We discovered Radar City: When it Rains it Showers at our local comic shop Big Planet Comics, and after a quick flip through and a bargain price, it was an indie comic we had to check out and so glad we did!
Story: Toby Kant Art: Toby Kant
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
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Indie comics and small press publishers are in a weird space with the collapse of Diamond Comic Distributors, which has led creators to scramble to figure out how to get their comics into stores and numerous businesses and models to launch in an attempt to fill the gap. Power Pulp is one of those startups and here to make it louder, weirder, and more creator-owned than ever. It’s not just another imprint—it’s a full-blown comics collective built by self-publishers with one goal: to get Stories for your third eyeinto the world.
A creator-led distro model disguised as a publisher, Power Pulp is offering something rare: 100% of profits go straight to the artists. No skimming, no IP hoarding, no corporate machine—just fiercely original work backed by a system that respects the source!
Each title in the Power Pulp catalog is handpicked for maximum impact—visually, narratively, and emotionally. From mind-bending one-shots to bold serials, these books don’t just look good on a shelf—they linger. Whether you’re a longtime Wednesday Warrior or an indie die-hard, this lineup is built to stir something.
Current titles include: 21st Century of Big Spider (Tony Fero), Ape-Men of the Apocalypse (Brad Dwyer), The Baboon (Jamie Jones), Chaotic Neutral (Chris Anderson & Mark Sable), Dino Beasts (James & John Coats), Dishoom (Sam J Royale), FutureLux (Scott Gerard Ruhl), Galacto Pit Fighter (Kirt Burdick), Galaxy Brigade (Mattchee), Kala Jadoo (Sam J Royale), Ninja IV (James & John Coats), Psychometrics (Matt King), Rorg of the Blood Swamp (Pat Kain), Scorpio Venus Rising (Corinne Halbert), Soraya (Mattchee), Sorcery Wars (Mattchee), Spakow! (Jamie Jones), Spectral (Chris Anderson & David Accampo), Ulf Maverick (Tony Fero), with Emerald Emu (John Coats & Brian McCray), Galaxy Gods #2 (James Coats), Spakow #4 (Jamie Jones), and Scorpio Venus Rising #4 (Corrine Halbert), on the way!
To browse titles, get distro info, or plug directly into the collective, visit powerpulpcomics.com.
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During the Small Press Expo (SPX) taking place this weekend, the winners of the 2023 Ignatz Awards were announced. The Ignatz are a celebration of outstanding achievement in comics and cartooning.
Voting for the Ignatz Awards was open to anybody on the SPX email lists and anyone requesting a ballot. There was no in-person voting at the show, as voting for the prestigious Ignatz Awards was open to all fans of indie comics.
Ignatz Awards nominees are determined by a panel of comics professionals.
Congrats to all of the winners. They have been denoted in bold with “winner” added to their listing.
The Small Press Expo (SPX) has announced the 2023 nominees for the annual presentation of the Ignatz Awards, a celebration of outstanding achievement in comics and cartooning.
Voting for the Ignatz Awards is open to anybody on the SPX email lists and anyone requesting a ballot. There will be no in-person voting at the show, as voting for the prestigious Ignatz Awards is open to all fans of indie comics.
Ballots will be emailed on Monday August 14 to everyone on SPX’s email lists.
Voting ends on Friday September 8 at 5:00PM (EDT).
Ignatz Awards nominees are determined by a panel of comics professionals. This year’s team of jurors includes:
Ellen Lindner
Juniper Kim
L. Nichols
Ally Shwed
Jason Little
Kotaline Jones
The Ignatz Awards ceremony will be held at 9:30PM on Saturday September 9 in the White Oak Room of the Bethesda North Marriott Hotel and Conference Center.
Congrats to all of the nominees and we wish them luck.
Small Press Expo has announced the first Special Guests for SPX 2022. The first in-person show in three years takes place on Saturday September 17 and Sunday September 18 with programming and workshops about the amazing world of independent comics and an exhibitor floor with over 500 creators.
Additional Special Guests will be announced over the next few weeks.
