Tag Archives: butch guice

Preview: Swashbucklers: The Saga Continues #3

Swashbucklers: The Saga Continues #3

writer: Marc Guggenheim | artist: Andrea Mutti
covers: Butch Guice (A), Andrea Mutti (B)
Butch Guice (RI-B/W), Andrea Mutti (RI-B/W)
FC | 32 pages | $3.99 | Teen+

The Colonizer Empire was created to fight a threat from beyond the stars, but now that the Colonizers have fallen, ther ancient enemy has resurfaced. And where does Raader and her crew find themselves? The last place they would expect to be: on the bridge of Colonizer ship!

Preview: Hunt for Wolverine: The Claws of a Killer #1

Hunt for Wolverine: The Claws of a Killer #1

(W) Mariko Tamaki (A) Butch Guice (CA) Greg Land
Parental Advisory
In Shops: May 16, 2018
SRP: $3.99

KEEP YOUR FRIENDS DEAD, BUT YOUR ENEMIES DEADER!
As word spreads that Wolverine may have returned from the grave, a handful of his greatest adversaries come together to track him down and put him back there. But the brutal and horrific nightmare that SABRETOOTH, LADY DEATHSTRIKE and DAKEN uncover could lead to even more death than even these vicious killers can handle.

Preview: Swashbucklers: The Saga Continues #2

Swashbucklers: The Saga Continues #2

writer: Marc Guggenheim
artist: Andrea Mutti
covers: Butch Guice (A), Andrea Mutti (B)
Butch Guice (RI-B/W), Andrea Mutti (RI-B/W)
FC | 32 pages | $3.99 | Teen+

Facing the consequences of your actions is not always easy to do, as Raader is about to learn. She must come to grips with the way she has upset the balance of power, but even more devastatingly, how she has affected the lives of her crew. Meanwhile, a devastating and ancient force rears its ugly head to fill the vacuum of power!

Review: Action Comics #1000 Captures Superman’s Inspirational Power

In Action Comics #1000, an all-star team of writers, artists, and colorists try and for the most part succeed at getting to the heart of Superman. Some stories touch on different eras of history from his time in the 1930s as a non-flying, slumlord buster and the Mort Weisinger Silver Age sci-fi kookiness to classic comics like Kingdom Come. Others look at his relationships with his parents, wife/co-worker Lois Lane, and his arch-nemesis Lex Luthor. One story even looks far in the future of the DC Universe while another acts as a semi-controversial prologue to Brian Michael Bendis’ upcoming Man of Steel miniseries and his runs on Action Comics and Superman.

To give each story the attention it needs, I will do a short review of each one and score it at the end of the paragraph. A final aggregated score  will conclude this (hopefully not that long) “80 page giant” review.

Action Comics #1000 opens with one hell of a curtain call from writer/penciler Dan Jurgens, inker Norm Rapmund, and colorist Hi-Fi that acts as a victory lap for Jurgens’ DC Rebirth run on Action Comics and his tireless work turning Superman from the edgy, armor wearing New 52 version to his classic role as a heroic hope bringer and a family man too. The story is simple. Metropolis is holding a Superman celebration day, but Superman doesn’t want their praise and adulation and wants to keep saving the day. However, through a little trickery from Lois and the Justice League, he ends up getting his moment in the sun. Jurgens’ writing cuts to the core of Superman and his positivity with a small-time Metropolis criminal named Benning talking about how he got him a job after prison so he wouldn’t keep relapsing and running with different supervillains. His art is a little old school, but that’s not a bad thing, and Rapmund’s inking helps make the crowd shots sharp in a story that shows Superman’s bond with the citizens of Metropolis and the superhero community while not neglecting the family elements that have been a big part of the Rebirth era of Superman. There really wouldn’t be a superhero genre without him.

