Tag Archives: critical millennium

Best Comics of 2011

It’s the first day of a new year and so that means we’re doing our “best of” listing of the top comic books for 2011. Generally these are comic books that came out in 2010, though some are from earlier times and we got around to reading them. Keep in mind, this is what I have read.  If it’s not on here, I just might not have read it.

Best Super Hero Comic – Daredevil

Daredevil #1 CoverDaredevil has had an interesting 2011, we started with Shadowland and then got Matt Murdock finding himself and then a relaunched back to basic series written by Mark Waid with art by Paolo RiveraShadowland wasn’t too bad, a bit uneven, but as a whole Marvel had issues with this year’s events.  Seeing Murdock corrupt and the emotion from his friends was an interesting read.  After you had Murdock wandering the country in short mini-series followed up by the relaunch.

It’s that relaunch that makes Daredevil stick out in my mind.  It’s a comic I look forward to reading each month.  Waid has given it a pulp action feel like classic Green Hornet or the Shadow and Rivera’s art is fantastic.  The comic is just fun to read.  On top of Waid’s take, Daredevil is now an Avenger and each of his brief appearances so far has enhanced that series.  When you show up in an ensemble comic and steal the show, that says something.

Waid has set up a lot going into 2012, can’t wait to see how it turns out.

Runner Ups – Moon Knight, Uncanny X-Force, Aquaman

Best Non-Super Hero Comic –DMZ

DMZ 50Is there a more politically relevant comic book series out there? Every month we’re given something to think about as we follow Matty Roth through Manhattan which is now a DMZ in the middle of the second American Civil War.

Writer Brian Wood is able to pivot and comment on what’s currently happening in politics and the world challenging our perceptions and not seem preachy at the same time.

With some single issues that stand as some of the best of the year and numerous holy shit moments, this isn’t just one of the most relevant comics out there, but some of the best political commentary of any entertainment medium.  Fittingly, this final week also brought us the final issue of the series, a perfect way to end the year.

Runner Ups – American Vampire, Chew, The Walking Dead

Best Limited Series or One Shot – Criminal: The Last Of The Innocent

Criminal: The Last Of The Innocent #1Really, just sign me up for whatever Ed Brubaker and Sean Philips have in store.  This latest volume of their crime/noir series from Marvel/Icon gave us a shit-head of a main character and kept us on our toes as to what to expect.  Sean Philips also showed us something new by changing up the art style every so often.

These two are one of the best teams in comic books today.  Early 2012 brings us Fatale from them to be published by Image which is more horror/noir.  Hopefully we’ll be seeing another volume of this series as well.

I’m a huge fan up pulp/noir comics, and this is the gold standard by which all others are judged.  Just fantastic.

Runner Ups – Critical Millennium, Severed, 27: Second Set

Best Single Issue – Transformers #22 and #23

Transformers #23 CoverTechnically it’s two issues, but the story is spread out between the two issues and either stands out as the best.  On top of that Transformers: The Death of Optimus Prime reflects on what’s discussed in these issues as well.  Megatron is captured and the two issues reflect on his and Optimus’ past and how they became who they are.  Flash forward to the present and the two leaders debate politics and motives.  It’s an adult discussion coming from two giant robots.

DMZ might have been “the” political discussion of the year, but these two issues I just didn’t expect it from.  Absolutely fantastic and enough to give me pause and make me think.

What’s the difference between a terrorist and freedom fighter?  Find out in these issues.

Worst Single Issue of the Year – Holy Terror

Just a holy piece of crap.  This is up there as one of the worst things I’ve ever read.  The graphic novel by legend Frank miller is racist, xenophobic, sexist and horribly written.  Can’t believe we’ve waited so long to read it.

Runner Ups The Infinite (any issue)

Best Graphic Novel/Trade Paperback – Green River Killer

Green River Killer A True Detective StoryDark Horse’s Green River Killer is a true-crime story focused on the Green River serial killings.  The writer was close to the subject, as his father was one of the lead detectives.  The story has multiple layers, looking at how families were affected, the struggles the police went through and at the end, why the killer did what he did.

The graphic novel is haunting.  I couldn’t stop thinking about it for many days it was that disturbing and unsettling.  The art is good, but it’s the story that gets you.  The whole time you’re wondering how they’re going to solve this, but also why is this happening.

