Tag Archives: Dark Horse Comics

Early Review: Dungeons & Dragons #1 is an accessible, action, and humor packed series

Cover art for Dungeons & Dragons comic issue #1 featuring three adventurers battling a dragon, with vibrant flames and dramatic poses.

In the first issue of the new Dungeons and Dragons ongoing series for Dark Horse, Jackson Lanzing, Collin Kelly, Ibraim Roberson, Arabson Oliveira, and Dan Brown strike a balance similar to the role of their wizard protagonist Mordenkainen, who is basically the ultimate centrist of magic. (But in a more badass than spineless way.) They pepper this comic with dark prophecies, characters on serious missions, and of course, there’s a giant dragon on the first page. However, Dungeons and Dragons #1 has humor and sexual tension as well with Lanzing and Kelly writing fun banter between Mordenkainen and the grifter/bard/author Volo, who he runs into our favorite of first act settings: the local tavern. Dungeons and Dragons is full of deep lore, complex magic, gods, monsters, and more, but it has a wit and self-awareness that appeals to the more casual fans of franchise like yours truly.

In crafting these characters, Jackson Lanzing, Collin Kelly, and Roberson create a sort of axis of seriousness on a scale of apocalypse to sexual innuendo. If there’s a lot of exposition, they season it with a well-timed quip or some kind of background gag to keep the yawns away and keep the story engaging. Mordenkainen and Volo have a classic comedy team dynamic, and this is amplified when other party members start to show up as the comic progresses. Also, kudos to Dungeons and Dragons’ creative team for taking time to flesh out the key players in the story instead of bombarding readers with names, abilities, places, and other various and sundry things that would have me scrambling around on Wikia instead of engaging in the story at hand. Because the comic takes place in one of the most richly developed fantasy worlds, there is a buzz of activity, but Lanzing and Kelly take an iceberg theory meets Chris Claremont subplots eventually become the main plot approach in Dungeons and Dragons #1. I’ve only read the first issue so I’m not 100% sure on the second part, but let’s just say I’m hoping for an old school 50-60 issue run or beyond on this series.

Visually, Dungeons and Dragons #1 goes for high fantasy shock and awe with a varied approach to page design depending on the tone of each story beat. Cover artist Esad Ribic sets the tone with a harried band of adventurers versus big ass dragon cover bringing the epic scope of his work on titles like Thor, Secret Wars, and Eternals to the world of D&D. Ibraim Roberson, Oliveira, and Brown match his approach in the interior art. Dan Brown’s palette show off the range of this book from the crackling warmth of a tavern to magic energy out the wazoo in the action bits. They succeed at splash or widescreen compositions that are a worthy game store poster or more screwball comedy scene that endear readers to the cast of characters and enhance Jackson Lanzing and Collin Kelly’s dialogue. Even Arabson Oliveira’s inks contribute to characterization with some folks having more of an aura than others.

Dungeons and Dragons #1 is an accessible, action, and humor packed series debut that reminded me a lot of the Forgotten Realms novels that I read when I was younger. However, Lanzing, Kelly, Roberson, and Oliveira don’t shy away from darker elements and moral ambiguity. And did I mention the dragons? In all seriousness, if you enjoy being immersed in a compelling fantasy world with peril and danger, order this one from your local comic shop even if you’re constantly Googling what a kobold is and should probably bookmark their Wiki page.

Story: Jackson Lanzing and Collin Kelly
Pencils: Ibraim Roberson Inks: Arabson Oliveira
Colors: Dan Brown Letters: Haley Rose Lyon
Story: 8.6 Art: 8.5 Overall: 8.6 Recommendation: Buy

The FOC for Dungeons & Dragons #1 is September 21, and it will be released on November 4

Dark Horse provided Graphic Policy with a FREE copy for review


Pre-Order: Third Eye ComicsKindle

The Big Shakedown #1 lives up to the hype of its high concept premise of a detective story set in a post-major seismic event L.A. nightmare

Comic book cover for 'The Big Shakedown #1' featuring a character on a yellow scooter, wearing sunglasses and a blue jacket, against a backdrop of a fragmented city landscape.