Story: 9.5 Art: 8 Overall: 8.8

The next story “Neverending Battle” from the Superman creative team of Peter Tomasi, Patrick Gleason, and Alejandro Sanchez is a tiny bit philosophical, somewhat historical, and definitely epic as a story only done in full page spreads. It’s about Vandal Savage weaponizing Hypertime to trap Superman in his own history so he can’t get back to Jon and Lois to celebrate his birthday. Tomasi’s writing is a little corny at times with adages like “What doesn’t kill you makes you stronger” and “History repeats itself”, but Gleason and Sanchez’s glorious visuals and the through-line of Superman consistently overcoming great odds wins out just like Superman over Vandal Savage. The first spreads are the most iconic with Golden Age Era Superman punching out gangsters, stopping locomotives, and throwing tanks around with Tomasi commentating on the simplistic, good vs. evil nature of these early stories. But he and Gleason aren’t afraid to get vulnerable with a poignant homage to the scene in The Dark Knight Returns where Superman is weakened after stopping a nuclear explosion that blocks out the sun or a page where he’s trapped in the Phantom Zone. However, despite cunning and powerful enemies and occasionally death itself, nothing will stop Superman from being a hero or spending time with his loved ones on his birthday. Gleason has a strong handle on the moral clarity and goodness behind Superman’s strength and I look forward to his upcoming work as the main Action Comics artist.

Story: 8.5 Art: 10 Overall: 9.3

The third story “An Enemy Within” with a script from Marv Wolfman, Butch Guice and Kurt Schaffenberger inking over recently discovered Curt Swan, and colors by Hi-Fi straddles a thin line between optimism and naivete and definitely falls on the naive side. Superman is too busy fighting Brainiac in Japan so he relies on Maggie Sawyer and the Metropolis PD to take out a mind controlled teacher, who is holding his students hostage. There is an opportunity to address social issues, like school shooting, gun control, police violence, and even homelessness in a scene towards the end, but Wolfman, Swan, and Guice gloss over these issues with a simplistic “humanity is good and will save themselves” mantra and use the mind control plot device to cover their asses. Honestly, your enjoyment of this story will depend on how much you believe in the idea of original sin or your tolerance level for after school specials. Guice’s inks bring an interesting grit to Swan’s usually clean, bright pencils, and honestly, the best part of the story is a solemn Superman pinup at the end inked by the late Schaffenberger.

Story: 4.5 Art: 6.5 Overall: 5.5

Geoff Johns, Richard Donner, Olivier Coipel, and Alejandro Sanchez turn in a stoic, 1930s era Superman story about a small time crook named Butch who gets his car beat up when trying to fight Superman. It’s probably the car from the cover of Action Comics #1. Johns and Donner’s take on Superman is a little rougher and little more stern, but he has a solid moral compass and cares for humanity as shown by his empathy towards Butch, who lost his dad in combat during World War I. Coipel’s art is wonderfully rough hewn and is like Norman Rockwell’s work without the sentimentality, and he even plays the “It’s a bird, it’s a plane…” line for sardonic, silent comedy. His Superman commands the page and is someone who you would listen to and definitely take seriously. He doesn’t smile either. But the ending of “The Car” has an earned happiness and is a little spark of light in a cynical world. Johns and Donner really get that heroism is about the little things and not flying the world backwards or time travel shenanigans.

Story: 9.5 Art: 10 Overall: 9.8

Scott Snyder, Rafael Albuquerque, and Dave McCaig tell a quiet, yet time spanning story about the relationship between Superman and Lex Luthor, and how Superman chooses to see the good even in his worst enemy. The story starts intense with shadow wreathed art and dark colors from Albuquerque and McCaig as Luthor has assembled some powerful MacGuffins to take out Superman. But he’s actually just star gazing at the Smallville Planetarium? Albuquerque’s art is sharper and sadder after that with a nostalgic orange palette from McCaig as Lex tells Superman that the planetarium was an escape from bad weather and his abusive parents. They seamlessly blend past and present as it’s revealed that a young Clark Kent gave Lex’s space laser a little boost and saved his life. Snyder uses this anecdote/flashback sequence to hold out hope for a time when “maybe” the cycle of hero and villain will be broken between Superman and Lex Luthor as the story fades to black.