Add in the fact this is a true story.  It’s a disturbing true story.  Being able to get some of the behind the scenes to a story I only know from newspapers and the nightly news, just adds more to it all.

Runner Ups Any Empire, Jim Henson’s Tale of Sand

Best Event of the Year – Uncanny X-Force: The Dark Angel Saga

Uncanny X-Force #18 Teaser 1I’m counting this as an event, though it’s really a long story arc.  Rick Remender has put together the best “X” book put out by Marvel.  This event which saw the rise of a new Apocalypse in the form of Archangel and X-Force is all that stands in the way between him and world destruction.

Diving into “X” lore with trips to the Age of Apocalypse universe, this was a story for the hard core “X” fans.  But, more than that, everything was thrown into it.  You had no idea what was going to come next and what to expect.

It wasn’t until I finally read the last issue that I know the ending, that’s how much of a big question mark Remender gave us.  The follow as well was fantastic as why characters did what they did and a new status-quo and direction were set.

Runner Ups Artifacts, Flashpoint

Best Genre of the Year – Horror

Horror was where it was at this year with DC folding in some Vertigo books and some great limited series like Severed.  Animal Man, Swamp Thing, I, Vampire, B.P.R.D. and more lead the way to dethroning last year’s winner, a bunch of shuffling zombies (though that’s also horror in a way).  I’ve never been creeped out more and enjoyed it as much.

Runner Up – Steampunk, Zombie

Best Comic Tie-In of the Year – Batman: Arkham City

I enjoy a video game or two (dozen).  One of the best video games of the year, not just comic book tie-ins was Batman: Arkham City which just brought more of the brawler game.  There’s a reason many are naming this as one of the best video games of the year and it’s sold so well.  It’s that damn good.

The downloadable material which seems to be coming as a steady flow, the fact you can play as so many characters, that all adds up to a comic book experience you can control.  Add in amazing graphics, game play and there you have it, it’s a must buy video game.

Runner Up – Marvel Universe toys, DC Universe Super Heroes Legos

Best Comic Book Related Movie – Thor

Marvel Studios Thor PosterThis year’s crop of comic book related movies wasn’t as amazing as I’d hope, but it’s a solid bunch.  Marvel’s batch as what stood out and all three really deserve to share the honors.  Each was excellent and flawed in their own ways, but out of the three Thor holds up best.

The story is pretty standard, didn’t really challenge me at all, but the visuals and Chris Hemsworth’s acting is what really makes it all stand out.  The flaws also are the least of the bunch with only the final fight between Thor and the Destroyer really bothering me.

Out of the bunch, this was also the highest grossing, showing it wasn’t just me that liked it.

Runner Ups – Captain America: The First Avenger, X-Men: First Class

Best Surprise of the Year – DC New 52

DC ComicsThis is a mixed one as DC’s relaunch is also a disappointment, but I’ll address it all here.  DC made a bold move this year to shake up their sagging line of comic books by starting from the beginning and relaunching the entire line.  It was gutsy.  On top of that, their digital initiative was bold.

The story that lead up to it all, Flashpoint, was pretty damn good and what came out of it as well.  I took a chance on all fifty-two issues and came away with giving half of them a chance for the second issue.  From there, I made further cuts, but today, I’m reading more comics from DC than I ever have and their higher volumes they’re selling that the initiative has worked for the short term.

The disappointing part is that they didn’t go far enough.  The comics were pretty standard and we didn’t get anything out of the box.  There also was a clear audience, adolescent males (or men stuck in their adolescence).  While we saw more advertising to the general public, we haven’t seen a sustained campaign.  For all their gains in 2011, I think we’ll see a good chunk of it erode in 2012.

Biggest Disappointment of the Year – Marvel Events

Marvel ComicsFear Itself and it’s follow up were and are bad.  X-Men: Schism was ok, but much better than what was before.  Shadowland was uneven.  Marvel has been having some issues when it comes to their events.  I won’t call it overall event fatigue in the industry as others have put out quality and showed what works.

Too many tie-ins, stories not thought out and gimmicky tricks paved the way to a substandard experience.

Marvel relied on the tired gimmick of death, killing the Ultimate Spider-Man, Bucky, the Human Torch and more, that all made headlines but some of it is already undone.  There’s only so many times you can call death before the masses catch on and shrugs their shoulders.

