Then bargaining begins working towards a “tentative agreement.”
  5. That agreement is then voted on by the membership.
  6. Then the contract/agreement is then enforced.

While steps might seem simple, the process can drag on for years and can be a daunting process.

Congrats to everyone and props to Dark Horse for recognizing the union.

Only the Savage Are Left #1 is a nice addition to the apocalyptic genre with an interesting focus

A strange virus has spread across the world, transforming its victims into monsters. The only cure is to kill another infected soul. When a nonviolent young man sets out from the safety of his settlement to find his missing true love, he must face the corrupted world of monsters and monster-killers. A dramatic survival adventure that dares to ask what we should stand for in the monster apocalypse.

Story: Zack Kaplan
Art: Stefano Raffaele
Color: Thiago Rocha
Letterer: Hassan Otsmane-Elhaou

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Preview: Magic: The Gathering: Untold Stories – Elspeth #4

Magic: The Gathering: Untold Stories – Elspeth #4

Writer: Dan Watters
Artist: Owen Gieni
Colorist: Hilary Jenkins
Letterer: Clayton Cowles
Cover artist: Owen Gieni

Elspeth is dead. But her story was never over. Elspeth Tirel has faced nightmares and gods, and she has faced them unflinchingly. But in this series finale, can she face the man she once loved? And can Elspeth truly defy death?

Magic: The Gathering: Untold Stories - Elspeth #4

Preview: Groo: The Prophecy #2

Groo: The Prophecy #2

Writer: Sergio Aragonés · Mark Evanier
Artist: Sergio Aragonés
Colorist: Carrie Strachan
Letterer: Stan Sakai
Cover artist: Sergio Aragonés

The priestess Sybilia keeps having visions of a horrible catastrophe destroying her village—right as Groo arrives to seemingly save her townspeople! Will Groo save her town from huge monsters, invading armies, and more, or does a greater threat loom in the priestess’s predictions of doom?

Sergio Aragonés and Mark Evanier deliver another hilarious Groo adventure, with Eisner Award-winning lettering by Stan Sakai and exquisite colors by Carrie Strachan!

A new Groo tale of prophecy and catastrophe—as only Groo brings!

Groo: The Prophecy #2

Preview: Frankenstein: New World – The Speed of Darkness #2

Frankenstein: New World – The Speed of Darkness #2

Writer: Mike Mignola · Christopher Golden
Artist: Thomas Sniegoski
Colorist: Michelle Madsen
Letterer: Clem Robins
Cover artist: Peter Bergting

Frankenstein and Lilja push forward on their journey to find Liz Sherman as Lilja’s visions grow more urgent, but danger is coming from all directions as an insidious evil continues to corrupt the world around them.

This third miniseries of Frankenstein: New World features the return of creative team Mike Mignola, Christopher Golden, Thomas Sniegoski, Peter Bergting, Michelle Madsen, and Clem Robins taking readers to a future as dangerous as it is enchanting, from the world of Hellboy.

Frankenstein: New World - The Speed of Darkness #2

Preview: FML #8

FML #8

Writer: Kelly Sue DeConnick
Artist: David López
Colorist: Cris Peter
Letterer: Clayton Cowles
Cover artist: David López

The magical promise of youth faces down the sinister cynicism of today’s world in FML’s main event-worthy conclusion.

The STFU kids fight for their lives and their futures in a Convention Center-turned-post-apocalyptic-battleground, setting the stage for the OG Riot Grrls to relive and resolve the anarchic spirit of their Gen X heydays with steel-toed boots and battle bats in hand.

In a world teetering on the edge, FML celebrates the strength of youth and power of a story. It shows us that amidst the chaos of today, we’re all making peace with our monsters.

FML #8

Preview: The Ring: The Man Who Beat the Man #1

The Ring: The Man Who Beat the Man #1

Writer: Gail Simone
Artist: Elisa Romboli
Colorist: Iolanda Zanfardino
Letterer: Iolanda Zanfardino
Cover artist: Oliver Barrett

Influential writer Gail Simone (Uncanny X-Men) launches a new series that mixes boxing lore and strategy with a fictional, merciless landscape where everyone wants to beat—and be—The Champ!

The Ring: The Man Who Beat the Man is an exciting action series that takes a look at both the rich history of boxing and the mindsets of those who step in the ring! Produced with the editorial leadership at the historic boxing magazine The Ring—Dark Horse pairs Simone with the creative team of artist Elisa Romboli (You Never Heard of Me) and colorist/letterer Iolanda Zanfardino (The Least We Can Do) to deliver a boxing tale like no other!