Story: 9.6 Art: 9.8 Overall: 9.7

Tom King makes a case for winning back to back Eisners for Best Short Story in his, Clay Mann, and Jordie Bellaire’s contribution to Action #1000, “Of Tomorrow”. It’s a tone poem about Superman’s last day on Earth as he says goodbye to Ma and Pa Kent one last time as the Earth is engulfed in the sun with flames and winds that are reminiscent of the last days of Krypton. King writes Superman as an old man wrestling with his past and legacy, wishing he could save more people, and being supremely proud of his wife and son. And it gets deep at the end when he reflects on his father’s blend of science and faith. Mann captures each tiny, beautiful moment in his artwork as he makes art with his strength, tears, and freeze breath: a frozen statuette of Jonathan and Martha Kent like the one of Jor-El and Lara-El in the Fortress of Solitude. Bellaire goes for Earth tones in her colors as Superman immerses himself in his adopted planet before flying off forever. He loves his parents, he loves Earth, but he realizes that all planets die and all story ends. (Except for his comic book for now.)

Story: 10 Art: 10 Overall: 10

Two veteran comics creators Louise Simonson and Jerry Ordway show they still have a lot in the tank in their “Five Minutes” story with colorist Dave McCaig that expertly intertwines Superman’s life as a superhero and Clark Kent’s life as a journalist in five minutes. Simonson’s narration shows that both Clark and Superman’s “powers” come in handy in different situation as Superman is able to dart from a train accident to a hold up and finally to save the city from an asteroid just like Clark is able to write a story and get it in under deadline. It’s a quick, zippy read with a lot of heart and a kind of cheesy “twist” ending, but Simonson and Ordway show how much passion Superman/Clark Kent has for both saving people and reporting. He is precise, efficient, and knows when to fly to next crisis just like a writer juggling different projects. Plus there’s a Bibbo Bibbowski cameo, which will be a treat for Superman fans of the 80s and 90s.

Story: 8.0 Art: 8.5 Overall: 8.3

Paul Dini, Jose Luis Garcia-Lopez, Kevin Nowlan, and Trish Mulvihill turn in a cheeky homage to Superman’s history, Garcia-Lopez’s ability to skillfully render almost every DC Comics hero and villain, and most of all, Mr. Mxyzptlk. Mxyzptlk has the ability to wipe out Superman from the existence in the blink of an eye, but he’s more of a prankster than a coldblooded villain and enjoys toying with him instead. Dini, Garcia-Lopez, and Nowlan also provide a little meta-commentary on how stories involving superheroes in comics never seem to end even after they’re killed off or have passed their mantle to sidekicks or legacy heroes. Probably, because they’re too much fun. This story’s kryptonite is Dini indulging his sleazy side towards the end, but the energy and humanity of Garcia-Lopez’s figures and Mulvihill’s heroic colors more than make up for it.

Story: 7.0 Art: 9.0 Overall: 8.0

In a much darker story than the previous one, “Faster than a Speeding Bullet” happens in a very short span of time as Superman tries to stop a domestic abuser from shooting his girlfriend, Lila, in the head. Artist John Cassaday tells the story in a series of freeze frames as you can see the strain of Superman flying to stop the bullet, and the red, yellow, and blue of Laura Martin’s colors as his chances increase. Brad Meltzer starts incredibly dark in his script with Superman running calculations in his head that he won’t be able to save Lila and ends with Superman admitting that he is inspired by humanity as much as they are inspired by him. “Faster than a Speeding Bullet” is a taut, mini-thriller that also captures Superman’s essence and the strength of his and the people he inspire’s resolves.

Story: 8.5 Art: 8.5 Overall: 8.5

The final story in Action Comics #1000 is Brian Michael Bendis’ DC debut with Jim Lee, Scott Williams, and Alex Sinclair doing the art. Lee and Williams definitely put the “action” in Action Comics, and most of the story is a third act of Man of Steel fight sequence with collateral damage galore as new giant sword wielding alien conqueror villain Rogol Zaar crashes all over Metropolis and tries to kill the last two Kryptonians on Earth. Yes, Supergirl has a cameo in this comic and is there to get her ass kicked as much as Superman. Bendis’ writing is quippy as ever and doesn’t really pair well with the disaster movie feel of Lee and Williams’ art. He seems to be going for an “Avengers Disassembled” type of throughline in his approach to Superman by physically breaking him down and also taking shots at his past. Yes, the final page of Action Comics #1000 is a huge retcon for Superman’s character, and hopefully, Bendis has the reasoning and great story to back it up, or Rogol Zaar might just be a Mongul knock-off with a cooler sword.