Already we’re heading into more events at Marvel in 2012, here’s hoping there’s some improvement.

Runner Up – Green Lantern (movie), DCnU

Best Character – Moon Knight

Moon Knight #1 CoverMoon Knight has always been a character that’s intrigued me.  Brian Michael Bendis, along with amazing art by Alex Maleev, have given us a new series that really looks at the many personalities of Marc Spector.  The new series really has fun with the idea having Moon Knight drawing upon his personalities at different points.

Moon Knight is the psychotic Batman, a super hero struggling with mental illness.  But is he really suffering from it?  And should it be this much enjoyable to read?

Publisher of the Year – Archaia

ArchaiaArchaia received the honor last year as well, so let me really explain my logic here.  Lets start with the big two, Marvel and DC.  Marvel’s line has suffered in 2011, they’re out.  DC made a bold choice, but four months letter, it all feels empty.  There’s quality, but there’s also a lot that just doesn’t excite.

BOOM! made it’s case towards the end of the year with some great original series, along with some on-goings that continue to show off their quality.  Add in a lot of licensed comics and they’ve got a line that has something for everyone.  There were also some busts, but they’ve got a great line of comics.  Image Comics, for all the quality also has some major duds.  Inconsistency is the issue, but their quality is some of the best out there.

Dark Horse has some amazing comics.  A lot of big name licenses and some good original, but there’s a lot of series I read and just didn’t interest me.  Their quality though is up there.  If your a Star Wars or Buffy fan too, they put out excellent product.  Then we come to IDW Publishing.  A lot of license there too, and also a lot of original material.  Each week I see their new releases, I get excited, as a whole, I’m probably interested in more of their monthly comics percentage wise than any other publisher, and it’s all excellent.

And the big winner is Archaia.  I should start with the presentation of the books.  Beautiful covers and packaging is the first thing that sticks out.  Their entire line of graphic novels are beautiful to look at on a shelf.  Then there’s what’s in between those fancy covers.  The variety of the books and quality is unmatched.  I can find something for everyone and hand out one of their series or a graphic novel and know I’m good with my choice.  All of what I read was good to great and much challenges story telling and comic book visuals.

Licensed books, original books, it’s all here.  And it’s amazing.  There’s comics for kids and adults and books kids and adults will love together.  Books from the US and Europe, we have different styles and perspectives, it’s like the publisher goes out of it’s way to present choice and variety.  And it’s all good.

I said it last year and it still holds true this year, when I think Archaia, I think high quality and expect the best.  They continue to not let me down.

Runner Up – IDW Publishing

Around the Tubes

It was new comic book day yesterday, what’d everyone get?  Looks like there was some solid books that I can’t wait to read.  While I wait to do that, here’s the news you might have missed.

Around the Blogs:

Comics Alliance – ‘Batman: Arkham City’ Spinoff Game Coming Soon to iOS DevicesVery nice, hopefully it’s as good as the main game.

Kotaku – Play Batman: Arkham City, L.A. Noire and other AAA Games on Your iPadI might have to try this out.

Kotaku – Batman’s PC Version Fixed, But Also Kinda BrokenReally sucks for those trying to enjoy the game.

 

Around the Tubes Reviews:

Spandexless – Critical Millennium Vol. 1

CBR – Swamp Thing #4

Complex – Review: Marvel Relaunches “The Defenders” With A Stacked Roster And Fantastic Art

IGN – The Best of Marvel Comics in 2011

NYCC 11 – First Thoughts

As always, I had an amazing time at a comic book convention.  While I go to check out the latest releases and the new talent in Artist’s Alley, it’s the friendships I’ve made that makes it worth it (sappy I know).  The 2011 New York Comic Con was fantastic and seemed about a quarter to 50% bigger this year than last.

While the floor was amazing, the convention rooms were a bit packed and there were quite a few panels I wasn’t able to get into (bummer).  Hopefully that gets fixed next year.  The people attending were fantastic with great costumes and attitudes that made it fun for everyone. The displays weren’t as impressive, I saw most at San Diego earlier this year.  But, I got to see my name on the cover of Archaia‘s Critical Millennium hard cover, I giggled every time I saw it.