Noir meets post-apocalyptic sci-fi in The Big Shakedown, a high concept series from Jordan Blum, Tim Seeley, Scott Koblish, and Hi-Fi. The book opens with an earthquake destroying Los Angeles, who is then abandoned by the right wing religious fanatic president of the United States. Without federal aid, the City of Angels turns into a shitshow governed by big tech/drone companies and local gangs and protection rackets. Cop-turned-PI-turned TV show consultant-turned odd-job-working survivor Ester is our entry into this dark world as a simple missing persons case turns very complicated. Blum, Seeley, and Koblish use this first issue to establish the world of The Big Shakedown, but there are plenty of mysteries around the corner, especially towards the end of this installment.

Ester is really a near perfect POV character. She’s flawed, but likable with plenty of demons to exorcise. However, she also has a great sense of humor and has a working class charm. Jordan Blum and Tim Seeley’s captions for her add a lot of personality to The Big Shakedown and keep the story moving. I love that she watches old Lakers game on her VCR to find a semblance of normalcy in this crazy world because I totally watched CPU teams duke it out on NBA 2K when all the sports leagues shutdown due to COVID in 2020. (The 2018-2019 season though, oof ; at least, there was LeBron.) Also, Ester is a total badass improvising her way out of several violent scraps so she can have the money to get what she wants, which is probably out of L.A.

Scott Koblish uses his background in superhero comics to amp up the action sequences in The Big Shakedown with Hi-Fi adding splashes of intense colors like when Ester fights off bill collectors with steaming hot pot of pozole. There is something primal about the way Ester beats the crap out of folks trying to rip her off or take her hard-earned money that hints at a darker past beyond helping a TV star learn how to realistically hold a gun and then sleep with him. Although, she is five years sober, Ester is still prone to impulsive decisions that sometimes make this book feel like watching a car accident in slow motion. But that’s better than the alternative: a boring trope salad, which The Big Shakedown is far from being.

The element that draws me most to The Big Shakedown is that it’s a working class struggle story clothed in heightened genre trappings. Ester really just wants to pay the bills, but the system around her is beyond broken so she has to claw and fight for every last dollar, which is more relatable than an upper middle class white guy with a scotch and cigar sitting behind the desk. It also feels like Jordan Blum, Tim Seeley, and Scott Koblish are drawing on both experiences with the global pandemic and even the L.A. wildfires to show how traumatic events change folks, and that although we might have the same skillsets on both sides of the tragedy, we’re vastly different people. After the quake in The Big Shakedown, folks aren’t shelling out money to hire consultants for cop shows, they’re trying to eke out a living by selling batteries and avocadoes because Southern California still has great weather. Ester has changed as a person in the past five years, and it looks like this comic will go into those changes while also exploring the usual procedural elements of the crime genre.

The Big Shakedown #1 lives up to the hype of its high concept premise of a detective story set in a post-major seismic event L.A. nightmare. Blum and Seeley craft an anti-hero that Emmy-thirsty cable execs would die for, and Koblish and Hi-Fi bring a frenetic energy and a contemporary update on that West Coast noir palette that keeps the story moving and me looking forward to the next blood, guts, sunshine, and snark-filled issue.

Story: Jordan Blum and Tim Seeley Art: Scott Koblish
Colors: Hi-Fi Letters: Nate Piekos
Story: 8.0 Art: 8.2 Overall: 8.1 Recommendation: Buy

Dark Horse provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Masters of the Universe: Genesis #2

Masters of the Universe: Genesis #2

Writer: Rich Douek
Artist: Gavin Smith
Colorist: Fabi Marques
Letterer: AndWorld Design
Cover artist: Mark Buckingham

Skeletor journeys across Eternia on a mission to raise an army of Evil Warriors. As his forces increase, Skeletor sets his sights on his first target: the city of Operon, ruled by King Thales and his daughter Princess Rhea.

Cover of 'Masters of the Universe: Genesis' comic book issue #2 featuring Skeletor in a prominent stance, surrounded by various hero characters in action poses.

Preview: The Big Shakedown #1

The Big Shakedown #1

Writer: Jordan Blum · Tim Seeley
Artist: Scott Koblish
Colorist: Hi-Fi
Cover artist: Scott Koblish

The Big One, the earthquake to end all earthquakes, has finally struck Los Angeles. The government decides not to rebuild and the city becomes a no man’s land for those that refuse to leave it. But hey, you can’t beat the weather.