Keith Knight is the inspiration and Executive Producer of the Hulu series Woke, as well as being a current nominee for the Cartoonist of the Year Reuben Award.Among Keith’s many other awards are the Glyph Award, the Harvey Kurtzman Award for Best Syndicated Comic Strip, the Inkpot Award from San Diego ComiCon along with receiving a NAACP History Maker Award. His latest cartoon collection, Good On Both Sides, the fifth collection of his socio-political single-panel cartoon, (th)ink.
“Radical: My Year with a Socialist Senator is a remarkable first-hand account of New Yorker cartoonist, Sofia Warren’s experience embedded with New York State Senator Julia Salazar and her staff during their first year in office. “So much of this experience was a surprise to me,” says Warren: “that for their entire first legislative session, Julia and her staff let me be in the room.” Sofia will be making her first appearance at SPX.
Ruben Bolling is the author of the weekly satirical comic strip “Tom the Dancing Bug,” which has appeared in hundreds of publications, including The Washington Post, The Village Voice, and The New York Times and currently appears on the online publications BoingBoing.net, DailyKos.com, and GoComics.com. Ruben has won the Herblock Prize, an RFK Journalism Award, a National Cartoonists Society Award, a Society of Illustrators Gold Medal, and a Berryman Award from the National Press Foundation and is a two-time Pulitzer Prize Finalist (2019 and 2021).
Lonnie Millsap has been twice nominated for the prestigious Rueben Award and has won the Los Angeles National Cartoonists Society Dingy Award along with the Comic Art Professional Society’s Don Rico award. In 2018, his first cartoon was accepted by The New Yorker, which used his cartoons for their renowned Caption Contest. Millsap was also the character designer for Donny Hathaway’s Official animated ‘This Christmas’ music video released by Warner Records that has well over two million views. His work has also appeared in season one and two of Keith Knight’s television show, ‘Woke.’ Millsap’s latest cartoon book release is titled ‘Hit It To The Mermaid!’ (2022).
Megan Kelso has been drawing comics for over 30 years. In 2007, she was invited by The New York Times to serialize her “Watergate Sue” comic as part of the weekly “Funny Pages” feature. In 2019, she was selected for a public art commission for Climate Pledge Arena in Seattle. Her books include The Squirrel Mother (2006), Artichoke Tales (2010), and Queen of the Black Black (2011).
Tommi Parrish is a cartoonist and painter based in Montreal, QC. Their debut work, The Lie and How We Told It, won the 2019 Lambda Literary Award for the best LGBTQ graphic novel, was nominated for the Ignatz award, and was featured in several best of 2018 lists and translated into several languages.
The Small Press Expo has announced that it will return, live and in person, September 17-18, 2022. With COVID still an issue, the convention has announced safety precautions along with exhibitor registration and attendee information.
COVID-19 AND SPX
SPX plans to take a variety of measures to help ensure that they can provide as safe an environment as possible for the exhibitors, guests, and attendees. For this year’s in-person show, SPX will have the following COVID protocols in place:
For SPX Volunteers and Staff
Volunteers and staff must provide proof of vaccination to participate onsite
Volunteers and staff must abide by social distancing measures while on shift
Masks will be mandatory in all indoor SPX spaces, except while eating or drinking
For Exhibitors and Special Guests
Exhibitors must provide proof of vaccination to receive their SPX badge
Exhibitors will be limited 2 people per table allowed on the floor at any one time
Masks will be mandatory in all indoor SPX spaces, except while eating or drinking
For Attendees
Attendees must provide proof of vaccination to receive their badge
Masks will be mandatory in all indoor SPX spaces, except while eating or drinking
The convention is exploring the possible use of timed attendee tickets to help alleviate crowding
Additional Measures Under Consideration
The risks, and risk factors, for COVID-19 have continued to evolve and, with many months until showtime, it is likely that the safety measures will need to evolve as well. SPX will update the community periodically with the status for both the show and COVID protocols.
Over the next few months, SPX will explore whether they should require a negative COVID test within 48 hours of SPX as a condition of attending the show. Rapid antigen (at home) tests and PCR (lab reviewed) tests are costly and hard to come by in many locations. The convention will assess the additional margin of safety these measures could provide against the practicality and feasibility of their use.