Here’s the checklist of the thoughts on top of my head:

  • Always great seeing Charles Soule and Len Wallace (and Jessica), good friends and great talents.  I especially had fun sitting behind Charle’s table and selling some of his comics for a bit (27 and Strongman).  Also chatting with Drew Gaska as always was fun, some day we’ll figure out a time for a radio interview.
  • Fantastic to hang out with Chip “Cuddles” Mosher and get to know the comiXology crew.  They’re an upcoming tech company everyone should be watching.
  • I bumped in BOOM! Studios and Ross Ritchie and some of his team.  Such nice folks.
  • The CBLDF deserves your support people!  Get involved!
  • I still don’t get anime and manga but the GEN Manga folks were so nice.
  • I got to meet a great talent Palle Schmidt and can’t wait to spotlight him more.  So smart and interesting to talk to.  He opened my eyes on a few things I’ve covered with a better perspective.
  • The Reed Pop crew do an amazing job putting together shows.
  • Mel and Archaia, Filip and Top Cow are class acts, so happy to see them every show.

Best items I returned home with besides the stacks of comics and graphic novels to read…

  • A new guitar pic for Charles Soule‘s 27 in honor of the launch of the second volume
  • I finally bought show exclusives including Hasbro‘s Hulk and the Spidey/Fireman Mini-mate
  • I got Spidey Mega Blocks!
  • DC had one of the oddest promotions, a light up Kryptonite ice cube to promote Smallville.
  • I grabbed both AKA video games, such a creative promotion.

And that’s it for convention season for me…. until 2012.

Preview – Critical Millennium: The Dark Frontier

CRITICAL MILLENNIUM: THE DARK FRONTIER
Collected Edition Hardcover

Retail Price: $24.95 U.S.
Page Count: 168 pages
Format: hardcover book with dust jacket, 6.625” x 10.25”, full color
Pub Date: Oct. 12, 2011
ISBN-13: 978-1-932386-98-1

Written by Andrew E. C. Gaska
Illustrated by Daniel Dussault
Cover by Daniel Dussault

Mankind’s rise and fall in space begins here! Two thousand years from now, the Earth is nearly dead. A bold group of explorers led by philanthropist Thomm Coney pushes forward to take the first tentative steps out of Earth’s solar system. Their quest: new worlds to colonize, so that humanity may yet have a chance at survival. Facing impossible odds, political agendas, and a fanatical terrorist regime bent on their destruction, Coney and his crew brave the dangers of a potentially volatile star drive in order to preserve a civilization intent not only on killing itself, but also on taking down every other living thing around it. Will mankind set aside its greed long enough to see a future amongst the stars? Collects Critical Millennium: The Dark Frontier #1-4 and contains extra material, including data sheets, sketchbook pages, starship information sheets and more.

Mature Readers (Contains Adult Content)

Review – Critical Millennium #4

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Critical Millennium #4 CoverI’ve been praising this series and though it took a while to get here, the final issue of the first volume, Critical Millennium #4 shows off so much of what I’ve loved.  A sci-fi series by Drew Gaska, Critical Millennium chronicles the journey of Thomm as he leads a crew into space to escape a doomed Earth.  Gaska does what sci-fi does best, acts as a parable about modern times.  Not only do you have a dysfunctional world, but there’s also commentary on racism, today’s entertainment, all thrown together with political intrigue.

The dramatic conclusion to the first miniseries! The gravitic drive vessel Black Rabbit is on the pad for its earthborn launch to new worlds! Prime Minister Blacklytter bans public transmission of the lift off! The Wraith infiltrates the launch bay with the intent of hijacking the starship! Young John Adams makes a stand for his beliefs, and pays the ultimate price! Disaster strikes New Bombay, heralding the end of Hope itself! Angel Rei stares long and hard into a bottle of sleeping pills! Countess Watwani races to stop her husband from committing genocide! All this, and Coney, Eryc and Pandita find their flight out-system blocked by a police force!

As all points converge, will Thomm finally realize his grandparents’ dream of a new beginning for mankind, and a future amongst the stars?

Everything is here and though, the first issue tells you whether Thomm has lift-off, there was still more than enough to keep me on the edge of my seat to see what comes next.  Also, so much is revealed as far as the motivation of the Ghosts, and let me tell you, who has been pulling their strings isn’t what you’d expect.