Five years later Ester Blanco, a down on her luck former P.I., is willing to do anything to escape the City of Angels. She believes she’s found her ticket out when a desperate father hires her to solve a missing person’s case in a city where a third of the population is already missing. Instead, the trail of this lost girl leads Ester to uncover a dark web of cults, conspiracy and corruption that threatens every Angeleno that stayed behind.

THE BIG SHAKEDOWN is a sunbaked LA noir in the vein of Chinatown and The Long Goodbye and set in the post-apocalyptic remains of the most beloved/hated city in the world. From writers Jordan Blum (Minor Threats) Tim Seeley (Local Man) and artist Scott Koblish (The Despicable Deadpool) comes a pulpy tale of murder, destruction and traffic.

A pulpy, high-stakes journey through the remains of the City of Angels, uncovering a dark web that threatens the few survivors left standing.

Comic book cover for 'The Big Shakedown' featuring a young woman on a yellow scooter, dressed in a denim jacket and sunglasses, set against a backdrop of a stylized map and urban ruins.

Preview: Dungeons & Dragons: Ravenloft #1

Dungeons & Dragons: Ravenloft #1

Writer: Amy Chu
Artist: Ariela Kristantina
Colorist: Roman Stevens
Letterer: Haley Rose-Lyon
Cover artist: Guillem March

Ravenloft is falling apart, and nobody knows why.

Fortunately, monster hunter Ez D’Avenir is on the case! She’s searching the frozen wasteland of Lamordia for an undead creature that may hold the key to Ravenloft’s fate. But when Darklord Viktra Mordenheim catches wind of her quest, Ez is suddenly the one being hunted!

Join Bram Stoker Award-winning author Amy Chu and hit illustrator Ariela Kristantina for this genre-bending mystery that will unite Rudolph van Richten’s proteges from across the horrifying world of Ravenloft!

Return to Ravenloft–Dungeons & Dragons’ premier horror setting–for a genre-bending mystery that spans the Domains of Dread!

Cover of Dungeons & Dragons: Ravenloft comic book featuring a dramatic illustration of a woman in a red coat casting magic, with a dark, gothic backdrop and eerie architecture.

Dark Horse announces $9.99 Compact Editions

Dark Horse Comics has announced a new, travel-sized way to read popular stories from creator-owned series and licensed titles with a line of compact editions coming to comic shops and bookshops beginning in May 2027. These new editions, priced at $9.99, are a convenient way to experience some of the best stories from The Witcher, Black Hammer, Cyberpunk 2077, and Canto to start, with more titles arriving in the future.

The Witcher Compact Edition: The Bear and the Butterfly and The Ballad of Two Wolves features one story about Geralt of Rivia on the hunt for a vampire, and another about a bloodthirsty werewolf plaguing the town of Grimmwald. The 200-page (5.5 x 8.5”) paperback arrives in bookstores and comic shops on May 25, 2027, for $9.99. Pre-order now from Amazon, Barnes and Noble, or your local bookstore or comic shop.

Comic cover featuring a character holding a fish with a butterfly perched on it, surrounded by falling snow, with a dark, stormy background.

Black Hammer Compact Edition: Secret Origins and The Event TPB collects the first two story arcs of the series when the old superheroes of Spiral City are mysteriously banished to a bizarre farm they can’t escape! Perfectly timed for celebrating 10 years of Black Hammer, the 344-page (5.5 x 8.5”) paperback arrives in bookstores and comic shops on June 1, 2027, for $9.99. Pre-order now from Amazon, Barnes and Noble, or your local bookstore or comic shop. 

Cover art of the comic book 'Black Hammer: Secret Origins and The Event.' Features a large, menacing character in the foreground with a colorful cosmic background and several smaller characters in varied expressions.

Cyberpunk 2077 Compact Edition: Trauma Team and Psycho Squad is a mind-melting introduction into Night City with two stories of its most notorious specialty units. The 200-page (5.5 x 8.5”) paperback arrives in bookstores and comic shops on June 29, 2027, for $9.99. Pre-orders open soon from Amazon, Barnes and Noble, or your local bookstore or comic shop.

Cover of the comic 'Cyberpunk 2077: Trauma Team and Psycho Squad', featuring armed members of the Trauma Team in futuristic uniforms against a pink background.