Story: 6.0 Art: 8.0 Overall: 7.0

 

Story: Dan Jurgens, Peter Tomasi, Marv Wolfman, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, Brian Michael Bendis  Art: Dan Jurgens with Norm Rapmund, Patrick Gleason, Curt Swan with Butch Guice and Kurt Schaffenberger, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, Jose Luis Garcia-Lopez with Kevin Nowlan, John Cassaday, Jim Lee with Scott Williams  Colors:  Hi-Fi, Alejandro Sanchez, Dave McCaig, Jordie Bellaire, Trish Mulvihill, Laura Martin, Alex Sinclair
Story: 8.2 Art: 8.8 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: Action Comics #1000

Celebrate 1000 issues of Action Comics with an all-star lineup of top talent as they pay tribute to the comic that started it all! From today’s explosive action to a previously unpublished tale illustrated by the legendary Curt Swan to the Man of Tomorrow’s future-this very special, oversized issue presents the best of the best in Superman stories!

Action Comics #1000 feels like an end, a beginning, and a celebration of a landmark moment, one thousand issues and almost 80 years of Superman. The issue is full of some top notch talent with numerous stories of varied style and quality. All of it though is entertaining in some way.

The issue opens up with writer Dan Jurgens‘ finale to his latest run with “From the City That Has Everything.” It’s clear from his latest run (and all his Superman material) that he loves the character and this story which features art by Jurgens, ink by Norm Rapmund, color from Hi-Fi and letters by Rob Leigh, is that recognition as Metropolis honors the Man of Steel. It’s a cheesy story but one that is so in a way that a speech from someone honoring someone else might be. Touching and a fine way for Jurgens to wrap up his run.

The second story is a really cool one that weaves a story out of what is essentially pin-ups. It’s a great way to include such a thing in a comic without it just being images. I hope we see more of this and the art is from a who’s who of creators. It involves Superman going through time and gives a way for artists to take advantage to take us readers through Superman’s history, some of his key moments, and different artistic styles we’ve seen. It’s an utterly brilliant story and presentation and a highlight of the celebration.

Marv Wolfman and Curt Swan team up for “An Enemy Within” which feels like a bit of a retro story in both pacing and art. While not bad it’s an interesting reminder of how much storytelling has changed over the years. I don’t want to give too much away but the story has some nice twists involving a hostage situation.

“The Game” sees Superman and Lex Luthor match wits in a game of chess. Paul Levitz and Neal Adams team up for the story and it’s interesting and one you can probably debate about the deeper meaning. It’d be nice to see this story in a longer form as there’s a lot to work but with just a few pages we don’t get a lot of depth, just fun twists that feel like they’re from the 80s and an homage to an Adams classic moment.

Geoff Johns, Richard Donner, and Olivier Coipel come together for “The Car” which has a criminal recounting how his car was destroyed by a mysterious flying man. The art is fantastic and I think some of my favorite work by Coipel who seems to be channeling Frank Quitely. It’s such a simple story but one that really digs into what makes Superman super.

“The Fifth Season” sees Scott Snyder and Rafael Albuquerque come together as Superman and Lex Luthor come together in Smallvill. It’s an interesting story that again explores the relationship of the two characters. Particularly it focuses on Luthor being oblivious to the good that Superman does that he doesn’t acknowledge or is even aware of. It’s another story that can be debated as far as its deeper meaning and themes.

“Of Tomorrow” is Tom King, Clay Mann, Jordie Bellaire, and John Workman having Superman revisit Earth one last time before it’s consumed by the sun. It’s a reminder of the loss of the character and a deeply touching entry.

Louise Simonson and Jerry Ordway come together for “Five Minutes” which reminds us that Superman has a few jobs, hero and reporter (as well as husband and father). It’s a fun story that plays on the speed of the character and that how he can some times mess up one job due to the other. A funny ending that gave me a chuckle.