There’s an amazing mix of humor (some of which made me pause and say “holy shit”) and action and all together it’s done in the finest tradition of science fiction.  The art by Daniel Dussault is amazing as well, as I’d expect.  His style if made for the digital medium, and both printed and digital jump out at you.  The details this man can do is amazing.

If you haven’t picked up the first three issues, the trade version of it will be out soon, and I’ll already put that as a buy.  There’s a reason this comic is consistently a Pick of the Week and here’s hoping we won’t have to wait too long for the next volume.

Story: 9.5 Art: 10 Overall: 9.75 Recommendation: Buy

Story: Drew Gaska Art: Daniel Dussault

Publisher: Archaia Cost: $3.95 Release Date: August 24

Archaia provided Graphic Policy with an advance copy of this issue for FREE for review.

Pick of the Week – Critical Millennium #4

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I could begin with the awesome that is writer Drew Gaska, but whether I personally like the creative team doesn’t mean much when it comes to what you should spend your money on.  Instead I can vouch that Critical Millennium #4 which wraps the first volume of the series is fantastic.  The art continues to be amazing, and the story is top notch as well.  The series is about man’s attempt to escape our dieing planet and colonize a planet.  But, with terrorism, political intrigue and a lot of commentary on society, the series does what some of the best sci-fi does, discuss the current political client and world we live in.  If you don’t believe how much I like the series, you can wait for the trade paperback which features a quote by yours truly on the front.

  • Critical Millennium #4 – See above.
  • American Vampire #18 – Scott Snyder seems to be cleaning up with awards this year, and this comic is the main reason.
  • Kill Shakespeare #12 – I love this series and it’s sad to see the first volume come to the ending.  A comic that makes Shakespeare cool.
  • Bionic Man #1 – Kevin Smith revitalized The Green Hornet in comics and I have a feeling he’ll be doing the same for this series.  Hopefully it’s the same quality.
  • Teenage Mutant Ninja Turtles #1 – The classic series launches again and I’m so excited.

10 Questions with Drew Gaska

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Critical Millennium 003 CoverDrew Gaska is a hell of a writer and turns out puts a lot of thought into what he’s putting out?  Don’t believe me?  Check out his commentary about the third issue of his fantastic series Critical Millennium.  The series blends sci-fi with some fantastic themes and plot lines involving politics, race, the environment and business.  A lot to pack into a comic book and especially one this damn good.

With a his book being so consistently good we were psyched to have Drew step up and take part in 10 Questions.

Graphic Policy: First let me say thank you for taking the time to answer these questions.  I guess the first question would be where the idea of Critical Millennium came from?

Andrew Gaska: I was concerned for the state of science fiction! The concept of Critical Millennium was conceived in the mid 90s by myself and my former writing partner, Christian Berntsen, before he left the project in my charge.

Initially Critical Millennium was a smaller project called Variable Action Guard: Paperdoll. It was a kind of bad girl book – all the rage at the time of its conception. Paperdoll was a story about a super sexy secret agent – a sort of “Jane Bond” –working on the galactic fringe, but instead of gadgets, she would get replacement body parts that would help her get the job done. The thing about Paperdoll was, we wanted to trick readers into buying a bad girl book and find out that it had real story and amazing characters in it. The main character looked like a buxom bad girl, but was going to witness the brutal slaying of her sister in the first issue, and find out she was pregnant by the fifth – and the crux of the storylines were to revolve around the themes of loss and rebirth. It was in planning out the backstory of how mankind got into space, and how the frontier got to be such a bad place that her services were needed there, that the roots of what is now the Critical Millennium came to be. The Paperdoll concept is still very much a part of the Critical Millennium universe, but won’t actually appear until the second half of the 1000 years of mankind’s rise and fall in outer space.

As for the backstory as I developed it, I think a lot of it came out of the times. The mid 90s wasn’t kind to sci-fi. The classic Trek crew had said their goodbyes in STVI, Next Generation was leaving the airways for a series of lackluster wannabe action flicks, and the emerging sci-fi fixes were the likes of Voyager, Babylon 5, the Stargate movie, and Independence Day. It was a dark time for popular science fiction, and no one was saying what I wanted to – what I felt needed to – be said.