Also coming soon to pre-order, Canto Compact Edition: The Shrouded Man allows readers to relive or experience the first two volumes of the adventures of everyone’s favorite little clockwork hero in one 328-page (5.5 x 8.5”) paperback. The book includes Canto: If I only Had a Heart #1-6, Canto: The Hollow Man #1-5 and Canto & The Clockwork Faeries one shot. This compact edition arrives in bookstores and comic shops on July 6, 2027, for $9.99. Preorder from Amazon, Barnes and Noble, or your local bookstore or comic shop soon.

More compact editions, including Eric Powell’s Eisner Award-winning cult classic The Goon Compact Edition: Nothin’ But my Misery and My Murderous Childhood will be announced and available to preorder soon. 

Cover artwork for 'The Goon: Nothin' But Misery and My Murderous Childhood' featuring dynamic characters, including a muscular protagonist in a white shirt and a cowboy hat, confronting monstrous figures in a colorful, action-packed design.

Six of Us #1 is a solid start to the murder mystery story

Chapter 1: “The Thing about me Dying”

Six actors built America’s favorite sitcom. Millions tuned in. Billboards lit the skyline. Then one of them died . . .

A beloved cast member of a hit ensemble sitcom dies under mysterious circumstances, sending shockwaves through Hollywood and revealing the secrets, betrayals, and desires lurking beneath the glittering facade. As the surviving cast members confront their past; old rivalries and hidden truths emerge and the line between life and performance begins to blur.

Story: Tom King
Art: Gabriel Hernandez Walta
Color: Jordie Bellaire
Letterer: Clayton Cowles

Get your copy now!

Zeus Comics
Kindle


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Mini Reviews: Tales of Wonder #1, Crowbound #1, Dungeon and Dragons: Total Party Killers #2, Archie #1, Batman/Superman/Weird Al: World’s Weirdest #1, Legion of Superheroes #1

Batman/Superman/Weird Al World's Weirdest #1

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Tales of Wonder #1 (Image) – Cartoonist Steve Skroce simultaneously takes the piss out of the superhero industrial complex and (literally) flexes his artistic muscles in drawing those kind of characters in Tales of Wonder #1. The story centers around Stu and Jake who are basically Stan Lee and Jack Kirby if they were still alive. Paraplegic Jake keeps it close to his chest with grumpy humor while Stu won’t shut up. (The scene where he praises his collaborators while Skroce covers up his art with giant word balloons is priceless.) However, Tales of Wonder is far from a grounded story, and it shines brightest when it indulges its genre elements. Ugly American is kind of an amazing name for a 90s edgy jarhead superhero, especially since he’s created by a Canadian. Overall: 8 Verdict: Buy

Crowbound #1 (Image) Crowbound is another beautiful collaboration from Jeff Lemire and Dustin Nguyen. It’s centered around the relationship between a mother and daughter in a stark post-apocalyptic hellscape. Boldly opening with the mother Rose’s death, Lemire and Nguyen take us back in time to show key moments in her and her daughter Ava’s lives. Dustin Nguyen’s use of negative space unpacks the sadness of the comic with pops of color acting as reminiscences of happy times. Crowbound is definitely a downer of a read, but fits our hard times and has some glimmers of hope too. Overall: 8.6 Verdict: Buy

Dungeon and Dragons: Total Party Killers #2 (Dark Horse) – To use a bad pun, I think this issue killed my interest in this series. Christopher Hastings and Denis Medri focus more on expanding DnD Total Party Killers’ cast of characters and locations instead of giving us an interesting story to follow or characters to root for. (I do love the slime and baby eye.) The art is colorful, and there are some cool moments, but no real coherence. Overall: 5.8 Verdict: Pass

Archie #1 (Oni Press)Ben Winters, Fabio Moon, and Jason Wordie take the World’s Most Popular Teenager back to his slice of life roots in Archie #1. Moon definitely elevates the material with his energetic art, and his flair for the dramatic comes in handy in the second of the three short stories in this comic about a film festival. Winters also knows Archie is supposed to be a funny comic and litters his script with zingers and character-based comedy. Jughead was definitely my favorite in this first issue, and he gets a solo story to wrap up the book where he comes to grips with the ghost of character development. But, yeah, this is classic, supermarket checkout Archie with slicker visuals and a touch of self-awareness. For now, there’s no deconstruction going on. Overall: 8 Verdict: Buy