Small Press Expos is also working with the Marriott over the course of the next several months to ensure the availability of sanitization supplies and masks, as well as the necessary equipment and logistical planning to enable proper social distancing in our meeting rooms, lines, etc.
COVID-19 AND MONTGOMERY COUNTY
One positive with regard to the pandemic is that SPX takes place in Montgomery County, Maryland, one of the most highly vaccinated areas in the United States. Based in part on these high vaccination numbers, currently, the Montgomery County Department of Health and the State of Maryland are allowing large functions at the Marriott, with mask wearing required except in the small breakout rooms and eating areas. Barring a decision from the county to halt large events such as ours, SPX feels confident in its ability to move forward with the show, and the attendees ability to plan accordingly.
EXHIBITORS KEY DATES
Following is the planned schedule for opening table registration for SPX 2022:
March 4 – Invitations to publishers and creators sent
March 20 – Table lottery opens
March 28 – Table lottery closes
Week of April 4 – Lottery winners contacted
Mid-April – Hotel room block information sent to all table holders
The convention hasn’t yet determined the timeframe to provide payment for exhibitor tables. Expect May at the earliest and they’ll confirm the date with everyone by the first of March.
ATTENDEE INFORMATION
Advance tickets will go on sale no earlier than late June, with availability dependent upon the state of the pandemic.
For those attendees coming from out of town, the hotel room block will be made available the first week in May.
Capacities for panels and workshops may be limited. Sign-up forms for workshops will be available in August.
Alex and Joe are joined by Paul Gomez, writer of the comic PTSD, which is currently live on Kickstarter.
PTSD is about Steven Christensen, a traumatized veteran, reliving a series of significant moments over the course of his life in one fateful afternoon. What could be in that house next door could exist in any town across America. A tale of a man who served his country, but now, through a simple twist of fate, finds himself at a deadly crossroads of denial and self-examination…
You can find Paul at inked.pub/pgomez or on Twitter @raveknight13.
As always, Alex and Joe can be found on Twitter respectively @karcossa and @FirstRonin4 if you feel the need to tell them they’re wrong individually, or @those2geeks if you want to yell at them together on Twitter, or by email at ItsThose2Geeks@gmail.com.
As a child of immigrants, it’s never lost on me about the sacrifice they made. My parents came from different parts of the world to only meet in the “greatest city in the world”. Storybook romances only happen in the movies, but my parents came close. For children who have had to listen to hours of stories by their parents growing up, the main lesson we were to learn was, that “our life is easier”.
My mother used to talk about how hard it was growing up poor in the Philippines. As my father would tell us how he had to work the sugar cane fields on Trinidad. While we did not grow up rich, we were far from well off. In the debut issue Ginseng Roots #1, Craig Thompson connects his childhood to the geopolitics of America-China relations which start right in his backyard.
We find a younger version of our author and his brother, Phil, waking before dawn, as their summer camp, this particular year, was not with their friends but on a Ginseng garden, where he and his brother will toil for the rest of the day, harvesting roots. As we find out that this particular farm in Marathon, Wisconsin, was the largest producer of American ginseng in the world in 1980. As we soon find our narrator and his brother discovering comic books this particular summer but having the naiveté of children, that they reveled in the fact they would get paid for what they did, no matter the weather. By issue’s end, Thompson would give us a history of the root and its supply chain while endearing it to the summer he worked at this ginseng garden.
Overall, Ginseng Roots #1 is a vast and inherently heartfelt love letter to “working-class guilt” and the survivor’s remorse we often feel after rising above our station. The story by Thompson is simply, beautiful. The art by Thompson is striking. Altogether, Thompson proves with this book, how masterful a storyteller he is and how some trials we go through, make us who we are.
Alex and Joe chat with Mike Phillips, the creator of the comic Tessellation, launching on Kickstarter for February 17th.
As always, Alex and Joe can be found on twitter respectively @karcossa and @jcb_smark if you feel the need to tell them they’re wrong individually, or @those2geeks if you want to yell at them together on twitter, or by email at ItsThose2Geeks@gmail.com.