“Actionland!” has Paul Dini and José Luis García-Lopez focus on our favorite imp who has it out for Superman. It’s the odd story of the bunch with the focus on the villain but is a reminder that like Superman, some of them have infinite power that they hold back due to… something.

Writer Brad Meltzer and artist John Cassaday honor Christopher Reeve with “Faster Than a Speeding Bullet” that has Superman racing to prevent a gun going off and killing a woman. It’s a fantastic story and I had no idea how it’d resolve. Again though, it’s a reminder of some of the things that makes Superman great and boils the character down to his goodness and how he inspires and is inspired.

“The Truth” is Brian Michael Bendis‘ DC debut with art by Jim Lee and what is supposed to lead into the miniseries The Man of Steel which kicks off Bendis’ run. Out of all of the stories, this is the low point of the issue honestly. Maybe it’s the hype but there’s a new baddie who’s out to kill Kryptonians and while Metropolis is getting destroy two civilians are focused on Superman’s underwear? It’s very Bendis and while funny, especially with Lee on art, it doesn’t quite work and honestly lowered my excitement for what he has coming.

There’s a lot packed in here and something for everyone. No matter the era of your enjoyment there’s a story that fits it and this is really a comic that has an amazing amount of talent. It’s truly a celebration of such an iconic character and for the celebration alone it’s a purchase. At times, comics like this are a let down, but this is the exception with every story entertaining in some way and a few that shine. It’s the rare oversized celebration comic that lives up to the occasion.

Story: Dan Jurgens, Peter J. Tomasi, Marv Wolfman, Paul Levitz, Neal Adams, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, Brian Michael Bendis
Art: Dan Jurgens, Patrick Gleason, Curt Swan, Neal Adams, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, José Luis García-Lopez, John Cassaday, Jim Lee
Ink: Norm Rapmund, Butch Guice, Kurt Schaffenberger, Kevin Nowlan, Scott Williams
Color: Hi-Fi, Alejandro Sanchez, Dave McGaig, Jordie Bellaire, Trish Mulvihill, Laura Martin, Alex Sinclair
Letters: Rob Leigh, Tom Napolitano, Dave Sharpe, Nick Napolitano, John Workman, Carlos M. Mangual, Josh Reed, Chris Euopoulos, Cory Petit
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Preview: Swashbucklers: The Saga Continues #1

Swashbucklers: The Saga Continues #1

writer: Marc Guggenheim
artist: Andrea Mutti
color: Chris Sotomayor
letterer: Taylor Esposito
editor: Kevin Ketner
covers: Butch Guice (A), Philip Tan (B), Andrea Mutti “Raader Character Design” (RI), Butch Guice (RI-Virgin), Philip Tan (RI-B/W), Butch Guice (RI-B/W)
FC | 32 pages | $3.99 | Teen +

The last we saw of the crew of the Starshadow in the pages of Bill Mantlo and Butch Guice’s Swords of the Swashbucklers, it seemed that all was lost. Decades later, Raader and her crew return to bring their adventuring to the cosmos once again!

Marc Guggenheim (X-Men Gold, Spider-Man) and Andrea Mutti (Rebels, Port of Earth) team up to continue the epic space adventure. Learn of the return of the legendary space pirates as The Saga Continues!

The Hunt for Wolverine Features Four Series from Four Creative Teams

Logan’s return was just the beginning – the opening chapter of a story that will touch all corners and all characters of the Marvel Universe! Dive into all the excitement in the Hunt for Wolverine one-shot this April, and then be sure to follow all of the action with Weapon Lost, Adamantium Agenda, Claws of a Killer, and Mystery in Madripoor.

Featuring thrills and chills for all X-Men fans as Wolverine’s past comes back to haunt all our merry mutants, each unique story harkens back to their old school adventures – with each featuring a different shocking X-Men moment that no fan will want to miss!

Things kick off April 25th with Hunt for Wolverine #1 written by Charles Soule, art by David Marquez, and cover by Steve McNiven.

The Hunt for Wolverine: Weapon Lost debuts on May 2nd. That four issues series is by writer Charles Soule, artist Matteo Buffagni, and covers by Greg Land.