Created in cooperation with the editorial team at the esteemed boxing magazine The Ring!

The Ring: The Man Who Beat the Man #1

Preview: Only the Savage Are Left #1

Only the Savage Are Left #1

Writer: Zack Kaplan
Artist: Stefano Raffaele
Colorist: Thiago Rocha
Letterer: Hassan Otsmane-Elhaou
Cover artist: Stefano Raffaele

A strange virus has spread across the world, transforming its victims into monsters. The only cure is to kill another infected soul. When a nonviolent young man sets out from the safety of his settlement to find his missing true love, he must face the corrupted world of monsters and monster-killers. A dramatic survival adventure that dares to ask what we should stand for in the monster apocalypse.

Hit-making author Zack Kaplan (Kill All Immortals, Port of Earth) and Eisner-nominated illustrator Stefano Raffaele (Detective Comics, Alien vs. Captain America) join forces for a post-apocalyptic action-adventure!

Only the Savage Are Left #1

Only the Savage Are Left #1 is a nice addition to the apocalyptic genre with an interesting focus

A strange virus has spread across the world, transforming its victims into monsters. The only cure is to kill another infected soul. When a nonviolent young man sets out from the safety of his settlement to find his missing true love, he must face the corrupted world of monsters and monster-killers. A dramatic survival adventure that dares to ask what we should stand for in the monster apocalypse.

Story: Zack Kaplan
Art: Stefano Raffaele
Color: Thiago Rocha
Letterer: Hassan Otsmane-Elhaou

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Mini Reviews: Escape #7, Exploit #3, Did You Hear About Mimi Green #1, Swamp Thing 1989 #2

Exploit #3

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Escape #7 (Image) – Shaw makes his attack on the enemy Titan weapon in the fireworks-filled Escape #7. Daniel Acuna visually captures the horrors of a fire fight while Rick Remender‘s captions expose all of Shaw’s fears and doubts as he undertakes what is essentially a suicide mission. This could easily be the final issue of the series, but Escape isn’t just interested in the dog faction winning the war, but also how they treat the folks that have been oppressed by the bats. The use of anthropomorphic animals allows Remender and Acuna to go under the surface of the “last good war” and look at the real pain and trauma that it caused as this series continues. Overall: 8.6 Verdict: Buy

Exploit #3 (Mad Cave)Exploit #3 is quite the twisty techno-thriller ride from Tim Leong, Laura Hudson, and Emiliana Pinna. Leong and Hudson uncover some cards about the assassination of Saxon and the identities of Dade and Mr. Ipsum while still keeping the story grounded in the romantic relationship between Kirby and Lenox that reaches a rough spot as they’re both fugitives from both the government and tech bros. There’s one chase sequence from Pinna and colorist Rebecca Good that is particularly exciting using a map-like double page spread and inset panels. Exploit #3 plunges right into the morally grey area, and I’ve never been more excited to read the next issue. Overall: 8.9 Verdict: Buy

Did You Hear About Mimi Green #1 (Dark Horse)Connor Goldsmith and Josh Cornillon take aim at cancel culture, wellness culture, and vitality with a heavy helping of body horror in Did You Hear About Mimi Green #1. Seriously, this comic is like if David Cronenberg directed Hacks. Cornillon’s visuals are capital “d” disgusting, but there’s a dreamy quality to his work as well, especially when Mimi thinks about her old lover. All in all, this is a unique and engaging debut from Goldsmith and Josh Cornillon that knows likable characters are overrated. Overall: 8.4 Verdict: Buy

Swamp Thing 1989 #2 (DC) – It’s such a blessing to get the proper conclusion to Rick Veitch’s Swamp Thing run, and this installment is even timier and wimeyer than the previous issue’s Biblical beauty. Swamp Thing continues to be flung back in the depths of time, and it’s looking more and more hopeless that he’ll be reunited with Abby. Veitch and artist Tom Mandrake continue the Jesus parallels by having Abby giving birth to their daughter in a stable in Houma while Swamp Thing’s journey gets more cosmic and trippy. This issue also has guest stars galore like John Constantine, Jim Corrigan, Anthro, and the heroic Shining Knight as well as a more nefarious figure to fill the void in the Green. Swamp Thing 1989 #2 lacks the tragic beauty of the Camelot and crucifixion issues, but does capture the bonkers creative of the late 1980s era while not abandoning the all-important Swamp Thing/Abby relationship. Overall: 8.1 Verdict: Buy

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