Batman/Superman/Weird Al: World’s Weirdest #1 (DC) – I think the superhero comics genre may have peaked when Weird Al fought Mr. Nobody with a fifth dimensional accordion. Co-writer Mark Waid’s Yankovic-esque parody of the John Williams Superman theme was brave and bold, but I’m curious what Grant Morrison could have done with the material. But, seriously, Weird Al and fifth dimensional imps are match made in Heaven, and Dan Schoening and Fico Ossio’s art capture the wackiest of vibes. This comic book is life changing, and it’s AI art’s personal kryptonite. Now it’s time to “Eat It”. Overall: 10 Verdict: Buy

Legion of Superheroes #1 (DC) – In Legion of Superheroes #1, Joshua Williamson, Hayden Sherman, and Tamra Bonvillain try to find hope in a dystopian future through its youth. A fragment narrative structure offers glimpses at familiar faces like Brainiac 5, Lightning Lad, Saturn Girl, and the always hilarious and quite badass Matter Eating Lad. However, they’re separated by laws, different planets, and their own demons. Sherman’s visual vision of future superheroics is intriguing: nostalgia meets something new. Their trademark spiral layouts works for this kind of hop along story. I think I’m invested in the fate of the Legion like I am with the college kids I work with. Overall: 8.5 Verdict: Buy

RCCC 2026: Dark Horse announces its Programming Schedule

Dark Horse logo

You can find Dark Horse Comics at Rose City Comic Con at booth #1100. It takes place at the Oregon Convention Center from September 11-13, 2026. Stop by the Dark Horse Comics booth #1100 to meet some of your favorite creators and get your hands on some free swag, such as comics, pins, posters, and more!

Dark horse has released its signing and programming schedule for the convention. You can also stop by their booth store for a variety of Dark Horse exclusives, comics, graphic novels, art books, and collectibles available for purchase.

WRISTBAND INFO: Some signings require a wristband for entry, as noted on the schedule. Staff will begin to hand out wristbands when the exhibit hall opens to the public the day of each signing and will end when all allotted wristbands have been given out. 

Note: Dark Horse does not begin distributing wristbands until attendees enter the hall; exhibitors cannot get in line or draw for wristbands earlier than fan attendees.

Lines may also be closed for some signings due to crowding or time restrictions.

All events are subject to change, and some restrictions apply. Please see Dark Horse Comics staff at the booth if you have questions.

FRIDAY, SEPTEMBER 11, 2026

2-2:50 pm:
CANTO: THE CLOCKWORK CHRONICLES, GHOSTBUSTERS, DUNGEONS & DRAGONS: ANIMATED ADVENTURES LIBRARY EDITION – David Booher
THE RING: THE MAN WHO BEAT THE MAN – Gail Simone

4-4:50 pm:
WRISTBAND REQUIRED MINOR THREATS – Patton Oswalt, Jordan Blum
FROM THE WORLD OF MINOR THREATS: THE BROOD – Heath Corson
FROM THE WORLD OF MINOR THREATS: ARCHIE VS MINOR THREATS – Timmy Heague
NO POSED PHOTOGRAPHY
NO WITNESSED SIGNATURES
LIMIT ONE FREE PRINT AND MINOR THREATS ITEMS TO BE SIGNED PER PERSON (no other products, comics, or franchises outside Minor Threats)
OTHER RESTRICTIONS WILL APPLY–SEE STAFF FOR INFO

6-6:50 pm:

THE SMART DIVISION, KILL ALL IMMORTALS, ONLY THE SAVAGE ARE LEFT – Zack Kaplan
DEVIL ON MY SHOULDER, THOSE NOT AFRAID, WHERE MONSTERS LIE – Kyle Starks

SATURDAY, SEPTEMBER 12, 2026

12-12:50 pm:
CANTO: THE CLOCKWORK CHRONICLES, GHOSTBUSTERS, DUNGEONS & DRAGONS: ANIMATED ADVENTURES LIBRARY EDITION – David Booher

1-1:50 pm:
WITNESS POINT- Heath Corson, Joshua Reed
THE BIG SHAKEDOWN – Jordan Blum
THE RING: THE MAN WHO BEAT THE MAN – Gail Simone

2-2:50 pm: Hellboy Universe Group Signing
YOUNG HELLBOY – Craig Rousseau
GHOST OF A GHOST – Chris Roberson, Michael Avon Oeming
FRANKENSTEIN: NEW WORLD – Thomas Sniegoski