Writer Tom Taylor and artist R.B. Silva team up for Hunt for Wolverine: Adamantium Agenda. The four issues series features covers by Greg Land and debuts May 9th.

The four issue series Hunt for Wolverine: Claws of a Killer is by writer Mariko Tamaki, artist Butch Guice, and features by Greg Land. It comes to shelves May 16th.

And last, but not least, writer Jim Zub, artist Thony Silas take us to Madripoor with the four issue series Hunt for Wolverine: Mystery in Madripoor. It features covers by Greg Land. It comes to shelves May 23rd.

Review: The Adventures of Captain America

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got Captain America!

The Adventures of Captain America collects issues #1-4 and Captain America: The 1940s Newspaper Strips #1-3 by Fabian Nicieza, Kevin Maguire, Kevin West, Steve Carr, Josef Rubenstein, Terry Austin, Tom Christopher, Paul Mounts, Richard Starkings, Barry Dutter, Mike Rockwitz, Karl Kesel, Ben Dimagmaliw, Jared K. Fletcher, Butch Guice, Rachel Pinnelas, Lauren Sankovitch, Bill Rosemann, Tom Brevoort, Tim Smith 3, Harry Go, and John Cerilli.

Get your copy in comic shops today and in book stores March 13. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFW

 

Marvel​ provided Graphic Policy with FREE copies for review
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The Life and Death of Toyo Harada, a Six-Part Prestige Series

Valiant has announced The Life and Death of Toyo Harada #1 – the FIRST ISSUE of a SIX-PART, PRESTIGE SERIES from Eisner Award-winning writer Joshua Dysart and spectacular rising star CAFU! Alongside each oversized issue’s main narrative – set in the present day and featuring stunningly detailed art by CAFU – each chapter of The Life and Death of Toyo Harada will also feature a striking episode from Harada’s past, illustrated by a rotating cast of staggering guest talents, including Mico SuayanLewis LaRosaAdam Pollina, and more yet to be revealed when the series debuts in early 2019.

The Life and Death of Toyo Harada #1 will see Dysart – one of the driving forces behind Valiant’s visionary Harbinger saga – make his long-awaited return to the forefront of the Valiant Universe with a sweeping, continent-spanning chronicle of the man behind the rise and fall of the Harbinger Foundation…and, in the modern day, his last gambit to remake Earth in his own utopian image…or sacrifice everything in the process…

“The empires of the future are the empires of the mind.” – Toyo Harada, 1992

In 1945, the bombing of Hiroshima awakened an immense and terrifying power inside young Toyo Harada. A literal “child of the bomb,” as a newly orphaned teenager he quickly discovered that the explosion had unlocked extraordinary and extremely rare psionic powers within him. Powers that could allow him to read thoughts and control matter… To bend steel and stop bullets… To manipulate armies and deceive governments… To reshape the wills of men…and build a better world.

Ripped from his own family in a blinding flash of heat and fire, Harada set out to build a new one for himself…and dedicated decades to finding and activating other unique “psiots” – thousands of fellow latent telekinetics unknowingly living across the globe – that could be harnessed to further his mission. Across the years, he publicly became a billionaire businessman and philanthropist as CEO of Harada Global Conglomerates, while in secret, he quietly erected the Harbinger Foundation – a clandestine international operation dedicated to recruiting and training psiots for the day when their skills would be needed.

In 2019, that day will finally come. With the existence of psiots revealed to the world and the Harbinger Foundation left in ruins, Harada has been run to ground and outed as the invisible hand behind the course of recent human history. With his resources dwindling and a death warrant on his head, the world’s most powerful man is about to become its most dangerous…

Featuring cover artwork by Eisner Award-nominated artist Butch Guice and more yet to be revealed!

Preview: Black Panther and the Crew #6

Black Panther and the Crew #6

(W) Ta-Nehisi Coates, Yona Harvey (A) Butch Guice (CA) John Cassaday
Rated T+
In Shops: Aug 30, 2017
SRP: $3.99

• Black Panther and the Crew finally crack the case surrounding the mysterious death of Harlem community pillar Ezra Keith!
• In the wake of Ezra’s life one thing is certain: the world needs the Crew now more than ever!

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