Socially, I was concerned for NASA. It had almost been a decade since the Challenger accident, and it seemed like the space program had come to a complete stop. There would be no moon base by the year 1999, and we weren’t even close to thinking about Mars. I started to worry about what would happen if we had some kind of global catastrophe, and how would mankind survive.

My friends – and my girlfriends especially – at the time thought I was nuts, and that money spent on the space program would be a waste when we needed to deal with problems here on earth.

Ironically, Stephen Hawking made a statement only two months after Critical Millennium’s release last summer that basically validates everything I have said for the past fifteen years, making me think that there is a rhyme and rhythm as to why it took so long for Critical Millennium to be published. Hawking said: “The human race shouldn’t have all its eggs in one basket, or on one planet. Our only chance of long-term survival is not to remain inward looking on planet Earth, but to spread out into space. Our population and our use of the finite resources of planet Earth are growing exponentially, along with our technical ability to change the environment for good or ill.”

It feels good to be vindicated.

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Critical Millennium #3 Commentary with Drew Gaska


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We’ve praised the comic book series Critical Millennium with it’s fantastic sci-fi tale and relevant topical discussions.  With the release of the third issues this week, writer Andrew E. C. Gaska was nice enough to take some time to give us some commentary on the latest issue and series.

Warning Spoilers!

Critical Millennium 003 Preview_PG1

Graphic Policy: What made you decide to open up this way; it’s about a third way in.  Considering what goes on further down the issue, did you consider using that accident for this scene?

Andrew E. C. Gaska: I wanted to open with a mystery that people would probably forget about, and then find out that it tied into the ending of the book as well. I know that sounds convoluted, but I am approaching Critical Millennium from a ‘stream of consciousness’ point of view.

I guess I am a little tired of linear storytelling. Thoughts we have seldom occur chronologically, as we encounter things that trigger synapses to fire in our heads, we remember other things that have happened in our lives. It’s like when you start to tell a story to a friend and then realize you left out a crucial part and suddenly say, “Wait – before that happened there was this.” Your friend might get confused a little long the way, but all the pieces fit into place to you. In traditional terms, that is story fail. I wanted to see if I could take that concept and make it story win – where the readers can follow it despite it’s jumping around all the time.

The thing about Critical Millennium is that technically the entire first run of several miniseries is flashbacks within flashbacks. It’s a look back at the things that led to the opening of the first issue: the crazy lone captain encountering an unknown force at the edge of space. It is kind of a crazy way to tell a story – because I am not even telling it linearly backwards as is done sometimes, but instead as haphazardly as the mind works, but it’s a challenge that I am thoroughly enjoying the outcome of.

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Review – Critical Millennium: The Dark Frontier #3


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Critical Millennium 003 CoverScience fiction is a genre that often wraps it’s stories in metaphors for issues of our times.  Critical Millennium: The Dark Frontier written by Andrew E. C. Gaska and art by Daniel Dussault keeps up that fine tradition.  The story’s main focus is Earth’s destruction from mankind’s veracious appetite and a young multimillionaire’s vision to head to the stars in an attempt to colonize a planet and save us.

One thousand years of mankind’s rise and fall in space! To avert the path all thought unavoidable, a bold group of explorers takes the first steps toward leaving Earth’s solar system. Their quest: new worlds to colonize, so that humanity may yet have yet a chance at survival. Led by philanthropist Thomm Coney, and utilizing an untried star–drive, the team is scorned by the world’s government and canonized by its citizens. In this issue: Coney, Eryc, Pandita and Angel Rei return to Earth amidst a media circus! In the aftermath of the flooding of the Ghost Sector of New Bombay, the world debates over what to do with the survivors—no one wants them. With the completed Black Star Drive Vessel transported via cargo carrier to Earth, and political tensions over its impending launch running high, young John Adams find himself entrenched deep within the new Ghost Army. The leader—a man known only as the Wraith—initiates a series of terrorist attacks designed to kill the would-be-astronauts and destroy their ship in a bid to stop the mission to the stars!

The themes covered in the series and third issue are numerous.  Race, the environment, politics, manifest destiny, terrorism and business are all covered in just this issue alone.  The buildup to the launch of the Dark Star vessel continues as we see what the crew goes through to prepare as well as all of the people circling in an attempt to stop their launch.

There’s a lot of zigs and zags with my assumptions early on being proved wrong by the end.  This is only a four issue limited series, but, it’s an absolute buy.

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