3-3:50 pm:
WRISTBAND REQUIRED MINOR THREATS – Patton Oswalt, Jordan Blum
FROM THE WORLD OF MINOR THREATS: THE BROOD – Heath Corson
FROM THE WORLD OF MINOR THREATS: Archie vs. Minor Threats – Timmy Heague
FROM THE WORLD OF MINOR THREATS: Barfly – Kyle Starks
NO POSED PHOTOGRAPHY
NO WITNESSED SIGNATURES
LIMIT ONE FREE PRINT AND MINOR THREATS ITEMS TO BE SIGNED PER PERSON (no other products, comics, or franchises outside Minor Threats)
OTHER RESTRICTIONS WILL APPLY–SEE STAFF FOR INFO

5:30-6:30 pm:
THE ONES – Brian Michael Bendis, Joshua Reed
POWERS 25 – Brian Michael Bendis, Michael Avon Oeming, Joshua Reed
KABUKI – David Mack

SUNDAY, SEPTEMBER 13, 2026

12-12:50 pm:
THE GOON, DR. WERTHLESS, HILLBILLY: THE TREASON OF TWELVE-TOE MAGGIE – Eric Powell
GRENDEL – Matt Wagner, Brennan Wagner

1-1:50 pm:
CYBERPUNK 2077: CHROME – Doug Wagner
MAGIC: THE GATHERING: UNTOLD STORIES–JACE – Michael Conrad


DARK HORSE RCCC PANEL SCHEDULE

Visit the Rose City Comic Con website for more panels featuring Dark Horse creators and guidelines for attending panels.

FRIDAY, SEPTEMBER 11

Dark Horse: Star-Powered Storytelling with Patton Oswalt and Jordan Blum

2:15-3:00 pm
Main Stage – Portland Ballroom

Emmy and Grammy Award-winning comedian, actor, and writer Patton Oswalt started out performing as your favorite characters in beloved films and television, but now he’s turned to creating the newest fan-favorite characters in their creator-owned comics! Together with showrunner and writer Jordan Blum and other comics creators, they’ll discuss building stories like Minor Threats, Witness Point, and more! Learn what it’s like juggling writing duties with their co-creators, what they love most about the medium, and more. Panelists include Patton Oswalt, Jordan Blum, and Heath Corson.

SATURDAY, SEPTEMBER 12

Dark Horse Comics: 40 Years of Comic Nerds

1:00-2:00pm
Room E141-144

Dark Horse Comics invites comics nerds to celebrate 40 years with a showcase of creator-owned comics, licensed titles, and fan-favorite products! Discover what’s new from Dark Horse, learn about upcoming projects, and hear stories from creators, editors, and more about the legacy of Dark Horse Comics.

SUNDAY, SEPTEMBER 13

Dark Horse Manga and Manhwa: Translations & Adaptations

11:45 am-12:45pm
Room E141-144

Dark Horse brings the Manga! Join the editorial, licensing, and marketing teams behind the library of titles Dark Horse has brought to English audiences from Japan and Korea over the years to discuss the importance of Manga (and Manhwa) to the comics industry in the United States and get some insight into the care and passion that goes into designing a Deluxe Edition of a beloved series!

Preview: Six of Us #1

Six of Us #1

Writer: Tom King
Artist: Gabriel Hernandez Walta
Colorist: Jordie Bellaire
Letterer: Clayton Cowles
Cover artist: Gabriel Hernandez Walta

Six actors built America’s favorite sitcom. Millions tuned in. Billboards lit the skyline. Then one of them died . . .

A beloved cast member of a hit ensemble sitcom dies under mysterious circumstances, sending shockwaves through Hollywood and revealing the secrets, betrayals, and desires lurking beneath the glittering facade. As the surviving cast members confront their past; old rivalries and hidden truths emerge and the line between life and performance begins to blur.

Tom King, Gabriel Hernández Walta, and Jordie Bellaire—creators of the Eisner Award-winning The Vision—deliver a brutal Hollywood noir: a story about grief, ambition, and the lies we tell to keep the show alive.

From Eisner award-winning best-selling author of Helen of Wyndhorn, The Human Target, Supergirl: Woman of Tomorrow, Love Everlasting, Mister Miracle, The Vision, The Sheriff of Babylon!

Six of Us #1
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