Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Talespin #1 (Dynamite) – Amanda Deibert and Carlo Lauro revive the 90s classic in suitably high-flying fashion in Talespin #1. Most of the comic’s page count is dedicated to the aptly named Sky Ryder’s acrobatics as she dazzles Baloo and Kit with her derring do in taking down the villainous Karny. Lauro makes the exciting clean and easy to follow while Deibert adds notes of wistfulness, adventure, and economic anxiety in her script. Re-engaging with this world as an adult, Talespin is definitely Baloo from the Jungle Book getting caught up in Casablanca or The Maltese Falcon. This is a solid first chapter with plenty of Disney Afternoon action. Overall: 7.7 Verdict: Buy

Spider-Man/Hulk: Fire and Brimstone #1 (Marvel) – Spirituality and truly groan worthy puns collide in Spider-Man/Hulk: Fire and Brimstone by Kevin Smith, Andrew McElfresh, RB Silva, and Federico Blee. Seriously, the first third of this comic is an overstimulating flurry of puns and hard to follow crowd scene. However, it locates its heart when Hulk finds peace through a happy childhood memory and then wraps up with a big, high concept swing. The idea of a man of science finding faith is quite compelling, and I’ve always enjoyed Smith’s explorations of religions. However, the inconsistent scripting and poorly blocked action make this first issue not quite a home run, but it does finish better than it starts. Overall: 7.0 Verdict: Read

American Caper #10 (Dark Horse) – Dan Houser, Lazlow, David Lapham, and Chris Anderson has gone from a bonkers guilty pleasure satire comic to just bonkers. Houser and Lazlow continue to pile subplot on subplot including a digression featuring a Kanye parody without tying them together until the very end with some quick violence. Lapham and Anderson’s visuals are pure gleeful absurdity, but I think I have to tap out of this story. (Or lack of one.) Overall: 4.5 Verdict: Pass

Shellshock #1 (Oni Press) – The one-shot Shellshock is a modernization of EC Comics’ Shocking SuspenStories focusing on the horrors of war with emotion and a pinch of dark humor. The first story in Shellshock is from John Arcudi and Shawn Martinbrough and is a harrowing look at the effects of airborne toxins on US veterans during the war in Afghanistan. Martinbrough’s art is hellish, and Arcudi scripts his protagonist Rita with empathy and compassion. The next story “Christmas” from Michael Conrad and Albert Monteys tries to find the shared humanity during World War I as the Germans and English celebrate a Christmas truce. Monteys contrasts the starving Germans and well-fed Englishmen to show how bad the war has gone for them and make the story’s twist hurt that much more while Conrad’s captions are pure anti-war brilliance. Julio Anta and David Lapham’s “Blowback” goes for dark humor over sobering reality as a CIA covert assassination expert tries to weather the family BBQ. The jingoism is turned up to 10, and the absurdity up to 11 in this wild and crazy parable about the perils of trying to outdrink beat cops. Shellshock new stories wrap up with the verbose sci-fi story “World of Wars” by Benito Cereno and Tom Fowler. I’m impressed with the sheer amount of alien races Cereno and Fowler were able to create to illustrate how war and conflict will sadly be never ending even going into the future. Shellshock concludes with its best story yet, “Yellow” from the EC all star team of Bill Gaines, Al Feldstein, and Jack Davis. Their portrayal of a strained father/son relationship is heartbreaking, but there’s still room for that pitch black EC humor. Colonel Henderson remorselessly smoking a cigarette will stick with me for quite some time. As the US fights a senseless conflict in Iran, Shellshock hits home with how war has more of an effect on ordinary folks than the people who declare it, but hey, a crockpot CIA wonk having his head explode can be funny sometimes. Overall: 9.1 Verdict: Buy

Inglorious X-Force #8 (Marvel) – With the exception of a confusing timey wimey final scene, Inglorious X-Force #8 is a solid clash of old school and new school storytelling. Tim Seeley and Luca Maresca have a ripped from the headlines bad guy who uses online video platforms and AI algorithms to make mutant youth hopeless and poison humans against them, but we’ve also got Cable, Boom Boom, and X-Force blowing shit up. This series is more interesting as a black ops team trying to stop mutant threats in extralegal ways and brushing up against even more extreme groups, but the Cable/time travel of it all kind of screws it up. However, the series has enough goodwill and flashy visuals that I’ll give this rabbit hole a shot and maybe re-read Cable’s Wikipedia entry this weekend. Overall: 7.8 Verdict: Buy